100 Books Like The Last Nazi

At the time of writing, this is the last book I read, in the couple of weeks before the 80th anniversary of VE Day. Powerful is the only way to describe it.

I think it’s the ordinariness of the characters, particularly the main protagonists, that makes it so powerful. None of them had any training or expertise that would have helped them to ‘fight’ back, to resist; they are just ordinary people doing extraordinary things, which is what happened during the Second World War, particularly in occupied France.

It’s a reminder that we should never forget our history—even when it isn’t very palatable—and hope that one day we might start to learn from it.

This is one of my all-time thrillers. It’s a cautionary tale that reminds us that not all of the Nazis were caught after the war and their need for power would never disappear.

The story follows Dr. Paul Osborne, who has been haunted from the day he was ten years old and watched a stranger kill his father. Now, years later, in Paris, he sees the same man. This starts the frantic race through Europe to find out why his father was killed and who ordered it done, while killers and the police dodge his every move, Osborne doesn’t know who can be trusted. The action doesn’t stop until the horrifying last page.

Another cautionary story. This story shows that the Nazi movement is growing worldwide and that governments need to keep these organizations under wraps before allowing them to carry out their own agendas. 

When a mistake causes an international incident during a US Presidential visit to Norway, Detective Harry Hole is placed out of sight in the Federal Police Department, until matters settle. Unable to sit still, Harry investigates a neo-Nazi group and comes across someone practicing with an exotic rifle that would only be used to assassinate someone. Now he must identify both the target and the killer.

This story hit home because it is set within my own community, so it could have really happened. We never know who our neighbors are and what they do behind closed doors.

Dead Air portrays radio morning host, Lee Garrett, who comes to work one morning to find a death threat taped to his radio console. At first, he thinks it’s a joke, but one accident after another convinces him that someone is really out to kill him. Can it be a member of the local neo-Nazi group, the Skins, a jealous radio personality for his or another station, or has he inadvertently insulted someone online? He must figure it out before they strike again.

The story of the nondescript German diplomat who became one of the United States' greatest spies in Nazi Germany reads like a thriller.

It was important to me because it showed how a single person, working alone, could do incredible damage to the Nazi war effort.

Kolbe’s story did not come out until well after the war, when declassified CIA documents revealed 1,600 diplomatic cables copied by Fritz Kolbe, a career-functionary in the German Foreign Office. Koble had smuggled the documents into Switzerland – mainly tucked down into his pants – to be passed to the OSS bureau head, Allen Dulles.

Only a tight circle of people knew who Kolbe was; even the president, Franklin D Roosevelt, who read his reports with astonishment, only knew of Kolbe by the codename, George Wood.

Kolbe disappeared into obscurity after the war, but the CIA left a wreath on his grave.

If you want to know about art thefts in Europe during World War II, this is the book to read. This is the Bible!

Lynn Nicolas provides an exhaustive account of why the works were taken, where the looting took place, how it was done, how many artworks were plundered (the answer is in the hundreds of thousands), and what attempts were made after the war to recover the works and restore them to their owners.

I was awed by the extent of her research, which is truly groundbreaking. Before The Rape of Europa was published in 1994, little was known about the means and scale – and even the fact – of Nazi looting.  

I chose this memoir because it tells the compelling story of Germans and Austrians who joined the British forces to strike back against Nazi Germany—a story that is missing from most histories. First, they had to undergo many metamorphoses—a main theme of this memoir. Peter Masters—originally a member of a respectable Jewish family in Vienna—escapes to Britain and is a refugee from Nazi oppression, but in 1940 the British government identify him as an enemy alien and intern him. For his fourth metamorphosis he becomes a soldier in the British army, but the British government bans Austrians and Germans from bearing arms. After this ban is lifted there is a final metamorphosis when he joins a British commando unit. He writes, "The antithesis of 'lambs to the slaughter,' we fought and many of us died... Those who died preferred their fate to being gassed and cremated by the Nazi brute."

The story holds almost more sorrow than seems possible. Krystia Fediuk, her mother Kataryna, sister Maria and their longtime friends, many of them Jewish, live in a Ukrainian town that celebrated as their Soviet occupiers left in 1941. But the even more cruel Nazis arrived, joined by many more Germans and Balkans friendly to them. And they were determined to single out Jewish townspeople, eventually forcing them into a ghetto.

It was then that Krystia and her mother decided to hide three Jewish friends in a hole dug under their stove. The price for what the Nazis saw as their treachery was steep. Krystia fled to the Ukrainian insurgents in the forest, taking only her dwindling hope. Though fiction, the author based the book on several real Ukrainians and the stories of others who survived. 

Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.

Adam von Trott was a Prussian aristocrat who studied at Oxford, worked for the German resistance, and was executed by the Nazis in August 1944. I discovered Trott when I was researching wartime Berlin. Christopher Sykes’ biography gives a fascinating portrait of an intense and charming man. His deep loyalty to Germany led him to oppose its government, attempt to reach an understanding with its enemies and participate in an effort to kill its leader.

Adam and his contradictions continue to intrigue me – and I’m not the only one! He pops up regularly in other people’s novels under various aliases: as Hartmann in Robert Harris’ Munich, for instance, and as Axel von Gottberg in Justin Cartwright’s The Song Before It Is Sung.