Books like The Killer Question

I didn't expect a book about a woman and a hare to stay with me the way this one has. It's a quiet, tender story of two beings learning to trust each other, with no demands on either side, and each life is richer for it. The writing is lovely. I was captivated by the author's close, patient observations of the hare, the kind of details you only notice when you've stopped long enough to really look. Woven through them are her reflections on how we live, where we belong in the natural world, and the responsibility that comes with the freedom to choose. I closed the book feeling a little more attentive to the wild things around me. A lovely, thought-provoking read.

We all have that moment in our lives where we didn't make the best decisions.

This is about that moment for Billy (real name Josephine) and Francis who love their spouses but still embark on a passionate affair. She is young and boyish and serious; he is older and this is not his first affair.

So we shouldn't be rooting for this funny, wry, witty and guilty couple, but we do because Laurie Colwin's wonderful writing makes us.

This book was such fun to read! It's really unusual in that it's told entirely by letters, emails, and text messages. It has no chapters and invites lots of flicking pages back and forth to go back and check things, so it's super interactive (I was glad I got the paperback!). I really liked that most of the characters are unlikeable, and none of them seem to like each other very much, either. I LOVE unlikeable characters.

On top of that, much of the information they give in the letters is unreliable at best or completely untrue at worst. This book is a murder mystery, but it takes ages to find out who's dead, and by the time I found out, I'd wanted most of the characters to have been killed off–they really are a nasty lot! This book was totally original and very clever, and I adored it from… show more.

“They say that a person’s personality is the sum of their experiences. But that isn’t true, at least not entirely, because if our past was all that defined us, we’d never be able to put up with ourselves. We need to be allowed to convince ourselves that we’re more than the mistakes we made yesterday. That we are all of our next choices, too, all of our tomorrows.”
― Fredrik Backman, Anxious People

“We give those we love nicknames, because love requires a word that belongs to us alone.”
― Fredrik Backman, Anxious People

“This story is about a lot of things, but mostly about idiots. So it needs saying from the outset that it’s always very easy to declare that other people are idiots, but only if you forget how idiotically difficult being human is.”
― Fredrik Backman, Anxious People

“Expensive restaurants have bigger gaps between… show more.

I re-read the first six books of Frank Herbert’s Dune series this year. I only last read them forty years ago as a teenager. I remember much from the movies and the various mini-series, but had forgotten how these six books are epic masterpieces in and of themselves. They present a much richer and more detailed universe than I ever remembered, or was able to absorb back in my teen years. Herbert’s epic is a philosophical treatise on the nature of political power and a speculative treatise on the nature of humanity’s future. (The first six books are: Dune (1965), Dune Messiah (1969), Children of Dune (1976), God Emperor of Dune (1981), Heretics of Dune (1984) and Chapterhouse: Dune (1985))

I have loved this book since it first scared me as a young reader.

And I think this is still the best of all bloodsucker books ever published. While this classic novel didn’t create the myth of vampires, it sure made them iconic. With his fangs and flowing bat-wing cape, Dracula sets the standard for things that go bump in the night. His single purpose is to scare us, and he is good at his job. He has no redeeming values.

This vampire is no charismatic bad boy hoping to win the girl’s heart—he just wants to drink her blood! The original Dracula is a fiend—horrible, frightening, and dangerous. Which is why the book still works after more than a century.

Okay, so this book is predominantly about the struggles of a boy going through puberty but its depiction of the magnetic older characters of Bert and Queenie in the Alderman Cooper Sunshine Home are among the funniest scenes in the book. 

Of every book I’ve ever read, it remains one of the most hilarious and if you’ve read it previously, it’s well worth another visit.

It is a profound and unsettling dive into societal decay that feels terrifyingly prescient. Atwood’s brilliance lies in the details—how she exposes the weaponization of language and the stripping of individual identity until even a birth name becomes a forbidden memory. Offred’s internal act of storytelling is a breathtaking form of rebellion; it’s a reminder that even when we are silenced, our internal narratives and small acts of defiance are what keep us human. It isn’t a "feel-good" read, but it is an essential one.

I’m not a fan of novels that are paced like greased rockets, as if the author’s afraid you’ll suddenly throw the book across the room, turn on Netflix, and order a pizza. Which is a key reason I love this book. Precious Ramotswe is a “traditionally built” woman who solves crimes in a superbly witty yet unhurried fashion and with deep compassion that stops short of sentimentality.

Her heart (huge) and brain (gently incisive) work in perfect tandem in this book. The plot is simple, which will frustrate readers who prefer intricate puzzles in their crime fiction. But for me, the pleasure lies in leisurely getting to know this wise, ingenious detective and her humble neighborhood in Botswana’s capital city.

A gorgeous, extravagant dual-timeline historical mystery about late-20th-century academics researching a pair of (fictional) Victorian poets – did they or didn’t they?

If you like library settings, fictional documents (letters, poems – lots of poems), and a good dose of poking-fun-at-academia, you’ll love it. Yes, it is also a movie (though I can’t speak to it).