Here are 100 books that The Hidden Prince fans have personally recommended if you like
The Hidden Prince.
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As a child, finding reality both overwhelming and boring, I was drawn to movies. My father, a New York City disc jockey also at odds with reality, had contacts at a sixteen-millimeter movie rental company. He often brought films home, shown in a makeshift screening room he set up in our basement. Singin’ in the Rain, the classic musical, made a great impression there. Its funny first scene at a movie premiere featured a pompous star’s ennobling account of his early days, comically contradicted by the tacky, scrounging, painfully undignified truth. What lay behind Hollywood's glamor, smiles, and success soon became as interesting to me as what was on the screen.
Gavin Lambert adapted the works of D. H. Lawrence and Tennessee Williams for the films Sons and Lovers and The Roman Spring of Mrs. Stone. He directed one interesting, low-budget, Paul Bowles-like movie, Another Sky. His prose work is insightful about the behind-the-scenes world of the movies.
The linked stories in this book memorably spotlight hangers-on and working-class people on the edges of entertainment. Also of interest is Inside Daisy Clover, his novel about a teen tomboy star which became an affected, bombastic, entertaining Natalie Wood movie.
The land along Pacific Palisades is apt to slip away without warning, hence the road-side signs - SLIDE AREA. Narrated by a script-writer, Lambert's widely-acclaimed 1959 Hollywood classic of lonely souls marooned on a glittering wasteland is a perceptive and sensitive study of human emotion.
In the tumultuous world of ancient Israel, Ahinoam—a fierce and unconventional Kenite woman—flees her family farm with her dagger-wielding father to join the ragtag band of misfits led by the shepherd-turned-warrior David ben Jesse.
As King Saul's treasonous accusations echo through the land, Ahinoam's conviction that David's anointing makes him…
I have written four novels that involve crime in one way or another, but I do not consider myself a crime novelist. I simply find crime stories offer a compelling way to explore universal human experiences. I was a prosecutor when I was younger, so I try to bring a level of fluency in criminal law to my novels, but the usual warning applies: this is fiction, and it is better that a story be authentic than actually true.
In the current media environment, it is hard for us to do the one essential thing that novel readers must do: suspend disbelief—to read something that we know is not true, yet accept it as if it were true. It is a cynical time. We have learned to mistrust what we read.
So what is a novelist to do? Well, one way to win over skeptical readers is by a simple trick, one that I love (as both reader and writer): the novelist appears in his own novel. My novel uses a similar device, beginning with a novelist-narrator who bears a striking resemblance to me. These five novels all use a similar strategy.
The first book, American Pastoral, is one of my favorites. Philip Roth frequently borrowed from his own life in his novels, but to me, this is his most effective blend of fact and fiction. The novel lifts…
Philip Roth's fiction has often explored the human need to demolish, to challenge, to oppose, to pull apart. Now, writing with deep understanding, with enormous power and scope and great storytelling energy, he focuses on the counterforce: the longing for an ordinary life. Seymour 'Swede' Levov - a legendary high school athlete, a devoted family man, a hard worker, the prosperous inheritor of his father's glove factory - comes of age in thriving, triumphant, postwar America. He has a beautiful wife - Miss New Jersey 1949 - and a lively, precocious daughter, Merry. She is the apple of his eye…
Currently, the world seems concerned that artificial intelligence (AI) will destroy the world or at least put many of us out of jobs. Only a few years ago, a significant part of the population believed that COVID-19 was made in a Chinese laboratory and intentionally or accidentally leashed on the world, killing millions. This isn’t just a theme in tech thrillers; it’s a theme in life. Whether it’s nuclear weapons, genetic engineering, AI, or some other type of technology, there’s always a fear that it’ll do more damage than good and, at its worst, bring an end to the world.
I’ve long been fascinated by the mysteries of the Anasazi, or the Pueblo Dwellers of southwestern Utah. How and why did a thriving culture of literally thousands of people who had built stone buildings into cliff faces suddenly and inexplicably disappear? Having read numerous books by archaeologists on the subject, I was really no closer to an answer. But when Preston and Child wrote a novel, a combination of adventure, tech thriller, and mythology, I was completely on board.
