Books like The Kilt Behind the Curtain

A unique book. Read this and you'll find yourself in a disappearing world. Northern Romania eschewed the modern conveniences and less delicate touches of capitalism for most of the twentieth century. Blacker shares a life wholly dictated by the rhythms of nature. This is a world where the locals recognise someone visiting from another village at a distance, not by their face or their clothes, but by the horse they are riding.

Former BBC reporter Ormsby presents a compilation of anecdotes from his time living in Romania. 

The stories vary between shocking, upsetting, and laugh-out-loud funny. They are authentic and absorbing sketches of the characters and hardships that make up everyday life in Romania before the country had shaken every vestige of its communist past. 

Since each chapter is a complete story, this is a great book to dip into for a little light entertainment. If you’re thinking of visiting Romania, it will help to give perspective on what makes the locals tick.

Romania is not all Dracula and Olympic gymnasts. For example, did you know the original Tarzan, Johnny Weissmuller, was an ethnic Saxon from Transylvania? 

During my time in Romania, I found her people bright and engaging. Simmer that in the melting pot of a turbulent multi-cultural history formed at a crossroads between powerful empires and it’s no surprise that the result is great insight, resilience, and wisdom. However, Romania’s minority language and time as a secretive Soviet state conspire to ensure their worldview has not been shared widely. 

Besides introducing some famous names whom you might not associate with Romania, this book is genuinely inspirational and captures the country’s spirit, humour, and culture.

I have loved this book since it first scared me as a young reader.

And I think this is still the best of all bloodsucker books ever published. While this classic novel didn’t create the myth of vampires, it sure made them iconic. With his fangs and flowing bat-wing cape, Dracula sets the standard for things that go bump in the night. His single purpose is to scare us, and he is good at his job. He has no redeeming values.

This vampire is no charismatic bad boy hoping to win the girl’s heart—he just wants to drink her blood! The original Dracula is a fiend—horrible, frightening, and dangerous. Which is why the book still works after more than a century.

This is another story of a hapless, now unnamed, English academic in Eastern Europe, yet McGuinness’s Romanian novel couldn’t be more different from Bradbury’s Rates of Exchange, and not only for being tied to a very specific moment and place: Bucharest in the final months of 1989.

It captures the darkness and the deprivations of Ceaușescu’s regime just before its fall. It is a Cold War novel written by a poet and this shows in the richness of its melancholy and sinister atmosphere.

A set of six novels that follow the fortunes of Harriet and Guy Pringle, set during the chaos of World War Two in Europe.

Guy teaches English at the University of Bucharest, and the novel opens with him bringing his new wife to join him in Romania. Manning combines an intimate story of the couple’s relationship with an epic tale of war-torn Europe and the Middle East. Her descriptions of places are brilliantly done; her dialogue is perfect, and she effortlessly portrays significant moments in history. 

I learned so much when I read it, and yet never felt I was being ‘taught’; in other words it’s the gold standard of historical fiction.

This novel, published in 1879, is set in Romania at the time of the 1877-8 Russo-Turkish War. It is significant for its setting because it predates Dracula (1897) in being set in Romania (home of Transylvania). Nizet was a twenty-year-old Belgian woman who encountered Romanians in Paris who told her about how Russians had treated them during the war. Nizet created the character of Captain Vampire to represent how Russia acted like a vampire toward the Romanians, even though they were Russia’s allies. Captain Vampire’s behavior is shocking yet fascinating. As a critique of war, the novel is extremely relevant today given Russia’s recent invasion of Ukraine. Personally, I am amazed by how a woman who never saw a battlefield could capture war’s essence so vividly.

This book has engendered controversy for almost forcefully bridging the gap between the 15th Century Wallachian Prince Vlad III or Vlad the Impaler or Dracula. Stoker had already constructed his character, called “Count Wampyr,” before he learned of his future namesake. However, he quite clearly establishes a connection between the two through an explanation provided by Abraham Van Helsing. The Dracula of the eponymous novel is a heavily fictionalized version of the real-life figure, but so are most similarly positioned characters in literature, film, and television. Florescu and McNally provide a cursory overview of Slavic and Balkan vampire folklore, a biographical sketch of Vlad the Impaler, and illuminate the process by which Stoker adapted this violent, cunning, and sometimes brilliant nationalist and military tactician into a fictional monster.

When I visited Auschwitz-Birkenhau I was struck by the Australia plaque at the rear of the camp whose first three lines read, "Forever Let This Place Be; A Cry of Despair: And a Warning to Humanity."

Similarly, I was drawn to Wiese’s work when, in his preface to Night, he tells us he feels “he has a moral obligation to try to prevent the enemy from enjoying one last victory by allowing his crimes to be erased from human history.”

His is a brutal, first-hand account of the horrors and atrocities in Auschwitz. He appears to leave no stone unturned as he recounts the events from his admission to the camp, his life of survival juxtaposed with the protection of his father amidst the dehumanization of his fellow prisoners, to the eventual liberation, including the Death March, during which his father perished.

I was struck by his resilience… show more.

Humans also draft dance to help heal body and mind. I loved Kligman’s personal ventures deep into the complex concerns about life and death, fertility and health, found in related pre-Christian rituals in three areas of the Balkans: the Căluşari in SW Romania, the Rusaltsi in NW Bulgaria, and the Kraljevi—often with other names—just west in former Yugoslavia. (The word Rusaltsi comes from Rusalka, a Slavic name for the “dancing goddess”, as does Rusalii, the thrice-yearly festival in their honor.) Her intriguing study comes from direct observation of the healing rituals, and on personal discussions with the dancers—including one who was particularly vulnerable to trance! This is also true of L. Danforth’s remarkable account of the firewalkers of SE Bulgaria and northern Greece (Firewalking and Religious Healing).