Here are 100 books that The Lone Ranger and Tonto Fistfight in Heaven fans have personally recommended if you like
The Lone Ranger and Tonto Fistfight in Heaven.
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I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.
This was probably one of the most intense experiences with non-linear storytelling I ever had, and that did something to me I could not have predicted.
In fact, while reading this book, I started to turn the story into something of a philosophical discourse in my head.
I really like how this book is at the same time utterly insane in parts—and I do say that with the greatest respect, it‘s the good kind of insane—while at the same time, it explores themes of dealing with earth-shattering events on a very individual level.
For me, the icing on the cake is that Kurt Vonnegut manages to even mix in a little history lesson there, because that bombing of the prisoners in Dresden? That did happen. And I didn‘t even learn about it in school—I learned it from this novel!
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
Finalist for the 2023 California Book Award, and the 2023 Northern California Book Award.
Eighteen-year-old Del is in a healthier place than she was a year and a half ago. She’s sober, getting treatment for her depression and anxiety, and volunteering at a suicide prevention hotline. Her own suicide attempt…
I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I saw my first raven near Mount Rainier. The bird looked me in the eye, hopped to the left, sized me up, and continued his business. The advancing Russian army drove Bernd Heinrich and his family into the forest near Hahnheide, Germany, where they lived in a small hut for five years.
There, he began his lifelong quest to connect with insects (especially bees), owls, trees, antelope (he runs ultramarathons), geese...and ravens. The mind of the Raven is a deep, scientific meditation on the intersection between being human and raven. It concludes that “ultimately [our differences are] less a matter of consciousness than of culture” (342).
I wonder how culture has dulled my imagination, a struggle Heinrich clearly has fought more successfully than I have.
Heinrich involves us in his quest to get inside the mind of the raven. But as animals can only be spied on by getting quite close, Heinrich adopts ravens, thereby becoming a "raven father," as well as observing them in their natural habitat. He studies their daily routines, and in the process, paints a vivid picture of the ravens' world. At the heart of this book are Heinrich's love and respect for these complex and engaging creatures, and through his keen observation and analysis, we become their intimates too.
Heinrich's passion for ravens has led him around the world in…
I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I repost art that catches my eye. I click when I see a piece of Egon Schiele on social media. It’s impossible to look away, which is saying something, considering the variety and audacity of modern art. Born in Tulln, Austria, in 1890, Schiele died of the Spanish Flu in 1918 at only 27.
A student of Gustav Klimt, Schiele’s art is expressionistic, graphic, and transformative. His imagination is a slap in the face, a Munch “Scream” of a crime scene photograph. Steiner has done a great service in producing this art book, in which all of Schiele’s work is reproduced in color. His commentary is, at the same time, chronological and thematic. Schiele survived derisive criticism and prison, and although his life was short, his imaginative punches still landed.
With his graphic style, figural distortion, and defiance of conventional standards of beauty, Egon Schiele (1890-1918) was a pioneer of Austrian Expressionism and one of the most startling portrait painters of the 20th century.
Mentored by Gustav Klimt, Schiele dabbled in a glittering Art Nouveau style before developing his own much more gritty and confrontational aesthetic of sharp lines, lurid shades, and mannered, elongated figures. His prolific portraits and self-portraits stunned the Viennese establishment with an unprecedented psychological and sexual intensity, favoring erotic, exposing, or unsettling poses in which he or his sitters cower on the floor, languish with legs…
Quinton Wyatt's summer break before high school should be nothing but wall-to-wall fun. Instead, his best friend has stopped talking to him; his fiendish older sister has filled his head with tales of a sadistic high school ritual called "The Freshman Stomp"; and his divorced father has started dating the…
I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I was fourteen when I was introduced to my next pick. Our teacher read aloud The Kool-Aid Wino and The Cleveland Wrecking Yard, and I was lucky enough to find a copy at the mall as I read, bang! Trout Fishing in America Terrorists, bang! The Hunchback Trout, and bang! Sandbox Minus John Dillinger Equals What?
