Here are 100 books that The March Fallen fans have personally recommended if you like
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The 1930’s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? No! Only one deeply familiar with an exciting decade.
First of all, I loved this book because the historical background Larson writes about benefited my understanding of the early rule of Hitler as Germany’s Chancellor.
This is the period my novel opens in. As Larson’s story unfolds, he does an excellent job of making the historical truth read like a novel. I loved this. However, what disturbed me was Ambassador Dodd’s inability to convince the State Department of the horrors unfolding under Hitler’s rule. While this truth disturbed me, it also gave me insight as to how this information would enhance the reliability of my novel’s historical background.
Please understand what I’m trying to convey here. This was not a work simply to help me write a novel. No. This book is profound in revealing to a reader how Washington didn’t act quickly enough in recognizing Hitler as a world threat. And Larson presents this truth in a page-turning…
It's Berlin, 1933. William E. Dodd, a mild-mannered academic from Chicago, has to his own and everyone else's surprise, become America's first ambassador to Hitler's Germany, in a year that proves to be a turning point in history. Dodd and his family, notably his vivacious daughter, Martha, observe at first-hand the many changes - some subtle, some disturbing, and some horrifically violent - that signal Hitler's consolidation of power. Dodd has little choice but to associate with key figures in the Nazi party, his increasingly concerned cables make little impact on an indifferent U.S. State Department, while Martha is drawn…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
After thirty years in corporate America, I retired to learn the craft of writing literary fiction—publishing my first novel at sixty-two. I write about characters faced with seemingly impossible situations whose choices ultimately reveal who they truly are. Through mindful self-awareness, I want readers to search within themselves to think about what they would do in a similar situation. These are five books that shaped my understanding of what literary fiction can do through deep characterization.
A brilliant example of finding meaning in who you are meant to be and finding dignity in it when others may not see it the same way.
When Stevens, the butler, realized his true worth and value, he was able to approach the world from a better place. I think about this every time I write about a character who needs to believe more in himself.
*Kazuo Ishiguro's new novel Klara and the Sun is now available to preorder*
The Remains of the Day won the 1989 Booker Prize and cemented Kazuo Ishiguro's place as one of the world's greatest writers. David Lodge, chairman of the judges in 1989, said, it's "a cunningly structured and beautifully paced performance". This is a haunting evocation of lost causes and lost love, and an elegy for England at a time of acute change. Ishiguro's work has been translated into more than forty languages and has sold millions of copies worldwide.
Stevens, the long-serving butler of Darlington Hall, embarks on…
The 1930’s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? No! Only one deeply familiar with an exciting decade.
I loved Kerr’s decision to view Berlin through the eyes of his PI Bernie Gunther because I’m seeing fascism through the eyes of a protagonist who cares little about an ideology he recognizes as flawed.
It creates an interesting tension for the character—a strategic loyalty, a quiet resistance to something he knows he can’t topple, so he remains himself—true to his own personality. I love the arc Kerr creates that had me locked into his noir world.
Detective Kate Bowen is out of time—and out of options.
A surveillance operation on the Irish border goes cock-eyed. Detective Kate Bowen is left red-faced when her target vanishes into the mists of the Irish Sea. She must work smart to figure out where he’s headed and what he’s plotting.
The 1930’s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? No! Only one deeply familiar with an exciting decade.
I loved this novel because the writer himself had fled Germany because of Hitler’s oppressive edicts.
There is a genuine authenticity I immediately sensed in each of the characters, and why not, since Feuchtwanger himself experienced first-hand the oppressive darkness spreading across Germany in 1933. Aren’t writers told to write about what they know? Feuchtwanger did just that, and it places a unique value on the novel, making it more a historical document than simply a fictional story.
My hope is many will read this novel and understand the dangers of fascism, so we don’t repeat what history has already taught us.
"Extraordinary . . . No single historical or fictional work has more tellingly or insightfully depicted . . . the insidious manner in which Nazism began to permeate the fabric of German society than Lion Feuchtwanger's great novel." -- New York Times
First published in 1934 but fully imagining the future of Germany over the ensuing years, The Oppermanns tells the compelling story of a remarkable German Jewish family confronted by Hitler's rise to power. Compared to works by Voltaire and Zola on its original publication, this prescient novel strives to awaken an often unsuspecting, sometimes politically naive, or else…
If there's such a thing as reincarnation, I've definitely done the 1930s! For some reason, I just love the time period–its fashion, its soundtrack, its bravery, and its optimism, even despite the looming specter of WW2. The 1940s intrigue me just as much. I have nothing but awe for the women who lived through such a time and the fierce, determined way they fought for peace and love. I can only hope I might be so strong. This list is full of sapphic characters I heartily admire and I hope you find a great sapphic read here.
