100 Books Like Hollywood's Ancient Worlds

An American journalist, expelled from Italy in 1925, traces roots, rise, and rule of Il Duce in this 1935 book, which is as vivid as its title.

Mussolini appears as a cheap showman, who, “acting the Hero,” revived ancient Roman pomp and spectacles. He was also aware of the power of mass media, especially the cinema, “posing before men and moviemen.”

One of the virtues of Seldes’ book are the extensive quotations, which unmask Mussolini and others in their own words. Fascist documents, quoted at length, include “The Fascist Decalogue” (note its VIII. Commandment!) and the “Fascist Catechism,” which must be read to be (dis)believed.

Seldes’ book has become valuable again in the current age of assorted domestic and foreign media- and image-obsessed demagogues, autocrats, and dictators.

Scobie presents a concise exposition of the Nazis’ inferiority complex vis-à-vis imperial Rome.

Hitler, ever a fan of grotesque gigantomania, found a soulmate in Albert Speer. Their designs for rebuilding major cities on Roman principles became reality only to a small degree.

The apex was to have been Berlin, renamed Germania, as world capital. Its most stupendous building, modeled on but dwarfing the Pantheon in Rome, was the Great Hall (also People’s Hall, Hall of Glory). It was to accommodate 180,000 standing people. Above it a copper-plated dome sixteen times the size of St. Peter’s in Rome was to have risen.

Inside, the balcony from which Hitler was to deliver his addresses would have made him appear tiny. The contrast exemplifies the essence of Kitsch: unrestrained grandiosity turns ridiculous.

Solomon’s gargantuan tome is a labor of love, offering a comprehensive tribute to General Lew Wallace’s epic historical novel Ben-Hur: A Tale of the Christ, from 1880.

Solomon traces its genesis, composition (during which Wallace, previously not a devout believer, saw the light), publication, and sensational worldwide impact in all manner of modern media, which even included Ben-His and Ben-Hers towels.

After stage adaptations with thrilling on-stage chariot races, the cinema took over. The appropriately big MGM production of 1959 can boast what was for decades believed to be the most spectacular action sequence ever filmed. In a nod to contemporary politics, an Arab sheik puts a Star of David on Ben-Hur just before the race. And the film’s Romans closely resemble Nazis—not for the first or last time.

Fast ran afoul of the House Committee on Un-American Activities and was sent to prison for contempt of Congress.

To him, as to Karl Marx and others, the gladiator Spartacus, who led history’s best-known slave revolt (73 to 71 B.C.), symbolized the proletariat’s revolution against capitalist oppressors and depraved imperialists.

Despite some dubious history and one distasteful distortion concerning the Romans’ exploitation of slaves, Fast’s 1951 novel is a stirring tale, intended “so that the dream of Spartacus may come to be in our own time.”

When no publisher would touch his book, Fast had it printed and distributed on his own.

The screenplay for Stanley Kubrick’s film adaptation was by Dalton Trumbo, another HUAC victim. His screen credits for Spartacus and, a little earlier, for Exodus ended the blacklist.

Just like the Falco mysteries showed me that you could have fun with your historical detectives, this book showed me that there’s more drama in Ancient Roman history than in any daytime soap opera, and this novelisation of Marius and Sulla packs a lot more of an emotional punch than any textbook ever could. 

I don’t know enough about Marius and Sulla to say how much poetic license the author took, but this really does read as a seamless and in-depth exploration of the bloody power struggles between two very different but equally ambitious men in the time of the Roman Republic.   

The whole series is fantastic!

I love a well-written historical thriller with a flair for romance and this one is great. I know how hard it is to write a good historical thriller. I’ve done many for the medieval period, but this one specialises in the Roman period. A notoriously difficult period to write about for fiction. I couldn’t find anything wrong in there. The dynamic between the protagonists is very well handled and the action is superb. The politics and thriller aspects are deftly handled, never bogging down the action. Thoroughly enjoyable trip to ancient Rome.

In two volumes, this is quite simply one of the most beautiful books I own. Much more than an atlas of maps, it includes illustrations of archaeological evidence from across the city and is full of reconstruction drawings. It is a book to simply lose yourself in and spend time browsing through the pages that set out the city of Rome. The overlaying of the ancient buildings from Rome onto the modern street grid, also allows for the reader to see how those ancient buildings, such as the Theatre of Pompey, continue to shape the streetscape of the city of Rome.

In my own research, I’m interested in how Roman imperialism is shaped through the concept of peace and this is central to Tom Holland’s latest examination of power in the ancient Mediterranean world.

I found myself sucked into to the cinematic accounts of shocking and poignant events, such as the erection of Vesuvius and the sacking of Jerusalem, yet also really struck by how Holland manages to paint a picture of the vast diversity and difference to be experienced in the Roman world. And I particularly like that he reminds us how different the Romans are from ourselves.

Found in the children’s section, I depend Eyewitness Books. I’ve collected a number of them and find them extremely useful for quick reference. Loaded with photographs and snippets of well researched information, they are enjoyable for readers of all ages. Topics in this book include: Family life, the bloody arena, a trip to the baths, worship and sacrifice, a dinner party, and much more. Ancient Rome is brought to life.

Imperium, Lustrum, and Dictator chart the disintegration of Rome’s republic and the inexorable rise, then sudden fall, of Julius Caesar. Told from the vantage point of Cicero, the most persuasive speaker of the age, it’s thrilling from the outset, an epic political thriller that seems to foreshadow the beginning of the modern world. The events are so incredible, so momentous, you have to keep reminding yourself they’re true.