Archaeologist Nora Kelly’s father disappeared without a trace 16 years earlier in the remote desert, searching for the legendary Quivira, a city of gold and wonder, the lost city of the Anasazi Indians. Pulling together a team, using some NASA satellite research to find a starting place, Nora leads a team into the desolate canyonlands in search of the city—only to find extraordinary mythology, life-threatening natural events, and a deadly, dangerous…
On a visit to her family's abandoned Santa Fe ranch, archaeologist Nora Kelly discovers an old letter, written from her father to her mother, now both dead. What perplexes Nora is the fact that the faded envelope was mailed and postmarked only a few weeks earlier. Her father had vanished into the remote canyon country of Utah 16 years before, searching for Quivira, the fabled Lost City of Gold, whose legend has captivated explorers since the days of Coronado. Upon reading the letter, Nora learns that her father believed he had, in fact, located the lost city. But what happened…
In ancient Rome, sensible women don’t investigate murders, but Livia Aemilia’s father is dead, and her innocent brother has been accused of the crime. What’s a girl to do? Find the criminal herself, obviously.
Livia and her spunky maidservant pound the ancient Roman pavements in search of the killer, with…
I am actually NOT a good person to make any reading list, because I am not an avid reader. As the most performed playwright in the Chinese speaking world, the fuel for my over 40 plays comes from life itself, not by books about art/creativity. To be creative, you need to be inspired by life, to see how great works of art are composed, including nature. To understand life you need to focus intensely on it and observe how it works in as objective a way as possible. It’s great to find a book about creativity that will help your creativity, but I find life itself is the greatest inspiration.
These 3 continuous comics from 1966 (Fantastic Four #48-50) were a master class in creativity for me, even before I started out as an artist.
I grew up an avid collector of Marvel comics in the 60s, in Taiwan, where they were not for sale anywhere, and I had to scrounge and search the streets of Taipei for used copies.
I accumulated a massive collection that I later sold for a Martin guitar. These 3 continuous comics from 1966 were a master class in creativity for me even before I started out as an artist.
They taught me: how to tell a story brilliantly; how to embed a twist in the inner core of the story: the villain Galactus, who has the power to destroy Earth, is just another guy who is tending to his needs – he is hungry, and Earth can provide a meal for him. Wow. What…
The Fantastic Four, Mr Fantastic, Invisible Woman, Human Torch and the Thing, face off against Galactus, the all-powerful World-Eater, meet the Uncanny Inhumans, and invite you to the historic wedding of Reed Richards and Susan Storm as only Marvel's most iconic creators Stan Lee and Jack Kirby could have imagined!
See Reed Richards, Sue Richards, Johnny Storm and Ben Grimm, the Fantastic Four, and Galactus on the big screen in FANTASTIC FOUR: FIRST STEPS, in theaters July 25th, 2025!
Stan Lee called it "the World's Greatest Comic Magazine," and he wasn't kidding. If Lee…
I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
Joseph, a Berkeley student and the son of a Jewish mother and a Muslim father, receives a mysterious package from his estranged father. He embarks on a journey to understand a family mystery that can be traced back a thousand years.
I really cared about all of the characters who strive to lead good lives and demonstrate the many ways in which responsibility, forgiveness, love, and kindness shape the way we see and act in the world.
In this “wonderfully rich” (San Francisco Chronicle) novel from the author of the internationally bestselling The Oracle of Stamboul, a young man journeys from California to Cairo to unravel centuries-old family secrets.
“This book is a joy.”—Rabih Alameddine, author of the National Book Award finalist An Unnecessary Woman
WINNER OF: THE AMERICAN LIBRARY ASSOCIATION’S SOPHIE BRODY AWARD • THE NATIONAL JEWISH BOOK AWARD IN FICTION • THE SAMI ROHR PRIZE FOR JEWISH LITERATURE • Named One of the Ten Best Books of the Year by the BBC • Longlisted for the Northern California Independent Booksellers Association Fiction Prize • A…
I used to steal Tolkien and Piers Anthony books from my older brother’s bookcase and burn through library world mythology sections like a ravenous beast. When I reached college in the 1990s, I realized “world” mythology had usually meant “Western” myths, and that’s when I became a Japanese Studies major and dove headfirst into feudal Japan: kitsune, dragons, dream-eaters, tengu, and other fantastical creatures. I was in love. Perfectly natural that when I started writing novels, my brain conjured romantic fantasy based on East Asian myths. Hope you’re ready to fall in love as well, with the Japanese version of fox spirits—kitsune!
In 2000, there were few English-language fantasy books based on Japanese myths. I opened this one, and instantly, Heian Period Feudal Japan came alive in a lyrical, mesmerizing way, unlike the dry history books.
And unlike the fantasy I’d grown up with, the main voice of the book was a woman—a complicated, imperfect magical kitsune who also felt like a human woman. This book made me hungrier for more non-Western myths as a lens through which to view my own concepts of womanhood.
