Here are 100 books that The Making of Modern Japan fans have personally recommended if you like
The Making of Modern Japan.
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I first came to Japan knowing nothing about the place I was going to live. With hindsight, that was perhaps foolish, but it started my adventure in Japanese history. At first, I stumbled through blindly, reading the odd book and watching dramas and movies for fun. But then I discovered Yasuke, an African who became samurai in 1581. He focused me, and I started reading to discover his world. History means nothing without knowing what came before and after, so I read more, and more, until suddenly, I was publishing books and articles, and appearing on Japanese TV. It has gone well beyond the African Samurai now, but I am eternally grateful to him for his guidance.
Twenty Lives is truly compelling. Very well written, a book you won’t put down. Anyone can pick it up and not be put off by academic terminology, complicated writing style, or as often happens with books about Japan in English, an overwhelming sense of Japanese ‘otherness.’ This book treats Japanese people as themselves, without engaging in over-the-top characterizations and stereotypes. A non-academic introduction to the full sweep of Japanese history.
'Mightily impressive ... a marvellous read' Waldemar Januszczak, Sunday Times
From the acclaimed author of Japan Story, this is the history of Japan, distilled into the stories of twenty remarkable individuals.
The vivid and entertaining portraits in Chris Harding's enormously enjoyable new book take the reader from the earliest written accounts of Japan right through to the life of the current empress, Masako. We encounter shamans and warlords, poets and revolutionaries, scientists, artists and adventurers - each offering insights of their own into this extraordinary place.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I first came to Japan knowing nothing about the place I was going to live. With hindsight, that was perhaps foolish, but it started my adventure in Japanese history. At first, I stumbled through blindly, reading the odd book and watching dramas and movies for fun. But then I discovered Yasuke, an African who became samurai in 1581. He focused me, and I started reading to discover his world. History means nothing without knowing what came before and after, so I read more, and more, until suddenly, I was publishing books and articles, and appearing on Japanese TV. It has gone well beyond the African Samurai now, but I am eternally grateful to him for his guidance.
In this book, Alt sets out a convincing argumentas to how much of the modern world, the culture and products consumed, as well as niche but dangerously influential areas of the internet and modern politics such as ‘4chan,’ trace their birth and or roots back to Japan. It is full of facts that are commonly overlooked or ignored but are true nonetheless. I could not stop reading this, and I suspect that if you are reading this list, you won’t be able to either.
'Amazingly well researched, fabulously informative and an awful lot of fun. If you love Japanese culture or are just curious to know more I can't recommend this book highly enough' Jonathan Ross
'A nerd- and generalist-friendly look at how Japan shaped the post-World War II world, from toys to Trump . . . A non-native's savvy study of Japan's wide influence in ways both subtle and profound' KirkusThe Walkman. Karaoke. Pikachu. Pac-Man. Akira. Emoji. We've all fallen in love with one or another of Japan's pop-culture creations, from the techy to the wild to the super-kawaii. But as Japanese-media…
I first came to Japan knowing nothing about the place I was going to live. With hindsight, that was perhaps foolish, but it started my adventure in Japanese history. At first, I stumbled through blindly, reading the odd book and watching dramas and movies for fun. But then I discovered Yasuke, an African who became samurai in 1581. He focused me, and I started reading to discover his world. History means nothing without knowing what came before and after, so I read more, and more, until suddenly, I was publishing books and articles, and appearing on Japanese TV. It has gone well beyond the African Samurai now, but I am eternally grateful to him for his guidance.
I would recommend anything by Stephen Turnbull, but I can only choose one, so I chose this. It is a blow-by-blow account of ‘The Age of the Country at War,’ Japan’s long 16th century, which ended with the unification of the country under the rule of Tokugawa Ieyasu. A key era in Japanese history, and there is still no other book in English to match it.
First published in 1977, The Samurai has long since become a standard work of reference. It continues to be the most authoritative work on samurai life and warfare published outside Japan. Set against the background of Japan's social and political history, the book records the rise and rise of Japan's extraordinary warrior class from earliest times to the culmination of their culture, prowess and skills as manifested in the last great battle they were ever to fight - that of Osaka Castle in 1615.
