Books like Former People — picked by fans

In this remarkable combination of memoir and scholarly work, Philippe Sands, a British lawyer actively engaged in support of human rights, combines the story of his own Eastern European Jewish family with those of two jurists who forged the legal framework for the Nuremberg trials: Hersch Lauterpacht, who developed the concept of “crimes against humanity,” and Raphael Lemkin, who invented the term “genocide” to describe what was taking place. Both men and Sands’s maternal grandfather hailed from Lwów, part of southern Poland before the war, and now Lviv, in Ukraine. 

All had relatives murdered in the Holocaust. They were determined to prosecute those responsible and establish an international framework for the protection of human rights and played an important part in the trials at Nuremberg. 

Beevor has a rare gift of presenting war at the level of both the ordinary soldier and the generals and distant leadership making decisions both good and bad. His sources range from letters home, to diaries, to dispatches on both the Soviet and German side. He writes without flinching about the horrors of war, or too overtly playing the cheerleader as so many military histories do, to their detriment. 

A brilliant novel set in 1990s Russia. The plot involves Stalin and one of his deep secrets. The author seamlessly moves the story from the 1930s to 1990s and back. One rarely sees a historical novel so accurate in capturing the historical events and so utterly captivating. It is on par with some of the best thrillers.

Karl Schlögel’s masterpiece, Moscow,1937, is a gripping study of Moscow at the peak of the Stalinist Great Terror. With short chapters and a multitude of illustrations, the book leads the reader on a panoptic tour of every aspect of the city’s life in this year of mass arrests and waves of executions. Step by step, Schlögel builds a convincing case that as the Communist regime struggled to get a grip on the chaos unleashed by the regime’s own collectivization and industrialization drives, its reflexive response was to resort to political violence. The murderous frenzy that resulted changed the society beyond recognition.

Richard Pipes wrote huge, authoritative books on the Russian Revolution. But he cared enough about accessibility to distill all his learning on the topic into a 100-page booklet. We love how clearly he wrote, without jargon or talking down.

Page after page makes sense of the most burning questions of the revolution: Why the tsar fell. How the Bolsheviks came to power. Whether Stalin's coming to power was inevitable. We felt ourselves being taken into the confidence of a truly brilliant mind.

Of the hundreds of books on revolutions I have read in a decades-long career, this remains the most powerful and enthralling of them all.  Unfolding like a grand Russian epic in the manner of War and Peace, Trotsky tells the story of the Russian Revolution and the triumph of the Bolshevik Marxists over every challenge and tribulation.  No other book gives you the feeling of being a revolutionary like this one, as Trotsky takes you from the meetings of workers in the factories of St. Petersburg to the halls of the Winter Palace, all the while debating whether the events he is witnessing, indeed the history he knows he is making, conform to the Marxist vision of history that inspires him. No other account of revolutions offers such a combination of theoretical brilliance and detailed, almost cinema-like descriptions of feelings and events. 

Gorky, the author of The Lower Depths, was appalled by czarism and by Russia’s conduct in the First World War, yet this series of essays communicates a profound disillusionment with revolution. Russia, he wrote, was “splitting all along its seams and falling apart like an old barge in a flood.” He lamented “our stupidity, our cruelty, and all that chaos of dark, anarchistic feelings, that chaos which has been cultivated in our souls by the monarchy’s shameless oppression, by its cynical cruelty.” The old regime, he wrote, had successfully suppressed the human spirit in its subjects, and now that it was gone Russia would have to live with the consequences.

Like Felix Krull, or Jonathan Wild, this is the story of a con-man, murderer, traitor, somehow redeemed by his charm and incidents of bravery The novel is at its best when Javakhishvili starts to describe Kvachi’s experiences with the Russians during the Revolution, the civil war and the early years of the Soviet state; it becomes clear that what has seemed a send-up of morality and a celebration of the picaresque is in fact equally valid as a cold assessment of revolutionary realpolitik. This is a wonderful novel, subtle and extravagant at the same time, seeming to fly by the seat of its pants but in fact consistently aware of exactly how to tread the line between structure and improvisation. It is extremely generous, bursting out of what appear to be its narrow confines to give us far more than we initially expected.

Vladimir Voinovich was probably the greatest Russian satirical writer since Gogol. After the fall of the U.S.S.R., he was asked if it was still possible to write satire in Russia. He insisted that it was. “The Soviet Union was a giant mental hospital but it was organized,” he explained. “Now, the inmates have been told that they can do whatever they want. So Russia is funnier than ever.”

In this novel, published in 1986, Voinovich demonstrated his stunning ability to divine the future. He described a new Russian regime dominated by state security and based not on Marxism-Leninism but on the teachings of the Orthodox Church. Like Russia today, the regime of his novel tells its citizens that they are surrounded by “three rings of hostility.” The first is the former Soviet republics; the second, the former Soviet satellites, the third, the West – the former “capitalist enemy.” This makes… show more.

The collapse of the Russian Empire into revolution took place across a vast landscape, and amid the chaos, countless individuals who might be charitably (naively) described as “colorful” percolated to the surface to become consequential figures in the civil war. One of the most notorious was Baron von Ungern-Sternberg, who fought against the Red Army in East Siberia until his capture and execution.

This book by Willard Sutherland is a biography of Ungern-Sternberg that is also an immensely insightful history of the Russian Empire and a study of the imperial man—the kind of person who was the product of a multiethnic empire, who moved comfortably in a world of many cultures, and who ultimately fought desperately, brutally, and delusionally for a restoration of that lost imperial world.