96 Books Like Prizzis Honor

Hubert Selby Jr. delivers another dark indictment of life along the outer shores of South Brooklyn, in the form of both this 1978 novel and the grim 2000 film Darren Aronofsky film adaptation (co-written with Selby, with a cameo as prison guard).

The characters of this disturbing drama are as marginalized as the bleak 1970s backdrop they infect. Selby’s prose holds us by the back of the neck as his characters descend down awful spirals of addiction: Sara Goldfarb with her diet pills, and her son Harry, his girlfriend Marion, and his best friend Tyrone, all heroin addicts. Electroconvulsive therapy, reluctant prostitution, and amputation abound, harrowing hallmarks you’d expect from Selby.

For this trip to Coney Island, think more Warriors, less Woody Allen, and buckle up. It’s going to be a spectacularly gruesome ride.

Locations of interest: Coney Island Clam Bar; Brighton Beach Boardwalk; Surf Avenue Second-hand Shops; 3152 Brighton… show more.

Literally, this is the Godfather of Mafia novels and the book that made, “I’ll make him an offer he can’t refuse,” part of the American vernacular.

It’s a great read, and it later became a great movie. I quote Michael Corleone from Godfather III in my novel. Marlon Brando as Vito Corleone was the reigning king of fictional Mafia dons until Tony Soprano walked onto the small screen.

Author Mario Puzo wrote The Godfather to get out of debt. He succeeded and magnificently so.

This book pulled me from classical American literature (think Steinbeck, Faulkner, and Hemingway) to hardboiled crime fiction, and I haven’t come up for air since.

I was captured by both the substance and the style—the rich possibilities of an antihero protagonist delivered in a prose as direct and compelling as a bullet to the brain. After this one, I couldn’t stop until I had devoured the entire series!

Most people know this book due to its film adaptation, with Robert Mitchum in the title role. To me, it is a splendid book because, like all great fiction, it tells the truth. More than a great many nonfiction books, it tells the truth about the actual nature of organized crime.

It strips away the phony glamour and describes the actual nature of the mob—treacherous, violent, and unforgiving. And the dialogue is amazing! What you see in this book is not the Mafia but Irish gangsters, and they are tired blue-collar men who are just scraping by. That is what organized crime is all about today, just as it was in the 1970s.

You have three choices here. This first iteration was a graphic novel. This was the basis of the 2002 movie of the same name, starring Tom Hanks as the Angel of Death, Michael O’Sullivan Sr.

Then came a novel, strictly based on the movie.

Collins later followed up with an expanded novel in 2016. This is the one that I read and enjoyed. The expanded novel starts out slow, but picks up steam after 100 pages.

It’s great storytelling.

In this case, I saw the film before I read the book, and if I’m going to call myself an honest man, I’d have to say I enjoyed the film more than the book.

Still, the book struck me as a great read because it embraced and portrayed the extraordinary amount of tension an undercover agent deals with 24/7. I mean, when you’re trying to make an arrest undercover, you’re two people at the same time, but you’d better not mess up and let anyone know you are or it’s game over—and very probably, bang-bang, pal, you’re history.

Add to that being undercover for the FBI and you’re guaranteed a high-stakes conundrum. Which is to say, after reading this book, how could I not have had my book’s character working undercover for what he and his partner Jonas refer to as “the Bureau”?

Set in the 1980s, it captures a time when sex, drugs, and parties fueled life. When the image of taking and consuming the best was a narcotic of its own. Restless, gorging, faceless encounters, aspiring to an empty illusion of excess with no rules and consequences you would never admit to.

Driven by desire. To be. To do. To cover the truth with a glib smile, a quick snort, and a slide into numbness so no one knows the smallness of your failures and you never have to admit to the quest of things you can never have. Love. Acceptance as you are. Success of the one thing you never lie about, the compulsion to have your written words celebrated. Truth and lies and an unobtainable love.

I loved this book because it put me right there in the life, with all the violence, plots, girlfriends, and craziness. Author Nicholas Pileggi is a master of the craft. He drew me in immediately by capturing the voice of Henry Hill; mob associate turned informant.

I learned things I didn’t know–and some things I didn’t want to know–about the life. When I saw Goodfellas, the Martin Scorsese movie based on the book, it all rang true again.

This 2009 book combines thorough, professional historical research with a lively writing style to portray how a group of thugs evolved into America’s first Mafia “family.”

My book focuses on the Italian American detectives who battled this gang for more than 20 years; Mike Dash’s groundbreaking account looks at the flip side of this struggle, the feared Lupo-Morello gang. Dash is especially adept at working with archived documents, such as the daily reports of Secret Service agents from the National Archives. He uses the details well.

In adapting Nicholas Pileggi’s 1985 non-fiction Wiseguy for film, Martin Scorsese delivered a “staged documentary,” depicting a far more gritty and authentic account of organized crime than Mario Puzo’s Godfather trilogy.

Much of what makes Pileggi’s masterpiece work is how he captures South Brooklyn culture as it morphs from the 1950s through the 1980s. Pileggi’s tale of the tarnishing of the Golden Era of Italian American organized crime is recounted from the pedestrian perspective of un-makeable underling and ultimate-turncoat Henry Hill.

That bygone Brooklyn landscape leaps off the pages, from its gambling dens and gangster bars, to its corner cafes, criminal courts, and cab stands. BONUS: Pileggi’s no-nonsense non-fiction prose, peppered with Hill’s verbatim account, delivers even more days-in-the-lives of lowlifes than Scorsese could ever have packed into his classic film. 

Locations of interest: The Prospect Park Zoo (stand-in for The Tampa Zoo); Smith Street in Red Hook (Jimmy Conway’s… show more.