Here are 100 books that The House of Rust fans have personally recommended if you like
The House of Rust.
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I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
A trickster god dies, leaving his two sons to squabble with each other and, in that process, identify. At once immersive, magical, and memorable, Gaiman took me through the problems and conflicts of his characters with a potpourri of gravitas, humour, and smartness that only he can conjure with such ease.
Despite the lack of profundity that he's known for amid the scribbled sorcery, I got a lukewarm feel at the end, an all's well that ends well moment that’s an underappreciated and recently overlooked ethic of good-ol’ fantasy.
From bestselling storytelling legend Neil Gaiman, author of American Gods and The Ocean at the End of the Lane, Anansi Boys is a kaleidoscopic journey deep into myth that will thrill Game of Thrones devotees and Terry Pratchett fans alike. 'Exhilarating and terrifying' Independent.
Fat Charlie Nancy is not actually fat. He was fat once but he is definitely not fat now. No, right now Fat Charlie Nancy is angry, confused and more than a little scared - right now his life is spinning out of control, and it is all his dad's fault.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
This was one meaty book! Ken Liu has thrown away all the rules of writing and has yet written an absolute masterpiece of fantasy fiction.
I don’t remember being this thrilled, terrified, angry, and chuffed with scene after scene, battle after battle. I am a sucker for sprawling epic fantasies. Give me intricate maps, dozens of characters, multiple POVs, betrayals, puppeteering gods, and a complex plot that ties them all together.
The Grace of Kings is all that and more in its rich and silken reimagining of the Han dynasty and the Chu Han Contention. Imagine my delight when I found out there are three more books to this saga, each meatier than the previous.
Emperor Mapidere was the first to unite the island kingdoms of Dara under a single banner. But now the emperor is on his deathbed, his people are exhausted by his vast, conscriptive engineering projects and his counsellors conspire only for their own gain.
Even the gods themselves are restless.
A wily, charismatic bandit and the vengeance-sworn son of a deposed duke cross paths as they each lead their own rebellion against the emperor's brutal regime. Together, they will journey to the heart of the empire; witnessing the clash of armies, fleets of silk-draped airships, magical books and shapeshifting gods. Their…
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
I instantly dug the vibe of this book. Pacific Ocean, pirates, kidnappings, mythical South Asian relics, historical fantasy. Give me it!
This book blew me away like a sea squall, so much so that a year after I finished reading it, I still use nautical metaphors to make my point. Not to mention how much I love older, middle-aged protagonists. Weary mothers and retired cartographers with families to feed and perilous old habits, setting sail on an adventure? Aye, aye, Captain!
"A thrilling, transportative adventure that is everything promised–Chakraborty's storytelling is fantasy at its best." -- R.F. Kuang, #1 New York Times bestselling author of Babel and The Poppy War
"An exhilarating, propulsive adventure, stitched from the threads of real history, Amina’s adventures are the reason to read fantasy." -- Ava Reid, internationally bestselling author of Juniper & Thorn
Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I firmly believe that literature exists to do more than entertain us. It has an incredible power to expand our perspective about the world and the lives of the people around us. Fantasy, in particular, can stretch the mind’s boundaries by asking us to empathize with compelling characters and wrap our heads around strange and wondrous worlds. I try to achieve that in my books, presenting thrilling stories, fantastic worlds, and emotionally charged moments, but always through the eyes of real-feeling people. I hope the books on this list will feel as mind-expanding and empathy-building to you as they did to me!
This book sank its hooks into me and refused to let go. When this happens with a book, it’s often because I empathize deeply with the characters and care about their journey. Other times because the writing on a sentence-by-sentence level is beautiful and compulsive. This achieves both.
Simon Jimenez might be the best prose stylist working in the genre right now, and he uses that skill to great effect in crafting a beautiful, slightly surreal world. He also has a keen eye for character and the power to tug on my heartstrings like no one else. I felt hollowed out when I finished this book–in a good way!
