Books like Former People

In this remarkable combination of memoir and scholarly work, Philippe Sands, a British lawyer actively engaged in support of human rights, combines the story of his own Eastern European Jewish family with those of two jurists who forged the legal framework for the Nuremberg trials: Hersch Lauterpacht, who developed the concept of “crimes against humanity,” and Raphael Lemkin, who invented the term “genocide” to describe what was taking place. Both men and Sands’s maternal grandfather hailed from Lwów, part of southern Poland before the war, and now Lviv, in Ukraine. 

All had relatives murdered in the Holocaust. They were determined to prosecute those responsible and establish an international framework for the protection of human rights and played an important part in the trials at Nuremberg. 

Beevor has a rare gift of presenting war at the level of both the ordinary soldier and the generals and distant leadership making decisions both good and bad. His sources range from letters home, to diaries, to dispatches on both the Soviet and German side. He writes without flinching about the horrors of war, or too overtly playing the cheerleader as so many military histories do, to their detriment. 

A brilliant novel set in 1990s Russia. The plot involves Stalin and one of his deep secrets. The author seamlessly moves the story from the 1930s to 1990s and back. One rarely sees a historical novel so accurate in capturing the historical events and so utterly captivating. It is on par with some of the best thrillers.

Karl Schlögel’s masterpiece, Moscow,1937, is a gripping study of Moscow at the peak of the Stalinist Great Terror. With short chapters and a multitude of illustrations, the book leads the reader on a panoptic tour of every aspect of the city’s life in this year of mass arrests and waves of executions. Step by step, Schlögel builds a convincing case that as the Communist regime struggled to get a grip on the chaos unleashed by the regime’s own collectivization and industrialization drives, its reflexive response was to resort to political violence. The murderous frenzy that resulted changed the society beyond recognition.

This is another historical couple whose love story and family dynamics I found worth learning from: she was not merely a rich and beautiful princess but proved to be a very wise woman who turned the flamboyant playboy Felix Yusupov into a model husband and father.

After surviving with the pair of them through his tumultuous youth and her difficult childbirth, the murder of Rasputin, revolution, escape from Russia, and more, I didn’t want to say goodbye to the characters in this amazing saga. 

I love reading published correspondence: it takes me back to the times when people wrote long, personal missives instead of short Facebook comments, and you can really learn about a person through their letters.

I couldn’t put down this book because it put me face to face with the last Russian royals, Nicholas and Alexandra, and more than any other, it made me realize that they were not just historical figures but first and foremost ordinary people: husband and wife, parents to five children, relatives and friends to others.

Their personal thoughts, feelings, hopes and fears – especially for their fatally ill son Alexei, who suffered from hemophilia – affected the course of Russian history and their own fates. And with so many rumors about a possible affair between Alexandra and Rasputin, I was curious to read the letters that Nicholas and Alexandra exchanged: tender, passionate, at times erotic –… show more.

I read lots of research on Rasputin’s life and death, but this book, unlike others, grabbed my attention like a murder mystery, not a tedious historical treatise.

Although the book goes into a lot of historical detail, including the author’s interviews with descendants of some of the characters in the story, it is never dull or dry.

I was particularly inspired by the way Cook critically analyzes both first-hand accounts of, and later writings about, Rasputin’s assassination, and especially his humor: his 127-word description of how Felix Yusupov must have run on and on through the massive and magnificent Moika Palace (to commit the murder as he claimed he did!) just CRACKED ME UP! 

I love contemplating what happens to the characters of a book or a film AFTER it ends, and this book took me right past the usual culmination in the story of the Romanovs: the Russian Revolution and the murder of the Tsar and his family by the Bolsheviks.

I found the story of the Romanovs surviving in immigration very poignant: as an immigrant myself, I could relate to their nostalgia for the motherland that no longer existed, their troubles and the dynamics in their immigrant families.

The story of the Tsar’s mother, Minnie, leaving Crimea on board a British gunship, surrounded by the remains of her family, and the last loyal officers on another ship singing to her just made me bawl!

Richard Pipes wrote huge, authoritative books on the Russian Revolution. But he cared enough about accessibility to distill all his learning on the topic into a 100-page booklet. We love how clearly he wrote, without jargon or talking down.

Page after page makes sense of the most burning questions of the revolution: Why the tsar fell. How the Bolsheviks came to power. Whether Stalin's coming to power was inevitable. We felt ourselves being taken into the confidence of a truly brilliant mind.

Of the hundreds of books on revolutions I have read in a decades-long career, this remains the most powerful and enthralling of them all. Unfolding like a grand Russian epic in the manner of War and Peace, Trotsky tells the story of the Russian Revolution and the triumph of the Bolshevik Marxists over every challenge and tribulation. No other book gives you the feeling of being a revolutionary like this one, as Trotsky takes you from the meetings of workers in the factories of St. Petersburg to the halls of the Winter Palace, all the while debating whether the events he is witnessing, indeed the history he knows he is making, conform to the Marxist vision of history that inspires him. No other account of revolutions offers such a combination of theoretical brilliance and detailed, almost cinema-like descriptions of feelings and events.