Here are 96 books that The Ink War fans have personally recommended if you like
The Ink War.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too!
Genna Sosonko – a strong grandmaster in the 1970s and 1980s – knew the top players of his generation intimately and has written many brilliant portraits of these demon-riddled geniuses.
Sosonko’s portrayal of the last years of the 7th World Champion Smyslov – nicknamed “The Hand” for the peerless intuition that automatically placed pieces on the right squares – is a moving account of old age that brought tears to my eyes.
Smyslov’s later years were spent alone with his wife in a vast, rich house that, just like its occupants, inexorably decayed as – blinded by the fear that they might be cheated by housekeepers – they eschewed all help.
At the same time accusations surfaced of cheating during one of Smyslov’s greatest triumphs 50 years earlier.
In his third full-length memoir about one of the world’s greatest ever chess players Genna Sosonko portrays a warm picture of the seventh world champion Vasily Smyslov, with whom he spent considerable time over the board, during tournaments and while meeting at each other’s homes. Smyslov the man was far more balanced and spiritual than most of his contemporaries, capable of a relaxed and yet principled approach to life. Unlike most top players he was able to reach a very high standard in his chosen hobby – in his case, classical singing – even while playing chess at the very…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too!
Between 1920 and 1945, the strength of Soviet chess exploded, propelling Soviet players to the top of the chess world – a status held in a vice-like grip for many years after.
There was no more prestigious yearly event than the Soviet Championship, and its winner was of huge political importance: this player should demonstrate the superiority of the Soviet way of life to the decadent West.
Inevitably, the championships produced both amazing chess and great personal drama, and both aspects are beautifully documented by historian Sergey Voronkov in 3 volumes covering the period from 1920 to 1953, replete with photos, cartoons, and poems from the tournament reports of the era.
*****English Chess Federation Book of the Year 2021*****
In his three-volume treatise, leading Russian chess historian Sergey Voronkov vividly brings to life the long-forgotten history of the Soviet championships held in 1920-1953. Volume I covers the first 10 championships from 1920-1937, as well as the title match between Botvinnik and Levenfish. The key contestants also include world champion Alekhine and challenger Bogoljubov, lesser-known Soviet champions Romanovsky, Bogatyrchuk, Verlinsky, and Rabinovich, and names that today will be unfamiliar yet were big stars at the time: Riumin, Alatortsev, Makogonov, Rauzer, Ragozin, Chekhover, and many others. This book can be read on many…
I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too!
Grigory Levenfish was arguably the strongest Soviet player of the late 1930s, winning the Soviet Championship in 1934 and 1937.
However, establishment favourite and future World Champion Mikhail Botvinnik - with whom he drew a long, tense match in 1937 – secured the official support and scarce international opportunities, leading a disillusioned Levenfish to gradually withdraw from competitive chess.
Levenfish’s memoirs are a reminder that the difference between fame and obscurity lies often not only in ability, and that the winner’s narrative is not the only valid one. His personal account of the appalling suffering he faced during terrible winter of 1941 in the war-ravaged Soviet Union is particularly moving.
Levenfish describes in vivid detail the atmosphere of pre- and post-revolutionary Russia, giving first-hand impressions of some of the most famous names in early-twentieth-century chess, such as Lasker, Rubinstein, Alekhine and Capablanca – all of whom were personally known to him. Some of the stories stay long in the memory: descriptions of the hardships endured by players in the first USSR Championship that took place in the difficult years of the Civil War; of idyllic trips to the Caucasus and Crimea; of grim struggles for survival in the winter of 1941.
Soviet Outcast comprises Levenfish's annotations to 79 of his…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too!
While much has been written about the best male players, the lives and games of the best female players have rarely been spotlighted (with the exception of the inimitable Judit Polgar).
A few recent books (I will mention also She Plays to Win by Lorin D’Costa) are starting to turn this around.
Shahade is a well-known media personality, a very strong chess player and poker player and writes lucidly both about her own journey within the male-dominated world of modern chess, and about the journeys of historical players such as Vera Menchik.
I love books that show me facets and areas of chess about which I knew little – and make me think about them – and this book achieves this perfectly.
For fans of The Queen's Gambit, this is the real life story of a female chess champion travelling the world to compete in a male-dominated sport with the most famous players of all time.
