Here are 100 books that Spectacular Accumulation fans have personally recommended if you like
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I am not the type of person who likes to say “you are wrong” in fact I am the type of person who likes to say “let us add this to the whole story”. When you picture Japan you do not picture: slavery, snake dancers, or even samurai removing their shoes outdoors in a gesture of politeness to a superior, you do not imagine Italian Jesuits, western traders, pirates, and Chinese samurai, but they are all a part of actual samurai life. It is my task to add those lost items to our understanding of Japan and the samurai, but of course, in addition to this, I have to correct the story of the ninja, simply because it is a false one. The shinobi as they should be known were disfigured in the 20th century and I want to reveal their true face.
There is samurai culture as understood by most people, involving bushido, loyalty, honour, and truth and then there is this book, an autobiography by a real samurai about the honest truth about actually being a samurai. Part criminal, part reluctant warrior, this man’s story is one of passion, hardship, and eventual love for his family. It is one of the greatest windows into actual Japanese life, and again, it is not a best seller and is maybe now out of print. If you want to know what a samurai’s life was like after the wars with nothing to do but to just be a samurai, look no further, this is one of my most cherished books.
A series of picaresque adventures set against the backdrop of a Japan still closed off from the rest of the world, Musui's Story recounts the escapades of samurai Katsu Kokichi. As it depicts Katsu stealing, brawling, indulging in the pleasure quarters, and getting the better of authorities, it also provides a refreshing perspective on Japanese society, customs, economy, and human relationships.
From childhood, Katsu was given to mischief. He ran away from home, once at thirteen, making his way as a beggar on the great trunk road between Edo and Kyoto, and again at twenty, posing as the emissary of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
This book first excited my interest in the Tokugawa period and directly led to my first two academic books on the subject. Kaempfer’s History of Japan was a best-seller from the date of its publication in London in 1727. The author was a German doctor in the employ of the Dutch East India Company, who were the only Europeans the Tokugawa rulers would allow into Japan until 1853. He was able to make two trips to the capital of Edo, likely the largest city in the world at the time, and thus was able to observe Tokugawa society broadly.
He recorded important events (such as meeting the shogun) as well as the mundane minutiae of life. It is, hands down, the best informed and liveliest foreign account of Tokugawa Japan before the mid-19th century. Bodart-Bailey translated the text from the original German, annotated it, and wrote a very helpful…
Engelbert Kaempfer's work was a best-seller from the moment it was published in London in 1727 and remains one of the most valuable sources for historians of the Tokugawa period. The narrative describes what no Japanese was permitted to record (the details of the shogun's castle, for example) and what no Japanese thought worthy of recording (the minutiae of everyday life). However, all previous translations of the history oar flawed, being based on the work of an 18th century Swiss translator or that of the German editor some fifty years later who had little knowledge of Japan and resented Kaempfer's…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
This book pairs well with Kaempfer’s History, because it challenges the notion that Japan was cut off from the rest of the world except for its relations with the Dutch VOC. The author (disclosure: my Ph.D. adviser at Princeton) challenges this idea of seclusion through his focus on Japan’s relationship with its closest Asian neighbors, particularly China, through the port of Nagasaki. The book skillfully analyzes the impact of the China trade on Japan’s political, economic, and cultural history. Based on a series of lectures, this relatively short book (160 pages) is quite an enjoyable read, even for people who already know a lot about the period.
This book challenges the traditional notion that Japan was an isolated nation cut off from the outside world and its influence in the early modern era. This familiar story of seclusion, argues master historian Marius B. Jansen, results from viewing the period solely in terms of Japan's ties with the West, at the expense of its relationship with closer Asian neighbours. Taking as his focus the port of Nagasaki and its thriving trade with China in the 16th century through the 19th centuries, Jansen not only corrects this misperception but offers an important analysis of the impact of the China…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve spent all of my career teaching and writing about Japan. Within that country’s long history, the Tokugawa or early modern period (1600-1868) has always fascinated me, going back to my teenage years when I went to Japanese film festivals in Boston with my father and brothers. This fascination stems in part from the period’s vibrancy, color, drama, and the wealth of historical documentation about it that has survived warfare as well as the ravages of time. From these rich sources of knowledge, historians and other scholars have been able to weave rich narratives of Japan’s early modern past.
