Here are 100 books that Berlin fans have personally recommended if you like
Berlin.
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I have studied nineteenth-century American literature and culture for more than thirty years. My friends roll their eyes when I excitedly share a passage from Charles Chesnutt, Henry James, Herman Melville, or Kate Chopin. I wrote this book because I realized that nineteenth-century thinkers and writers have a lot to teach us about tyranny, particularly the dangers it presents to our nation. I hope you’ll find the challenge of these books as important as I do!
This book imagines a world where the United States succumbs to authoritarianism. Subsequent writers have explored this theme, but I love Lewis’s novel because it captures a precarious historical moment (the 1930s) that has a lot in common with the present day.
“Buzz” Winthrop, the politician turned dictator, whips up fears about threats to America, stressing the need to get back to the nation’s “true” values. It’s a chilling portrait of a nation that loses its way.
“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—Salon
It Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America.
Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I have been a professor of politics and law for decades, first at Harvard and then Oxford, and so on; I spent these decades trying to understand what makes democracy work. I think we’ve been focusing on the wrong things, and as a political and legal theorist, I want to help us think about a better way forward—one we can carve for ourselves every day of our lives.
I was impressed by Tim Snyder’s ability to distill decades of academic knowledge of dictatorship and autocracy into very important but simple lessons that we need to pay attention to now and always.
An historian, Tim Snyder, is astute at identifying the legal ‘slides’ used by autocrats to gradually move democratic countries into non-democratic configurations. This is the
kind of book I wish were in the required section of high school reading lists.
'A sort of survival book, a sort of symptom-diagnosis manual in terms of losing your democracy and what tyranny and authoritarianism look like up close' Rachel Maddow
'These 128 pages are a brief primer in every important thing we might have learned from the history of the last century, and all that we appear to have forgotten' Observer
History does not repeat, but it does instruct.
In the twentieth century, European democracies collapsed into fascism, Nazism and communism. These were movements in which a leader or a party claimed to give voice to the people, promised…
I’m President of the Writers Guild Initiative, with a mission of giving a voice to populations not being heard (LGBT asylum seekers, exonerated death row prisoners, Dreamers, etc.). In our writing workshops I see how marginalized communities are deprived of their rights and how insidiously minority rule is seizing power. Fascism depends on demonizing the Other, which was weaponized during the Trump years and is exploding on the right. This issue animates my life and work as a writer, mentor, speaker, and teacher. In the USA, democracy is hanging by a thread. My book takes a deep dive into what this means for an American family over the next fifteen years.
This is the first book that credits Donald Trump as “author,” and it may well be one of the few books he has ever read. The actual “writing” was performed by Tony Schwartz, with one hand on the keyboard and the other holding his nose. This is the sacred text that introduced the term “truthful hyperbole” (lying) which later metastasized into the Big Lie, as the author slithered inexorably from real estate conman (six bankruptcies) to reality show host to, naturally, leader of the formerly free world. Tony Schwartz’s decades of mea culpas can’t erase the hideous trajectory launched by The Art of the Deal, which author Trump called his second favorite book after The Bible, and set him on his course toward overthrowing American democracy.
President Donald J. Trump lays out his professional and personal worldview in this classic work—a firsthand account of the rise of America’s foremost deal-maker.
“I like thinking big. I always have. To me it’s very simple: If you’re going to be thinking anyway, you might as well think big.”—Donald J. Trump
Here is Trump in action—how he runs his organization and how he runs his life—as he meets the people he needs to meet, chats with family and friends, clashes with enemies, and challenges conventional thinking. But even a maverick plays by rules, and Trump has formulated time-tested guidelines for…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a historian and a professor of political management at George Washington University, and I became interested in the John Birch Society when I encountered the group while writing my first book, on Ronald Reagan's 1966 California governor's campaign. I'm also fascinated by debates about political extremism in modern America including such questions as: how does the culture define extremism in a given moment? How does the meaning of extremism shift over time? And how do extremists sometimes become mainstream within the context of American politics? These were some of the puzzles that motivated me to write Birchers.