The people suffer under the centuries-long rule of the Moon Throne. The royal family-the despotic emperor and his monstrous sons, the Three Terrors-hold the countryside in their choking grip. They bleed the land and oppress the citizens with the frightful powers they inherited from the god locked under their palace.
But that god cannot be contained forever.
With the aid of Jun, a guard broken by his guilt-stricken past, and Keema, an outcast fighting for his future, the god escapes from her royal captivity and flees from her own children, the triplet Terrors who would drag her back…
From an early age, I have been fascinated with anything supernatural and occult. My Aunt would read my palm, and then, as a teenager, I would visit clairvoyants to see what the future held for me. As I grew older, I found I had an ability, a gift of seership, and after reading many books, embarked on my pagan journey, from which I have never looked back, and am now studying Druidry,which is very much nature-based. I hope you love the books on this list as much as I do!
I love this book because, after a period when I could never find the time to read, I picked it up in my local supermarket, and my love affair with reading began all over again. Being a huge fan of Dracula, I was intrigued to discover if this title would carry the same level of eeriness, and I was delighted to find that it did!
The story provokes thoughts of ‘Could this be real?’ I finished it early one winter morning and found myself a little nervous to step outside into the darkness to call my dog in, which is a rarity for me. It was a thoroughly enjoyable, albeit jumpy, read.
'Reading Dracul is like watching a classic vampire film . . . a terrifying read' R. L. Stine
Inspired by the notes DRACULA's creator left behind, Dracul is a riveting, heart-stoppingly scary novel of Gothic suspense . . . ___ Dracul reveals not only the true origins of Dracula himself, but also of his creator, Bram Stoker . . . and of the elusive, enigmatic woman who connects them.
It is 1868, and a 21-year-old Bram Stoker has locked himself inside an abbey's tower to confront a vile and ungodly beast. He…
I grew up on a tiny peninsula in Downeast Maine, an evocative and rugged place, both lovely and haunting. As a girl, walking home late down gravel roads through an encompassing darkness I’ve found nowhere else, I sensed the world’s dangers long before I knew how to articulate them. Surrounded by woods, water, and unnerving quiet broken by the fox’s scream and rustling branches, I began to write. I sought out strange and unsettling books by Shirley Jackson and Stephen King (his home just a few towns away from mine) that left their mark. Storytelling became a way to process and explore what keeps me up at night.
As the title suggests, this book lingers like a disquieting dream. A mother to a toddler myself, I think of what the protagonist Amanda calls the “rescue distance” often – the ground between herself and her child, should something perilous occur.
This book distills maternal protectiveness and anxiety into something as potent as poison or as powerful as a curse. It makes me want to look over my shoulder, lock the doors, draw the blinds. It carries an air of contagion. I can think of few other reads that evoke such a visceral reaction with such subtle strokes.
SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2017
'The book I wish I had written' Lisa Taddeo, author of Three Women and Animal
A young woman named Amanda lies dying in a remote Argentinian hospital. A boy named David sits beside her.
She's not his mother. He's not her child.
At David's ever more insistent prompting, Amanda recounts a series of events from the apparently recent past, a conversation that opens a chest of horrors. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I've benefited from (or perhaps been cursed by) a diverse life. I've lived and worked in six countries on three continents. I've been an English teacher, copywriter, magazine columnist, internet entrepreneur (in Bangkok, of all places), author, and creativity consultant. But before that, I was a child with an overactive imagination. I delighted in science fiction, surrealism, and humor. Outlandish ideas inspire me. And I love absurdity when done well. It is easy to come up with nonsense. Creating meaningful nonsense is far more difficult. But when it works, it is brilliant!
This book takes Japanese magical realism to a whole new level of absurdity. A man's wife is taken away by ambulance at four in the morning—even though nothing is wrong with her. He goes to the hospital to find her and, instead, finds himself in a seemingly endless complex. As he tracks his wife, he encounters bizarre characters, freakish sexual experiments, and more.
Although the novel is more than a little dark, I was fascinated by the imaginativeness of the setting and situation and the underlying logic.