What best list would be complete without at least one volume centered on art? Going beyond a focus on single-sheet woodblock prints, this fascinating study takes a broad approach to the so-called “floating world” or demi-monde to consider printed books, including those of an erotic nature. As the title indicates, the book reveals that the collaborative process went well beyond the illustrator to include publishers, brothel owners, and other commercial interests. The author’s reflections on the status of art, the contemporary definition of beauty, and the physicality of the body as perceived by the Japanese will draw the reader in.
This compelling account of collaboration in the genre of ukiyo-e (pictures of the floating world) offers a new approach to understanding the production and reception of print culture in early modern Japan. It provides a corrective to the perception that the ukiyo-e tradition was the product of the creative talents of individual artists, revealing instead the many identities that made and disseminated printed work. Julie Nelson Davis demonstrates by way of examples from the later eighteenth century that this popular genre was the result of an exchange among publishers, designers, writers, carvers, printers, patrons, buyers, and readers. By recasting these…
When I was studying Japan in graduate school, my advisor once told me that he hoped I wouldn’t pursue research in women’s history, calling it a fad. He was wrong, but it took me well over ten years to figure that out. Thanks to colleagues and friends, I helped build the field of Japanese women’s history in English, especially for the early modern period. As professor emerita at the University of California, Irvine, I remain committed to the possibility of uncovering the lives of yet more amazing women who challenge the stereotypes of docile wife and seductive geisha all too prevalent in fiction set in Japan.
Picture a woman just emerged from her bath, wearing nothing but a loincloth with a dagger between her teeth, confronting three thieves who threaten her husband. This was Shibue Io, born the daughter of a wealthy merchant in 1816, who chose as her spouse a scholar and samurai bureaucrat. He had already been married three times and was eleven years her senior. He had erudition and prestige; she had wealth and enough willpower for both of them. Her story takes the reader through the intimate details of daily life of well-placed Edo families, the intricacies of family alliances complicated by the prevalance of adult adoption, and the challenges of surviving civil war and a forced move from Edo up to the frozen north. She is nothing short of unforgettable.
"The life of Shibue Io and her family, a kind of Japanese Buddenbrooks, may be unknown in the West, but her rich and engaging story marks the intersection of a remarkable woman with a fascinating time in history."-Arthur Golden, author of Memoirs of a Geisha
"It stands clichEs about traditional Japan on their heads. . . .Together with the people she knew, Io lives on in this literary album of old family pictures. It is well worth looking at."-Ian Buruma, New York Times Book Review
"A most engaging book. Seeing Shibue Io through the various lenses of her husband, her…
In 1995, I was invited to the People’s Republic of China to direct a play at the Shanghai Theatre Academy. It was the first Canadian play to be produced in China. It’s amazing what you can learn in a foreign city, with time to explore on your own, ready to soak up the energy, atmosphere, sights, and sounds. The impact is even greater when that city is on the cusp of historic change. The experience power-charged my imagination and was the spark for my first novels–a series of mysteries featuring the detective Zong Fong, Head of Special Investigations, Shanghai. City Rising and its three sequels followed after extensive research.
When it comes to historical fiction, especially one set in Asia, James Clavell is the guy to beat (or at least match).
The story of Shogun unfolds in 17th-century, feudal Japan. An undisputedly exotic setting. A British ship is wrecked on its shores, and its stranded navigator must find his way through Japan's complex cultural and political dynamics. Meanwhile there are other Europeans seeking religious influence and commercial advantage.
Perhaps best of all, the characters are monumental and include one of the strongest and most courageous women in literature since Joan of Arc.
'Clavell never puts a foot wrong . . . Get it, read it, you'll enjoy it mightily' Daily Mirror
This is James Clavell's tour-de-force; an epic saga of one Pilot-Major John Blackthorne, and his integration into the struggles and strife of feudal Japan. Both entertaining and incisive, SHOGUN is a stunningly dramatic re-creation of a very different world.
Starting with his shipwreck on this most alien of shores, the novel charts Blackthorne's rise from the status of reviled foreigner up to the hights of trusted advisor and eventually, Samurai. All as civil war looms over the fragile country.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I first came to Japan knowing nothing about the place I was going to live. With hindsight, that was perhaps foolish, but it started my adventure in Japanese history. At first, I stumbled through blindly, reading the odd book and watching dramas and movies for fun. But then I discovered Yasuke, an African who became samurai in 1581. He focused me, and I started reading to discover his world. History means nothing without knowing what came before and after, so I read more, and more, until suddenly, I was publishing books and articles, and appearing on Japanese TV. It has gone well beyond the African Samurai now, but I am eternally grateful to him for his guidance.