I first came to Japan knowing nothing about the place I was going to live. With hindsight, that was perhaps foolish, but it started my adventure in Japanese history. At first, I stumbled through blindly, reading the odd book and watching dramas and movies for fun. But then I discovered Yasuke, an African who became samurai in 1581. He focused me, and I started reading to discover his world. History means nothing without knowing what came before and after, so I read more, and more, until suddenly, I was publishing books and articles, and appearing on Japanese TV. It has gone well beyond the African Samurai now, but I am eternally grateful to him for his guidance.
As with number 4, I recommend anything by Leslie Downer, but can only choose one, so chose this. It gave me a view of Japanese history that I had never encountered before and told the story of Japan’s first truly global superstar, Kawakami Sadayakko. It is criminal that this lady is not better known, as she was a key player in the formation of the modern Japanese entertainment industry and the popularization of Japanese culture around the globe. Very well written and researched. An excellent read.
The author of Women of the Pleasure Quarters shares the story of the famous geisha whose life inspired Puccini's Madame Butterfly, from her training and participation in secret geisha traditions to her defection from her lucrative career to marry the penniless actor and political maverick Otojiro Kawakami and her rise to international celebrity. Reprint.
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
Who could resist a book whose topics range from tea caddies, Chinese and Japanese tea bowls and paintings, severed heads, swords, falcons, and even a deified hegemon (Tokugawa Ieyasu)? This book about “things” and the famous people who collected them in the late sixteenth (before the onset of the Tokugawa period) and the first few decades of the seventeenth century uses material culture as a window into the politics and society of the military elite. It will entice those who are interested in non-linear history and the social life of things.
In Spectacular Accumulation, Morgan Pitelka investigates the significance of material culture and sociability in late sixteenth-century Japan, focusing in particular on the career and afterlife of Tokugawa Ieyasu (1543-1616), the founder of the Tokugawa shogunate. The story of Ieyasu illustrates the close ties between people, things, and politics and offers us insight into the role of material culture in the shift from medieval to early modern Japan and in shaping our knowledge of history.
This innovative and eloquent history of a transitional age in Japan reframes the relationship between culture and politics. Like the collection of meibutsu, or ""famous objects,""…
I am a historian of empire and international relations, and have worked at universities in Britain and the Netherlands (where I was born). I’m fascinated by the ways in which empires have shaped – and continue to shape – the world we live in. Empire Ascendant was my first book, and I am currently working on a global history of the Dutch colonial empire.
Histories of Japan’s encounter with the West typically start from the premise that prior to its “opening” by the American Commodore Perry in 1853, Japan was a “closed” society that shunned contact with the outside world. This book, which explores the relationship between the Tokugawa shogunate and the Dutch East India Company (the VOC), presents a radically different story: one in which one of the world’s most ruthless commercial operators was forced to humble itself before the shogun. It’s an essential corrective to anyone who equates “world history” with the rise of the West.
The Dutch East India Company was a hybrid organization combining the characteristics of both corporation and state that attempted to thrust itself aggressively into an Asian political order in which it possessed no obvious place and was transformed in the process. This study focuses on the company's clashes with Tokugawa Japan over diplomacy, violence, and sovereignty. In each encounter the Dutch were forced to retreat, compelled to abandon their claims to sovereign powers, and to refashion themselves again and again-from subjects of a fictive king to loyal vassals of the shogun, from aggressive pirates to meek merchants, and from insistent…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
Laura Nenzi’s book discusses the role of travel in the formation of identity, using primary sources that derive from travel accounts of Edo Japan. Nenzi looks at personal travel diaries and brings an anthropological view on the subject seeing travel as a self-discovery process, while also paying attention to differences in the experience of the literati travelers and the less educated commoners for whom, with the rise of the market economy, the roads and their pleasures became more accessible. This brings to life the changes in the earlier literati tradition of the meisho (famous places) with the rise of commodification of both products (meibutsu) and religious practices.
