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In my childhood in the 1960s, girls still read novels like Jane Eyre and Black Beauty, and one of my grandmothers was a Victorian herself, born in Scotland in the 1880s, so my connection to that time feels organic. Even today, a new Victorian novel is my idea of vacation reading. Victorian writers looked deeply into the hearts of their imagined characters, leaving us with a vivid record of a world that is now gone. These novels help us understand the past with all its flaws and problems, giving us a way to think about how far we have come, perhaps, even, how much farther we need to go.
A short book even by our standards, The Warden was Trollope’s first novel. He went on to write forty-seven more, as many short stories and nonfiction books as well, all while working as an important official with the Royal Mail. I love Trollope’s books because he was a master at creating life-like characters who may be filled with flaws, but are always portrayed with loving humour. While The Warden is about a controversy over how the Church of England manages a poor house, the story is carried by the complex people and relationships at the centre of the squabble. This is the first book in the Chronicle of Barsetshire series which spins out the lives of these characters across decades.
The Warden introduces us to the lives of some of the most beloved characters in all literature.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has an introduction by Margaret Drabble and illustrations by F. C. Tilney.
Scandal strikes the peaceful cathedral town of Barchester when Septimus Harding, the warden of charitable foundation Hiram's Hospital, is accused of financial wrongdoing. A kindly and naive man, he finds himself caught between the forces…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Through all the twists and turns of this plot, Becky shows herself to be both conniving and resilient in her quest to use those around her for her own gain. While not an attractive rendition of human nature, she forever has a wolf at her door and does what she thinks she must to stay one step ahead.
One gets whiplash from sympathizing with her one minute and being appalled by her lack of scruples the next, but, like all the characters she hoodwinks, we are captivated by her as someone who is never boring. She hops from one doomed circumstance to the next, and we are along for the ride.
William Makepeace Thackeray's Vanity Fair depicts the anarchic anti-heroine Beky Sharpe cutting a swathe through the eligible young men of Europe, set against a lucid backdrop of war and international chaos. This Penguin Classics edition is edited with an introduction and notes by John Carey.
No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia Sedley, however, longs only for the caddish soldier George. As the two heroines make their way through the tawdry glamour…
Over a long lifetime, I’ve been intrigued to observe many variations on the themes of marriage, widowhood, divorce, and adultery among my friends, patients, and clients. The majority of marriages are probably happy, but these are not usually very interesting to write about, so marriages in fiction often involve some kind of conflict which leads to a more or less satisfactory resolution. I am a retired doctor, originally from England, and now living in New Zealand with my second husband, to whom I have been married for over 40 years.
This book, published in the 1870s, is sometimes considered the best English novel ever written.
It is a monumental work, and while I found it very impressive, I have to admit that reading the long and detailed text felt heavy going at times.
Set in a provincial town with a large cast of characters, it depicts a middle-class way of life very different from that of today, and addresses various social and political questions of the time. One major theme is the psychology of marriage as analysed through the relationships between two ill-matched couples.
Introduction and Notes by Doreen Roberts, Rutherford College, University of Kent at Canterbury.
Middlemarch is a complex tale of idealism, disillusion, profligacy, loyalty and frustrated love. This penetrating analysis of the life of an English provincial town during the time of social unrest prior to the Reform Bill of 1832 is told through the lives of Dorothea Brooke and Dr Tertius Lydgate and includes a host of other paradigm characters who illuminate the condition of English life in the mid-nineteenth century.
Henry James described Middlemarch as a 'treasurehouse of detail' while Virginia Woolf famously endorsed George Eliot's masterpiece as 'one…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I come from a long line of women who are survivors. Survivors of transportation, imprisonment, assault, poverty, illness. In all of them was a clawing determination to endure. My ancestors were not shrinking violets; they bore their pain with dignity, used their voices and their hopes for a better future to boost the next generation of girls to a better life. I am the recipient of their courage. I believe this is how our sisterhood should roll. What we fight for today, what we give a voice to, should not have to be fought for again. It is this passion that drives my work, my reading, and my life.
This has been my favourite book since I read it as a child.
