100 Books Like The Lion's Circle

Nikki Baker is the first African-American writer of lesbian mysteries and her character Virginia Kelly—who works as a financial analyst in Chicago—is the first African-American lesbian sleuth. This makes it important, but what makes the book outstanding is the writing, especially the voice of the protagonist. The plots are slick and entertaining, but it is Virginia’s internal musings and interpersonal relationships that make this—and the other 3 books in the series—a clear 5-star winner. 

Forrest’s Kate Delafield, a San Francisco homicide detective, is surely the most famous character in lesbian mystery fiction. She is also the first lesbian police officer. Although most of Forrest’s 10 Delafield novels deserve 5-star ratings, The Beverly Malibu goes far beyond the usual whodunit limits in that it revisits the terrible McCarthy era when minorities—including the LGBTQ community—were kicked down at by the elite. This is also the book where Kate meets her long-time lover Aimee. 

Like Nikki Baker’s novels, Tell Me What You Like is driven by its narration. Alison Kaine, the protagonist of the novel, works for the Denver Police Department. But unlike most protagonists of lesbian policiers—who tend to be sergeants or detectives—Alison is a lowly officer. Because she is an out lesbian, she is assigned to investigate the murder of a leather dyke outside a lesbian bar, and is slowly drawn into the stories of the bar’s other denizens. And, not quite against her will, she slides into the darker subculture of BDSM, with whips and collars and a dominatrix named Anastasia. 

When I was writing my first mystery series, I knew very little about the history of the lesbian detective novel. Because I wanted to work within the genre’s boundaries, I spent almost as much time researching it as writing. With the 2022 publication of The Lesbian Detective Novel, Megan Casey has made this task way easier for future lesbian mystery authors. She lists over 1,000 titles along with their creators and adds a few pertinent notes about each book or series. When you finish my first four picks and are looking for other lesbian mysteries to enjoy, this is the book to have by your bedside. I certainly have it beside mine.

I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.

It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.  

I love this novel because of its ravishingly beautiful prose and deep insights into sexual selfhood. Set one day in June 1923, this book takes us into the mind of its middle-aged heroine, Clarissa Dalloway, as she prepares to host a party and reminisces about her life three decades ago.

As a teenager, she loved a daring, aristocratic woman (Sally), a passionate but troubled man (Peter), and a comparatively boring but dependable man (Richard, to whom she has long been married). What did love mean to her thirty years ago, and what does it mean now? Did she make the right romantic choice, given the constraints of her society? Virginia Woolf leaves her readers space to ponder these questions for themselves.

This historical romance is so much more than a romance. It’s also a commentary on the place women had in society for much of the 19th century, and how hard it was for them to break out of the mold of being nothing but a pretty thing to entertain the men in their lives. The story of Lucy, a young astronomer, and her relationship with her older benefactress, Catherine, is beautifully written. Catherine’s journey from an abusive marriage to the incredible love she finds with Lucy is poignant and passionate all at the same time, and the depth of characterization of both women is wonderful.

Street names, the Charles River, bridges, the Back Bay, the Public Gardens, actual hotels and restaurants—Robert B. Parker’s forty Spenser novels make Boston so much a character that Parker wrote Spenser’s Boston. The sixth novel in the series, published in 1980, has Spenser searching for a missing lesbian activist who’s been kidnapped by an anti-gay group. Like Buffalo, Boston sometimes gets a lot of snow. Unlike Buffalo, which is not the snowiest city in New York but is depicted as such, Boston is not known as a snow capital. That Spenser must search during a blizzard is a welcome dose of realism.

Flora Calhoun—sixteen-year-old, self-appointed sleuth—is hot on the trail of a series of brutal attacks on young women. Ostracized by the in-crowd at her school for her unruly tongue (and for the secrets she uncovers about everyone)—reprimanded by those who love her for putting herself (and them) in constant danger—she ploughs determinedly ahead into increasingly dark and perilous territory. You’re Next is a quintessential YA book—full of the angst, the parental problems, and the acute social commentary of its snarky young protagonist. But does it dwell on the fact that Flora is bisexual? Not for a moment. It seems that in the world of contemporary YA literature we have finally reached the point at which that aspect of Flora’s life is no biggie. Amen.

This book puts together two very likeable main characters: Emily, an architect with a very rigid outlook on life, and Skye, who’s a freewheeling bike courier. Throw in some great chemistry, an Aussie setting, solid secondary characters, and overlay it all with KJ’s witty banter and amazingly lyrical sentences that seem to come from nowhere but just fit the narrative so perfectly, and you get Change of Plans, a perfect light-hearted romance.

But look a bit deeper and there’s insight into mental health, commentary on social housing, and a background of big megacorps overriding environmental and cultural issues for profit.