Here are 91 books that The Lido fans have personally recommended if you like
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I am a writer who will never give you a sad ending! I love books that reflect on life (the good and the bad) but that look for the positive in people. My experience has taught me that there is so much good to find—and as I explore in my debut novel, The Keeper of Stories, everyone has a story to tell. My first novel was published when I was 60, so I am also a believer that you should never underestimate anyone. And I love to see that reflected in books.
My mother had every one of Georgette Heyer’s regency novels, and I inherited them. They are witty, romantic, and satisfying. When I feel sad I dive beneath their covers and lose myself in them. I also remember my mum. The Grand Sophy was her favourite, it is the story of an extraordinary young woman who has a gift for sorting out other people’s problems – whether they want her to or not!
If you love Bridgerton, you'll love Georgette Heyer!
'The greatest writer who ever lived' ANTONIA FRASER 'One of my perennial comfort authors. Heyer's books are as incisively witty and quietly subversive as any of Jane Austen's' JOANNE HARRIS 'Absolutely delicious tales of Regency heroes. . . Utter, immersive escapism' SOPHIE KINSELLA __________________
The charming Sophia Stanton-Lacy is a force to be reckoned with.
When Sophy is sent to stay with her London relatives, she finds her cousins in quite the tangle.
Cecilia is besotted with an attractive but feather-brained poet, Hubert has fallen foul of a money-lender, and the ruthlessly…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
When I was younger, I stayed overnight in a haunted house, or at least a house that felt haunted. I was in a big, creepy room by myself, and sleep was impossible. Instead, I sat up through the night, feeling very alone. During that long wait for dawn, this book was there for me.
It’s a satire that’s now more famous than many of the grim rural novels that inspired it; more important to me then, it’s the very funny story of Flora Poste, a modern young woman who goes to stay at a remote country farm with her relatives, the dramatic Starkadders, ruled over by Aunt Ada Doom, who once saw something nasty in the woodshed. Flora’s story is a glorious triumph of common sense over an ominous atmosphere.
When the sukebind was in bud, the orphaned Flora Poste, expensively, athletically and lengthily educated, descended on her relatives at Cold Comfort Farm, which she rightly imagines will be awful in an interesting way. She takes it on herself to bring order into chaos.
I am a writer who will never give you a sad ending! I love books that reflect on life (the good and the bad) but that look for the positive in people. My experience has taught me that there is so much good to find—and as I explore in my debut novel, The Keeper of Stories, everyone has a story to tell. My first novel was published when I was 60, so I am also a believer that you should never underestimate anyone. And I love to see that reflected in books.
Still Life is a glorious book set in London and Florence, giving a fascinating insight into the worlds of History of Art and globe making. Reading it is like eating wonderful food, you will want to savour every mouthful. The characters are extraordinary and yet believable – I fell in love with every one of them.
A captivating, bighearted, richly tapestried story of people brought together by love, war, art, flood, and the ghost of E. M. Forster, by the celebrated author of Tin Man.
Tuscany, 1944: As Allied troops advance and bombs fall around deserted villages, a young English soldier, Ulysses Temper, finds himself in the wine cellar of a deserted villa. There, he has a chance encounter with Evelyn Skinner, a middle-aged art historian who has come to Italy to salvage paintings from the ruins and recall long-forgotten memories of her…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I am a writer who will never give you a sad ending! I love books that reflect on life (the good and the bad) but that look for the positive in people. My experience has taught me that there is so much good to find—and as I explore in my debut novel, The Keeper of Stories, everyone has a story to tell. My first novel was published when I was 60, so I am also a believer that you should never underestimate anyone. And I love to see that reflected in books.
This book was written in the 1930s, yet it feels remarkably contemporary – a glorious romp through a world of parties, sex, and drugs. Miss Pettigrew stumbles into this world when she mistakenly turns up for the wrong job. With little money in her purse she has no option but to take the position and finds herself having an awful lot more fun than she ever has before. And for once she is really appreciated.
