Here are 100 books that The Lost Art of Resurrection fans have personally recommended if you like
The Lost Art of Resurrection.
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Our history is spoken through the voice of the conqueror – notably white male. My work seeks to balance our narratives through insight from women’s perspectives. I support my creative writing with extensive research in history, archeology, and myths, and include in situ interpretations of the relevant landscape. There are many truths to be told, not simply one ordained story and I wish to shine the light on stories that have been hidden and/or silenced. The themed series title, Women Unveiled, pertains to this.
I first read this book while at university. I re-read it after touring the Langue d’Òc region of France focusing on the folklore surrounding Mary Magdalene. This book advances the hypothesis that the historical Jesus married Mary Magdalene and travelled to the south of France, where their children married into nobility and established what became known as the Merovingian dynasty. This book provided a source of information as well as support, given my subject matter and the two entwining histories: the biblical era of Jesus and the 13th C siege of Montsegur. Its extensive bibliography provided a rich source of research, including academic articles, essays, and books.
Is the traditional, accepted view of the life of Christ in some way incomplete?
• Is it possible Christ did not die on the cross? • Is it possible Jesus was married, a father, and that his bloodline still exists? • Is it possible that parchments found in the South of France a century ago reveal one of the best-kept secrets of Christendom? • Is it possible that these parchments contain the very heart of the mystery of the Holy Grail?
According to the authors of this extraordinarily provocative, meticulously researched book, not only are these things possible — they…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Our history is spoken through the voice of the conqueror – notably white male. My work seeks to balance our narratives through insight from women’s perspectives. I support my creative writing with extensive research in history, archeology, and myths, and include in situ interpretations of the relevant landscape. There are many truths to be told, not simply one ordained story and I wish to shine the light on stories that have been hidden and/or silenced. The themed series title, Women Unveiled, pertains to this.
Mary Magdalene is a central character in my novel. Aside from researching the folklore in the south of France and reading Mary’s Gospel discovered at Nag Hammadi, I needed to delve into contemporary writings of this historical and maligned woman.
I read many academic articles, essays, and books on Mary Magdalene, notably Karen King’s bookThe Gospel of Mary of Magdala, which could have just as easily been my third pick. I selected Cynthia Boudreault’s book as I appreciated the application of her reasoning and intuition. Her writing was accessible without being laden with religious overtones.
The author of The Wisdom Jesus takes readers on a journey to discover the real Mary Magdalene—and finds a powerful, ancient model for 21st-century spirituality
Mary Magdalene is one of the most influential symbols in the history of Christianity—yet, if you look in the Bible, you’ll find only a handful of verses that speak of her. How did she become such a compelling saint in the face of such paltry evidence?
In her effort to answer that question, Cynthia Bourgeault examines the Bible, church tradition, art, legend, and newly discovered texts to see what’s there. She then applies…
Our history is spoken through the voice of the conqueror – notably white male. My work seeks to balance our narratives through insight from women’s perspectives. I support my creative writing with extensive research in history, archeology, and myths, and include in situ interpretations of the relevant landscape. There are many truths to be told, not simply one ordained story and I wish to shine the light on stories that have been hidden and/or silenced. The themed series title, Women Unveiled, pertains to this.
The Gospel of Mary is often interpreted as a Gnostic text. Gnosis is mystical and esoteric and refers to knowledge based on personal experience with the divine. It is an inward ‘knowing,’ and I was interested in interweaving a psychological approach. This book dived into spiritual aspects in an exploration of the soul’s journey and the spiritual heights attained from a psychological position and was instrumental in some components of Sara’s personal development. My character Sara is a messenger for Persephone, and I used this book to examine the deeper, mythical meanings of how our wounds can become the source of spiritual grace.
The Search for the Beloved, one of the most important books written on the creative and inventive mind, explains the theories that helped form the foundation of the human potential movement. In what has been called “an intellectual and spiritual feast,” Jean Houston explores the nature of spiritual yearning and teaches readers how to facilitate a personal quest by focusing on the four aspects of Sacred Psychology—the Great Wound, the Mythic Journey of Transformation, the Discovery of the Larger Story, and the Union with the Beloved of the Soul.
W. B. Yeats wrote, “There is but one history and that…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
Our history is spoken through the voice of the conqueror – notably white male. My work seeks to balance our narratives through insight from women’s perspectives. I support my creative writing with extensive research in history, archeology, and myths, and include in situ interpretations of the relevant landscape. There are many truths to be told, not simply one ordained story and I wish to shine the light on stories that have been hidden and/or silenced. The themed series title, Women Unveiled, pertains to this.
