Here are 100 books that The Man with the Golden Arm fans have personally recommended if you like
The Man with the Golden Arm.
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Growing up in theatre, I was completely immersed in plays, which tend to be deep dives of the human psyche, and I latched on to those examinations like a dog with a bone. I’ve always loved the complexities of the human mind, specifically how we so desperately want to believe that anything beautiful, expensive, or exclusive must mean that the person, place, or thing is of more value. But if we pull back the curtain, and really take a raw look, we see that nothing is exempt from smudges of ugliness. It’s the ugliness, especially in regard to human character, that I find most fascinating.
For me, insight into the extravagant celebrity status-like lives of the characters in this movie is akin to the guilty pleasure of watching reality TV. This book brings out the voyeur in me, giving me permission to explore a perfect example of rich kids gone wild and the horrific consequences of unchecked actions.
I grew up in a lower economic class family surrounded by very wealthy, undisciplined friends, and so many of the characters and decisions hit close to home. I won’t lie; I felt a little better about myself and my own life after I finished reading. Yet, I’ll also admit that I didn’t want the train wreck to end.
NEW YORK TIMES BESTSELLER • The timeless classic from the acclaimed author of American Psycho about the lost generation of 1980s Los Angeles who experienced sex, drugs, and disaffection at too early an age. • The basis for the cult-classic film "Possesses an unnerving air of documentary reality." —The New York Times They live in a world shaped by casual nihilism, passivity, and too much money in a place devoid of feeling or hope. When Clay comes home for Christmas vacation from his Eastern college, he re-enters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches,…
Winner of the Robert F. Lucid Award for Mailer Studies.
Celebrating Mailer's centenary and the seventy-fifth publication of The Naked and the Dead, the book illustrates how Mailer remains a provocative presence in American letters.
From the debates of the nation's founders, to the revolutionary traditions of western romanticism,…
I grew up reading murder mysteries and watching old black-and-white films on television. As a teenager, I couldn’t get enough of Agatha Christie, Raymond Chandler, and Sir Arthur Conan Doyle, and I loved challenging myself to solve the mystery before the end of the book, sometimes successfully, sometimes not.
One thing I noticed in reading the classics is that LGBTQ+ people were either completely absent or used for comic relief or tragic effect. I wanted to change that with my stories, showing that they can be compelling protagonists, solving murders and sometimes finding love.
What’s not to love about this? I first experienced The Big Sleep by viewing the classic Humphrey Bogart movie, and while I thoroughly enjoyed the film, I admit I was a bit perplexed over some of the plot points.
Reading the book cleared up some, but not all, of my confusion, and yet it’s a book I would read again and again. The classic 1930s setting of Los Angeles and Hollywood, the noir elements, and the hard-boiled detective, Phillip Marlowe, are an unbeatable combination in my mind.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
I consider myself a disruptor of sorts, both in my life and in the art I make (I’m an actor, too). So I am by nature drawn to novels that bend and reshape (and sometimes ignore altogether) the rules and conventions that are supposed to govern the novelist’s craft and lead me to experience the world—and often the art of writing fiction itself—in ways I have never experienced either before. The novels on my list do just that.
I once heard a friend of mine describe Last Exit to Brooklyn as “a significant minor novel.” He was wrong. It’s a good deal more than that.
Set in the same Brooklyn in which one will find Herschel Cain, the main character in my own novel, before he becomes professional wrestler Haystacks Kane, yet light years away, Last Exit is a searing portrayal of life in the raw amongst the American underclass, profoundly disturbing and terribly, terribly sad. It shook me to my core when I read it not long after it was published in the mid-1960s, and has remained with me ever since.
In countless ways, Selby’s novel thumbs its nose at traditional novel structure and the customary rules of grammar, spelling, and punctuation in order to present virtually every moment of its bleak and upsetting narrative with a ferocious immediacy rarely found anywhere else.
Last Exit to Brooklyn remains undiminished in its awesome power and magnitude as the novel that first showed us the fierce, primal rage seething in America’s cities. Selby brings out the dope addicts, hoodlums, prostitutes, workers, and thieves brawling in the back alleys of Brooklyn. This explosive best-seller has come to be regarded as a classic of modern American writing.
Winner of the Robert F. Lucid Award for Mailer Studies.