A book with disturbing lessons for our time. This book charts the lives of three women during the 1930s and 40s as the Nazis rise to power and use book burning as a tool to destroy culture and freedom of expression. I adored and was completely captivated by the clever way the author wove a complicated story between three women in three different cities and times.
Almost a character in itself is the spectre of book censorship and the damage it can inflict on society. This book has some very moving scenes–a burgeoning lesbian love affair, a children's game amid the horror of war, a finale that had me reaching for the tissues, and more. The amount of research in this book is incredible!
For fans of The Rose Code and The Paris Library, The Librarian of Burned Books is a captivating WWII-era novel about the intertwined fates of three women who believe in the power of books to triumph over the very darkest moments of war.
Berlin 1933. Following the success of her debut novel, American writer Althea James receives an invitation from Joseph Goebbels himself to participate in a culture exchange program in Germany. For a girl from a small town in Maine, 1933 Berlin seems to be sparklingly cosmopolitan, blossoming in the midst of a great change with the charismatic new…
I believe many writers suspect they are Strangers in a Strange Land. How ironic that I, a confirmed atheist, should use a biblical quote to describe the mindset of authors. Some discover where they belong through their writing. My book recommendations have a strong sense of place, whether it be the Old West, wartime Berlin, or modern-day Scotland. I was born into a 300-year-old N. Ireland Protestant Plantation family, yet many people saw us as interlopers: we weren’t quite Irish, and we weren’t quite British, yet we held dual passports. It was not until I left Ireland that I realized my Irish Heritage exerted a stronger pull than my British.
One of the best explanations I’ve read of the rise of Fascism in Hitler’s Germany. I agree that ignoring the lessons of history means we’ll be forced to endure repetition. And Kerr paints such a chilling scenario no one in their right mind would wish the maxim to come true. His prose applies color and form like an artist at the top of their game.
At times I found him reminiscent of Chandler in the way he portrays the Nazis as the worst gangsters in the game. This is the first book of the Bernard Gunther series, and I was so enthralled that I raced through the others in just a few days. His storyline is filled with horror, passion, fear, and pathos—a tour de force of emotions.
Discover the first crime novel in the late Philip Kerr's Bernie Gunther series - Berlin Noir - set in Hitler's Germany during the 1930s . . .
Winter, 1936. A man and his wife shot dead in their bed, their home burned. The woman's father, a millionaire industrialist, wants justice - and the priceless diamonds that disappeared along with his daughter's life. He turns to Bernhard Gunther, a private eye and former cop.
As Bernie follows the trail into the very heart of Nazi Germany, he's forced to confront a horrifying conspiracy. A trail that ends in the hell that…
A charming cozy mystery with a delightful twist: The detectives are three kittens with magical powers, determined to solve a most purr-plexing case.
Precocious kittens Bippity, Boppity, and Boop are exceedingly loyal to their human, the twenty-eight-year-old up-and-coming magician Mila. She saved them from starving to death in a dingy…
I’m President of the Writers Guild Initiative, with a mission of giving a voice to populations not being heard (LGBT asylum seekers, exonerated death row prisoners, Dreamers, etc.). In our writing workshops I see how marginalized communities are deprived of their rights and how insidiously minority rule is seizing power. Fascism depends on demonizing the Other, which was weaponized during the Trump years and is exploding on the right. This issue animates my life and work as a writer, mentor, speaker, and teacher. In the USA, democracy is hanging by a thread. My book takes a deep dive into what this means for an American family over the next fifteen years.
Jason Lutes spent decades creating this masterpiece—a graphic novel that brilliantly reconstructs life in Berlin in the years before Hitler became Chancellor. The characters are fully dimensional, a diverse and compelling collection of individuals, reeling from World War I, struggling to face the fall of Weimar and the cold hands of fascism tightening around their necks. This is a perfect melding of art, narrative, and political urgency that speaks eloquently to our perilous age.