This book provided a great opportunity for me to step outside of my entitled white Caucasian colonial skin and read the lived experience of someone who was treated as an ‘Other’ and who, when returning to his community, undertook and shared (through his book) his Initiations. I incorporated aspects of his shamanic experience with books on the Eleusian Mysteries (rituals for Demeter and Persephone), as well as interviews with women who had undergone shamanic experiences – both here in Australia with Indigenous elders and in South America.
Maliodoma Patrice Some was born in a Dagara Village, however he was soon to be abducted to a Jesuit school, where he remained for the next fifteen years, being harshly indoctrinated into european ways of thought and worship. The story tells of his return to his people, his hard initiation back into those people, which lead to his desire to convey their knowledge to the world. Of Water and the Spirit is the result of that desire; it is a sharing of living African traditions, offered in compassion for those struggling with our contemporary crisis of the spirit.
I experienced being a parent as a return to my own childhood. As much as I enjoyed teaching my children, I loved learning from them as well. That got me thinking about how one might recapture the joys and insights of childhood. As a philosopher interested in education, I have long wondered whether we leave childhood behind or somehow carry it with us into old age. I discovered that several important philosophers, such as Aristotle, Augustine, and Rousseau have keen insights about the relation of childhood to adulthood. And the biblical Jesus seems to have been the first person to suggest that adults can learn from children.
“Never rush childhood but let it ripen in the child”: Jean-Jacques Rousseau was the first philosopher to see children as more than adults-in-training. As someone who loved revisiting childhood as a parent, I simply adored this celebration of the world of a child.
In this philosophical novel, Rousseau is tutor to Emile from infancy to adulthood, and we watch Emile discover the world without any use of schools or books: “I hate books!” says the world-famous author. Purely through experiential learning, Emile matures, falls in love with Sophie, and becomes a model citizen. Rousseau pioneers the idea of learning through natural consequences: if Emile breaks the window in his room, he gets to enjoy a cold room.
Alan Bloom's new translation of Emile , Rousseau's masterpiece on the education and training of the young, is the first in more than seventy years. In it, Bloom, whose magnificent translation of Plato's Republic has been universally hailed as a virtual rediscovery of that timeless text, again brings together the translator's gift for journeying between two languages and cultures and the philosopher's perception of the true meaning and significance of the issues being examined in the work. The result is a clear, readable, and highly engrossing text that at the same time offers a wholly new sense of the importance…
Who knows why, but I have always been enticed by absurdities, paradoxes, incongruities — I use them in my talks, articles, and books — of everyday lives, our humanity, and mysteries of our ‘going on.’ Reflections on being human can be triggered by humour such as Cambridge’sBeyond the Fringe and New York’s sitcom Seinfeld— within which I wallow — as well as by lengthy philosophical works and novels. My work draws on bafflements: for example, shampoo instructions “Lather, rinse, repeat” (making shampoo-ing infinite?); Barmaid to Peter Cook, “Bitter?”, reply being “Just tired”— and Samuel Beckett’s “I can’t go on. I’ll go on.” Yes, I go on.
I frequently return to Plato and his portrayal of Socrates. The Phaedrus intrigues me. It is a difficult work for piecing together, yet with fascinating thoughts, taking us from rhetoric to erotic love to the search for Beauty, Truth, the Good. What it is to be human continues to baffle me — not least because we often do have a sense of 'going beyond' the mystical. Yes — I do write as an atheist.
Phaedrus is widely recognized as one of Plato's most profound and beautiful works. It takes the form of a dialogue between Socrates and Phaedrus and its ostensible subject is love, especially homoerotic love. This new translation is accompanied by an introduction, further reading, and full notes on the text and translation that discuss the structure of the dialogue and elucidate issues that might puzzle the modern reader.
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I love to read (full stop). And especially, I love to read Plato in English and in Greek, by myself and with others. I studied Plato for my doctorate in Philosophy at the University of Cambridge (in England) because in his dialogues, one finds all the dimensions of philosophy coming together. Why does thinking about how to live lead not only to ethics and political philosophy, but also epistemology (what we can know), aesthetics (what is beautiful), and metaphysics (what is the nature of reality)? Having read Plato with third graders, graduate students, business leaders, and retirees, I find that people of all kinds respond to his works.
This book blows the cobwebs off Plato. It shows him to have been a force in remaking the terms of the Athenian political imagination and public life.
Allen tracks how images and words that Plato crafted made their way into the public speeches through which Athenians pursued personal vendettas and debated public policy. This book proves that Plato was no ivory tower philosopher. On the contrary: “Plato wrote unacknowledged legislation” and was “the western world’s first think-tank activist and message man”.
