Here are 100 books that The Lone Ranger and Tonto Fistfight in Heaven fans have personally recommended if you like
The Lone Ranger and Tonto Fistfight in Heaven.
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I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.
This was probably one of the most intense experiences with non-linear storytelling I ever had, and that did something to me I could not have predicted.
In fact, while reading this book, I started to turn the story into something of a philosophical discourse in my head.
I really like how this book is at the same time utterly insane in parts—and I do say that with the greatest respect, it‘s the good kind of insane—while at the same time, it explores themes of dealing with earth-shattering events on a very individual level.
For me, the icing on the cake is that Kurt Vonnegut manages to even mix in a little history lesson there, because that bombing of the prisoners in Dresden? That did happen. And I didn‘t even learn about it in school—I learned it from this novel!
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what…
Finalist for the 2023 California Book Award, and the 2023 Northern California Book Award.
Eighteen-year-old Del is in a healthier place than she was a year and a half ago. She’s sober, getting treatment for her depression and anxiety, and volunteering at a suicide prevention hotline. Her own suicide attempt…
I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I saw my first raven near Mount Rainier. The bird looked me in the eye, hopped to the left, sized me up, and continued his business. The advancing Russian army drove Bernd Heinrich and his family into the forest near Hahnheide, Germany, where they lived in a small hut for five years.
There, he began his lifelong quest to connect with insects (especially bees), owls, trees, antelope (he runs ultramarathons), geese...and ravens. The mind of the Raven is a deep, scientific meditation on the intersection between being human and raven. It concludes that “ultimately [our differences are] less a matter of consciousness than of culture” (342).
I wonder how culture has dulled my imagination, a struggle Heinrich clearly has fought more successfully than I have.
Heinrich involves us in his quest to get inside the mind of the raven. But as animals can only be spied on by getting quite close, Heinrich adopts ravens, thereby becoming a "raven father," as well as observing them in their natural habitat. He studies their daily routines, and in the process, paints a vivid picture of the ravens' world. At the heart of this book are Heinrich's love and respect for these complex and engaging creatures, and through his keen observation and analysis, we become their intimates too.
Heinrich's passion for ravens has led him around the world in…
I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I repost art that catches my eye. I click when I see a piece of Egon Schiele on social media. It’s impossible to look away, which is saying something, considering the variety and audacity of modern art. Born in Tulln, Austria, in 1890, Schiele died of the Spanish Flu in 1918 at only 27.
A student of Gustav Klimt, Schiele’s art is expressionistic, graphic, and transformative. His imagination is a slap in the face, a Munch “Scream” of a crime scene photograph. Steiner has done a great service in producing this art book, in which all of Schiele’s work is reproduced in color. His commentary is, at the same time, chronological and thematic. Schiele survived derisive criticism and prison, and although his life was short, his imaginative punches still landed.
With his graphic style, figural distortion, and defiance of conventional standards of beauty, Egon Schiele (1890-1918) was a pioneer of Austrian Expressionism and one of the most startling portrait painters of the 20th century.
Mentored by Gustav Klimt, Schiele dabbled in a glittering Art Nouveau style before developing his own much more gritty and confrontational aesthetic of sharp lines, lurid shades, and mannered, elongated figures. His prolific portraits and self-portraits stunned the Viennese establishment with an unprecedented psychological and sexual intensity, favoring erotic, exposing, or unsettling poses in which he or his sitters cower on the floor, languish with legs…
Quinton Wyatt's summer break before high school should be nothing but wall-to-wall fun. Instead, his best friend has stopped talking to him; his fiendish older sister has filled his head with tales of a sadistic high school ritual called "The Freshman Stomp"; and his divorced father has started dating the…
I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I was fourteen when I was introduced to my next pick. Our teacher read aloud The Kool-Aid Wino and The Cleveland Wrecking Yard, and I was lucky enough to find a copy at the mall as I read, bang! Trout Fishing in America Terrorists, bang! The Hunchback Trout, and bang! Sandbox Minus John Dillinger Equals What?
Brautigan grew up neglected and received involuntary electroshock treatments because he was hungry and threw a rock through a police station window. He never went to college but taught college classes. His imagination gave him a reason to live. It gave me one, too.