Berlin is one of the high-water marks of the comics medium. For twenty years, Jason Lutes toiled on this intimate, sweeping epic before the collected Berlin was published in 2018 to widespread acclaim, including rave reviews in The New York Times, The Guardian, The Nation, Vulture, Washington Post, and many other outlets. Lutes s historical fiction about the decline of the Weimar Republic and the rise of fascism is seen through the eyes of the Jews and the Nazis; the socialists and the socialites; the lavishly decorated queer clubs and the crumbling tenement apartments. Marthe Muller is an aspiring artist…
My mother called me a “television junkie.” In graduate school, where TV was not yet considered a worthwhile scholarly endeavor, I became enthralled by Twin Peaks and Roseanne. Rebelliously, I thought both had so much to say about gender studies and theories of postmodernism. Absent of an official curriculum, I started reading and writing about television history, medium specificity, genre theory and seriality. I got my PhD and published articles on film, TV, and my book. Since 1992, I have developed several television studies courses for our small media studies department: Crime Drama, Reality TV, Gender and Genre on Television, Transmedia Adaptations, and Media Rituals.
It is not easy to find books in English about German television series, even if they are big hits on a globally accessible streaming platform. I love this book because it explores every facet of the rich audio-visual tapestry that is the period crime drama Babylon Berlin.
Given its complex narrative and allusion to specific events, the history buff in me wanted to know whether the specific atrocities (e.g., “Blood May”) were portrayed accurately, but I was similarly intrigued to read more about the pop music, club, and fashion scenes of Weimar era Berlin. The scholars’ different critical approaches enriched my viewing experience of the show’s third season immensely.
The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture. Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital. Focusing especially on the intermedial and transhistorical dimensions of…
I have been fascinated by the Second World War since I was a child. I grew up with tales of London and Coventry in wartime, stories of family separation, rationing, and air raids. The stories that really gripped me included the streams of refugees passing my grandmother’s house in the suburbs of Coventry after that city was bombed, and the night my aunts and (infant) father spent waiting to be rescued from a bombed house in south London. As a historian I wanted to know more about stories like this, and about the ways that wars shape lives, and my books have returned again and again to the civilian experience of war.
This isn’t an easy read, but it’s an important one. A diary by an anonymous female journalist trapped in Berlin as bombs fall and the Red Army closes in, it describes in graphic detail her struggle for survival between April and June 1945. Berlin’s women had difficult choices to make in this period, and the author records unflinchingly her decision to choose the ‘protection’ of one Russian soldier over repeated rape by multiple others. It is one of the few books that tell us about war from the perspective of civilian women, immersing us in their world and recording the impact of political leaders’ delusions of grandeur and glory on individual lives. I didn’t find this an easy book to pick up, but found it even harder to put down.
This is a devastating book. It is matter-of-fact, makes no attempt to score political points, does not attempt to solicit sympathy for its protagonist and yet is among the most chilling indictments of war I have ever read. Everybody, in particular every woman ought to read it' - Arundhati Roy
'One of the most important personal accounts ever written about the effects of war and defeat' - Antony Beevor
Between April 20th and June 22nd 1945 the anonymous author of A Woman in Berlin wrote about life within the falling city as it was sacked by the Russian Army. Fending…
PI David Randall is not a fan of singer Sherry White, but when he learns she has received threatening letters, he agrees to help with security for her concerts in Parkland.
When Sherry’s personal psychic quits, Randall enlists Camden to help Sherry deal with her stage fright. Randall’s investigation is…
Fact is often more fascinating than fiction, and on occasions, a lot weirder too. As someone, London-based though lucky to have travelled extensively in Europe since childhood (my mother was keen to visit places where my father had been stationed in the Second World War) and more recently as a journalist (for The Financial Times, BBC, The Guardian, and others) in the Americas, Asia, and Africa, I have always been attracted to stories that strongly convey senses of time, place and the people you just happen to meet.
The book, set in the early 1930s, is from a fleeting period when the liberal pleasures of the German capital made it the European place to be. An English teacher of reserved social origins, Isherwood writes of the Berlin characters who enlivened his life, against the forbidding backdrop of Hitler's rise to power. Cabaret, the film adapted from the book, led Isherwood to insist his version of events was far nearer to how things were.
First published in 1934, Goodbye to Berlin has been popularized on stage and screen by Julie Harris in I Am a Camera and Liza Minelli in Cabaret. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and cafes; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires - this was the period when Hitler was beginning his move to power. Goodbye to Berlin is inhabited by a wealth of characters: the unforgettable and "divinely decadent"Sally Bowles; plump Fraulein Schroeder, who considers reducing her Buste relieve her heart palpitations;…
