100 Books Like Trainspotting

My name is Tim O’Leary and two of my books, Dick Cheney Shot Me in the Face–And Other Tales of Men in Pain and Men Behaving Badly, emanate from the minds of protagonists trying to do the right thing the wrong way or evil characters doing the wrong thing they believe to be right. I’m particularly drawn to those wonderful literary psychopaths that draw you in with compelling personalities, while reviling the reader with their heinous actions. 

I’ve always been fascinated by outsiders, people who don’t quite fit into societal expectations and exist on the fringes, just trying to get by or be left alone. I relate deeply to characters who are trapped between their own inner turmoil and the need to navigate a world full of contradictions and absurdities. I suppose one could argue that I’m comparing notes. Despite these books being dark and unsettling, they are also comforting. As a writer of psychological literary fiction, I can say it’s clear that these novels inspire me creatively and resonate deeply with me; they offer a window into the quiet chaos that resides in many of us.

I am passionate about this topic for two main reasons. The first is the narrative skill required to write a story with or from the perspective of a fully-formed, believable child character. I admire this skill, and I think it is deeply important, which leads me to my second reason. Stories about children in need, danger, and overwhelming burden are deeply moving and are a quick way into another person’s perspective. While one may be able to brush away the experiences of adults, and, importantly, justify this dismissal, the child begins in a position of sympathy and vulnerability, which automatically triggers a reader’s care. 

I have loved horror since my early teens, when I first discovered The Rats and Lair and other horror stories by James Herbert. The thing I like about horror, in particular, is that there are no holds barred, no censorship, as to what can be written. I grew up on movies like The Exorcist, Friday the 13th, Jaws, Alien, The Thing, etc., but horror writing takes you deeper and gives a more visceral experience than anything any film can do.

Brian Conaghan has written seven Young Adult novels. When Mr. Dog Bites, was shortlisted for the Carnegie Medal. The Bombs That Brought Us Together, won the 2016 Costa Children’s Book Award. We Come Apart - a collaboration with Sarah Crossan - won the United Kingdom Literary Award. His novel, The Weight of a Thousand Feathers, won the 2018 An Post YA Irish Book of the Year. The M Word was shortlisted for the An Post YA and Teen Book of the Year. Cardboard Cowboys, to date, has been nominated for the Carnegie Medal. Brian lives and works in the Scottish town of Coatbridge.

I am an academic at the University of Glasgow with a background in philosophy and psychology. My approach to critical thinking is broad and informed by several other teaching and research interests: emotional intelligence, the psychology of influence, interpersonal communication, and virtue ethics. Motivating much of what I do is the question: How are we to live well? With respect to critical thinking I don’t just deal with the nature and structure of arguments, but also with the role they play in constructive dialogues, and how poor reasoning is linked to psychological biases and the absence of certain virtues. The books I have chosen here are representative of these concerns.

I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.   

I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty. 

I have always been interested in the metaphysical and in psychology, so I have always gravitated to how the mind creates our perception of reality and how that can be stretched. Coming to this country as a refugee with my family and watching the struggles of my family has given me a keen interest in the human mind, resilience, and mental health. My artwork and writing lends itself towards magical realism and the blurring between reality and the supernatural. I truly believe that things are often not what they seem and I aim to prove it. 

I'm a child of the 80s. Growing up in West Berlin, when Allied soldiers patrolled the streets, had a huge impact on my view of the world. There was this underlying feeling of uneasiness. I was well aware that Russian soldiers with tanks and nuclear weapons were waiting on the other side of the wall. Fascinating, terrifying times indeed. To convey this atmosphere to my readers is my foremost drive to write stories set within the framework of the cold war. Cheers and nastrovje!