Books like The Married Widows of Cornwall — picked by fans

Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world. 

Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world. 

Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world. 

Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world. 

I began writing after reading multiple novels and watching the masters unfold stories page after page. With a background in homicide (working them, not committing them) and the move to forensics, a homeless man’s murder prompted me to write my first novel after I identified the deceased by skin removed from his thumb. I was hooked. Experience in the medical examiner’s office taught me how inciting incidents develop into an abundance of mystery, suspense, and thrills. It’s never as bad as it seems; it’s worse. The dead, unlike witnesses, tell the truth about what happened. More ingenious ways to die than ever imagined. This is why I write.

My first experience with historical fiction was reading The Witch from the Sea by that iconic author, Victoria Holt. This sparked a 40-year-long love affair with that genre that’s still burning intensely. I’ve been immersed in such fiction for a lifetime and have read the works of virtually every great author in this genre. I started my own series in 2020 because I feared this type of no-fluff fiction was becoming obsolete. There were 17th Century English characters making noise in my head so I used my creative writing background to bring them to life on the pages of my books, under the pen name Jessica Russell. 

Fresh from college, I arrived in South Korea in 1976 to teach English as a Peace Corps Volunteer, and despite my naivete, or maybe because of it, I fell in love with the country—the people, the food, the culture, the history. I have since lived and worked in many other countries, but Korea will always be my first love and I have returned many times for both work and pleasure. When I became a fiction writer, I was keen to read the work of Korean novelists who, naturally, had an even better understanding of their culture than I did, and I love staying connected to the country in this way.

I'm addicted to memoirs. I love to peek inside another person's life, especially when the author embraces radical transparency, and I can’t resist being swept into the heart and mind of a courageous midlife woman. I admire writers who take risks, who remind me that sometimes our decisions, our humanness, take us down difficult roads. I'm a Professor of Communication Studies, and I author a Substack called Life Talk, which explores human connection—with others and with ourselves. The books on this list reflect both personal and professional passion: I'm endlessly drawn to self-reflexive inquiry, to stories that help me understand identity, resilience, and the courage it takes to transform.

In my first career as an actress, I often got cast as the “comic relief” in more serious films and plays. I cut my acting chops on improv comedy before getting my BFA in drama from NYU and performing in everything from Shakespeare to Seinfeld. I wrote and performed in stage shows at Disneyland and Disney World and screamed myself hoarse in B-horror films. As an author, I like to write about serious topics but I just can’t help being funny. I received my MFA from Antioch University and have had over 30 short stories and essays published. While I read voraciously (and genre-indiscriminately), my favorite books are often “darkly comedic” or “funny yet poignant.”

I’m an author and a romantic. Put the two together and it makes sense for me to write love stories. I’ve always been interested in relationships and fascinated by how complex our feelings make us when we fall in love. There’s a love story in all my books, but for the last three novels, a love story has been the story. I’m a Londoner too, and I like it when a city becomes another character in a book, as I hope London has in The Central Line.