Three counterculture classics by Richard Brautigan, literary icon of the 1960s, together in a single volume, including the unforgettable Trout Fishing in America.
Trout Fishing in America is by turns a hilarious, playful, and melancholy novel that wanders from San Francisco through America's rural waterways.
In Watermelon Sugar expresses the mood of a new generation, revealing death as a place where people travel the length of their dreams, rejecting violence and hate.
The Pill Versus the Springhill Mine Disaster is a collection of nearly one hundred poems, first published in 1968.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
This collection of short stories draws from Van Alst’s experience as a Native American growing up in Chicago, where racism and gang violence were everyday realities. Gripping and uncompromising, the stories walk a line between the traumas of Indigenous life in America and the possibilities of resilience and resistance.
Growing up in a gang in the city can be dark. Growing up Native American in a gang in Chicago is a whole different story. This book takes a trip through that unexplored part of Indian Country, an intense journey that is full of surprises, shining a light on the interior lives of people whose intellectual and emotional concerns are often overlooked. This dark, compelling, occasionally inappropriate, and often hilarious linked story collection introduces a character who defies all stereotypes about urban life and Indians. He will be in readers' heads for a long time to come.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
LaPier and Beck’s book is the perfect backstory to Van Alst’s.
Chicago, built on the lands of the Three Fires Council, has a long history as an Indigenous metropolis, from activism around the famous 1893 World’s Fair to the building of urban Indian organizations. The authors show how Indigenous people are everywhere in the archives.
Robert G. Athearn Award from the Western History Association
In City Indian Rosalyn R. LaPier and David R. M. Beck tell the engaging story of American Indians who migrated to Chicago from across America to work and emerged as activists. From the 1893 World's Columbian Exposition to the 1934 Century of Progress Fair, American Indians in Chicago voiced their opinions about political, social, educational, and racial issues. City Indian focuses on the privileged members of the American Indian community in Chicago: doctors, nurses, business owners, teachers, and entertainers. During the Progressive Era more than any other time in the…
I am a teacher of Native American skills in the mountains of north Georgia. Each day when I leave my house to enter the forest, I am keenly aware that I am stepping on land that once “belonged” to the Cherokee. Everything around me in the forest was intimately known and used by the original people, and these same items have become the critical tools in my own life. I know the Cherokee history, and I know the white man’s history. I believe the clash of these two cultures deserves to be told in full.
When I was a little boy, all I wanted to be was an Indian. I have always had an open heart for the underdog, but these dark-skinned people seemed like masters of all woods lore. I wanted those skills for my own.
Now I see the friction between modern Native Americans and modern whites as inevitable, challenging, and wrought with a rotten history of broken promises. When a friendship between a native and a non-native can transcend that history to form a bond strong enough to die for, I am inspired.
A young Native American raised in the forest is suddenly thrust into the modern world, in this novel by the author of The Dog Who Came to Stay. Thomas Black Bull’s parents forsook the life of a modern reservation and took to ancient paths in the woods, teaching their young son the stories and customs of his ancestors. But Tom’s life changes forever when he loses his father in a tragic accident and his mother dies shortly afterward. When Tom is discovered alone in the forest with only a bear cub as a companion, life becomes difficult. Soon, well-meaning teachers…
I’m fascinated by ancient America and visit archaeological sites everywhere I go. I scooted off as soon as we moved to Missouri in 2000 to see Cahokia, the mother of all Mississippian cities. My fascination began in the late 90s when I visited Etowah Indian Mounds, off I-75 north of Atlanta. I was amazed: huge, flat-top pyramids nearly as big as those in Mexico. A large plaza, probably used for ceremonies and ball games. An excellent museum with jewelry, bodily adornments, figurines, and sculptures from as far away as the East Coast, Gulf of Mexico, and Illinois. Who were these people? What kind of city was this? No one told me about any of this!
Can I say I love the pictures most of all? I love the pictures. And maps. But 50? Why not 100! 200! (I know why: 50 is a nice round, familiar, patriotic number)
What I loved about this book was that it paid so much attention to Midwestern sites I can, and have, explored – Adena, Hopewell, Mississippian – and many places still on my list. It doesn’t dwell on the cliff dwellings and cities in stone in the west, what most people think of when they think of Indian towns.
