Here are 100 books that The Life of the Mind fans have personally recommended if you like
The Life of the Mind.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Like many women my age, I’ve spent a lot of time thinking about the possibly discordant relationship between the things I love doing—writing, reading, spending time in solitude with stories and ideas—and the expectation of motherhood. For many of us, the prospect of parenthood can feel less like a choice than a cultural imperative, and it can be difficult to reconcile brain and body, self and society. The novels on this list feature razor-sharp, highly educated female protagonists who experience, recall, or imagine pregnancy and motherhood in complicated ways. Their minds and bodies are sometimes in sync, sometimes painfully at odds, but always fascinating to behold.
This 1965 novel by English author Margaret Drabble follows protagonist and PhD student Rosamund as she becomes a single mother.
Educated, upper-middle-class Rosamund narrates with a quintessentially British and—for me—highly enjoyable blend of primness and humor. Fascinatingly and somewhat frustratingly, Rosamund keeps her pregnancy a secret from her daughter Octavia’s father, even after Octavia is born. She’s like a strange English Virgin Mary who studies Elizabethan sonnets and really doesn’t want to “put anyone out”.
Her story also offers an interesting glimpse into class issues in 1960s London and the way that experiences of pregnancy and motherhood can both transcend and accentuate class divisions.
A celebration of the drama and intensity of the mother-child relationship, published as a Penguin Essential for the first time.
It is the Swinging Sixties, and Rosamund Stacey is young and inexperienced at a time when sexual liberation is well on its way. She conceals her ignorance beneath a show of independence, and becomes pregnant as a result of a one night stand. Although single parenthood is still not socially acceptable, she chooses to have the baby rather than to seek an illegal abortion, and finds her life transformed by motherhood.
'Rosamund is marvellous, a true Drabble heroine . .…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Like many women my age, I’ve spent a lot of time thinking about the possibly discordant relationship between the things I love doing—writing, reading, spending time in solitude with stories and ideas—and the expectation of motherhood. For many of us, the prospect of parenthood can feel less like a choice than a cultural imperative, and it can be difficult to reconcile brain and body, self and society. The novels on this list feature razor-sharp, highly educated female protagonists who experience, recall, or imagine pregnancy and motherhood in complicated ways. Their minds and bodies are sometimes in sync, sometimes painfully at odds, but always fascinating to behold.
Heti’s heady, meditative, heavily autobiographical novel documents its narrator’s personal ambivalence about the idea of motherhood.
While this is not a conventional novel with a linear plot, it is a gorgeously written reflection on what motherhood means, or could mean, in general and to our narrator in particular. With unflinching honesty, she explores not only the question of whether or not she wants a child of her own, but also her identity as her mother’s child and her position as a descendant of Holocaust survivors.
I found so much to relate to in these pages; I often set out to underline a sentence and ended up underlining an entire page, feeling like Heti had put her finger on something I’d experienced but had never articulated so well.
'A response - finally - to the new norms of femininity' Rachel Cusk
Having reached an age when most of her peers are asking themselves when they will become mothers, Heti's narrator considers, with the same urgency, whether she will do so at all. Over the course of several years, under the influence of her partner, body, family, friends, mysticism and chance, she struggles to make a moral and meaningful choice.
In a compellingly direct mode that straddles the forms of the novel and the essay, Motherhood raises radical and essential questions about womanhood, parenthood, and how - and for…
Like many women my age, I’ve spent a lot of time thinking about the possibly discordant relationship between the things I love doing—writing, reading, spending time in solitude with stories and ideas—and the expectation of motherhood. For many of us, the prospect of parenthood can feel less like a choice than a cultural imperative, and it can be difficult to reconcile brain and body, self and society. The novels on this list feature razor-sharp, highly educated female protagonists who experience, recall, or imagine pregnancy and motherhood in complicated ways. Their minds and bodies are sometimes in sync, sometimes painfully at odds, but always fascinating to behold.
Kristen is a friend of mine, and I felt a strong sense of kinship to her work not only because I admire her personally but also because it deals with so many of my novel’s own themes—grief, family, unplanned pregnancy.
Motherest’s main character, Agnes, is a college student who describes her life on campus, her pregnancy, and the loss of her beloved brother through a combination of traditional narration and a series of letters written with increasing urgency to her absent mom. Agnes’s voice and letters are both hilarious and heartbreaking. Every once in a while, you meet a character who you miss when their story ends—for me, Agnes is one of them.
