Here are 89 books that The Left-Handed Twin fans have personally recommended if you like
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I’ve always liked narrative history and how we can take research and turn it into a story. More importantly, I love books that can recover the histories of marginalized people—people who don’t make it into the history textbooks. Historical true crime gives me access to realities we don’t often see. Court transcripts, detective reports, news accounts, and oral histories all combine to illuminate a world beyond the famous and known. I’m drawn to those books (and book projects) that ask the question: what can we know about the past if we look at it through the lens of a crime? Whose realities do we witness through such a lens?
This was one of the first books I read that showed me how powerful true crime can be as a vehicle for historical narrative. Jewett’s murder in 1830s New York was all but forgotten until Cline recovers that case and the social world of sex workers in that era.
It’s the writer’s eye for narrative details and her contemporary sleuthing into the complexities of Jewett’s life that keeps me coming back to this book again and again. Cline continually reveals her research process, and by doing so, I felt like I was part of the story as she reconstructs the crime and New York in the 1830s.
In 1836, the murder of a young prostitute made headlines in New York City and around the country, inaugurating a sex-and-death sensationalism in news reporting that haunts us today. Patricia Cline Cohen goes behind these first lurid accounts to reconstruct the story of the mysterious victim, Helen Jewett.
From her beginnings as a servant girl in Maine, Helen Jewett refashioned herself, using four successive aliases, into a highly paid courtesan. She invented life stories for herself that helped her build a sympathetic clientele among New York City's elite, and she further captivated her customers through her seductive letters, which mixed…
The second in the new series featuring amateur sleuth Imogene Durant, a retired professor of Comparative Literature. This time she’s in Ireland, and in the right place to help out when her friend’s daughter is implicated for murder.
I’m the Edgar and Barry Award nominated author of twenty novels, sixteen in my Joe DeMarco series, three in my Kay Hamilton Series, and my standalone, Redemption. Prior to becoming a writer, I was a senior civilian executive working in the U.S. Navy’s nuclear propulsion program. My books are mostly set in and involve characters in Washington, D.C., because Washington is a target-rich environment for a writer—and now more so than ever.
Richard Price, in my opinion, is one of today’s best writers in any genre. The Whites, a book about five detectives finally getting the criminal that always eluded them, was just the most recent book of his I’ve read. His classics—Clockers, Freedomland, The Night of, Sea of Love—were all adapted for the big screen. His prose is cliché free, no one captures New York City and its denizens the way Price does, and the dialogue in his books is pitch perfect and realistic.
NEW YORK TIMES BESTSELLER FINALIST FOR THE L.A. TIMES BOOK PRIZE 2015 IN THE MYSTERY/THRILLER CATEGORY
Every cop has a personal 'White': a criminal who got away with murder - or worse - and was able to slip back into life, leaving the victim's family still seeking justice, the cop plagued by guilt.
Back in the 1990s, Billy Graves was one of the Wild Geese: a tight-knit crew of young mavericks, fresh to police work and hungry for justice, looking out for each other and their 'family' of neighbourhood locals. But then Billy made some bad headlines by accidentally…
I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.
The main character in Death From A Top Hat is the enigmatic magician, The Great Merlini, and he is certainly a beguiling and intriguing character!
The perfect amateur sleuth, with everything I love about this particular “stock character.” He’s funny, he’s smart, and he has – quite literally – plenty of tricks up his sleeve. This book, along with the rest of the Merlini series, offers many brilliant insights into the world of professional illusion.
But most important of all, this book offers an irresistible mystery that certainly kept me guessing!
A detective steeped in the art of magic solves the mystifying murder of two occultists.
Now retired from the tour circuit on which he made his name, master magician The Great Merlini spends his days running a magic shop in New York’s Times Square and his nights moonlighting as a consultant for the NYPD. The cops call him when faced with crimes so impossible that they can only be comprehended by a magician’s mind. In the most recent case, two occultists are discovered dead in locked rooms, one spread out on a pentagram, both appearing to have been murdered under…
Welcome to Marble Hill, Iowa, a small town where every quiet street and familiar face conceals hidden depths of mystery and intrigue. These thrilling stories follow Police Chief Tom Petrosky and State Police Forensics Specialist Patricia Johnson as they interweave crime investigation and a personal relationship.
Books have always been an escape for me, historical mysteries in particular. Getting lost in another world, another time and someone else’s life is like therapy for me and something I will never tire of. Which is perhaps why I went on to write my own historical mystery trilogy. The Marion Lane series consists of The Midnight Murder, The Deadly Rose, and The Raven’s Revenge—all set in 1950’s London, in a mystical private detective agency concealed beneath the city streets.
