Books like The Librarian's Journey — picked by fans

What I love most about The Stage Driver’s Daughter is that it’s inspired by the true story of Charley Parkhurst, a woman who disguised herself as a man to make a living as a rancher and stagecoach driver. The book digresses from real events, but the author effectively evokes the experience through vivid description and dialogue. I could smell, see, and hear what it was like to navigate the rutted and treacherous roads of the Old West. I was later than most learning to drive, and I have a poor sense of direction so driving to new places can be challenging and somewhat frightening for me. I admired Winnie’s fearlessness and try to remember her bravery when I am on my own in the car headed into unfamiliar territory.

I love a book that teaches me something, and A Brides Portrait of Dodge City, Kansas taught me a lot, from photography (complete with technical descriptions that somehow weren’t too dry!) during the late 1800s/early 1900s to laws about women (they differed by territory). I appreciated that although Adeline was a strong protagonist, she wasn’t “modern” or behaved in ways that didn’t fit with her time period. There was an element of mystery to the story when her shop is vandalized, and I enjoyed trying to solve the whodunit. I have read this book multiple times.

Mary Bridgette is a story of World War I, and the main character joins the Salvation Army to go overseas to serve. What drew me to the heroine and the book was the premise that someone who has never left the tiny town in which she lives would travel thousands of miles into a war zone to help strangers. Before reading the story, I didn’t know much about The Great War, and the author weaves information throughout the story to educate and inform the reader. I finished the book admiring the women who volunteered to serve despite personal danger.

Having worked for a jewelry designer in the Washington, DC area, The Gem Thief caught my eye. The story took me back to my days in the shop (good memories!), and the author has obviously done her research, because her accuracy is impeccable. I liked all of the characters, but I bonded with one of the secondary characters so much that I felt we could be friends in “real life.” I’ve been to New York City often, so I also enjoyed revisiting the city. The book was both comfortable because of all the associations to “past lives,” and exciting as I turned pages wondering what would happen next.

If you want to learn about the New Deal’s contributions to the arts, there’s no better place to begin than with the art itself. This lavish book—I keep it displayed on my coffee table—collects hundreds of color posters created by the WPA’s Federal Art Project, which put unemployed artists and designers to work during the Depression. It’s no wonder that many of these posters, mostly silkscreen, have been cherished by collectors for years: they’re beautifully designed, often quite striking, and sometimes funny. And like most of the WPA’s cultural endeavors, they were meant to serve the public good. Flip through this book and you’ll find advertisements for national parks, a reminder to brush your teeth, and a warning to always report dog bites!  

Several books focused on the Works Progress Administration (WPA), or discreet parts of it, had been published before Borchert’s was released but this is the best of them. I doubt that any other book will ever tell the story of the Federal Writers’ Project (FWP) quite so well. On one level, it lays out the project’s scope and walks readers through the politics involved with its creation and continued operation. And on another, it explains what the project meant for the writers it employed and how it influenced their work. Every other book on this list was written by an author employed by the project or another part of the WPA; this book will help you understand them as part of a coherent literary moment in American history.     

Unlike Welty’s works featuring honorable or broadly comic characters, this dense story cycle was never excerpted in anthologies. It’s a trickier cast: consider Jinny Love Stark and Virgie Rainey, who cut through the languor of Depression-era Mississippi with stone-cold intention. Jinny Love plays croquet with her lover to enrage her volatile husband; she encourages her daughter to wear lizards as earrings to offend the propriety of her own controlling mother. Impoverished piano prodigy Virgie flouts her gift merely to watch her teacher go mad. Later, she trims her dead mother’s yard with sewing scissors while neighbors do the real work of laying out the body and receiving mourners. The heat presses forward. What day is it? What hour? This is weird, experimental Welty, and the payoff is sweet.

When Harry Hopkins, the head of the WPA, needed someone to run the Federal Theater Project, he made a bold choice: Hallie Flanagan, a visionary director, dramatist, and critic. Flanagan is at the center of Furious Improvisation, Quinn’s lively and deeply researched history of the FTP. Quinn’s propulsive narrative never flags, even as she showcases the project’s many triumphs, such as the “Living Newspaper” productions dramatizing current events, or Orson Welles’s so-called “voodoo Macbeth” featuring Black actors. But these productions and others were highly controversial, and the project was eventually attacked by the House Un-American Activities Committee. When a defiant Flanagan told the committee that she was fighting against the “un-American inactivity” imposed by the Depression, they ignored her—but this book stands as a monument to her achievements.   

In the 1930’s some very forward-thinking person at the Work Projects Administration got the idea to interview former slaves and record their stories before it was too late, and their stories had been lost.

The result was some 2,300 interviews with men and women who had been enslaved across many states (not just the South). The interviews are generally brief but always unvarnished and compelling.

The resulting record of their lives and experiences will leave a mark on anyone who reads them. And you should read them.

This latest compilation of the records of the Salem witch trials is a must for anyone researching any aspect of the trials. 

Its importance lies not only in its comprehensive documentation of the events of 1692, but also in its inclusion of several documents newly discovered since previous publications offering such records. It also provides corrections that have been made in previous collections, dating to the work of the WPA in the 1930s.

The records are arranged chronologically, but also well indexed, along with a general introduction, linguistic introduction, biographical notes, and bibliography.