Jennifer Shahade, a two-time US women's chess champion, spent her teens and twenties travelling the world playing chess. Tournaments have taken her from Istanbul to Moscow, and introduced her to players from Zambia to China. In this ultra male-dominated sport, Jennifer found shocking sexism, as well as an incredible history of the top female players that has often been ignored. But she also found friendships, feminism…
We stumble onto games very early on in life and yet one game alone stood apart for me and hundreds of millions of other people over the centuries: chess. Across 1500 years of the games existence, chess has attracted players numbering in the billions regardless of language, culture, or creed, they were all unified in a passion for the irresistible allure of this remarkable game. In 2016, I was hired by Simon and Schuster to cover the world chess championship featuring arguably the greatest player ever to wield chess pieces, Magnus Carlsen. Fully immersing myself into the game during the researching and writing of the book, I collided with powerful themes.
The brilliance of Shenk’s book is that even someone who didn’t know the basic rules of chess would be enthralled by the backdrops of the game he introduces to the reader. Chess is played around the world by hundreds of millions of people and Shenk delves into the reasons why the game has such perversely addictive appeal.
A fresh, engaging look at how 32 carved pieces on a Chess board forever changed our understanding of war, art, science, and the human brain.
Chess is the most enduring and universal game in history. Here, bestselling author David Shenk chronicles its intriguing saga, from ancient Persia to medieval Europe to the dens of Benjamin Franklin and Norman Schwarzkopf. Along the way, he examines a single legendary game that took place in London in 1851 between two masters of the time, and relays his own attempts to become as skilled as his Polish ancestor Samuel Rosenthal, a nineteenth-century champion. With…
As a child, my family and I would make scary movies to watch at our own annual family film festival. Horror has always been a passion of mine. The way horror can evoke emotions in you that you can’t otherwise access is a special kind of high. As a horror movie/game/book aficionado, I’ve tried to weave elements of horror into my stories. My favorite types of scary stories are the ones that would stand on their own, even if the ghosts were taken away. I am so passionate about horror with heart, which can be hard to find in a world of slasher movies and true crime.
I love Edgar Allan Poe. His stories are so visceral and yet so simplistic in their scares. Of all of the stories by Poe, however, I think this book was a bit of a sleeper agent for me. It wasn’t until COVID-19 happened that I really saw how terrifying this story really was.
The idea of the rich hiding out from a plague that’s destroying the world was much too relatable in 2020. Just like in other titles in this list, the actual ghost itself isn’t necessarily what’s scary. It’s what the ghost represents. Not just death but pride, privilege, selfishness, guilt, and apathy.
Re-reading this book back in 2020 was an experience much too understandable, and it really scared me in a way it hadn’t before. The message Poe was trying to convey stuck with me in a new and horrifying way.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Arguably America's most influential short story writer, Edgar Allan Poe's tales of suspense never fail to spook…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Kubrick has fascinated me since I watchedPaths of Gloryat MoMA, one of Stanley’s old haunts, in the early 1960s. I first saw 2001 in London and then once a year after that back home in New York. I taught courses devoted to Kubrick, and when I taught the course online at the University of Virginia, welcomed his brother-in-law, Jan Harlan, to talk to us long distance. With each move, I drew closer and closer to our subject. I visited the Manor at Childwickbury and had lunch with Kubrick’s wife, Christiane. I studied documents in the Kubrick Archive in London. There became a point of recognizing myself in Kubrick himself and his films. A biography was inevitable.
Until David wrote his book, there hadn’t been a biography of Kubrick in over twenty years. While his book is short, it is very readable, and I found it the most intriguing of the short biographies.
Mikics conducted new interviews and visited Kubrick’s archive in London. His readings of Kubrick’s films are precise and elegant.
An engrossing biography of one of the most influential filmmakers in cinematic history
"A cool, cerebral book about a cool, cerebral talent. . . . A brisk study of [Kubrick's] films, with enough of the life tucked in to add context as well as brightness and bite."-Dwight Garner, New York Times
"An engaging and well-researched primer to the work of a cinematic legend."-Library Journal
Kubrick grew up in the Bronx, a doctor's son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self-taught filmmaker and self-proclaimed outsider, and his films exist…
When I was a small child I used to stare long and hard at playing cards, absorbed in the mediaeval-ish drawings and with the feeling that they were trying to tell me something beyond the obvious; which was that they simply represented numbers and suits for the purpose of playing Whist or Rummy or whatever. Gradually I learned that the instinct was true, that ordinary playing cards have long been used for fortune-telling and are related of course to Tarot cards, which take the divination angle to a whole other level (and conversely can equally, if rather frivolously, be used for playing Poker if you leave out the Major Arcana cards).