Celebrating Mailer's centenary and the seventy-fifth publication of The Naked and the Dead, the book illustrates how Mailer remains a provocative presence in American letters.
From the debates of the nation's founders, to the revolutionary traditions of western romanticism,…
As an authentic working-class author, I’m inevitably drawn to books that describe ordinary working lives, as I can instantly relate to the familiar subject matter. And these five books are classics of the genre. They are eye-openers, page turners, brilliantly written by exceptionally gifted writers, depicting the lives of ordinary folk and the poor and downtrodden, in an incredibly accessible and affordable format - The Novel.
This is a classic novel about working-class lives in America in the 1950s & 60s.
I love this book because the author, Charles Bukowski, somehow manages to make the mundane and often monotonous life of an American postal worker interesting to the reader. This is no mean feat, and to top this off, the novel is laugh-out-loud funny. There’s booze, women, sex, and hangovers, and also the dreaded Soup.
Henry Chinaski is a lowlife loser with a hand-to-mouth existence. His menial post office day job supports a life of beer, one-night stands and racetracks. Lurid, uncompromising and hilarious, Post Office is a landmark in American literature, and over 1 million copies have been sold worldwide.
The new edition is augmented with an anecdotal introduction by the modern Welsh cult-literary author, Niall Griffiths - a writer who was working in a British post office when he first read Bukowski's Post Office.
I’d always known about the Lady of the Dunes. I’d read about how she was found in the dunes of Provincetown, Massachusetts, on July 26, 1974. I didn’t know about the tens of thousands of other unidentified victims like her, stowed around the US in the back rooms of morgues and unmarked graves. As a journalist who has always given a voice to those who struggle to be heard, I feel compelled to research and write about these Jane and John Does and the people who work to keep their cases in the public eye. I share a unique bond with writers who do the same.
I am biased toward any writer who features amateur sleuths. Lori Rader-Day not only plunges readers into a compelling story with a delightfully twisty ending, she also pays tribute to the volunteers who slave away on real-life sites such as The Doe Network. When the protagonist comes across a picture of a missing person, she realizes it’s someone from her past and resolves, for complicated reasons, to track him down.
"This might well be my favorite Rader-Day so far: a brilliant premise intriguingly developed, totally believable characters and a climax that took my breath away." - Ann Cleeves, New York Times bestselling author of The Shetland and Vera Series
From the author of the Edgar Award (R)-nominated Under A Dark Sky comes an unforgettable, chilling novel about a young woman who recognizes the man who kidnapped her as a child, setting off a search for justice, and into danger.
Most people who go missing are never found. But Alice was the lucky one...
I love noir fiction and the hard-boiled detective novels that often best exemplify the genre. Both Dashiel Hammet’s Sam Spade and Raymond Chander’s Marlowe are two men who will sacrifice everything for the truth, no matter the cost. There is a stark beauty in that. Fantasy, the genre of myth, carries the deepest, most poignant truths. These are the hard truths that can break a hero’s heart, as in Gilgamesh, or give you the bittersweet ending of The Lord of the Rings. Blending them produces some of my favorite stories, stories I love to read as the fog rolls in, listening to the music of heartbreaking jazz.
Mixing elves and eldridge powers into the gang warfare of prohibition Chicago, this book is a fast-paced wild ride into the dark and seedy lives of those who use violence to hold on to power.
The key to a good noir story is that it forces the protagonist to confront something they’d rather not know and to survive, they must find a way to live with that dark truth. This is a journey too many of us face, and Ford writes just such a brilliant journey for his protagonist, Doc.
Once I started reading this, it gripped me like cold iron until I was done.
When Danny Holman leaves the cornfields of Iowa for the bright lights of Chicago, he expects his life to change. He just can't guess how much and how fast. A violent incident on the road brings Danny the favor of a man known only as Mr. Patrise, who gives Danny a job, a home, and a new identity.