“Don’t let this delightfully frothy drawing-room comedy get lost between the sofa cushions.”—Salon.com
“Miss Pettigrew is irresistible, a perfect mix of wistfulness and joy, substance and froth.”—Tracy Chevalier, author of Girl with a Pearl Earring
“Miss Pettigrew Lives for a Day is perhaps the happiest, most ebullient piece of fiction ever written for adults.”—Newsday
Miss Pettigrew Lives for a Day is now available as an audio book read by Academy Award–winning actress Frances McDormand, who stars in the film as the down-and-out governess Miss Pettigrew, who finds herself caught up in the life of Delysia LaFloss, a glamorous aspiring actress…
In my childhood in the 1960s, girls still read novels like Jane Eyre and Black Beauty, and one of my grandmothers was a Victorian herself, born in Scotland in the 1880s, so my connection to that time feels organic. Even today, a new Victorian novel is my idea of vacation reading. Victorian writers looked deeply into the hearts of their imagined characters, leaving us with a vivid record of a world that is now gone. These novels help us understand the past with all its flaws and problems, giving us a way to think about how far we have come, perhaps, even, how much farther we need to go.
Gissing is forgotten now because he was a realist working in romantic times. Fiction writers were the rock stars of Victorian England. New Grub Street explores the other side of the coin: the vast number of struggling writers who hankered after the fame and fortune that was never to be theirs. At the heart of the story are two friends, the pragmatic materialist Jasper Milvain and the talented but idealistic Edward Reardon. The modest success of one novel prompts Readon to marry, saddling him with an overwhelming financial burden that crushes his talent. Milvain values money over everything else in life at a time when everything else in life depends on money. I found Gissing’s hard-boiled novel touching because, without flinching, he shows the inner conflicts of people trapped by circumstance.
'Because one book had a sort of success he imagined his struggles were over.'
Scholarly, anxious Edwin Reardon had achieved a precarious career as the writer of serious fiction. On the strength of critical acclaim for his fourth novel, he has married the refined Amy Yule. But the brilliant future Amy expected has evaded her husband. The catastrophe of the Reardon's failing marriage is set among the rising and falling fortunes of novelists, journalists, and scholars who labour 'in the valley of the shadow of books'.
George Gissing's New Grub Street was written at breakneck speed in the autumn of…
Much of the Britain that's exported to the world is fed by the monochromatic myth of nobility and royalty, but the heart of Britain is multifaceted and multicultural. I didn’t grow up in London, but grew up visiting family here and ‘The Big Smoke’ had an allure for me. The people were all different colours and ethnicities and it truly felt like the most exciting place in the world. I moved here the week I turned 18, and I haven’t left. It's a harsh, expensive city, and it's much too busy to provide anyone with any lasting sanity, but here I found a version of Black Britain that I was missing in my hometown.
This is a modern classic – one that provides a slice of a very pivotal time in Black British history.
The 1980s saw a lot of civil unrest in Britain, from workers’ strikes to uprisings fuelled by racial tensions and police brutality. East of Acre Lane is set in Brixton – a neighbourhood in London that saw its fair share of uprisings – amongst the young Black Caribbean community.
It is such an authentic portrait, down to the musicality of the slang and dialects used. It’s immersive, it’s got action, it’s moving, it’s everything!
'Alex Wheatle writes from a place of honesty and passion' Steve McQueen, director of Small Axe
East of Acre Lane is the fast-paced and razor sharp story of a young man trying to do the right thing from celebrated author Alex Wheatle, one of the figures who inspired Steve McQueen's Small Axe
It is 1981, and Brixton is on the verge of exploding. Biscuit lives with his mother, brother and sister, trapped hustling on the frontline for the South London badman Nunchucks. As the patience of the community breaks and the riots erupt, Biscuit must make a choice that could…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right.
I read this book at the recommendation of a friend in her 80s, and its soft, sure steps delivered me somewhere moving, complex, and unusual. It opens with a newspaper article that has nothing to do with the start of the story and which I’d forgotten about by the end, not that it would matter if I hadn’t.
Another author might have given the same subjects an operatic treatment, but I loved how quietly it spoke. I still think about Jean, years after reading it, and wonder what she found in life after the story ended.
