Books like Unsaid

Strayed’s personal transformation through nature and challenge is what I loved in this memoir.

Wild starts off in crisis. The gritty detail throughout doesn’t shy away from the depths of human experience like grief, addiction, and loss (of unconditional love). The narrator has an incredible plan to get herself out of the mess of her current life. Could she do it?

I love a story of someone who is lost, in despair, and goes on a mission to change herself through a connection with nature. Wild delivers. Strayed’s writing brilliantly weaves together her journey in nature with her backstory of how she came to crisis.

This memoir made me fall in love with California’s topography all over again.

Next, we have a true standout in YA—a novel that arguably revolutionized the mystery genre for teen readers.

While mysteries have long been a staple in YA literature, in my view, this book sparked a new age. This novel, now adapted into a popular Netflix series, firmly established YA mystery as a force to be reckoned with, largely thanks to its clever twist.

Taut, scandalous, and enthralling, this book exemplifies the blame game genre.

In my book, the character learns that death is not a permanent phenomenon, but something more cyclical – so it’s no surprise that The First Time I Died sits at the top of my list. The novel centers around Garnet McGee, who returns home for the holidays and gets swept away in a cold case involving the death of her boyfriend. That is, until she falls into a frozen pond and drowns. This story is a dark roast coffee with just the right sprinkle of sugar – a tragic death interwoven with memories of a once-in-a-lifetime love. 

With a codependent mother relationship that feeds into various forms of abuse (CW: eating disorders being one of them) and Hollywood as the backdrop for this coming-of-age story, this is an important, unforgettable memoir.

It’s a gift to be so darkly funny and honest as a nonfiction writer, particularly when your own deep vulnerability is in service of something larger. Written in short numbered passages that span McCurdy’s life from early childhood into adulthood, this true story is a perfect rollercoaster.

Both laugh-out-loud funny and deliriously sad, there’s never a moment you won’t feel held by this book and this writer.

While Come With Me has less paranormal in its blend, the book’s recipe is chock-full of foreboding suspense, eerie folklore, amateur sleuthing, and contemporary issues. Aaron Decker’s wife is tragically killed in a mass shooting. After five years of marriage, he thinks he knew her. But then he finds her padlocked hope chest. Inside are files about unsolved murders, all women victims. Is a serial killer on the loose? And why or how was his wife involved? Aaron follows the trail she left behind. Goosebumps suggest he’s not alone. Or are they from the dark secrets he unveils? Aaron’s narration is authentic and close—so close that readers eavesdrop on him speaking directly to his dead wife. Incredibly raw. Come With Me is masterful at building atmospheric and emotional tension.

Linwood Barclay is a fellow Canadian crime writer who imagines terrifying scenarios and takes stories through startling twists and turns of non-stop tension and suspense better than most.

Stephen King is a big fan of his writing in the style of horrifying domestic thrillers. In The Accident, we meet the humble hard-working neighbour with an eight-year-old daughter who discovers his wife killed in a car accident. The police claim she was the drunk driver who was responsible for it.

Garber has to believe the evidence but starts to explore what really happened and learns that his friends and neighbours are involved with dangerous criminals who are prepared to kill to protect their illegal activities. 

Fabiaschi’s story is told from two very different perspectives.

One is from earth and told from the perspectives of a grieving daughter and husband as they grapple with their loss. The other is from purgatory or a stasis from the perspective of the mother/wife who seems to have committed suicide. But everything is not as it seems. From the afterlife, Maddy tries to help her grieving family find answers and closure.

I was fascinated by the way Maddy attempts to affect the lives of her loved ones.

Not only did I laugh all the way through this rollicking novel, but I felt as if author Steve Toltz is a brother writer from a cousin muse to my own.

Angus Mooney, the protagonist, is a thief, a romantic, and a philosopher who is dedicated to the easier path of not learning or understanding anything. And, not a spoiler, he dies.

If you console yourself that a better life awaits you in heaven, or if you're resigned to life being painful, but after all, it's only temporary, and once it's over, it'll be over, think again.

In this shockingly inventive, wildly funny epic about one man's life, death, and beyond, you may have some epiphanies about existence in general and how you want to spend or squander your time.

For years, I had an itch to try my hand at writing, but I could never come up with a decent storyline. All my stories were in the spy-thriller genre (think John Le Carre), and they were all dreadful. While I loved the spy thriller genre, I also read a wide variety of mystery-thrillers and happened upon the book Spencerville by Nelson DeMille.

The story revolves around three characters who are caught up in a love triangle and struggle for power in a small town in the USA. I was totally captivated by the book and how a simple story involving only three main characters could be so compelling and entertaining. And, not only did I enjoy the story, but it made me rethink the kind of books I wanted to write. I moved away from the spy thriller genre and started thinking about stories I could write in a… show more.

This book about an isolated woman who gets caught up in Frankenstein’s quest to build a bride for his creation is actually more horrifying before Victor shows up.

The description of the Orkney Islands is stark and moody, infusing the story with atmosphere. The details of an 18th century woman’s life and its hazards are devastating. I sympathized with Agnes in her frustration, despair, and betrayal, and I celebrated her striving for autonomy.

Mostly, I appreciated how McGregor brought to life a narrow section of Shelley’s original story.