It's the early 1990s, and as a new college student, Agnes is caught between the broken home she leaves behind and the wilderness of campus life. What she needs most is her mother, who has disappeared once and for all, and her brother, who left the family tragically a few years prior. As Agnes tries to find her footing, she writes letters to her mother to conjure a closeness they never. But when she finds out she is pregnant, Agnes begins to contend with what it means to be a mother and, in some ways, what it means to be…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Like many women my age, I’ve spent a lot of time thinking about the possibly discordant relationship between the things I love doing—writing, reading, spending time in solitude with stories and ideas—and the expectation of motherhood. For many of us, the prospect of parenthood can feel less like a choice than a cultural imperative, and it can be difficult to reconcile brain and body, self and society. The novels on this list feature razor-sharp, highly educated female protagonists who experience, recall, or imagine pregnancy and motherhood in complicated ways. Their minds and bodies are sometimes in sync, sometimes painfully at odds, but always fascinating to behold.
This blunt and surprising short novel is translated from Italian by Ann Goldstein and narrated by Leda, a middle-aged divorcee, professor of comparative literature, and self-identified “unnatural mother” who becomes infatuated with a younger mother she meets at the beach while vacationing alone. It’s an engrossing yet uncomfortable read; Leda’s descriptions of her maternal ambivalence are unnervingly yet refreshingly candid and often dark.
Readers who are prone to categorizing characters as “likable” or “unlikeable” will probably put Leda in the latter category, but one of the things I love most about Ferrante’s work is the way she explodes those categories, not focusing on the rightness or wrongness of her characters but rather honoring their complexity with brutal honesty.
NOW A MOTION PICTURE NOMINATED FOR THREE OSCARS—Best Actress, Best Supporting Actress, Best Adapted Screenplay—Directed by Maggie Gyllenhaal and starring Olivia Colman, Jesse Buckley, Paul Mescal, and Dakota Johnson
Another penetrating Neapolitan story from New York Times best-selling author of My Brilliant Friend and The Lying Life of Adults
Leda, a middle-aged divorcée, is alone for the first time in years after her two adult daughters leave home to live with their father in Toronto. Enjoying an unexpected sense of liberty, she heads to the Ionian coast for a vacation. But she soon finds herself intrigued by Nina, a young…
In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
Barbara is a deliciously deceptive, vicious character wrapped in a seemingly mild-mannered 60-year-old woman. I loved how she both hated being overlooked and used her almost invisibility as an older woman, taking advantage of it to manipulate the object of her obsession–the foolish Sheba. When Sheba, a teacher, embarks on an affair with a pupil, it’s the opportunity Barbara has been waiting for.
Reading this book is a little like the cliché about watching a car crash in slow motion because there is an undeniable inevitability about Sheba’s fall from grace and destruction. Yet I couldn’t look away; I was too fascinated. Ultimately, they are two characters who are unpleasant in their unique ways, but they create an irresistible story when combined.
A lonely schoolteacher reveals more than she intends when she records the story of her best friend's affair with a pupil in this sly, insightful novel
Schoolteacher Barbara Covett has led a solitary existence; aside from her cat, Portia, she has few friends and no intimates. When Sheba Hart joins St. George's as the new art teacher, Barbara senses the possibility of a new friendship. It begins with lunches and continues with regular invitations to meals with Sheba's seemingly close-knit family. But as Barbara and Sheba's relationship develops, another does as well: Sheba has begun a passionate affair with an…
I’m a poet, short story writer, novelist, essayist, and writing professor at New York University. I also have a fascination with altered states of consciousness, especially with mysticism, psychosis, and psychedelic art. (My book James Joyce’s Mandala examines all three.) My first novel, Claiming De Wayke, delves into those elements too, but with a particular focus on vivid first-person narration, so most of my recommendations involve books that are not only trippy in terms of plot and characterization but are also psychedelically inflected in their use of language itself. I hope you check some of them out.
I grew up in rural Ireland, so not exactly the gritty urban Scotland of Welsh’s novel, but the first thing that struck me about the book was its savage, semi-feral, intensely real Scottish dialect. I’d never seen anything quite like it in print.
The prose feels almost illegal, a ne’er-do-well that has simply decided to break into the publishing house and force its way onto the page without anyone’s permission. I didn’t consciously plan to steal this technique for my own novel, but how could I not endorse it?
Welsh has written more explicitly psychedelic works, but this book remains for me his masterwork, underscoring how, in many ways, his protagonist Renton’s life is at its weirdest when he tries to get sober.
'An unremitting powerhouse of a novel that marks the arrival of a major new talent. Trainspotting is a loosely knotted string of jagged, dislocated tales that lay bare the hearts of darkness of the junkies, wide-boys and psychos who ride in the down escalator of opportunity in the nation's capital. Loud with laughter in the dark, this novel is the real McCoy. If you haven't heard of Irvine Welsh before-don't worry, you will' The Herald
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve written an equal amount of horror and romance, including books, podcasts, and screenplays. I love both genres equally, but I’m most drawn to stories that strike a nice balance between the two. Danger makes the romance less cheesy, and romance gives the thriller side more meaning. As an ESL teacher who has worked everywhere, from Bhutan to Zanzibar, I also love discovering new places. Some of my favorite books take their characters to new locations, forcing them to discover the hidden dangers and pleasant surprises that every place has to offer.
