Here are 70 books that Six Capsules fans have personally recommended if you like
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Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
It is a book that deep dives into a historical event, in this case, the 1893 World Columbian Exposition. Check. It is a nonfiction book that reads like a gripping thriller, in this case, the serial killer H.H. Holmes, who built a three-story building featuring secret rooms, torture chambers, and a crematorium. Check. Chicago leaps off the page. By the end of the book, I was able to envision the massive exposition, its hundreds of temporary buildings, all white colored, interlaced with ponds and canals.
Much like that exposition helped raise Chicago up from its Great Fire, so I could see a Chicago of the past, in a glorious triumph of industry and innovation. Oh, and yeah, a serial killer constructing a horrific murder building.
The Chicago World Fair was the greatest fair in American history. This is the story of the men and women whose lives it irrevocably changed and of two men in particular- an architect and a serial killer. The architect is Daniel Burnham, a man of great integrity and depth. It was his vision of the fair that attracted the best minds and talents of the day. The killer is Henry H. Holmes. Intelligent as well as handsome and charming, Holmes opened a boarding house which he advertised as 'The World's Fair Hotel' Here in the neighbourhood where he was once…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
Everyone knows who Lizzie Borden is, and everyone thinks they know whether or not she did it. But what few people know about is her trial. I have always been pretty obsessed with the Lizzie Borden story (hint: she’s totally guilty). But this book put a whole new spin on the country’s original true crime.
I loved reading about the legal proceedings that put Lizzie front and center of a violent crime (not a common place for a woman to be in Gilded Age America). It painted Lizzie in a more vulnerable light than the axe-wielding murderess I had always pictured her as. It also helped explain why she was acquitted.
In Cara Robertson’s “enthralling new book,” The Trial of Lizzie Borden, “the reader is to serve as judge and jury” (The New York Times). Based on twenty years of research and recently unearthed evidence, this true crime and legal history is the “definitive account to date of one of America’s most notorious and enduring murder mysteries” (Publishers Weekly, starred review).
When Andrew and Abby Borden were brutally hacked to death in Fall River, Massachusetts, in August 1892, the arrest of the couple’s younger daughter Lizzie turned the case into international news and…
I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.
Stagolee, the bad man who will not back down, is an icon of African American mythology. His defining moment, the Christmas night murder of Billy Lyons is the subject of folk and blues songs from the turn of the twentieth century to the present day. Though many know the story, before Cecil Brown’s book, most did not realize that the story was true. On Christmas night, 1895, in St. Louis, “Stack” Lee Shelton shot Billy Lyons in a fight over a Stetson hat. Stagolee Shot Billy documents the events leading to the murder while shining a light on the culture, attitudes, and politics of the St. Louis black community in the 1890s. The shooting of Billy Lyons is a Gilded Age murder that continues to resonate.
Although his story has been told countless times - by performers from Ma Rainey, Cab Calloway and the Isley brothers to Ike and Tina Turner, James Brown and Taj Mahal - no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan", Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.
Arsenic Under the Elms tells the story of two sensational but unrelated murders in New Haven, Connecticut, in the late 19th century. Mary Stannard a 22-year-old domestic servant was found stabbed and poisoned on a path near her home. The prime suspect was her pastor, former employer, and alleged seducer, Rev. Herbert H. Hayden. Jennie Cramer, a beautiful young woman from a poor family was also poisoned, her body found floating in the ocean. Suspicion fell on Jimmie and Walter Malley, nephew and son of the richest man in New Haven. In both cases, the disparity in social class between victim and suspect became the defining feature of the case and the greatest impediment in obtaining justice for the murdered woman.
The attorney Virginia A. McConnell provides a riveting view of Connecticut in the late 1800s as revealed through the unrelated but disturbingly similar murders of two young women. The first, Mary Stannard, was an unmarried mother who worked as a domestic and believed herself to be pregnant for a second time. The man accused of her murder, Reverend Herbert Hayden, was a married lay minister whose seduction of Mary was common knowledge. Three years later, Jennie Cramer, another woman of low social status, was found floating facedown in Long Island Sound off West Haven. The characters involved in the commission,…
I grew up watching every cop show on the air with my father. I always wanted to be a detective, but one that didn’t have to do a lot of chasing, like Starsky and Hutch, or get beat up a lot, like Mannix—one who could take a laid-back approach and work his own hours, like Ellery Queen. I wound up becoming a forensic specialist who also writes thrillers. The protagonists have my same job, only with smarter criminals and better-looking colleagues. I also grew up playing the clarinet—not, I admit, particularly well—in a band and/or orchestra from the fourth grade until well after I married.
In July of 1980, a beautiful violinist disappeared during a 45-minute break while the visiting ballet company used a prerecorded piece. Helen Hagnes Mintiks was a Julliard grad who had played with professionals since her teens. After the evening’s performance ended, her colleagues knew—as any musician would—that Helen would neverhave left the building without her violin. It took another nine hours to find her body, thrown down a ventilation shaft, hands tied with knots that stagehands used. A witness led them to the killer, who promptly confessed—a real villain, robbing the world of a kind-hearted talent out of lust. I read this book probably 30 years ago, while I was reading my way through the entire true crime section of the Cleveland Public Library.
It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
Love to know why this murderous mob masterpiece has yet to make it to film.
This must-have for any True Crime bookshelf is from the dynamic duo of Gene Mustain (author of John Gotti bio) and Jerry Capeci (“Gangland” journalist extraordinaire). It chronicles the blood-soaked rise and demise of the deadly Roy Demeo crew, a gaggle of Gambino grunts a couple of rungs under Captain Nino Gaggi.