I love Jane’s courage in the face of adversity, both in her childhood and as a woman. It is her moral compass that guides her through her life, determining the rightness and wrongness of situations. She grows up in a world that believes she should be silent and accept the single path offered to her.
The message in the book emboldened me as I grew up and had to make decisions to challenge the expected norms. I can’t help but find joy in the cyclic nature of the love story here. In patience, in steadfastness, she finds love and does not lose herself in the process.
Little treasures, the FLAME TREE COLLECTABLE CLASSICS are chosen to create a delightful and timeless home library. Each stunning, gift edition features deluxe cover treatments, ribbon markers, luxury endpapers and gilded edges. The unabridged text is accompanied by a Glossary of Victorian and Literary terms produced for the modern reader.
Perhaps one of the most well-known books in the world, Jane Eyre follows the life of its eponymous orphaned protagonist. From her early life Jane is strong-willed, passionate and kind but comes up against a lot of struggles. She lives with her aunt and uncle during early childhood, where she…
This eclectic soiree of books is pretty symbolic of my reading taste – as long as it’s extraordinary, or larger than real life, I’m there for it. I moved to London when I was 22, to undertake my Masters at Shakespeare’s Globe, and after living in a small village, followed by a small university town, it really did feel like arriving at the centre of the universe. I love books that capture the way the spirit of London – its strange, anarchic, punkish, dangerous, and historic forms – can shape a woman into the person she is meant to be. That was what I wanted to capture with The Hourglass Factory’s heroine Frankie George.
When researching the newspaper angle of my book, I was already aware of the exploits of Nellie Bly, the New York-based pioneer of investigative, undercover journalism. But I wanted to try and track down a journalist who had achieved similar feats in late Victorian and Edwardian London. Enter Elizabeth Banks, an American journalist who emigrated to London at the turn of the century, and plied her trade as a freelancer, selling exposes on the lives of parlour maids, laundry workers, and flower sellers to the likes of The Illustrated London News. Pluck doesn’t even come close to covering her bravery and bravado – some memorable details from her book include her smuggling a camping stove into a London hotel because she couldn’t afford the dining room food, and pestering editors up and down Fleet Street to publish her words. She was a true entrepreneurial London woman, at a…
I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right.
I read this book at the recommendation of a friend in her 80s, and its soft, sure steps delivered me somewhere moving, complex, and unusual. It opens with a newspaper article that has nothing to do with the start of the story and which I’d forgotten about by the end, not that it would matter if I hadn’t.
Another author might have given the same subjects an operatic treatment, but I loved how quietly it spoke. I still think about Jean, years after reading it, and wonder what she found in life after the story ended.
'A very fine book... It's witty and sharp and reads like something by Barbara Pym or Anita Brookner, without ever feeling like a pastiche' David Nicholls
'Perfect' India Knight
'Beautiful' Jessie Burton
'Wonderful' Richard Osman
'Miraculous' Tracy Chevalier
'A wonderful novel. I loved it' Nina Stibbe
'Effortless to read, but every sentence lingers in the mind' Lissa Evans
'This is one of the most beautiful books I have ever read. I honestly don't want you to be without it' Lucy Mangan
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I am a writer who will never give you a sad ending! I love books that reflect on life (the good and the bad) but that look for the positive in people. My experience has taught me that there is so much good to find—and as I explore in my debut novel, The Keeper of Stories, everyone has a story to tell. My first novel was published when I was 60, so I am also a believer that you should never underestimate anyone. And I love to see that reflected in books.
Of course I was always going to pick one of my daughter’s novels! Two women of very different ages come together to save their local Lido. This is a book about community and the power of friendship. And if you like swimming it is definitely the book for you!
'Feel-good and uplifting, this charming novel is full of heart' LUCY DIAMOND
'Tender, thought-provoking and uplifting' DAILY MAIL
Meet Rosemary, 86, and Kate, 26: dreamers, campaigners, outdoor swimmers...
Rosemary has lived in Brixton all her life, but everything she knows is changing. Only the local lido, where she swims every day, remains a constant reminder of the past and her beloved husband George.