A huge departure from the previous books on this list, this book is a full-on thrill ride with one of the coolest narrative devices I’ve ever seen: A woman on death row narrates her supposed cross-country killing spree to a horror author who’s interested in adapting her life story.
She’s a fascinating woman, telling her story in a way that constantly challenged me to figure out what parts of her on-the-run narrative are real. She’s surprisingly sympathetic, even when she’s doing awful things.
I devoured this book in one sitting and haven’t stopped thinking about it since.
Stewart O'Nan is one of the most highly acclaimed fiction writers of his generation, selected by Granta as one of the Best Young American Novelists and hailed by The New York Times as "a master." Grove Press is proud to reissue his haunting noir novel The Speed Queen. The Speed Queen is the gripping story of a twisted love triangle's drug-fueled killing spree across the desert plains, told in the voice of Oklahoma death-row inmate Marjorie Standiford, who is recounting her experiences for a best-selling horror writer researching the murders. It's a chilling, unputdownable crime novel in the tradition of…
Most of my mysteries fall somewhere on a humor continuum from laugh-out-loud to edgy. Because of the tone and lack of graphic sex or violence, they are often labeled as “cozies.” But all humorous mysteries are not cozies. To explain the different types of humor, I developed a matrix of five categories—kooky, comic, amusing, edgy, and dark. I’ve done numerous guest posts on my matrix, identifying authors from each category and discussing why readers are drawn to different types of humor based on brain dominance profiles and personality types. I also refer to my matrix and the nature of branding when discussing the function of humor in mysteries.
The opening scene in this first in the series is one of the funniest I’ve ever read. I also like the character of “Izzy” Spellman, a twelve-year-old with attitude issues and a need to prove herself.
Although their dysfunctional family would drive me crazy if I were a part of it, I find the Spellman Investigations the perfect vehicle for occasionally dark humor and twisted plots.
From the award-winning author of The Passenger comes the first novel in the hilarious Spellman Files mystery series featuring Isabel “Izzy” Spellman (part Nancy Drew, part Dirty Harry) and her highly functioning yet supremely dysfunctional family of private investigators.
Meet Isabel “Izzy” Spellman, private investigator. This twenty-eight-year-old may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism; she may be addicted to Get Smart reruns and prefer entering homes through windows rather than doors—but the upshot is she’s good at her job as a licensed private investigator with her family’s firm, Spellman Investigations. Invading people’s privacy…
During my 25-year journalism career and now, in my books, I’ve specialized in telling powerful, human stories that are often humorous and sometimes laugh-out-loud funny. To me, humor is an essential part of life. Real stories might make us cry, but just as often, they make us laugh. That’s the balance I try to achieve with all my writing.
Humor often comes from putting normal people in absurd situations. That’s what Kevin Wilson does here—setting the lovable loser Lillian in her rich friend’s home, where she’s asked to care for her two young children. Children who, when agitated, tend to burst into flames. This frightens everyone but leaves the kids unhurt.
I found myself laughing and caring at the same time. That’s a neat trick for any author.
A New York Times Bestseller • A Read with Jenna Today Show Book Club Pick!
Named a Best Book of the Year by The New York Times Book Review, The Washington Post, People, Entertainment Weekly, USA Today, TIME, The A.V. Club, Buzzfeed, and PopSugar
“I can’t believe how good this book is.... It’s wholly original. It’s also perfect.... Wilson writes with such a light touch.... The brilliance of the novel [is] that it distracts you with these weirdo characters and mesmerizing and funny sentences and then hits you in a way you didn’t see coming. You’re laughing so hard you…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a writer and child therapist, I believe in the importance of connecting with our families. Sometimes that means making sacrifices for our loved ones who need our support. When my parents moved to be near our family, we learned how to adapt to their changing needs. Like the books I choose, sometimes a grandparent moves in with you, sometimes you navigate them being grumpy, or other times you just listen to their wishes. But mostly, it’s just being there in the moment with a grandparent that opens our eyes, and heart, to something larger than ourselves.
This book is so fun! The child explains how to play, entertain, feed, and draw for your grandpa.
My personal favorite is when grandpa says, “naptime,” and we see that napping is what grandpa needs, obviously not the child. This story gives the young child the autonomy to be in charge, but most importantly… connect with their grandpa.
The perfect story to make the distance between you and grandad feel a little smaller whilst you're stuck at home . . .
A New York Times bestselling title, illustrated by the winner of the Red House Children's Book Award 2013.
When your grandad rings the doorbell, it's babysitting time! This is a hilarious and accessible picture book about a child spending time with his grandad.
Written in a how-to style, the narrator gives important tips for 'babysitting' a grandad, including what to eat for snack (anything dipped in ketchup, ice cream topped with cookies, cookies topped with ice cream),…