Nenzi’s most unique contribution is shining a light on the travels of women, which still remain an elusive subject in historical narratives of Japan. Nenzi shows that the hierarchies of Edo Japan were defied by the transgressive potential of travel, as the roads…
In the Edo period (1600-1868), status- and gender-based expectations largely defined a person's place and identity in society. The wayfarers of the time, however, discovered that travel provided the opportunity to escape from the confines of the everyday. Cultured travelers of the seventeenth and eighteenth centuries wrote travel memoirs to celebrate their profession as belle-lettrists. For women in particular the open road and the blank page of the diary offered a precious opportunity to create personal hierarchies defined less by gender and more by culture and refinement.After the mid-eighteenth century - which saw the popularization of culture and the rise…
I’ve been fascinated with history and adventure for as long as I can remember. Nothing thrills me more than an epic quest, particularly if the hero is flawed. As an author of historical fiction, I’ve read countless books and spent thousands of hours researching topics and places, from South America to Europe to Asia. I hope you enjoy these epic historical adventures as much as I have! If you have recommendations of your own, please share!
James Clavell’s Shogun is the granddaddy of epic historical adventure.
From the moment I stepped into feudal Japan, I was captivated by the intricate political maneuvering, ruthless power struggles, and cultural clashes between East and West. Clavell created unforgettable characters whose loyalties shift constantly, making every alliance feel fragile and every conversation dangerous.
I especially loved how strategy often proved more powerful than the sword, with victories won through patience, deception, and psychological warfare. The novel also offers a richly authentic look at samurai honor, religion, trade, and the complexities of navigating an unfamiliar world.
By the final pages, I felt as though I had lived another life. It's an unforgettable adventure that rewards every minute invested.
'Clavell never puts a foot wrong . . . Get it, read it, you'll enjoy it mightily' Daily Mirror
This is James Clavell's tour-de-force; an epic saga of one Pilot-Major John Blackthorne, and his integration into the struggles and strife of feudal Japan. Both entertaining and incisive, SHOGUN is a stunningly dramatic re-creation of a very different world.
Starting with his shipwreck on this most alien of shores, the novel charts Blackthorne's rise from the status of reviled foreigner up to the hights of trusted advisor and eventually, Samurai. All as civil war looms over the fragile country.
My Master’s is in history, so books in the field are particularly of interest, especially those focused on the asides of the subject. One of the most unusual is No Surrender: My Thirty-Year War by Hiroo Onoda. When World War II ended in 1945, a number of Japanese soldiers, mostly in the jungles of the South Pacific, refused to surrender. Onoda was one of them. For three decades, the Japanese government tried to convince him that the war was over and flush him out of his hiding place in the Philippines, but to no avail. I found it fascinating to see his confirmation bias at work and described so clearly.
I am a big fan of Japanese art, with Japanese woodblock prints in the form of ukiyo-e and hanga at the top of the list. While James Michener might be best known for his novels, he was a very serious collector of woodblock prints and did deep research into the art form. I have in my collection this textbook on the subject, as well as his fine art limited edition books.
The Floating World by novelist James A. Michener is a classic work on the Japanese print of the Edo period (1615-1868). Mr. Michener shows how the Japanese printmakers, cut off from revivifying contacts with the art of the rest of the world and hampered by their own governmental restrictions, were able to keep their art vital for two centuries through their vigor and determination.
For this new edition, Howard A. Link updates the scholarship and expands on many theoretical aspects introduced in Michener's study.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
This book first excited my interest in the Tokugawa period and directly led to my first two academic books on the subject. Kaempfer’s History of Japan was a best-seller from the date of its publication in London in 1727. The author was a German doctor in the employ of the Dutch East India Company, who were the only Europeans the Tokugawa rulers would allow into Japan until 1853. He was able to make two trips to the capital of Edo, likely the largest city in the world at the time, and thus was able to observe Tokugawa society broadly.
He recorded important events (such as meeting the shogun) as well as the mundane minutiae of life. It is, hands down, the best informed and liveliest foreign account of Tokugawa Japan before the mid-19th century. Bodart-Bailey translated the text from the original German, annotated it, and wrote a very helpful…
Engelbert Kaempfer's work was a best-seller from the moment it was published in London in 1727 and remains one of the most valuable sources for historians of the Tokugawa period. The narrative describes what no Japanese was permitted to record (the details of the shogun's castle, for example) and what no Japanese thought worthy of recording (the minutiae of everyday life). However, all previous translations of the history oar flawed, being based on the work of an 18th century Swiss translator or that of the German editor some fifty years later who had little knowledge of Japan and resented Kaempfer's…