Brautigan grew up neglected and received involuntary electroshock treatments because he was hungry and threw a rock through a police station window. He never went to college but taught college classes. His imagination gave him a reason to live. It gave me one, too.
Three counterculture classics by Richard Brautigan, literary icon of the 1960s, together in a single volume, including the unforgettable Trout Fishing in America.
Trout Fishing in America is by turns a hilarious, playful, and melancholy novel that wanders from San Francisco through America's rural waterways.
In Watermelon Sugar expresses the mood of a new generation, revealing death as a place where people travel the length of their dreams, rejecting violence and hate.
The Pill Versus the Springhill Mine Disaster is a collection of nearly one hundred poems, first published in 1968.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
This collection of short stories draws from Van Alst’s experience as a Native American growing up in Chicago, where racism and gang violence were everyday realities. Gripping and uncompromising, the stories walk a line between the traumas of Indigenous life in America and the possibilities of resilience and resistance.
Growing up in a gang in the city can be dark. Growing up Native American in a gang in Chicago is a whole different story. This book takes a trip through that unexplored part of Indian Country, an intense journey that is full of surprises, shining a light on the interior lives of people whose intellectual and emotional concerns are often overlooked. This dark, compelling, occasionally inappropriate, and often hilarious linked story collection introduces a character who defies all stereotypes about urban life and Indians. He will be in readers' heads for a long time to come.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
LaPier and Beck’s book is the perfect backstory to Van Alst’s.
Chicago, built on the lands of the Three Fires Council, has a long history as an Indigenous metropolis, from activism around the famous 1893 World’s Fair to the building of urban Indian organizations. The authors show how Indigenous people are everywhere in the archives.
Robert G. Athearn Award from the Western History Association
In City Indian Rosalyn R. LaPier and David R. M. Beck tell the engaging story of American Indians who migrated to Chicago from across America to work and emerged as activists. From the 1893 World's Columbian Exposition to the 1934 Century of Progress Fair, American Indians in Chicago voiced their opinions about political, social, educational, and racial issues. City Indian focuses on the privileged members of the American Indian community in Chicago: doctors, nurses, business owners, teachers, and entertainers. During the Progressive Era more than any other time in the city's…
Embark on a riveting journey into Washington State’s untamed Olympic Peninsula, where the threads of folklore legends and historical icons are woven into a complex ecological tapestry.
Follow the enigmatic Petr as he fearlessly employs his pirate radio transmitter to broadcast the forgotten and untamed voices that echo through the…
In 1971, when I graduated from law school, I received a fellowship to help staff a Legal Aid office on the Rosebud Sioux Indian Reservation in South Dakota. I lived there for nearly four years, representing tribal members in tribal, state, and federal courts. I then worked for 45 years on the National Legal Staff of the American Civil Liberties Union (ACLU). One of my major responsibilities was helping Indian tribes and their members protect and enforce their rights, and I filed numerous cases on their behalf. During that time, I taught Federal Indian Law for more than 20 years and also published The Rights of Indians and Tribes.
This book is the “bible” of Federal Indian Law. Mr. Cohen was appointed by President Franklin Delano Roosevelt as the Commissioner of Indian Affairs and was the first pro-Native Commissioner to hold that post. He took it upon himself and his agency to publish a treatise that Indian tribes and others could rely on to learn about treaties, statutes, and agreements that set forth the rights of Indian tribes and their members.
It’s been updated several times. It is the most authoritative text in the field and is frequently cited by courts and commentators. It doesn’t lend itself to easy reading, however. (My book synthesizes the information contained in the Cohen book and makes it understandable to the non-lawyer.)
