Books like The Last Orphan — picked by fans

I spent the better part of a decade honing my writing skills and pushing the bounds of imagination after my debut fantasy novel Mercury Dagger - A Tale From Kraydenia. When I am not off exploring the wilds of Australia, I am dreaming up new adventures and monsters to cause chaos in a fantastical world filled with twists, loyalty, honour, and great and terrible battles. Originally from South Africa, I have travelled the African continent, visiting numerous countries, seeing first-hand the differences in many cultures who roam the lands and found it fascinating. It is this fascination that inspires my love for creating new characters and finding out what makes them tick.

Why do I love Vatican Intrigue? Well, here’s just one example. When the cardinal electors vote for a new pope, they process through a locked Sistine Chapel toward Michelangelo’s fresco of the Last Judgment and drop their twice folded paper ballots into a large golden chalice, a process that hasn’t changed for centuries. The faster the world turns and evolves, the more I am drawn to the Vatican’s many ancient traditions and protocols. And, the funny part is, I am not a particularly conservative person; it’s just that I appreciate the Vatican as a huge counterweight to the rapid changes taking place in the rest of the world.

I love stories set in contemporary urban environments where magic just happens to be real. This can take many forms, but my preference is a novel with realistic real-world scenarios that have to accommodate a magical world, without making things too easy for those with power. When I write Urban Fantasy (or SciFi) I try to inject logic and consistency into the worlds I create. My day job, working in the software industry and the logic skills needed to master problem solving, add these qualities to my writing.  

Growing up on a diet of The Godfather, The Sopranos, thrillers, and gangster novels, and living in New York City with eye-opening trips to Sicily, I became slightly obsessed with the Mafia. I came to see the American Mafia as a quintessentially American fabric, woven of family, power, immigrants, money, history, loyalty, legacy, and, yes, crime.  

I'm the product of a man who married more times than I like to admit to strangers and even family. We moved all the time. Those two elements in my life led me to run out the door immediately upon release from sorting my belongings from their thoroughly packed boxes. I made friends at once with everyone I came across. Who knew how long we’d live there? Over the years, I acquired deep friendships from around the U.S. and often daydreamed of them all being in the same place at once and loving the solidarity. It never happened, but it's a theme that runs through me. It’s what I like to write about.

Four of my formative years were spent in Iran and England where I became intrigued by the history and politics that shaped the Middle East. An avid reader, I was intrigued by how effectively international thrillers, particularly those by British authors, captured the mystery, complexity, and murky ambiguities of global politics. When I launched a second career as a writer, I committed to using international thrillers as a vehicle for exposing readers to other peoples and cultures and to the unending moral dilemmas that shape our political world. My aspiration is to present those stories as effectively and provocatively as the five writers recommended in my list! 

I’ve never been a fan of polemics or schmaltz. But that doesn’t mean I don’t want to learn or see new perspectives or feel deep feelings; I just think humor is the best way to get past people’s defenses. (All the better to sucker punch them in the feels.) I also think the world can be a pretty dark and scary place. I love books that give us hope, enough hope to have the courage to change what we can to make the world a little brighter.

I started writing about another world when I was eight years old. I was already a reader, but books for kids were full of adventuring boys, with girls mostly sidelined. My world started with a gang of adventuring girls, and as I aged up, it kept getting bigger, and deeper, especially as I studied history. All fiction is a mirror to our contemporary society, and in conversation with other fiction; so is epic fantasy written over a lifetime. Many books later, I still get to adventure, wield magic, and be a hero, through my characters!

As an engineer for multiple space projects (including the ISS, Gateway, and commercial space), it seems like I should be a strict sci-fi person. But I love sci-fi and fantasy equally, and I love books that break through the wall between them. Especially in space opera, you can play with how much technology and how much magic shaped a world and a culture. Zooming in, that will greatly influence the characters. Some make it esoteric and exclusive, where others make it more common. All of them transport readers to magical, expansive universes.

I’ve always loved the darker side of fantasy. While heroes, knights, and handsome kings can occasionally be enjoyable, I want to know the other characters who have suffered, hurt, lost, grieved, and been hardened by grim circumstances and cruel fate. Those characters demonstrate the resilience of human nature and how goodness truly can exist even in the harshest environment. I love using this darkness in my own novels to show that even the tiniest spark can shine immensely bright—a true testament to the indefatigability of our spirits.