Based on the award - winning short story Fox Magic, Kij Johnson's THE FOX WOMAN is a haunting novel of love and magic, of Kitsune, the young fox kit who catches a glimpse of a Japanese nobleman and resolves to snare his heart. Kitsune embarks on a journey that will change her, her family, and all the humans she encounters...and the magic she conjures will transform all of their lives forever. Set against the backdrop of medieval Japanese society, THE FOX WOMAN is both a retelling of the classic Japanese animal fable and a stunning exploration of what it means…
I grew up in the era of sweeping historical epics, traveling with the turn of a page from Gaius Marius’s Rome to Victoria’s England and everything in between. I’ve always loved books that immerse you in places and time periods you know nothing about—and when I couldn’t find enough of them, I started writing my own. While my long-ago history PhD work is in Tudor-Stuart England (my specialty was the English Civil War), what I love most is being a historical dilettante and getting to hop around the historical record—which may be why my books can take you anywhere from Napoleon’s court to 1920s Kenya to Cuba with Teddy Roosevelt!
I don’t know about you, but when I learned history in elementary school, we skipped straight from Ancient Greece and Rome to the Norman Conquest with the briefest of nods at Byzantium to acknowledge there was something in between. It was all very simple and straightforward—and completely left out the crumbling kingdoms left behind in the wake of the fall of Alexander the Great’s Empire.
I can still remember opening Gillian Bradshaw’s Horses of Heaven for the first time and thinking, “What’s Ferghana? Or Bactra?” Gillian Bradshaw wrote a number of books set in the wake of Alexander’s empire, but this one is the one that really stuck with me, told through the eyes of a girl picked to go as attendant to a Greek aristocrat from Bactra being married to King Mauakes of Ferghana (now Afghanistan).
Heliokleia, a young princess of Bactria, is allied in a mismatched marriage to the ruler of Ferghana, but she realizes too late that the king's son, Itaz, is her true soulmate
As a creative writer, I think it is important for me to put myself into the bodies and minds of people, unlike myself, and imagine how they move about in the world. In my book, I write about Blind Tom, a person from the nineteenth century who has little in common with me. However, there are some affinities and connections between Tom and myself. Although I am not blind, I suffer from a disability. Also, I like writing about music and musicians. I chose to write about Tom in part because he was a great musician who has never received the proper credit he deserves from musicologists and historians.
I like this novel because it is one of the few that I know of that features a blind musician like the protagonist of my novel. Also, I feel that the author offers fine descriptions of jazz piano and jazz music. This book was published in 1965, a turbulent time in America. The author depicts being black as a disability like blindness. I think William Melvin Kelley was an excellent novelist who deserves greater recognition.
At the age of five, a blind African-American boy is handed over to a brutal state home. Here Ludlow Washington will suffer for eleven years, until his prodigious musical talent provides him an unlikely ticket back into the world.
The property of a band, playing for down-and-outs in a southern dive, Ludlow's pioneering flair will take him to New York and the very top of the jazz scene - where his personal demons will threaten to drag him back down to the bottom.
A Drop of Patience is the story of a gifted and damaged man entirely set apart -…
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
This book has one of the most refreshing and terrifying take on the concept of immortality that I’ve ever seen. I love it because of how it tackles policing, what it means to be a decent person, and how power unchecked will inevitably consume all it touches. Also, it’s extremely queer, and the prickly immortals were just too hard not to fall in love with.
Gideon the Ninth meets Black Sun in this queer, Maori-inspired debut fantasy about a police officer who is murdered, brought back to life with a mysterious new power, and tasked with protecting her city from an insidious evil threatening to destroy it.
The port city of Hainak is alive: its buildings, its fashion, even its weapons. But, after a devastating war and a sweeping biotech revolution, all its inhabitants want is peace, no one more so than Yat Jyn-Hok a reformed-thief-turned-cop who patrols the streets at night.
Yat has recently been demoted on the force due to "lifestyle choices" after…
I always want to be where I am not. This was why I read sci-fi and fantasy as a child. This was why I left the country of my birth and became a professional nomad. This is why I am spellbound by mountains I will never climb and oceans I will never dive into. Imagination can take you everywhere. It took me to the academy, where speculative literature became my scholarly field, and to the publishing world, where I am now getting ready for the launch of my eighth novel. When you are at home nowhere, you are at home everywhere–including on the summits of impossible mountains.
I love ghost stories. But I am rather tired of old houses with creaky furniture. The strangest and most dangerous monsters lurk in the wilderness, in the remote and inaccessible corners of the natural world. And what is more remote and inaccessible than Kanchenjunga, the third-highest mountain in the world, located on the border between Nepal and India?
I have always admired those mountain climbers of the past who, with inadequate equipment and minimal knowledge, braved the unknown dangers of the heights. Paver’s beautifully written novel is a historical mystery and a ghost story at one, whose final twist is as vertiginous as the pinnacle of the sacred mountain.