The City is a different world from the one Danny--now called Doc--knew, and literally so. Long-vanished powers have returned, and more is going on in the streets than nightlife and street warfare. Power is gathering: a power rooted in terror, madness, and…
I've been writing for decades, as one genre evolved into another. Local Colorado history led to the identification of "Boulder Jane Doe," a murder victim. During that journey I learned a lot about criminal investigations and forensics. I devoured old movies (especially film noir), and I focused on social history including mysterious and intriguing women. Midwest Book Review (see author book links) credits In Search of the Blonde Tigress as "rescuing" Eleanor Jarman "from obscurity." So true! Despite Eleanor's notoriety as "the most dangerous woman alive," she actually was a very ordinary woman. I've now found my niche pulling mysterious and intriguing women out of the shadows.
Using photo and newspaper archives from the Chicago Tribune, the authors ofHe Had It Comingtell the stories of four Chicago female murderers from the 1920s.
The documentation (both primary and secondary sources) and, especially, the newspaper's original high-quality historical photographs inspired me to dig deeply into similar archives when researching and writing my book.
Beulah Annan. Belva Gaertner. Kitty Malm. Sabella Nitti. These are the real women of Chicago.
You probably know Roxie and Velma, the good-time gals of the 1926 satirical play Chicago and its wildly successful musical and movie adaptations. You might not know that Roxie, Velma, and the rest of the colorful characters of the play were inspired by real prisoners held in "Murderess Row" in 1920s Chicago-or that the reporter who covered their trials for the Chicago Tribune went on to write the play Chicago.
Now, more than 90 years later, the Chicago Tribune has uncovered photographs and newspaper clippings…
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
This book grabbed me by the throat and refused to let go.
Jordan Harper does more with suggestion and a few well-crafted sentences than some writers accomplish in an entire novel. When he needs to be brutal, he’s a monster. When he needs to be tender, your eyes sting.
Polly is both a badass and a little girl—I don’t know how Harper pulled that off. And I have never cared so much about a stuffed animal as I have Polly’s teddy bear.
*WINNER OF A 2018 EDGAR AWARD FOR BEST DEBUT NOVEL*
*WINNER OF AN ALEX AWARD FROM THE ALA*
NAMED A BEST BOOK OF 2017 BY St. Louis Post-Dispatch • Booklist
A propulsive, gritty novel about a girl marked for death who must fight and steal to stay alive, learning from the most frightening man she knows—her father.
Eleven-year-old Polly McClusky is shy, too old for the teddy bear she carries with her everywhere, when she is unexpectedly reunited with her father, Nate, fresh out of jail and driving a stolen car. He takes her from the front of her school…
I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.
Stagolee, the bad man who will not back down, is an icon of African American mythology. His defining moment, the Christmas night murder of Billy Lyons is the subject of folk and blues songs from the turn of the twentieth century to the present day. Though many know the story, before Cecil Brown’s book, most did not realize that the story was true. On Christmas night, 1895, in St. Louis, “Stack” Lee Shelton shot Billy Lyons in a fight over a Stetson hat. Stagolee Shot Billy documents the events leading to the murder while shining a light on the culture, attitudes, and politics of the St. Louis black community in the 1890s. The shooting of Billy Lyons is a Gilded Age murder that continues to resonate.
Although his story has been told countless times - by performers from Ma Rainey, Cab Calloway and the Isley brothers to Ike and Tina Turner, James Brown and Taj Mahal - no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan", Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in…
It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
In adapting Nicholas Pileggi’s 1985 non-fiction Wiseguy for film, Martin Scorsese delivered a “staged documentary,” depicting a far more gritty and authentic account of organized crime than Mario Puzo’s Godfather trilogy.
Much of what makes Pileggi’s masterpiece work is how he captures South Brooklyn culture as it morphs from the 1950s through the 1980s. Pileggi’s tale of the tarnishing of the Golden Era of Italian American organized crime is recounted from the pedestrian perspective of un-makeable underling and ultimate-turncoat Henry Hill.
That bygone Brooklyn landscape leaps off the pages, from its gambling dens and gangster bars, to its corner cafes, criminal courts, and cab stands. BONUS: Pileggi’s no-nonsense non-fiction prose, peppered with Hill’s verbatim account, delivers even more days-in-the-lives of lowlifes than Scorsese could ever have packed into his classic film.
Locations of interest: The Prospect Park Zoo (stand-in for The Tampa Zoo); Smith Street in Red Hook (Jimmy Conway’s…
A longtime member of organized crime recounts his criminal career, his involvement in the six-million dollar Lufthansa robbery, and his decision to become a federal witness