Books like The Invitation-Only Zone — picked by fans

This was the first book I read on North Korea.

North Korea is a combination of the Soviet Gulag and Auschwitz. Under the reign of the three Kims (grandfather, father, and son), North Koreans have endured malnourishment and starvation since the 1990s. Most of this would been avoidable if the government hadn’t had ridiculous economic policies forbidding private enterprise, and also imprisoned anyone who criticized the Kims’ rule. 

Remick is a journalist who introduces North Korea to a general audience by interviewing six refugees. I “assigned” this book to one of my ladies’ book clubs and they found it very interesting and easy to read.

Whereas Hessler’s book is about a country gradually opening up to the west, Suki Kim’s book is about a country completely isolated.

Kim works for six months in North Korea at Pyongyang University of Science and Technology, a school for the boys of the ruling elite. While living there, rather than connecting with her students, she is unsettled by how deep the country’s deceptions are.

The university, although claiming to be a school for science and industry, has neither labs nor modern technology. Her travel is circumscribed and carefully scripted. The students lie effortlessly about things of little consequence. The entire country seems to be built on holograms and shadows. She travels as teacher, but in the end serves as journalist, seeking the truth behind a country that the world barely understands. 

Jang Jin-Sung was Kim Jong-Il’s poet laureate, assigned to a division permitted to consume censored foreign materials. His life is about as good as life can get in North Korea – until one of the foreign magazines he has lent to a friend goes missing, and Jang must flee his home country or face retribution. Dear Leader is fascinating because it’s a book written by a genuine insider, a man who, until his own neck was on the line, served the regime more-or-less happily. To be honest, Jang is not a particularly likable narrator, but there’s an honesty and an urgency to the writing that illuminates the cynicism and manipulation at the heart of the regime.

A mammoth volume, and yet somehow an unputdownable page-turner. It’s the best available overview of North Korea’s first, and most influential, leaders, Kim Il-Sung and Kim Jong-Il, and the society they created. It’s clear, measured, and detailed – and even though it’s fifteen years old, as an explainer, it’s a necessary foundation for any layperson trying to get to grips with the dynamics behind the headlines.

Jonathan Maberry amps up the danger, risk, and action with his first book in the Joe Ledger International series. As always, his science is terrifyingly real, especially when spun into current politics. As a fellow, master martial arts practitioner, Maberry’s fight scenes are always top-notch. But the true gem, for me, of this book and the Joe Ledger series lies in the raw emotion of his protagonist and the authentically diverse voices of his supporting characters.

Adam Johnson visited North Korea once as a tourist. Based on his keen observations during those weeks, he spins a fantastic tale about Pak Jun Do, an orphaned boy who uses treachery and deception to rise to a high position in the North Korean regime. Pak is part of a crew that kidnaps a little girl from Japan, and later marries North Korea’s most famous actress. The genius of the book is that Johnson imbues the characters with believable personalities, even as he moves them through a nightmarish reality most would find completely unbelievable. The book is so good that one need not have any interest in, or knowledge of, North Korea to enjoy it.

Though potentially incomplete (some scholars argue we're missing one or two chapters, or that the story was never meant to end), The Tale of Genji manages to paint a vivid picture of the life of a lost age, with its own array of traditions, values, and fashions; a world where one's skill with poetry was just as valuable as political acumen and their outlook is so different from a modern perspective. At the same time, it presents the timeless complexity of relationships between men and women, and the social expectations and norms that impact those connections.

The actual story as told by an actual geisha (rather than the male author of Memoirs of a Geisha), I was absolutely obsessed with this book when I began studying Japanese.

I loved the depictions of Kyoto pre-war and all the festivals, ceremonies, and intricacies that go into the life of a geisha. The post-retirement part of the story is also so real and human, and while it is a much quieter book compared to the sturm and drang of Memoirs of a Geisha, it has a delicate beauty that stuck with me. 

Tojo Hideki, a general in Japan’s army, became the country’s Prime Minister in October 1941, was still at the helm when the Pearl Harbor attack occurred on December 7, 1941, and remained in power until 1944. Although Tojo was later vilified as a war criminal, he did take to heart Emperor Hirohito’s request in October 1941 that he explore ways to avoid war with the United States – but soon convinced the Emperor that there was no alternative to war. Butow, a professor of US-Japanese relations at the University of Washington, shows how Tojo rose to power in Japan’s convoluted system of government, how the decision to proceed with the Pearl Harbor attack unfolded, and how that decision affected Tojo.

And here is your dessert course! 

Fluent in Japanese and with a background in Japanese literature, Steve Alpert worked initially at Disney in Japan and then for a number of years at Miyazaki’s Ghibli Studio and writes about his experiences in this delightful and frequently hilarious book. He gives us fascinating details about Miyazaki and his fellow director Takahata and producer Suzuki, especially in relation to what are perhaps the two most famous of Miyazaki’s movies, Princess Mononoke and Spirited Away.

The chapter on Princess Mononoke is particularly interesting as it includes a detailed and very funny account of negotiations between Ghibli and Disney as to how to translate the film’s elegant Japanese script and complex worldview into something that could be understood by an American audience. The Disney executives keep asking Alpert “Who’s the bad guy?” and seem unable to cope with the answer that “There… show more.