100 Books Like The Midnight Guardians

Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.

I am the oldest of six children – all girls! I used to make up imaginary worlds for my little sisters. We’d steal clothes from Mum and Dad for dressing up; we’d pull all the cushions off the sofa to make a show; we even used to put ribbons on the poor dog. Nowadays I write books with magic and fairy tales and adventure. I write for the child inside me; the child that loved an exciting, fantastical story. I have written over 50 books for children from picture book to middle grade, and I still love inventing imaginary worlds.

I am the oldest of six children – all girls! I used to make up imaginary worlds for my little sisters. We’d steal clothes from Mum and Dad for dressing up; we’d pull all the cushions off the sofa to make a show; we even used to put ribbons on the poor dog. Nowadays I write books with magic and fairy tales and adventure. I write for the child inside me; the child that loved an exciting, fantastical story. I have written over 50 books for children from picture book to middle grade, and I still love inventing imaginary worlds.

I am the oldest of six children – all girls! I used to make up imaginary worlds for my little sisters. We’d steal clothes from Mum and Dad for dressing up; we’d pull all the cushions off the sofa to make a show; we even used to put ribbons on the poor dog. Nowadays I write books with magic and fairy tales and adventure. I write for the child inside me; the child that loved an exciting, fantastical story. I have written over 50 books for children from picture book to middle grade, and I still love inventing imaginary worlds.

I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creating a world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.

Although I’m from New Zealand, Europe has been home for a lot of my adult life, and that has included a lot of time in North Yorkshire. It always seems to me that there’s potential for magic around every corner, in the deep sinkholes and high fells of the Dales, or the cobbled charm of the York Shambles and the loom of the Abbey over Whitby harbour. So I do feel that the fact so many stories are set in London is a waste of so many delightfully different settings, and I make a point of hunting out as many alternatives as I can. I hope you enjoy this selection!

I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.

Warner is a multi-disciplinary artist who began with object theatre – writing, designing and building characters, and performing. Now, history writing is his primary focus, having written two books for 14 years, and still counting, writes a monthly blog, combining words and images to tell stories of early Snohomish. 

I grew up in suburbia—or urban sprawl—with fairytales and children’s nonfiction series like Lands and Peoples. My passion for reading (and history and art museums) nurtured my sense of wonder and awe at the richness of the world. I was inspired to write nonfiction about heroic people by my own children, whose social studies education lacked dazzle and examples of heroism. I had already been creating educational materials for schools, but I wanted to inspire their wonder about and appreciation of the world. My kids are grown, but I’m still writing for young readers. An avid world traveler and historian, I've always aspired to bring other people, places, cultures, and times to life.

The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.