100 Books Like The Lost Painting

In 2006, John Berendt published a true crime caper every bit as serpentine and seductive as his iconic first book Midnight in the Garden of Good and Evil – but this time, he took aim at the quirks and secrets of Venice, Italy.

Exploring the mystery behind a terrible fire that consumed Venice’s historic opera house, Berendt immerses himself in the tale.

Reading it felt like settling into the iconic city and getting to know the wonderful characters who call it home.

This book jumped out at me at a bookstore one day, and I loved it so deeply that I sought out the author when I learned he lived nearly and we became good friends.

Rubinstein stumbled upon a true crime story most reporters only dream of – that of hard-drinking third-string Hungarian hockey goalie Attila Ambrus, who took up bank robbing and triggered the largest manhunt in post-communist Eastern European history – and then was smart enough to let the story tell itself, bit by incredible bit.

The result is a wild ride through the chaos of post-Cold War Hungary with a rambunctious antihero for whom you can’t help but root.

The Telling Room combines several of my greatest joys: Spain, artisanal cheese, and the unparalleled wordsmithing of writer Michael Paterniti.

To track the creation one of the world’s greatest cheeses and the betrayal and sabotage that led to its downfall, Paterniti moves his family into a quiet Spanish village – and thanks to his vibrant, evocative writing, brings readers along for the ride.

As someone who’s spent time in the picturesque, history-rich environs of central Spain, I can attest that The Telling Room is the next best thing to travelling yourself to the lands of El Cid and Don Quixote. 

I loved this book and couldn’t recommend it highly enough. It reads like a modern-day thriller, made all the better as it's based on true-events. It’s a well-told story involving Thomas Jefferson, Chateau Lafite Wine, Christie's Auction House, Masters of Wine, and Billionaires that had me turning the pages as fast as possible. I loved all the historical details and the well-researched nature of this gripping tale.

What I enjoyed most about the book was its exploration of the perceived value we place on wine and how we reconcile that perceived value with how far we would go to obtain such items at any cost. As this recounting demonstrates, there are at least two sides to every story and sometimes many more. I hope to read more by this author and hope he explores other famous stories of theft, fraud, and betrayal in the world of wine.

The settings of this book are Rome, Paris, and London, three of my favorite European cities. The missing Masterpieces are by Caravaggio and Malevich, two of my favorite painters. The author is the founding director of the Association for Research into Crimes against Art (ARCA) and holds a degree in art history, so he knows what he is writing about, and the book contains fascinating details art historical details, but also deep insights into the field or art forgery and international art theft. Enough to keep you glued to your seat for hours. 

This book also asks us to separate what’s real and what isn’t. A painting looks worthless but is, in fact, a guide to immense riches.

Watson invites us to find the truth in a landscape of lies. Along the way he gives us well-disguised lessons in history, heraldry, mythology, the conservation of art, and the beauties of the English landscape. He is a master storyteller and a master of suspense.

One of the reasons I started working for museums was that I trained as a painter and in art history, so Hailey Lind’s Annie Kincaid Mystery series was a particular delight. Her main character, Annie, is a former art forger turned faux finisher.

However, she can’t seem to put her past behind her after realizing her curator ex-boyfriend’s new big painting acquisition is a fake. I enjoy a good redemption story, especially when mixed with history and artifacts. 

Osgood details the ancient version of a phenomenon we may recognize: a cold-blooded grift by a charismatic, lawless, leader transmuted into terrorism while posing as patriotism.

Detailing the violent conspiracy of L. Sergius Catilina (63 BCE), Osgood’s elegant translation of Sallust’s The War Against Catiline (c. 43 BCE) emphasizes the danger that political violence and intimidation pose to communal welfare and stability. The Romans never found the recipe for combining individual freedom with equality and political harmony. (Rome’s 450-year-old Republic ultimately devolved into civil war and autocracy.)

Sallust’s tale and Rome’s experience caution us against preserving inequities even as we seek to preserve the rule of law.

Richards’ book broadens the perspective advanced here with a concise overview of American and British films and some American-European co-productions about ancient Greek, Roman, biblical, and other cultures.

Its main focus is on the 1950s and 1960s, when epic filmmaking reached its height with color and widescreen cinematography, giant sets, huge casts, stereophonic sound, extreme lengths, and ruinous costs.

Richards rides to the rescue of several less-than-stellar films but can be severe as well, e.g. about 300: “probably the most Fascistic film to come out in cinemas since the fall of the Third Reich.” (No argument here.)

A few inaccuracies concerning antiquity and cinematic details detract from the book’s value, but they are instructive, since errors can create new fictions from the fictions that films invariably create from history.

I really think this book has also been underappreciated and overlooked by students and enthusiasts.

It contains a remarkable (and again) unsurpassed collection of written sources from the Iron Age in regard to the history, culture, and religions of the Celtic speaking peoples of ancient Europe. In some places it focuses on interactions between the Celts and population groups from the Mediterranean and other parts of ancient Europe.

But it also goes into a great deal of detail about the Celts themselves; where they lived; the names and activities of many of their leaders, warriors, druids, and others; and fascinating information about their cultures, beliefs, and religions... in accurate historical context which makes for a very engaging - and at times a surprising read.

Without a proper understanding of the historical realities, and the context from which information derives... whether Greek and Roman accounts, inscriptions, other written sources, archeology, and… show more.