100 Books Like The Journals Of A White Sea Wolf

Isabelle Eberhardt was born in 1877. She was “a crossdresser and sensualist, an experienced drug taker and a transgressor of boundaries”. Born in Switzerland, she crossed the Sahara Desert on horseback dressed as a male marabout, driven by a hunger for nomadic adventures, and for love. Isabelle’s evocative diaries are intense, beautifully written, self-centred and dramatic, occasionally very funny. She fell madly in love with the Sahara, was accused of being a spy, married a young Algerian soldier, and drowned in a desert flash flood at the age of 27. This book is about a short life that burned radiantly and the desiccated landscape that mirrored her intensity.

This is through and through simply a gorgeous little book.

I enjoyed rereading it for this article. The largest body of fresh water on earth is Lake Baikal, not far east of Irkutsk in Siberia.

(If you’ve never heard of Baikal, that’s a measure of the variety of wonders to be found in the high north. Baikal holds so much water because it’s so deep: the world’s deepest at more than 5300 feet). If you ever have the opportunity you must visit.

My wife and I have traveled together a good bit, and I don’t feel we’re cloistered in any way, but to turn up in the ramshackle town of Listvyanka, Russia, at the beginning of this century, and then to charter a small boat to cross Baikal made me feel, I don’t know, maybe like Dorothy in the Emerald City.

I was just a total alien in a place… show more.

This book is a ‘gold standard’ piece of investigative journalism, a travelogue about a people I will probably never meet, rolled into the intriguing history of a unique city.

The book interweaves the tale of the efforts local people made to save priceless manuscripts from al-Qaida in 2012 with the West’s fascination of fabled Timbuktu since the 18th century.

It is an un-put-downable example of creative non-fiction at its most interesting and easily readable.

Of all the destinations we can and do explore during our lives, our internal landscape is the most intimate. Without silence, how do we begin to know ourselves, and to see ourselves for who we really are? Sara Maitland moved from being a chatterer to “a silence hunter,” seeking out spaces where she could live alone and savour silent solitude. Her book explores histories and landscapes of silence, from contemplatives to explorers. She nails the difference between bad silence (the kind most of us are terrified of) and the spaciousness of prolonged silence that, eventually, becomes a state of bliss. Don’t be put off by the apparent seriousness of this subject: Sara might be a religious reclusive, but she writes in accessible prose that, ironically, induces the sense you could almost be having a drink together. It’s a brilliant book.

Something very different to end this list with—an enormous collection of gang tattoos! Gangs featured prominently in the social life of Gulag camps, and these tattoos and accompanying explanations tell us much about how these gangs operated and how they viewed the world around them.

Every time I look through these volumes, I am astonished by the intricacy of the tattooing and the depth of their symbolism. My somewhat puritanical sensibilities are also shocked by the graphic sexuality that existed in the gangsters’ imaginations—definitely NSFW!

Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.

Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.

Russia has historically connected to Europe as its significant other. This book describes the nature of the country’s identity development through the love-hate relations with European nations and search for recognition by Western other. Sometimes, Russia has sought to borrow Europe’s institutions and values. Other times, it has positioned itself as a great power and a superior system of internal values relative to “corrupt” Europe. 

The collapse of the Russian Empire into revolution took place across a vast landscape, and amid the chaos, countless individuals who might be charitably (naively) described as “colorful” percolated to the surface to become consequential figures in the civil war. One of the most notorious was Baron von Ungern-Sternberg, who fought against the Red Army in East Siberia until his capture and execution.

This book by Willard Sutherland is a biography of Ungern-Sternberg that is also an immensely insightful history of the Russian Empire and a study of the imperial man—the kind of person who was the product of a multiethnic empire, who moved comfortably in a world of many cultures, and who ultimately fought desperately, brutally, and delusionally for a restoration of that lost imperial world.

Like Felix Krull, or Jonathan Wild, this is the story of a con-man, murderer, traitor, somehow redeemed by his charm and incidents of bravery The novel is at its best when Javakhishvili starts to describe Kvachi’s experiences with the Russians during the Revolution, the civil war and the early years of the Soviet state; it becomes clear that what has seemed a send-up of morality and a celebration of the picaresque is in fact equally valid as a cold assessment of revolutionary realpolitik. This is a wonderful novel, subtle and extravagant at the same time, seeming to fly by the seat of its pants but in fact consistently aware of exactly how to tread the line between structure and improvisation. It is extremely generous, bursting out of what appear to be its narrow confines to give us far more than we initially expected.

Beautifully written, the book follows the lives of Russia’s two great aristocratic families in the aftermath of the Bolshevik Revolution. Their fate was typical of the entire Russian aristocracy. It is a story of the Bolsheviks' cruelty and a painful survival of their many victims.