Here are 100 books that The Talking Vegetables fans have personally recommended if you like
The Talking Vegetables.
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When offered a plot at the community garden, I thought it would be fun to invite other families to learn to grow food together. As a science teacher, I knew that for toddlers, digging in the dirt and growing plants for food could plant seeds for a life-long love of exploring nature, hands-on science inquiry, environmental stewardship, and joy in healthy eating. As we gardened, I noticed what questions children and their parents had, and how we found the answers together. I wrote the picture book How to Say Hello to A Worm: A First Guide to Outside to inspire more kids and their parents to get their hands dirty.
What is the point of gardening? Why all this digging around in the dirt? Lois Ehlert's Growing Vegetable Soup brings us through the steps and meaning of growing food, right up to the point: the empowering and delicious pay-off moment of making soup and eating it. But check out all her books on the theme. Ehlert's bright colors and shapes make an irresistible read, perfect for toddlers and preschoolers.
A book for the very young child which tells the story of a father and child who plant seeds in the garden. The book shows how the tiny plants grow and are cared for, and finally how the fully-grown vegetables are gathered up and taken into the kitchen to be prepared for soup.
When offered a plot at the community garden, I thought it would be fun to invite other families to learn to grow food together. As a science teacher, I knew that for toddlers, digging in the dirt and growing plants for food could plant seeds for a life-long love of exploring nature, hands-on science inquiry, environmental stewardship, and joy in healthy eating. As we gardened, I noticed what questions children and their parents had, and how we found the answers together. I wrote the picture book How to Say Hello to A Worm: A First Guide to Outside to inspire more kids and their parents to get their hands dirty.
What Will Grow? makes a game out of observing and guessing the identities of seeds and sprouting plants: preschoolers get to guess based on observing picture clues and hearing rhyming riddles before lifting the flaps to reveal each answer. This book builds connections between the stage of garden plants' development and also provides practice in building science skills.
From the team behind the gorgeous What Will Hatch? comes a companion book all about seeds and the plants that grow from them--and featuring four pull-out gatefolds.
Seeds can be big or small, round or pointy, and all sorts of colors. They can become flowers, trees, fruits, or vegetables, and they sprout all times of year, during spring, summer, fall, and winter.
But all seeds have one thing in common--inside each is a new plant life waiting to emerge. What kind of plant will bloom? Wait and see what will grow!
When offered a plot at the community garden, I thought it would be fun to invite other families to learn to grow food together. As a science teacher, I knew that for toddlers, digging in the dirt and growing plants for food could plant seeds for a life-long love of exploring nature, hands-on science inquiry, environmental stewardship, and joy in healthy eating. As we gardened, I noticed what questions children and their parents had, and how we found the answers together. I wrote the picture book How to Say Hello to A Worm: A First Guide to Outside to inspire more kids and their parents to get their hands dirty.
When I was very small, planting peas in the garden with my grandfather, I felt like a sorcerer's apprentice being initiated into a realm of magic. Carron Brown'sSecrets of the Vegetable Garden brings me back to that age of wonder by setting up mysteries to solve. Holding pages up to the sunlight reveals the answers to mysteries and riddles, and shows us what is secretly happening: potatoes growing under the earth, or seeds forming inside a fruit.
What is hidden in the world around us? For ages 3 and up, the uniquely designed Shine-A-Light series of books uncovers the facts behind a diverse range of places and topics through hidden images that are revealed by light. First, view a full-colour scene and read about what is pictured - but what else is there? Shine a torch behind the page, or hold it up to the light, to reveal what is hidden. Turn the page to read fun facts about the hidden image in black and white. A world of surprises awaits!
When offered a plot at the community garden, I thought it would be fun to invite other families to learn to grow food together. As a science teacher, I knew that for toddlers, digging in the dirt and growing plants for food could plant seeds for a life-long love of exploring nature, hands-on science inquiry, environmental stewardship, and joy in healthy eating. As we gardened, I noticed what questions children and their parents had, and how we found the answers together. I wrote the picture book How to Say Hello to A Worm: A First Guide to Outside to inspire more kids and their parents to get their hands dirty.
My toddlers loved Eric Carle's Pancakes, Pancakes!– and enjoyed hearing it over and over. Enticed into the story by Eric Carle's vivid and lively illustrations, you'll follow Jack as he asks his mom for pancakes for breakfast, then goes on an out-sized quest for all the ingredients from all over the farm and countryside.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Anansi the Spider is one of the classic African stories that inspired me to go into storytelling as a career. Reading this book, and watching its animated counterpart as a child, totally enthralled me. The combination of the bright, bold colours and graphical aesthetic, with the mystique of the folklore felt just like magic to me. The fable told here comes off as profound yet funny and quirky. This book is a must for anyone interested in fables and African folklore in particular.
As a boy, Joseph D’Agnese grew up absolutely convinced that he was terrible at two school subjects: math and science. Lo and behold—he ended up making a career writing about both! For more than seven years, he edited a children’s math magazine for Scholastic, and was rewarded for his work by multiple Educational Press Association Awards. His children's book about the Fibonacci Sequence, Blockhead: The Life of Fibonacci, is available in five languages worldwide, and as a classroom DVD. Blockhead is an Honor Book for the Mathical Book Prize—the first-ever prize for math-themed children's books. Joe’s work in science journalism has been featured twice in the prestigious annual anthology, Best American Science Writing.
This is a classic mathematical fable that has been brought to life by several authors. Demi sets the story in India, and it’s marvelous to watch how quickly the numbers add up when you take a single grain of rice and double it day after day. The illustrations, inspired by traditional Indian art, are breathtaking, and may well inspire your child to create their own mathematical art. At the very least, they’ll start demanding more tasty rice dishes at the dinner table.