And I love that it includes petroglyph and pictographic sites in the West, only a few of which I have visited. So this book is a joy and a torture: all these places I have yet to see!
Presenting "the real deal" of American antiquity-as opposed to the hyped fare of many cable TV shows-Kenneth Feder invites readers to explore the stunning technological, architectural, engineering, and artistic achievements of America's first peoples.
Part travel guide, part friendly reference, Ancient America showcases fifty iconic and publicly-accessible sites located across the contiguous United States-including monumental pyramids of earth, "castles" ensconced in cliff niches, and vast rock art galleries. Among the places profiled are four World Heritage Sites (Chaco Canyon, NM; Mesa Verde, CO; Cahokia, IL; Poverty Point, LA); numerous Historic Landmarks and National Monuments (including Crystal River, FL; Town Creek…
I’ve been a labor union attorney and lifelong historical researcher drawn to the 1900s Progressive Era because of the parallels between that time and today. To write Unseen, I read over 100 books and articles about Indian life ways, reservations, boarding schools, and federal policy. Many sources are firsthand accounts written by Indians and ethnologists whom Indians deem credible. Whenever fact or opinion conflicted, I deferred to the Indian account. Pre-Columbus, Indians totaled 5 million. By the 1900 census, fewer than 250,000 survived. My research yielded a history that was both horrific and inspiring. I concluded that there is much to learn from these First Peoples.
This may be the most honest autobiography I’ve ever read. Means spares no one, especially not himself.
What made this book memorable to me is its intimate look into the heart of Means, as he relates his successes and failures in meeting the challenges of being an American Indian. Means traveled a painful and tortuous road to finally become a significant leader of the late twentieth-century Indian movement for recognition, reparation, and self-determination.
Russell Means was the most controversial American Indian leader of our time. Where White Men Fear to Tread is the well-detailed, first-hand story of his life, in which he did everything possible to dramatize and justify the American Indian aim of self-determination, such as storming Mount Rushmore, seizing Plymouth Rock, running for President in 1988, and--most notoriously--leading a 71-day takeover of Wounded Knee, South Dakota, in 1973.
This visionary autobiography by one of our most magnetic personalities will fascinate, educate, and inspire. As Dee Brown has written, "A reading of Means's story is essential for any clear understanding of American…
Born and raised in Ohio, the “First West,” I was trained by top historians of the American West at the University of Toledo where I received my doctorate in American History. I’ve worked as a university and research fellow, a writer in the business world, and a professor of history and department chair at Lourdes University. I left my teaching and administrative career to become a full-time writer. Along with Unlikely General, my recent books have included The Other Trail of Tears: The Removal of the Ohio Indians and Interrupted Odyssey: Ulysses S. Grant and the American Indians. Currently, I’m writing a dual biography of William Henry Harrison and Tecumseh.
Historians have written moving accounts of the discovery and settlement of the American West, but Alvin Josephy in The Patriot Chiefs tells the same story from the “other side,” meaning from the point of view of the many Indian chiefs who tried to stop the advance of first, the American colonies, and then, the American nation. One by one, their lives and their struggles light up before the reader. Although I read the book years ago, Josephy’s vivid portraits of Hiawatha, King Philip, Popé, Pontiac, Tecumseh, Osceola, Black Hawk, Crazy Horse, and Chief Joseph stay alive in my imagination to this very day. Their stories, like those of every daring explorer and hardy pioneer who made their way west, must be remembered as part of the great story of America.
"A valuable chronicle of the greatness and majesty of the Indian chiefs."-Christian Science Monitor
Told through the life stories of nine Indian chiefs, this narrative depicts the American Indian effort to preserve a heritage and resist the changes brought by the white man. Hiawatha, King Philip, Pope, Pontiac, Tecumseh, Osceola, Black Hawk, Crazy Horse, and Chief Joseph each represent different tribal backgrounds, different times and places, and different aspects of Indian leadership. Soldiers, philosophers, orators, and statesmen, these leaders were the patriots of their people. Their heroic and tragic stories comprise an integral part of American history.