This book was my first introduction to One-dimensional Chess. I assumed the idea was as ridiculous as other impossible games in the story, such as Spotless Dominoes, but then it occurred to me that maybe not.
I devised a version with a King, Queen, Knight and three or four pawns facing each other along a single line of spaces and amazingly it does kind of work, though it is probably more of a puzzle than a game. I later learned that there are many other versions of One-dimensional Chess devised by chess fanatics over the years.
Apart from that, the story is a thought-provoking triple fantasy that plays with the notion that perhaps life itself is just a game, a puzzle we have to solve before we can move on.
Her eyes were black, wide as though with some sustained surprise, the skin from their outer corners to her small ears taut. Her lips were pale, and nearly too full for her small mouth, like something bled but bruised. He had never seen anyone or anything quite so beautiful in his life.'
Graham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced…
As Series Editor for Unheard Voices, I believe in the importance of the public gaining access to the voice of lived experience as it relates to the intractable issue of homelessness in our cities. Having gone through a brief period of not having any permanent residence in my twenties, I always had or felt a degree of affinity for the homeless and dedicated at least part of my career as a psychiatrist and then as a social entrepreneur to their plight.
John Healey’s stinging 1988 memoir of 15 years as an alcoholic tramp in London remains the most shocking of all descriptions of the sheer brutality of life on the cold streets of the capital.
A former boxer, Healey was no stranger to violence, but the detached way in which he describes it amongst homeless men (and women) adds a chilling edge to what we don’t see when we walk past a beggar. It was prison that saved Healey – while incarcerated, he carried on writing and discovered he had a talent for chess. But the horror of the dog-eat-dog life of homeless people in the UK will haunt me for a good while to come.
John Healy's The Grass Arena describes with unflinching honesty his experiences of addiction, his escape through learning to play chess in prison, and his ongoing search for peace of mind. This Penguin Classics edition includes an afterword by Colin MacCabe.
In his searing autobiography Healy describes his fifteen years living rough in London without state aid, when begging carried an automatic three-year prison sentence and vagrant alcoholics prowled the parks and streets in search of drink or prey. When not united in their common aim of acquiring alcohol, winos sometimes murdered one another over prostitutes or a bottle, or the…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As a nerdy kid growing up in New York in the 1970s, I got swept up in the “Fischer Boom” of 1972 when Bobby Fischer became the first official American World Champion, and chess clubs and tournaments sprouted up around the country. I persevered to become one of the top 30-ranked players. I’ve coached chess since my teens, with students ranging from ages 3 to 95. Not until my 40’s did I discover that I had perhaps an even greater talent and passion for writing. My first book Forcing Chess Moves presented a novel and challenging approach to how to think ahead in chess, and understand human biases which can blind us to winning ideas.
Once you have some practice playing chess, studying endgames is one of the most important roads to improvement. Endgames are situations where many trades have already occurred, leaving few chessmen remaining on the board. In these positions the remaining pieces have a lot more room to roam, and since they have only a few teammates around them we can see more clearly how they operate, and what their strengths and weaknesses are. Famed New York coach Bruce Pandolfini, portrayed in the most famous chess film, Searching for Bobby Fischer, takes a subject mystifying to many and distills the essence of the most important endgames, with easy-to-understand diagrams and explanations. I was already a strong endgame player when I read this book, but I learned a lot and was so impressed, I’ve recommended it to students ever since.
Based on his private course for students, America's foremost chess coach and game strategist for Netflix's The Queen's Gambit presents an easy-to-use guide that explains invaluable "inner circle" endgame concepts for players of any level.
The endgame has always been a particularly instructive phase of chess play. It provides the perfect opportunity for understanding the potential power of each chess piece in every chess situation-from opening move to checkmate.
But the endgame is often viewed as an inaccessible area of play by most players whose experience is limited to watching championship games. Now, Pandolfini changes all of that.
