Books like The Lion's Circle — picked by fans

Halfway through my first novel, I realized that I was writing in a genre that had received little critical study and had almost no visibility. To find my way around the genre—and my place within it—I began reading heavily and before I knew it, I had read well over 200 lesbian mystery novels and devoured almost every serious review and critical study The dozen books I have written over the last decade reflect this study. In them, I hope I have succeeded in expanding the genre in some small way and adding to the menu of a hungry and discerning LGBTQ audience. 

Halfway through my first novel, I realized that I was writing in a genre that had received little critical study and had almost no visibility. To find my way around the genre—and my place within it—I began reading heavily and before I knew it, I had read well over 200 lesbian mystery novels and devoured almost every serious review and critical study The dozen books I have written over the last decade reflect this study. In them, I hope I have succeeded in expanding the genre in some small way and adding to the menu of a hungry and discerning LGBTQ audience. 

Halfway through my first novel, I realized that I was writing in a genre that had received little critical study and had almost no visibility. To find my way around the genre—and my place within it—I began reading heavily and before I knew it, I had read well over 200 lesbian mystery novels and devoured almost every serious review and critical study The dozen books I have written over the last decade reflect this study. In them, I hope I have succeeded in expanding the genre in some small way and adding to the menu of a hungry and discerning LGBTQ audience. 

Halfway through my first novel, I realized that I was writing in a genre that had received little critical study and had almost no visibility. To find my way around the genre—and my place within it—I began reading heavily and before I knew it, I had read well over 200 lesbian mystery novels and devoured almost every serious review and critical study The dozen books I have written over the last decade reflect this study. In them, I hope I have succeeded in expanding the genre in some small way and adding to the menu of a hungry and discerning LGBTQ audience. 

I’m an English professor, a poet, a lover of reading, and a happy husband and father. How did all this happen; what historical processes made my good fortunes possible? I get answers to these questions from great fiction and great nonfiction. It’s hard to find two more sensitive and beautifully written novels about marriage’s personal and social dimensions than Virginia Woolf’s Mrs. Dalloway and E. M. Forster’s Howards End. Their psychological insights are complemented by two marriage historians and one sociologist with broad knowledge about love’s evolution over the centuries. I’ve read these books multiple times and shared them with many students (and friends)! They never get old.

I knew in my early teens that I wasn’t straight, but back then, the thought of coming out was too scary. I waited until I was twenty-three to do so, and it was still scary even being ten years older! So I can relate to stories of women of all ages discovering their less-than-straight sexuality. It’s rarely easy, no matter how many years you’ve lived already. It still requires good support from the people who love you, and one thing in common in all of the books I’ve recommended is that family, or often found family, plays a crucial role in the newly-out woman feeling comfortable being themselves.

Our home was full of books. My mother routinely passed books to her firstborn, me. While she read widely, she loved mysteries, so I grew up devouring both classics and lesser-known whodunnits. Many of those novels had strong enough descriptions of their cities that I felt like a visitor. But most were set in places like New York and Los Angeles, never my home town, Buffalo, and never with an African-American hero. After my 2013 retirement from an English professorship, I began writing the Nickel City mysteries to add a new hero to the PI pantheon and showcase my birthplace, nicknamed for the buffalo head nickel.

In my day job I’m a professor in a hard science and, unsurprisingly, a lesbian. I love sapphic fiction, especially speculative sapphic fiction, but it can be hard to find as the books are seldom labeled as such. Because I write in this genre I’ve been able to ferret out a lot of them, and have made it a mini mission to read as many as possible. I’m particularly drawn to those that get science right (bad science to a science professor is like nails on a chalk board), and those that have at least a little bit of kissing.

Thanks to my mother, I grew up immersed in English literature. I was educated in Delhi and co-founded the first nationwide feminist magazine, but same-sex love was never mentioned either in the classroom or in the women’s movement. I educated myself in Indian literature and discovered that same-sex sexuality had been practiced and written about until the British criminalized it. I wrote several books about same-sex unions in Indian literature and history and translated poetry and fiction from Hindi and Urdu to English. My first novel, Memory of Light, is a love story between two courtesans, based in pre-colonial India, where poets freely wrote about same-sex, as well as cross-sex love. 

My family is a marvelously mixed bunch: lesbian, gay, and straight relatives; Jewish and Latin relatives; relatives along a spectrum of economic situations, abilities, and political views.  The policy work that I do connects me with social justice advocates from across NYC’s multiple ethnic, racial, religious, and LGBTQ communities. The wildly disparate voices that surround me illuminate both the power of communal ties and the dangers of narrow identity labeling.  A central quest behind my work, my reading, and my writing has thus always been to balance and respect everything at once: the cultural structures that sustain us; the individual quirks that challenge and complicate those structures; and the universalities that cross all cultural borders.