Cohen's Handbook of Federal Indian Law is an encyclopedic treatise written by experts in the field, and provides general overviews to relevant information as well as in-depth study of specific areas within this complex area of federal law. This is an updated and revised edition of what has been referred to as the ""bible"" of federal Indian law. This publication focuses on the relationship between tribes, the states and the federal government within the context of civil and criminal jurisdiction, as well as areas of resource management and government structure. The 2012 Edition of Cohen's Handbook of Federal Indian Law…
I'm a nature writer and poet who lives, writes, and tends his modest grapevines on a small farm in the highlands of northern Michigan. My study and my work delves into the mysterious connections between all living things. I've sailed the world's lakes and oceans and lived on the land from Alaska to California to the Caribbean. The natural world cannot just be described but must be experienced – all the writers on my list have taken this approach – as I've followed the lead of these great writers but in my own unique way. I would enjoy a day on a secluded river with each of them in search of the elusive brook trout.
A creative non-fiction work that brings the native folk hero alive in spirit while following the modern-day hero Leonard Peletier and the AIM resistance.
Again, the landscape descriptions take the reader away into the land once travelled by Native Americans. Matthiessen’s literary touch lends an almost novel-like thread by comparing the legends of Crazy Horse, perhaps the most revered of Lakota warriors, who becomes more than an historical figure in support of the fight for Native American rights and dignity in the American West of the 1970s.
An “indescribably touching, extraordinarily intelligent" (Los Angeles Times Book Review) chronicle of a fatal gun-battle between FBI agents and American Indian Movement activists by renowned writer Peter Matthiessen (1927-2014), author of the National Book Award-winning The Snow Leopard and the novel In Paradise
On a hot June morning in 1975, a desperate shoot-out between FBI agents and Native Americans near Wounded Knee, South Dakota, left an Indian and two federal agents dead. Four members of the American Indian Movement were indicted on murder charges, and one, Leonard Peltier, was convicted and is now serving consecutive life sentences in a federal…
Michelle Lute is a conservation scientist and advocate with fifteen years’ experience in biodiversity conservation on public and private lands around the globe. She dedicates her professional life to promoting human-wildlife coexistence through effective public engagement, equitable participatory processes, and evidence-based decision-making. Michelle is the National Carnivore Conservation Manager for Project Coyote whose mission is to promote compassionate conservation and coexistence between people and wildlife through education, science and advocacy.
Barry Lopez is also an author that defies choosing among his many great books about nature, including the renown Of Wolves and Men. Less known is his collection of sixty-eight tales of Old Man Coyote, the Trickster, carefully gathered from forty-two Native American tribes. One might understandably take issue with reading a white man’s version of Native American stories, but give Barry a chance to explain himself in the introduction to the book. Of course, nothing can replace the great oral tradition of Native American storytelling, but short of the real thing, this collection will help you understand the wit and wisdom of the Trickster character.
Prankster, warrior, seducer, fool -- Old Man Coyote is the most enduring legend in Native American culture. Crafty and cagey -- often the victim of his own magical intrigues and lusty appetites -- he created the earth and man, scrambled the stars and first brought fire . . . and death. Barry Lopez -- National Book Award-winning author of Arctic Dreams and recipient of the John Burroughs Medal for his bestselling masterwork Of Wolves and Men -- has collected sixty-eight tales from forty-two tribes, and brings to life a timeless myth that abounds with sly wit, erotic adventure, and rueful…
I joined the anti-bullying crusade late in life. After writing my first book, entities were contacting me and asking if I would share their anti-bullying messages on my website. I learned so much about the increasing problem of bullying and how its tentacles reach out to other social issues such as teen suicide, school shootings, and drug use. I thought that Special Ed and the Bull-ies would be my only book but decided that it was important to make it into a series. With each book I can focus on a different aspect of this growing problem and hopefully make a difference in this world.
I have always enjoyed poetry and this book introduces simple couplets to children while telling a sweet story of loving Asian parents who welcome a new child. Geared to very young children, the artwork can tell the story without someone reading it to them, but the lyrical words just add to the beauty of the message.
