57 Books Like The Price of the Stars

This book inspired my love of sci-fi romance. I adore the characters and the deceptively simple premise. Cordelia Naismith is a badass survey captain stranded on a wild planet with only her enemy, Aral Vorkosigan, known as The Butcher of Komarr, for company.

As they trek through the wilderness, Cordelia gets to know Aral and realizes her assumptions about him are all wrong. Originally published in 1986, this book launches the Vorkosigan Saga—my favorite sci-fi series. What I love about this book is how Bujold takes the time to let Cordelia and Aral get to know each other as people and bond on a deep emotional and intellectual level. They may be on opposite sides of a war, but they recognize the humanity in each other.

How often have I heard, “Oh, Q. W. Aardvark’s fantasy is awesome, but you really need to read all 8,326 books in the series to get it”! How about no? Fortunately, I learned the secret of Pratchett’s Discworld series: each novel is freestanding.

I like this book because it’s like a cynical, bitter uncle who secretly has a teddy bear—despite the outward grime and gloom of the setting, there’s a hilarious wit, punning, and barrage of pop references underlying the story that gives it a heart. It’s fantasy for those who don’t think they like it.

Brust has written a long series that is all connected to his cycle about Vlad Taltos.

My favorite is The Phoenix Guards, which evokes, for me, the swashbuckling style and fun of Dumas’ Three Musketeers. Brust took that tongue-in-cheek narrative voice, and the panache of the seventeenth-century Musketeers as envisioned by Dumas, and created this world full of magic and fascinating denizens.

Marketed as historical novels, this series, besides being accurate, full of action and brilliant characterizations, and a roller coaster emotionally, is a deep immersion into the era of the tall ships.

It’s also subtly fantasy, though not marketed as fantasy. There are psychic elements, and later in the series O’Brian admitted that he’s writing in a sort of endless 1812. It’s really less of a series than one long story divided into volumes.

The writing is really strong in this one, with vivid descriptions and great metaphors. The badass main character walks a thin line between hero and anti-hero, but she still shows vulnerabilities that make her relatable. The novella features a small cast with a tight story, so it’s a fast read that’ll keep you on the edge of your seat.

Retired hitman Frankie Machianno thinks he’s left the past behind and can focus on the things that matter—wife, mistress, daughter, surfing, perfect kitchen, roasting coffee, cooking.

But someone is coming for him and wants him dead. The problem is: Frankie doesn’t know who. As he tries to figure it out, we learn about Frank, his family, his lover, and his past, from San Diego beach bum to mafia “button man.”

He’s my favorite kind of gangster—the good guy bad guy—and I couldn’t help but like Frank and fear for his life, as the novel hurtles toward its bittersweet conclusion.



This book was one of the first assassin books ever written, and it’s a masterpiece of classic fantasy. The character is exactly as brooding and dour as I’d expected, but the moment he saves a young woman and her two orphaned companions, I understood there was so much more to him. And over the course of the book—and all his books—I saw those layers stripped away piece by piece and the grief-stricken man beneath.

The story was action-packed in exactly the way I wanted it to be, but it also profoundly explored nobility, morality, belief, and faith. The final scenes of the trilogy had me in tears, something not easily accomplished.  

It’s too easy when reading Ludlum to get caught up in the Bourne Trilogy and overlook the author’s other great political thrillers. For me, The Matarese Circle best captures a theme that appears in most of Ludlum’s work – “We shouldn’t always trust our own intelligence community.”  

In The Matarese Circle, two disaffected covert agents—one American and one Soviet—team up to identify members of an international league of assassins bent on achieving world domination to promote commercial gain. This corpse-laden, globetrotting chase is one of Ludlum’s finest. 

Higgins is probably best known for the brilliant The Eagle Has Landed but it was Solo that inspired my love of thrillers. Solo is an unabashed, fast paced, edge-of-your-seat action thriller. The characters are engaging; Mikali a concert pianist who is an international assassin and Morgan the “amateur,” although a skilled soldier, bereaved father hell-bent on revenge. There is complicated romance, something that always adds an interesting frisson in a thriller, and exotic locales too and it’s evident that Higgins took time to develop his characters, especially Mikali. Higgins so carefully crafted his protagonists that you feel a connection and sympathy for both. Solo is just great storytelling, it made me want to attempt to write such a thriller.

Jennifer Estep’s writing talents shine in her Elemental Assassin series. She has filled her world with supernatural creatures and humans with magic who can harness different elemental powers. Gin is an assassin, known as the Spider. She has ice and stone magic. She also runs the best barbecue restaurant in town and Estep’s masterful food descriptions will have your mouth watering for more.