Set in 1958, Manhattan, at the fictional Pinnacle Hotel, this is a closed-setting, classic cozy mystery that I really adored. The story’s lead—Evelyn Elizabeth Grace Murphy (first off, what a name, right?)—is such a brilliantly written character. I love how ditzy and superficial she seems at the beginning, but as the plot unravels, and her sleuthing skills are put to the test, we get to see her complexities and flaws and learn to love her. What I love even more is that this book is the first in a (hopefully) long-running series. Encore, Evelyn!
The hotel was her refuge, but scandal is afoot—and a killer stalks the halls in this charming series debut perfect for fans of Rhys Bowen and Ashley Weaver.
It’s 1958 and Evelyn Elizabeth Grace Murphy has not left the Pinnacle Hotel in fourteen months. She suffers from agoraphobia, and what’s more, it’s her father’s hotel, and everything she needs is there. Evelyn’s always been good at finding things, she discovered her mother dead in a Manhattan alleyway fifteen years earlier. Now she’s finding trouble inside her sanctuary. At a party for artist Billie Bell, his newest work is stolen, and…
I have always loved novels that sweep me away to another time, immersing me in a historical era and characters I care about. The first time I read Anne of Green Gables I remember looking up from the book and blinking the real world into disoriented focus, surprised I wasn’t in ‘Anne’s world’! My aim and hope for my own historical novels are that they will provide readers with a similar sweeping-away experience, so they feel they’re living and breathing the world I’m writing about. The best feeling in the world is when you are lost in the pages of a good book—wherever or whenever that story takes place.
This is a wonderfully romantic saga focusing on a young woman in the East End of London in the late 1800s, and how she works her way up to run her own business empire, facing tragedy and treachery along the way. Set alongside the Jack the Ripper murders, it has plenty of intrigue and mystery, as well as romance, perfect for fans of Downton Abbey or The Gilded Age. A true saga of the kind that was popular in the 1980s—a big, glitzy, wonderful, passionate book!
This is a splendid, heartwarming novel of pain, struggle, decency, triumph - and just what we need in these times - Frank McCourt
It is 1888 and Jack the Ripper is stalking the streets of Whitechapel. For the people that live there, he is just one more adversary in their everyday battle to survive. Despite working long days at the tea factory, and the constant threat of the Ripper, Fiona Finnegan knows that life is better for her than for many others. With a father in work, a roof over her head, enough to eat and a loving family to…
I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.
This witty and suspenseful tour-de-force is set in a Paris most tourists never see: the Nineteenth Arrondissement, a sprawling, multicultural district where working-class grit coexists uneasily with encroaching gentrification.
The author, who doubles as a well-known documentary filmmaker, is also a friend of mine from the French noirworld.
Arab Jazz, first published in 2012, sardonically explores the religious fanaticism of Jews, Muslims and evangelical Christians while weaving a thrilling intrigue that earned it France's top prize for crime fiction.
Kosher sushi, kebabs, a second-hand bookshop and a bar: the 19th arrondissement in Paris is a cosmopolitan district where multicultural citizens live, love and worship alongside one another. This peace is shattered when Ahmed Taroudant's melancholy daydreams are interrupted by the blood dripping from his upstairs neighbour's brutally mutilated corpse.
The violent murder of Laura Vignole, and the pork joint placed next to her, set imaginations ablaze across the neighbourhood, and Ahmed finds himself the prime suspect. But detectives Rachel Kupferstein and Jean Hamelot are not short of other leads. What is the connection between a disbanded hip-hop group and…
Before I’m a writer, I’m a reader and I need the realness when it comes to military service. I started as an Army journalist so the details matter to me. When I pick up a book to relax and the main character draws me with a story I can get all the five senses of it, I’m in! On the other hand, I'm usually turned off by books that use veterans as props or either heroes or villains with nothing in between. That’s not who I served with. Where was the gray of the human existence in veteran characters? Gimme books that bring more depth to characters that round out personal experience.
This book is from a series but I picked this one out because it was perfectly targeting why veterans talking to other veterans can heal. These fictional characters have real backstories that resonated with me. This is set in a small town with the dichotomy of military and law enforcement and is an easy, mystery read.
On a warm September evening in the Millers Kill community center, five veterans sit down in rickety chairs to try to make sense of their experiences in Iraq. What they will find is murder, conspiracy, and the unbreakable ties that bind them to one another and their small Adirondack town.