Ben-Ghiat limns the traits that characterize authoritarians in modern times.
Drawing a line from Mussolini to Trump, the author guides readers in the authoritarian’s playbook, revealing how dictators corrode democratic norms and undermine institutional restraints on their power. This lucid, well-written history makes you think about dictatorship across time, cultures, and nations.
Ruth Ben-Ghiat is the expert on the "strongman" playbook employed by authoritarian demagogues from Mussolini to Putin-enabling her to predict with uncanny accuracy the recent experience in America and Europe. In Strongmen, she lays bare the blueprint these leaders have followed over the past 100 years, and empowers us to recognize, resist, and prevent their disastrous rule in the future.
For ours is the age of authoritarian rulers: self-proclaimed saviors of the nation who evade accountability while robbing their people of truth, treasure, and the protections of democracy. They promise law and order, then legitimize lawbreaking by financial, sexual, and…
While growing up in a Vermont town in the lower Champlain Valley, I became fascinated with the wealth of nearby historic sites dating from the French and Indian War and the American Revolution. Within easy reach of our family station wagon were Fort Ticonderoga and more. I became especially intrigued by German mercenaries hired by the British to fight the American colonists. My interest led me to become a history major at the University of Vermont, and eventually to Germany as a correspondent for The Associated Press. I worked and lived in Germany from 1987-1997, covering the toppling of Communism, the birth of a new Germany, the rise of neo-Nazi violence, and other themes.
Alfred Döblin, one of the most consequential German authors of all time, is best known for his gritty, modernist Weimar-era novel Berlin Alexanderplatz. Often overlooked are two works of historical fiction by Döblin, A People Betrayed,and Karl and Rosa. Set in Berlin during the November 1918 proletarian revolution, these two books are epic in scope, employing both real and fictional characters to tell of the violent beginnings of the Weimar era, a foreshadowing of the political and social fissures that would plague Germany’s first postwar democracy and ultimately set the stage for Hitler’s rise to power.
November 1918. The First World War is over, the battle is lost a and everywhere there is talk of revolution. Leaders of the German military have formed an uneasy alliance with the socialists who control the government and have proclaimed a new German republic, but throughout Berlin rival groups stage rallies and organize strikes. In A People Betrayed, the first volume of the epic November 1918: A German Revolution, Alfred Doblin takes us into the public and private dramas of these turbulent days, introducing us to a remarkable cast of fictional and historical characters, and bringing them to life in…
I worked as a journalist for the BBC for nearly thirty years: my writing of espionage novels set in Europe during the Second World War goes back to 1994 when I was covering the 50th anniversary of D-Day for the BBC. I became fascinated with the human stories behind big military events and especially the British deception operation that was so crucial to the Allies’ success. This led to my first novel, The Best of Our Spies. To ensure my novels feel as authentic as possible my research means I travel around Europe and I’ve also amassed a collection of maps and guidebooks from that period.
Berlin was at the centre of Nazi Europe and is invariably at the heart of my novels, including Agent in Berlin. I’m fascinated by Berlin and I try to get beyond the obvious aspects of the city and give a sense of what life was like on a daily basis. I have chosen this book by William Shirer, an American journalist based in the city from 1934 and who only left after Pearl Harbor. The book combines the sharp observations of a journalist with an eye for fascinating detail, such as the nuanced wording of the death notices of soldiers and the impact of rationing on the population.
Berlin Diary, 1934-1941 : The Rise of the Third Reich: As chief of Universal News Service's Berlin office and later a broadcaster for CBS, William L. Shirer witnessed and recorded the rise to international power of Hitler and the Nazis. This is Shirer's diary of events between 1934 and 1941.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
In Berlin Stories, the book that inspired the movie Cabaret, comprising two linked novellas by Christopher Isherwood loosely based on his first-hand experience as an expat in Berlin in the Twenties, the British novelist evokes the anything-goes atmosphere that reigned in the capital of the Weimar Republic immediately prior to the Nazi take-over. That free-wheeling, raucous spirit survived the Third Reich and still thrives in Berlin today.