Kate has just moved and feels adrift in a city that is too big for her. She's on the bottom rung of her career as a local journalist, and is determined…
I fell in love with Victorian literature after reading Jane Eyre when I was thirteen years old. Since then, I’ve worked my way through Victorian book after Victorian book, and my own novel, The Secrets of Hartwood Hall, is a love letter to Victorian fiction.One of my key interests within Victorian literature has always been its exploration of gender and gender roles. There are so many fantastic Victorian proto-feminist novels, and while some are still remembered and read, many more have been largely forgotten. These are just a few of my favourite proto-feminist Victorian novels, all of which are very underrated and very much worth a read!
Jillis a little-known but fascinating novel from 1884 about a young woman who, bored of her upper-class life, runs away from home to become a maid.
Jill is everything Victorian women weren’t meant to be: ambitious, scheming, brave, happy to lie, and much more interested in money than marriage. She’s also a bit in love with the woman she works for, which Victorian women certainly weren’t meant to be either.
There is so much I love about Jill, but one of my favourite things about it is how it turns Victorian tropes and expectations on their head, taking the set-up of a typically male adventure narrative and giving it to the character of Jill. It’s a wonderfully proto-feminist Victorian classic and well worth a read.
Jill is an unconventional heroine - a lady who disguises herself as a maid and runs away to London. Life above and below stairs is portrayed with irreverent wit in this fast-paced story. But at the centre of the novel is Jill's unfolding love for her mistress. On the surface a feminist manifesto, Jill is a poignant story of same-sex desire and unrequited love. An accessible new introduction tells the autobiographical story on which the novel is based - the author's own passionate attachment to a woman she called her wife, but who she couldn't have.
I’ve always been a fan of dark comedies. Fargo. Heathers. Fight Club. There’s something about being able to laugh about tragedy that feels both cathartic and as if you might get struck down by lightning. But I also grew up on a steady diet of supernatural horror à la Stephen King, Peter Straub, and early Dean Koontz. So combining the supernatural and dark comedy into my writing seemed like a natural fit. While I’m drawn to dark comedies of all sorts in both fiction and film, I have a soft spot for those with a supernatural element that involves death, either in the literal sense or as a character.
It’s not often you read the opening chapter of a novel (in this case the Prologue) and go back to read it again before continuing with the rest of the novel because you’ve never read anything like it before. And the book just gets better from there. Combine an African culling song with a tortured journalist investigating crib deaths and a heroine real estate agent who sells haunted houses, then put that all in the hands of Chuck Palahniuk, and you have a supernatural horror dark comedy/satire unlike anything you’ll ever read. Except maybe another Chuck Palahniuk novel. After reading this, I was inspired to write Breathers.
Carl Streator is a reporter investigating Sudden Infant Death Syndrome for a soft-news feature. After responding to several calls with paramedics, he notices that all the dead children were read the same poem from the same library book the night before they died. It's a 'culling song' - an ancient African spell for euthanizing sick or old people. Researching it, he meets a woman who killed her own child with it accidentally. He himself accidentally killed his own wife and child with the same poem twenty years earlier. Together, the man and the woman must find and destroy all copies…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I was first introduced to George Orwell on 30 October 1969 when I bought the Penguin Road to Wigan Pier at Sussex University bookshop. The light blue sticker on the inside verifies time and place. The price shows that I was willing to fork out as much as 4 shillings, (or two days worth of cigarettes) for one of the most enduring friendships of my life.
Although he instructed that no one should write his biography, Orwell has had many superb biographers including Taylor (2003) and Bowker (2003), and his close friends Richard Rees, Fugitive from the Camp of Victory (1961), and George Woodcock, The Crystal Spirit (1966). John Rodden has written widely on Orwell’s reputation. However, the best full-scale biography remains the first, by Bernard Crick. Sonia commissioned it, then rejected it, but I like it because Crick knows more about politics than the others and, in the end, Orwell was a political writer.
The authoritative biography of George Orwell, written with the cooperation of Orwell's widow.
'In its thoroughness, and its mastery of a considerable volume of material, this is the definitive biography of Orwell.' Sunday Times
'It is hardly worth using up space to declare just how good it is. Different readers will come away from its seventeen pungent and packed chapters with diverse memories of its excellence.' Guardian