I would recommend anything by Stephen Turnbull, but I can only choose one, so I chose this. It is a blow-by-blow account of ‘The Age of the Country at War,’ Japan’s long 16th century, which ended with the unification of the country under the rule of Tokugawa Ieyasu. A key era in Japanese history, and there is still no other book in English to match it.
First published in 1977, The Samurai has long since become a standard work of reference. It continues to be the most authoritative work on samurai life and warfare published outside Japan. Set against the background of Japan's social and political history, the book records the rise and rise of Japan's extraordinary warrior class from earliest times to the culmination of their culture, prowess and skills as manifested in the last great battle they were ever to fight - that of Osaka Castle in 1615.
I am a historian of empire and international relations, and have worked at universities in Britain and the Netherlands (where I was born). I’m fascinated by the ways in which empires have shaped – and continue to shape – the world we live in. Empire Ascendant was my first book, and I am currently working on a global history of the Dutch colonial empire.
Histories of Japan’s encounter with the West typically start from the premise that prior to its “opening” by the American Commodore Perry in 1853, Japan was a “closed” society that shunned contact with the outside world. This book, which explores the relationship between the Tokugawa shogunate and the Dutch East India Company (the VOC), presents a radically different story: one in which one of the world’s most ruthless commercial operators was forced to humble itself before the shogun. It’s an essential corrective to anyone who equates “world history” with the rise of the West.
The Dutch East India Company was a hybrid organization combining the characteristics of both corporation and state that attempted to thrust itself aggressively into an Asian political order in which it possessed no obvious place and was transformed in the process. This study focuses on the company's clashes with Tokugawa Japan over diplomacy, violence, and sovereignty. In each encounter the Dutch were forced to retreat, compelled to abandon their claims to sovereign powers, and to refashion themselves again and again-from subjects of a fictive king to loyal vassals of the shogun, from aggressive pirates to meek merchants, and from insistent…
I first came to Japan knowing nothing about the place I was going to live. With hindsight, that was perhaps foolish, but it started my adventure in Japanese history. At first, I stumbled through blindly, reading the odd book and watching dramas and movies for fun. But then I discovered Yasuke, an African who became samurai in 1581. He focused me, and I started reading to discover his world. History means nothing without knowing what came before and after, so I read more, and more, until suddenly, I was publishing books and articles, and appearing on Japanese TV. It has gone well beyond the African Samurai now, but I am eternally grateful to him for his guidance.
This was the first comprehensive academic history book of Japan that I read, and it is still the best. I go back to it regularly to check on details and refresh my memory. Jansen writes fluently and maintains reader engagement with a great pace, never too little information, never too much. His subject matter helps, as this period is well researched and blessed with plentiful source material to give a full picture. Highly recommended as a serious starter in Japanese history and culture.
Magisterial in vision, sweeping in scope, this monumental work presents a seamless account of Japanese society during the modern era, from 1600 to the present. A distillation of more than fifty years' engagement with Japan and its history, it is the crowning work of our leading interpreter of the modern Japanese experience.
Since 1600 Japan has undergone three periods of wrenching social and institutional change, following the imposition of hegemonic order on feudal society by the Tokugawa shogun; the opening of Japan's ports by Commodore Perry; and defeat in World War II. The Making of Modern Japan charts these changes:…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
Laura Nenzi’s book discusses the
role of travel in the formation of identity, using primary sources that derive from travel
accounts of Edo Japan. Nenzi looks at personal travel diaries and brings an
anthropological view on the subject seeing travel as a self-discovery process,
while also paying attention to differences in the experience of the literati
travelers and the less educated commoners for whom, with the rise of the market
economy, the roads and their pleasures became more accessible. This brings to
life the changes in the earlier literati tradition of the meisho (famous
places) with the rise of commodification of both products (meibutsu) and
religious practices.
Nenzi’s most unique contribution is shining a light on the travels of women, which still remain an elusive subject in historical
narratives of Japan. Nenzi shows that the hierarchies of Edo Japan were defied
by the transgressive potential of travel, as the roads…
In the Edo period (1600-1868), status- and gender-based expectations largely defined a person's place and identity in society. The wayfarers of the time, however, discovered that travel provided the opportunity to escape from the confines of the everyday. Cultured travelers of the seventeenth and eighteenth centuries wrote travel memoirs to celebrate their profession as belle-lettrists. For women in particular the open road and the blank page of the diary offered a precious opportunity to create personal hierarchies defined less by gender and more by culture and refinement.After the mid-eighteenth century - which saw the popularization of culture and the rise…