First published in the 1930s, The Berlin Stories contains two astonishing related novels, The Last of Mr. Norris and Goodbye to Berlin, which are recognized today as classics of modern fiction. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and cafes; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires-this is the period when Hitler was beginning his move to power. The Berlin Stories is inhabited by a wealth of characters: the unforgettable Sally Bowles, whose misadventures in the demimonde were popularized on the American stage and…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
Kurt Tucholsky’s books were among the first to be banned and burned by the Nazis. And with good reason. A Jewish journalist of a left-leaning bent with a tart tongue and an acid wit, Tucholsky, who "wanted to stop a catastrophe with his typewriter," as per his contemporary, Erich Kästner, represented everything the Nazis sought to eradicate. Tucholsky tapped the anarchic spirit of 1920s Berlin just as painter Georg Grosz captured its bloated, pock-marked face. Berlin! Berlin! Dispatches from the Weimar Republic contain a representative sampling of Tucholsky’s pithiest texts. A forerunner of flash fiction, his concise writing style, and tongue-in-cheek tone are harbingers of new journalism and among the many influences on my own writing.
Berlin! Berlin! is a satirical selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. It shines a light on the Weimar Republic and the post-World WarI struggle, which fore¬shadowed the Third Reich. Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of his country. He was a "small, fat Berliner," who "wanted to stop a catastrophe with…
I see no distinction between the personal and the political. All art is, therefore, a political act, and literature especially, since the author gets inside the reader's head. In 1984, the use of a pen is punishable, never mind having an unorthodox opinion; novels are written by machines—commodities like jam or bootlaces, to pacify the proles. (A.I. novels outcompeting human ones?) Yes, novels entertain, and that's OK, but the best way to change your outlook is to let you understand the human condition a little better. That is why I want more from a political thriller than just the same old lies, corruption, sex, and power at the heart of government.
I was blown away by this book: one of those books that makes you think differently about the world and stays with you. Your classical political thriller is set at the heart of government: the big cheeses and their power games; this, though, is about two ordinary (but exceptional!) young people and how the political climate of Weimar Germany and the rise of Nazism affected their lives.
I much prefer a book like this, about life and what it means to be human. The “thriller” aspect comes from your fear of what might happen and whether their love alone can pull them through. I loved the characters, both the main ones and the secondary ones.
From the bestselling author of Alone in Berlin, his acclaimed novel of a young couple trying to survive life in 1930s Germany
'Nothing so confronts a woman with the deathly futility of her existence as darning socks'
A young couple fall in love, get married and start a family, like countless young couples before them. But Lammchen and 'Boy' live in Berlin in 1932, and everything is changing. As they desperately try to make ends meet amid bullying bosses, unpaid bills, monstrous mothers-in-law and Nazi streetfighters, will love be enough?
The novel that made Hans Fallada's name as a writer,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m someone who has one of the best jobs in the world – I’m an associate professor of history. I get paid to learn and to share what I learn with my students. I am super passionate about my work, both teaching and research. As for my research, I’m a historian of Nazi Germany.
While technically a prequel to Deighton’s well-known Cold WarGame, Set, Match trilogy, Winter can certainly be read as a standalone novel. As the subtitle indicates, this is a book about a family. But really, this is a novel about two brothers, Peter and Pauli. The evolution of their relationship over the course of nearly half a century, 1900-1945, is the foundation on which Deighton explores this tumultuous period of German history. From their innocent and carefree youth in the late Wilhelmine period, to the trauma of their military service during the First World War, through the rise and rule of the Nazi party – can the ties that bind the Winter brothers survive?
In this gripping prelude to the Game, Set, Match trilogy, spies aren't born--they're made. Winter tells the tale of a Berlin family divided. Two brothers, Peter and Paul Winter, came of age during the Great War; then as Hitler's power spreads through Germany threatening a new era of violence, the brothers are driven apart by differing morals and ambitions. Meticulously researched, this allegory of a nation at odds with itself paints a brilliant portrait of the German zeitgeist during those turbulent years, and provides a powerful depiction of the rise of the Third Reich.