It’s an underworld tour of the black-and-blue-collar South Brooklyn rackets, circa 70s and 80s, often through the bloodshot eyes of Dominick Montiglio, Gaggi’s nephew, and bolstered by an avalanche of investigative research. From the innards of a Mafia street crew, to the entrails of an auto-theft ring, to the autopsy of Demeo’s whack-tastic dismemberment routine (a.k,a. “The Gemini Method”), there’s so much to digest, if you can stomach the body count.
Locations of interest: The Gemini Lounge on Flatlands Avenue; Bath Beach (Multiple…
Meet the DeMeo gang - the most deadly killers the Mafia has ever known. They were a small-time Brooklyn corner crew who, headed by the notorious Roy DeMeo, became the hitmen of choice for the Gambino family. Killing for profit and pleasure, they were ultimately feared by everyone - even the Mafia bosses they worked for.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As an academic, I have been researching Canadian police and criminal justice history since the 1980s and I teach courses on the history of policing, crime, drugs and homicide, and capital punishment. In 2014 I began to cover a high-profile murder trial in my region of Canada and ended up writing a best-selling book on the case. The Oland case reinforced my interest in true crime, both as a research topic and a cultural phenomenon. True crime, whether set in the distant past or contemporary times, offers writers and readers alike fascinating forays into specific societies and communities as well as human nature.
Similar to my second choice, this American study explores the impact of a sensational unsolved death on early Victorian New York and America in general. In 1841 Marie Rogers, an attractive young woman who worked in a tobacco shop, was found dead in the Hudson River, suspected to be a victim of murder. The case was well covered in the press and exposed weaknesses in the city’s system of policing. The author details how Edgar Allen Poe furthered early detective fiction in his story The Mystery Marie Roger, which although set in Paris borrowed heavily from the New York events. An example of how the public can make a celebrity out of a murder victim who is not from the elite.
On July 28, 1841, the body of Mary Rogers, a twenty-year-old cigar girl, was found floating in the Hudson-and New York's unregulated police force proved incapable of solving the crime. One year later, a struggling writer named Edgar Allan Poe decided to take on the case-and sent his fictional detective, C. Auguste Dupin, to solve the baffling murder of Mary Rogers in "The Mystery of Marie Rogt."
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
In June of 1897, a group of New York children discovered a human torso, catapulting the city into a brutal mystery. Who was this man? And who killed him? I could not put this book down.
The central mystery kept me riveted, and the cold-blooded woman at the heart of it truly chilled me to my core. I also found my jaw on the floor reading about the antics of reporters for the warring New York Journal and New York World as they threw ethics out the window to get the best scoop.
"No writer better articulates our interest in the confluence of hope, eccentricity, and the timelessness of the bold and strange than Paul Collins."--DAVE EGGERS
On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.
Books have always been an escape for me, historical mysteries in particular. Getting lost in another world, another time and someone else’s life is like therapy for me and something I will never tire of. Which is perhaps why I went on to write my own historical mystery trilogy. The Marion Lane series consists of The Midnight Murder, The Deadly Rose, and The Raven’s Revenge—all set in 1950’s London, in a mystical private detective agency concealed beneath the city streets.
Set in 1958, Manhattan, at the fictional Pinnacle Hotel, this is a closed-setting, classic cozy mystery that I really adored. The story’s lead—Evelyn Elizabeth Grace Murphy (first off, what a name, right?)—is such a brilliantly written character. I love how ditzy and superficial she seems at the beginning, but as the plot unravels, and her sleuthing skills are put to the test, we get to see her complexities and flaws and learn to love her. What I love even more is that this book is the first in a (hopefully) long-running series. Encore, Evelyn!
The hotel was her refuge, but scandal is afoot—and a killer stalks the halls in this charming series debut perfect for fans of Rhys Bowen and Ashley Weaver.
It’s 1958 and Evelyn Elizabeth Grace Murphy has not left the Pinnacle Hotel in fourteen months. She suffers from agoraphobia, and what’s more, it’s her father’s hotel, and everything she needs is there. Evelyn’s always been good at finding things, she discovered her mother dead in a Manhattan alleyway fifteen years earlier. Now she’s finding trouble inside her sanctuary. At a party for artist Billie Bell, his newest work is stolen, and…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve always liked narrative history and how we can take research and turn it into a story. More importantly, I love books that can recover the histories of marginalized people—people who don’t make it into the history textbooks. Historical true crime gives me access to realities we don’t often see. Court transcripts, detective reports, news accounts, and oral histories all combine to illuminate a world beyond the famous and known. I’m drawn to those books (and book projects) that ask the question: what can we know about the past if we look at it through the lens of a crime? Whose realities do we witness through such a lens?
This was one of the first books I read that showed me how powerful true crime can be as a vehicle for historical narrative. Jewett’s murder in 1830s New York was all but forgotten until Cline recovers that case and the social world of sex workers in that era.
It’s the writer’s eye for narrative details and her contemporary sleuthing into the complexities of Jewett’s life that keeps me coming back to this book again and again. Cline continually reveals her research process, and by doing so, I felt like I was part of the story as she reconstructs the crime and New York in the 1830s.
In 1836, the murder of a young prostitute made headlines in New York City and around the country, inaugurating a sex-and-death sensationalism in news reporting that haunts us today. Patricia Cline Cohen goes behind these first lurid accounts to reconstruct the story of the mysterious victim, Helen Jewett.
From her beginnings as a servant girl in Maine, Helen Jewett refashioned herself, using four successive aliases, into a highly paid courtesan. She invented life stories for herself that helped her build a sympathetic clientele among New York City's elite, and she further captivated her customers through her seductive letters, which mixed…