From the acclaimed author of Woman in the Dunes comes Secret Rendezvous, the bizarrely erotic and comic adventures of a man searching for his missing wife in a mysteriously vast underground hospital.
From the moment that an ambulance appears in the middle of the night to take his wife, who protests that she is perfectly healthy, her bewildered husband realizes that things are not as they should be. His covert explorations reveal that the enormous hospital she was taken to is home to a network of constant surveillance, outlandish sex experiments, and an array of very odd and even violent…
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
What a weird and wonderful book. I've read and reread it several times now, and it always casts its spell. I've never been so willing—so eager—to suspend disbelief. It's Murakami's special gift.
The novel creates its own wondrous world out of what seems to be the stuff of this one—a young runaway, Colonel Sanders, alley cats, a beautiful librarian, a seashore painting, a demented old man—but the result is more magical than any fairy kingdom. I was completely carried along by the experience of an understanding beyond sense.
"A stunning work of art that bears no comparisons" the New York Observer wrote of Haruki Murakami's masterpiece, The Wind-up Bird Chronicle. In its playful stretching of the limits of the real world, his magnificent new novel, Kafka on the Shore is every bit as bewitching and ambitious. The narrative follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his highly simplified life suddenly overturned. Their parallel odysseys - as…
I take joy in the simple delights of life, such as eating chocolate, enjoying the sights of flowers in full bloom, and soaking in the sun on warm, sunny days. Those are the times I like to get out and explore, be inspired, and write. I like to write about all of the light we can discover in our world—the light from within and all around us—because it is easy for people to get sucked into focusing on the dim realities of our world or what’s not right. My goal is always to entertain, inspire, and spark wonder in my readers.
This is a book that someone gifted me for college graduation, and although I had no aspirations of becoming a children’s book author at the time, I loved the inspirational message of the story.
What will I do? Where will I live? Who will I become? These are questions that most young people ask themselves, especially at a milestone moment in their lives, like graduation. In this book—with its lyrically wonderful rhyming words and otherworldly illustrations—Dr. Seuss reminded me that I am in control of my destiny.
The book does a good job of blending the realities of life with the possibilities of what life can become. It taught me that, although there will be ups and downs, twists and turns, and a few dead ends, ultimately, I can choose which way to go in life. What an empowering message to read at any age or stage in life!
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
When I produced a recording of lost works by Alexander Zemlinsky with Riccardo Chailly for Decca Records in 1984, I soon realized that a wealth of music had been lost during the Nazi years that had never been recovered. After initiating and supervising the recording series Entartete Musik for Decca, the first retrospective of major works lost during the Nazi years, I headed research in this subject at London University’s Jewish Music Institute. I was a music curator at Vienna’s Jewish Museum. YUP published one of my books, and I am a co-founder of the Research Center and Archive “Exilarte” based at Vienna’s University of Music and Performing Arts.
This is somehow the antidote to Roth’s novel. It is a daunting read, often thought of as a Viennese answer to Proust. What was fascinating was its very unsentimental and often quite funny representation of wealthy Viennese society. Musil is a seductive writer and it is easy to keep reading even while wondering when something might actually happen.
Like Roth, the effect of the novel is cumulative–only after reading it suddenly comes together. It also balances the presentation of Vienna as a city of musicians and poets and gives us the politicians, the mathematicians, the scientists, and the economists. The central character is himself a mathematician with little comprehension of the finer arts.
It is 1913, and Viennese high society is determined to find an appropriate way of celebrating the seventieth jubilee of the accession of Emperor Franz Josef. But as the aristocracy tries to salvage something illustrious out of the collapse of the Austro-Hungarian Empire, the ordinary Viennese world is beginning to show signs of more serious rebellion. Caught in the middle of this social labyrinth is Ulrich: youngish, rich, an ex-soldier, seducer and scientist.
Unable to deceive himself that the jumble of attributes and values that his world has bestowed on him amounts to anything…