Why Plato Wrote argues that Plato was not only the world's first systematic political philosopher, but also the western world's first think-tank activist and message man. Shows that Plato wrote to change Athenian society and thereby transform Athenian politics Offers accessible discussions of Plato's philosophy of language and political theory Selected by Choice as an Outstanding Academic Title for 2011
I love to read (full stop). And especially, I love to read Plato in English and in Greek, by myself and with others. I studied Plato for my doctorate in Philosophy at the University of Cambridge (in England) because in his dialogues, one finds all the dimensions of philosophy coming together. Why does thinking about how to live lead not only to ethics and political philosophy, but also epistemology (what we can know), aesthetics (what is beautiful), and metaphysics (what is the nature of reality)? Having read Plato with third graders, graduate students, business leaders, and retirees, I find that people of all kinds respond to his works.
Who would have expected a chapter on money in a book on Plato?
This book persuaded me that the effects of money on souls and societies alike were central to Plato’s ideas. Money distracts from deeper values. It produces false equivalences. It enslaves our reasoning power to the aim of mere accumulation. At a social level, it drives imperialism and war, as Plato saw that it did in ancient Athens.
While there is so much in this book, I find myself going back to this chapter again and again, and finding new insights about Plato’s world and ours each time.
The Founders of Modern Political and Social Thought series presents critical examinations of the work of major political philosophers and social theorists, assessing both their initial contribution and their continuing relevance to politics and society. Each volume provides a clear, accessible, historically informed account of a thinker's work, focusing on a reassessment of the central ideas and arguments. The series encourages scholars and students to link their study of classic texts to current debates in political philosophy and social theory.
In this authoritative general account of Plato's political thought, a leading scholar of ancient Greek philosophy explores its key themes:…
I have been fascinated by the Bible since my earliest days in Sunday school, coloring pictures of Noah’s Ark. Yet, even as a young child I was very skeptical of the Christian interpretation of biblical stories, seeing that they couldn’t possibly be true. But I’ve always respected the Bible as a literary work and sought to understand its details. In my years of researching the Bible and Christian origins, several works stand out as being particularly important in shaping my understanding of Judaism and Christianity. These are those books.
Along with his other book,Berossus and Genesis, Manetho and Exodus: Hellenistic Histories and the Date of the Pentateuch, Russell Gmirkin puts forward compelling evidence to show that many of the most revered works of Jewish scripture were produced after the conquests of Alexander the Great, hundreds of years later than widely believed. Relationships between the Jewish Torah and the works of Plato have long been acknowledged by scholars, dating back to antiquity. Jews had long claimed that it was Plato who had derived his concepts from their writings, but here Gmirkin shows convincingly that the relationship goes the other way around.This realization has profound implications for our understanding of the origins of Judaism and Christianity.
Plato and the Creation of the Hebrew Bible for the first time compares the ancient law collections of the Ancient Near East, the Greeks and the Pentateuch to determine the legal antecedents for the biblical laws. Following on from his 2006 work, Berossus and Genesis, Manetho and Exodus, Gmirkin takes up his theory that the Pentateuch was written around 270 BCE using Greek sources found at the Great Library of Alexandria, and applies this to an examination of the biblical law codes. A striking number of legal parallels are found between the Pentateuch and Athenian laws, and specifically with those…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
Who hasn’t caught themselves staring at a shadow? I certainly have. I have always found shadows fascinating. They are both there and not there, present and absent, and this in-between, fleeting nature keeps me staring. Shadows open a space for contemplation, and the list presented here traces a range of responses to the enigma they represent. Transitory images that exist on a fleeting border between light and darkness, shadows seem to invite me to make sense of their vague and shifting outlines, leading to both the joy of imagination as well as to that unsettling but pleasurable feeling of the uncanny as I struggle to fill in their outlines.
I have read this short section of Plato’s highly influential book, Republic, many times in many different settings over the course of my life and have always found it fresh and thought-provoking.
Are we just dupes staring at the secondhand shadows cast by figures on a wall, or will we escape our cave to find the truth in the light of the sun? Shadows have never been so denigrated! Nevertheless, I feel that Plato’s parable still has the power to make me question what it is I am doing with my life even if it was written over two thousand years ago.
The Allegory of the Cave, or Plato's Cave, was presented by the Greek philosopher Plato in his work Republic (514a–520a) to compare "the effect of education (παιδεία) and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the analogy of the sun (508b–509c) and the analogy of the divided line (509d–511e). All three are characterized in relation to dialectic at the end of Books VII and VIII (531d–534e). Plato has Socrates describe a group of people who have lived…