The Rev. Clare Fergusson wants to forget the things she saw as a combat helicopter pilot and concentrate on her relationship with Chief of Police Russ Van Alstyne. MP Eric McCrea needs to control the explosive anger threatening his job as a police officer. Will Ellis, high school track star,…
It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
Love to know why this murderous mob masterpiece has yet to make it to film.
This must-have for any True Crime bookshelf is from the dynamic duo of Gene Mustain (author of John Gotti bio) and Jerry Capeci (“Gangland” journalist extraordinaire). It chronicles the blood-soaked rise and demise of the deadly Roy Demeo crew, a gaggle of Gambino grunts a couple of rungs under Captain Nino Gaggi.
It’s an underworld tour of the black-and-blue-collar South Brooklyn rackets, circa 70s and 80s, often through the bloodshot eyes of Dominick Montiglio, Gaggi’s nephew, and bolstered by an avalanche of investigative research. From the innards of a Mafia street crew, to the entrails of an auto-theft ring, to the autopsy of Demeo’s whack-tastic dismemberment routine (a.k,a. “The Gemini Method”), there’s so much to digest, if you can stomach the body count.
Locations of interest: The Gemini Lounge on Flatlands Avenue; Bath Beach (Multiple…
Meet the DeMeo gang - the most deadly killers the Mafia has ever known. They were a small-time Brooklyn corner crew who, headed by the notorious Roy DeMeo, became the hitmen of choice for the Gambino family. Killing for profit and pleasure, they were ultimately feared by everyone - even the Mafia bosses they worked for.
I’m a public health research scientist who writes humorous historical mysteries set in 1900s Los Angeles among the police matrons of the LAPD. Like you, I read. I love smart, well-researched historical fiction with strong female protagonists and a good romantic subplot. Extra points if the book is funny because studies show laughter is good for you.
Ellie Stone, a young alcoholic newspaper reporter in 1960s New York, makes her own rules while searching for a killer. The series is an incredible window into the era and the protagonist is superb. Booksellers, publishers, authors—we all know who James Ziskin is—simply one of the most decorated mystery authors writing today. This series has won so many awards, I can’t begin to list them all here. In spite of this, James Ziskin remains a secret to most readers. This baffles me and the only thing that can explain it is that we happen to be in that one alternate universe where James Ziskin, who is a bestselling author in every other multiverse, randomly hasn’t caught fire in this universe. Yet.
Ellie Stone is a professed modern girl in 1960s' New York City, playing by her own rules and breaking boundaries while searching for a killer among the renowned scholars in Columbia University's Italian Department.
"If you were a man, you'd make a good detective."
Ellie is sure that Sgt. McKeever meant that as a compliment, but that identity-a girl wanting to do a man's job-has throttled her for too long. It's 1960, and Ellie doesn't want to blaze any trails for women; she just wants to be a reporter, one who doesn't need to swat hands off her behind at…
I wanted to write crime fiction from a young age. I took a Biomedical Science degree, hoping to follow this with a PhD in Forensics but soon realised I didn’t want to spend the rest of my working life in a lab. So I took a Master’s degree in Science Communication and became a health journalist and editor instead. I knew my own crime novel needed to feature a journalist. My main character, Shanna Regan, has spent her life travelling, whereas my own job has always been desk-based in the UK. Maybe this is why I love reading crime novels that whisk me off to other countries (in my head)!
Invisible City is the first book in Julia Dahl’s Rebekah Roberts series. Julia Dahl cleverly weaves together Jewish culture and a murder mystery, using a rookie journalist as her main character.
I think journalists make great detectives in crime fiction, with their investigative skills, enthusiasm, communication skills, persistence, and perseverance. They bridge the gap between amateur sleuths and the police (not that different from a private investigator).
Invisible City portrays journalists in a positive light and also provides an insight into an unknown world, with a non-judgmental portrayal of the ultra-religious Hassidic Jewish community in Brooklyn. I enjoyed following the main character’s personal journey too.
If you enjoyed UNORTHODOX, you will be riveted by Rebekah Roberts . . .
'An absolutely crackling, unputdownable mystery. I loved it.' GILLIAN FLYNN
Fresh out of journalism school, Rebekah Roberts is working for the New York Tribune, trying to make a name for herself. Assigned a story about the murder of a woman in Brooklyn, Rebekah finds a case from inside a closed, secretive Hasidic Jewish community - the same Brooklyn neighbourhood her estranged mother was brought up in.
Shocked to discover that the victim is set to be buried without an autopsy, Rebekah knows there is a story…