Long ago in India, there lived a raja who believed that he was wise and fair. But every year he kept nearly all of the people's rice for himself. Then when famine came, the raja refused to share the rice, and the people went hungry. Then a village girl named Rani devises a clever plan. She does a good deed for the raja, and in return the raja lets her choose her reward. Rani asks for just one grain of rice, doubled every day for thirty days. Through the surprising power of doubling, one grain of rice grows into more…
My passion for mythic stories began as early as the age of five, when my father had me tested and found I was reading over two hundred words a minute. He quickly saw the need to feed my thirsty young mind and placed epic fantasy books (most beyond my comprehension) in my tiny hands. As for my absorption with stories that impact the soul, I'd have to say my strongest interest came from my need for it. That need has shaped me and shaped my writing, much more than any list of qualifications, which include being a licensed minister, a professional pianist and cinematic composer, and now a published author.
I grew as a person after reading Outlaws of Sherwood, largely because McKinley penned this mythic retelling of the story in such an introspective way.
I realized that life was grounded in reality, not in the fantastical, possibly “legendary” things that are said about us… or done to us. I also realized the difficult choices I had to make in the midst of conflict didn’t entirely define me—though they might in the eyes of everyone else.
What was more influential to my own life story (and vitally important) was my own inner perspective—the way I viewed myself, the way I related to my own situation, whether healthy or unhealthy. This story shaped me as a person and set the stage for me as an inward-looking writer.
I love to write about the places, folklore, nature, and above all the magic of Cornwall. I have lived in Cornwall most of my life, I learned to crawl along the rockpools of Cornish beaches and I went to school in a moorland village. Now, I live on the edge of Bodmin Moor and write in the Cornish wilds, I live close to both the moors and the sea. I began writing for Cornish folklore project Mazed in 2013 and I have been retelling Cornish Folk Tales and writing poetry and stories inspired by Cornish folklore ever since.
Cornish Folk Tales takes the reader on a journey into the heart of Cornish Storytelling.
I have listened to Mike O’Connor many times and he is a master storyteller. I love the Cornish Droll telling tradition; droll tellers went from place to place telling tales for a bed and a bite to eat. The narrators of Cornish Folk Tales, blind droll teller Anthony James and his guide young Jamie are a perfect combination.
Mike O’Connor, through Anthony tells the tales with anecdotes, music, history, and Cornish language. This book taught me how to approach folklore retelling in an accessible way.
Reading I felt myself beside the firesides of Cornwall, listening to tales of dragons, mermaids, giants, and saints; puzzling over riddles, and learning about Cornish traditions and music
The ancient land of Cornwall is steeped in mysterious tradition, proud heritage and age-old folklore. Before books were widely available, wandering 'droll tellers' used to spread Cornish insight and humour to all parts of the Duchy - exchanging their tales for food and shelter. Anthony James was one such droll teller, and this collection follows him as he makes his way around Cornwall one glorious summer. Richly illustrated with hand-drawn images and woodcuts, Cornish Folk Tales will appeal to anyone captivated by this beautiful land and its resident kindly giants, mischievous piskeys, seductive mermaids, bold knights and barnacle-encrusted sea captains.
Long before I became a “fairy tale scholar,” I was keenly aware of the ways that fairy tales saturate our cultural landscape. Given their ubiquity, who isn’t? But my awareness was always a discomfiting one, an unnerving at the fairy tale’s insistent cheeriness; it was this unnerving that made me fall deeply in love with The Bloody Chamber, the collection that so beautifully flays the fairy tale to reveal its dark and sordid heart. In researching The Bloody Chamber, I saw ever more clearly that the fairy tale’s grim underbelly involves not only twisted ideas about gender and desire and love but also about race, and this discovery has motivated my research over the past decade.
Bolu Babalola’sLove in Coloris, technically, more a collection of reimagined myths than a collection of retold fairy tales, but the stories are so richly and wonderfully rendered, so smart and edgy and beguiling, that it seems silly to privilege a strict genre definition over a powerful collection. Babalola is shameless in her embrace of love—indeed, she confesses that she loves love—and yet her contemporary takes on global myths trouble any easy ideas about love the reader might bring to the collection. Love, here, is messy, tangled, frightening, and—according to Babalola—worth the tribulations it inspires.
"Love stories by and about marginalized women . . . The heroines are strong and sure . . . Babalola’s writing shines.” — New York Times Book Review
"Absolutely intoxicating." — Casey McQuiston, New York Times bestselling author of Red, White, and Royal Blue and One Last Stop
A vibrant debut collection of love stories from the bestselling author of Honey and Spice, retelling myths, folktales, and histories from around the world.
A high-born Nigerian goddess, who has been beaten down and unappreciated by her gregarious lover, longs to be truly seen. A young businesswoman attempts a great…
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
I have a real thing about needing the setting to be pretty much a character in itself in the folk horror I read.
For me, it is that which brings out the atmosphere, the sense of otherworldliness, critical to such stories. Starve Acre, a haunting tragedy, set in bleak moorland offers no rural idyll. The desolate setting perfectly mirrors the disintegrating marriage of a couple who are trying come to terms with the loss of their young son.
Whilst the wife turns to the spirit world, the husband researches a legend, uncovering the sinister story of the demonic Jack Grey as he does so. Bringing the legend to life and turning it into delusion, culminates in one of the most disturbing final scenes I’ve come across, certainly gave me chills.
The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.
Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.