'A very fine book... It's witty and sharp and reads like something by Barbara Pym or Anita Brookner, without ever feeling like a pastiche' David Nicholls
'Perfect' India Knight
'Beautiful' Jessie Burton
'Wonderful' Richard Osman
'Miraculous' Tracy Chevalier
'A wonderful novel. I loved it' Nina Stibbe
'Effortless to read, but every sentence lingers in the mind' Lissa Evans
'This is one of the most beautiful books I have ever read. I honestly don't want you to be without it' Lucy Mangan
This eclectic soiree of books is pretty symbolic of my reading taste – as long as it’s extraordinary, or larger than real life, I’m there for it. I moved to London when I was 22, to undertake my Masters at Shakespeare’s Globe, and after living in a small village, followed by a small university town, it really did feel like arriving at the centre of the universe. I love books that capture the way the spirit of London – its strange, anarchic, punkish, dangerous, and historic forms – can shape a woman into the person she is meant to be. That was what I wanted to capture with The Hourglass Factory’s heroine Frankie George.
When researching the newspaper angle of my book, I was already aware of the exploits of Nellie Bly, the New York-based pioneer of investigative, undercover journalism. But I wanted to try and track down a journalist who had achieved similar feats in late Victorian and Edwardian London. Enter Elizabeth Banks, an American journalist who emigrated to London at the turn of the century, and plied her trade as a freelancer, selling exposes on the lives of parlour maids, laundry workers, and flower sellers to the likes of The Illustrated London News. Pluck doesn’t even come close to covering her bravery and bravado – some memorable details from her book include her smuggling a camping stove into a London hotel because she couldn’t afford the dining room food, and pestering editors up and down Fleet Street to publish her words. She was a true entrepreneurial London woman, at a…
Researching the storylines for my family drama novels gives me the opportunity to speak to many different people about huge events and dilemmas in their families and lives. Through their honesty and generosity, I have gained a huge respect for the way in which people can cope with tragedy and also a fascination with how they deal with it. For me, reading – and writing – about these topics is immensely cathartic and makes me remember to grasp life with both hands. I’m a sucker for a happy ending, though, so I always look for the hope at the end of any story.
I sobbed my way through this one! I was a few chapters in when I discovered that it was a sequel to The Last Days of Rabbit Hayes, but I was so invested by then that I couldn’t stop and go back.
Anna McPartlin has the enviable skill of combining comedy and tragedy to great effect. The Hayes family are a mess of grief and confusion and misplaced blame, but their love for one another, and their wonderful humour, meant that I took them to my heart immediately.
A book that makes me laugh out loud one minute and blub like a baby the next is always a winner for me. I would read anything that this author chose to write. (I read Rabbit Hayes immediately afterwards and loved that, too!
'Brilliant, funny and immensely moving' Catherine Isaac, author of You, Me, Everything
'Well, that was a tearjerker! Anna McPartlin's Below the Big Blue Sky is a MORE than worthy follow-up to The Last Days of Rabbit Hayes' Marian Keyes
***
There's no family quite like the Hayes, and yet they're just like any other - they love each other, they look out for each other and they drive each other mad. When their youngest, Rabbit, dies tragically at just forty, the Hayes are almost torn apart by their grief.
Without her beloved mum, twelve-year-old Bunny is adrift; without Rabbit, there…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
This novel perfectly captures the frenetic pleasure-seeking ethos of the youth of the English upper classes after the horrors of WW1- unsurpsingly, as it is written by one of them.
Evelyn Waugh was one of the Bright Young People, as they became known, who tore round London in sports cars, snatching at policemen’s helmets for the treasure hunts they loved.
Vile Bodies is both a celebration of the hedonism of the young and a warning to those who believe that their license to indulge is infinite, unquestionable and without consequence. A whole host of wonderful characters are introduced throughout Waugh's thought-provoking and satirical story, which follows protagonist Adam from the perils and pitfalls of being a gossip columnist to the trials and tribulations in attempting to secure his marriage to Nine Blount. Roll on an eccentric (verging on senile) potential father-in-law, parties as 10 Downing Street, high times at Shepheard's hotel, where the wine is always flowing (until your bill…
