Books like The Lost Prince — picked by fans

I love this book because it combines history and literature, doing justice to both. By setting Lear and Macbeth in their cultural and political contexts, Professor Shapiro has given me new insights into both plays. Before seeing them again, I’ll go back to this book.

Shapiro is a model for me of an academic historian who successfully addresses a wider audience by avoiding academic jargon, explaining the unfamiliar, and telling a good story. He wears his great scholarship lightly, but he has done a huge amount of research and has a mastery of his subject.

I found this book utterly engrossing. The subject of Sir Thomas Roe’s embassy to India from 1616 to 1619 interested me in part because of my interest in cross-cultural exchanges and partly because of my own visit to some of the places previously trodden by Roe.

I liked the fact that the book had a clear argument, namely that Roe’s previous personal and political experiences influenced his perceptions and conduct in India.

Above all, I found the writing a joy. Despite its undoubted scholarship, the book reads as a novel. Das brings colour to all the descriptions, whether of people, places, or events. I wish I could write like that. 

A good textbook is indispensable, and this is the one on James I that I most often resort to. It is lucidly written, covers an awful lot of ground, is properly referenced, and offers an in-depth look at the reigns of James VI and I and Charles I in England and Scotland.

Although it is ten years old now, I still place it top of my reading list for undergraduates studying this period of history. 

I like to get stuck into specialized studies to extend and deepen my historical knowledge. This recent monograph, based on research in Denmark, England, and Scotland, taught me a great deal about how Queen Anna used visual and material culture to forge her own identity and bring prestige to the Jacobean monarchy.

I very much enjoyed reading Field’s descriptions of Anna’s clothes, jewelry, and collecting practices, all of which displayed the queen’s pan-European identity and interests. As a scholar, I am particularly interested in the public image of kings and queens, so this book greatly appealed to me. 

Published to coincide with an exhibition held at the Los Angeles County Museum of Art back in 1989, this book still offers one of the best introductions to the cultural world of the Taj Mahal. Written by the curators at LACMA, the various chapters place the design of the tomb in the wider context of the decorative arts of Mughal India and show how it has also inspired later artists around the world. 

When I was a kid, I used to love W. Somerset Maugham short stories. Often they were about two strangers, usually men, meeting in a remote colonial outpost, and one of the two would then proceed to tell the other a strange, violent, heartbreaking, life-altering story that had happened to him or that he had witnessed. Mouth to Mouth, which I loved, reminded me of those stories.

I listened to it on audiobook, and the narration is pitch-perfect. This novel is about two men who meet at an airport when their plane is delayed. They go into a lounge, where one of them, a rich art dealer named Jeff, proceeds to tell the other his life story.

It’s gripping. I sat in my car after I got home so I could listen to the last twenty minutes.

Many would say Krenov’s approach stands in strong contrast to Frid’s books. Krenov’s books contain much valuable practical information, but I believe the great value of this book is in his attitude toward his work. It is— and I know this is an overused word — but I think it is inspirational.  He speaks clearly and in-depth about his approach to and interaction with his materials; their interplay with design and function; how the physical act of doing the work affects it; his attitude towards time, energy, genuineness, and patronage, and achieving the highest levels of art, craft, and satisfaction. Highly recommended for artists and woodworkers.

Spare, by Prince Harry, Duke of Sussex, is a funny and touching read about what it takes to overcome situations that are out of your control, overwhelming, and inevitably the same struggles we all face. 

We all face the pressure of unfair expectations, unfair judgement, and familial or cultural pressure to conform, but few of us must do this on a world stage, let alone overcome the trauma of the early death of a parent or combat trauma. 

Reading this book made me both glad I was not a royal and inspired that a mere likable human being can overcome a dysfunctional family, combat trauma, and family drama.

Richard Barber gathers together and translates letters written by, among others, the Black Prince and his steward, and the work of two contemporary chroniclers. Between them, these sources constitute an extraordinary collection of first-hand accounts of military campaigns in 14th-century France, including the battles of Crécy and Poitiers, and the 1355 expedition when the Black Prince rode through the area where I live – the Lauragais, between Toulouse and Carcassonne – and ordered his army to destroy and loot most of the towns along its route.

Sometimes verging on propaganda aimed at convincing those back in England that the war was worth fighting, and at others full of anecdotes from military life such as the time the Black Prince’s men were passing through an area so dry, they had to give their horses wine instead of water, this book paints a vivid picture of daily life in a… show more.

I was gripped by this book because, unlike many works on the late Duke of Edinburgh, it concentrated on his early life as a Greek Prince. 

I never realised how close he came to being heir to the Greek throne at one point. The authors use little-known Greek archives, and I learnt a lot about Philip, his father Prince Andrew, and some lesser-known members of the Greek royal family.

Reading a book written from the Greek perspective threw a different light on Philip and his relatives.