Here are 100 books that The Hidden Prince fans have personally recommended if you like
The Hidden Prince.
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As a queer, disabled YA author, I focus on writing stories that reflect the complexities of identity, disability, and mental health. I believe every teen who is disabled and/or struggles with mental illness deserves to see themselves represented, but I’m also passionate about stories that allow able-bodied readers to gain insight into new perspectives. These book recommendations showcase diverse voices and highlight a disabled experience, and I hope books like these will foster a new generation that values inclusivity and representation. Happy reading!
I was absolutely hooked by the theme of chaotic teenage girldom and hilariously relatable characters, but the thoughtful discussions centering on disability and identity were simply fabulous!
I greatly enjoyed the portrayal of universal feelings of youth—confusion, longing for adventure, and a quest for meaning. The protagonist, who is autistic and Palestinian, highlights representation the world desperately needs more of.
A contemporary teen romance novel, now available in paperback, featuring a Palestinian-Canadian girl trying to hide her autism diagnosis while navigating her first year of high school, for fans of Jenny Han and Samira Ahmed.
Fifteen-year-old Jessie, a quirky loner obsessed with the nineties, is diagnosed as autistic just weeks before starting high school. Determined to make a fresh start and keep her diagnosis a secret, Jessie creates a list of goals that range from acquiring two distinct eyebrows to getting a magical first kiss and landing a spot in the school play. Within the halls of Holy Trinity High,…
In ancient Rome, sensible women don’t investigate murders, but Livia Aemilia’s father is dead, and her innocent brother has been accused of the crime. What’s a girl to do? Find the criminal herself, obviously.
Livia and her spunky maidservant pound the ancient Roman pavements in search of the killer, with…
I first picked up a Clive Cussler book over ten years ago. I previously only ever read nonfiction. I was hooked. I always thought these action-adventure archeological-style novels would be toilet paper, but I was wrong. These books made me want to write them. For years before, I had studied the Egyptians, Sumerians, Incas, Mayans, and Templars. You name it and I knew about it, so I took my own experience and excitement and started creating my own books. The recommendations I have here are from some of the best of the best in the genre if you like sitting on the edge of your seat, twists and turns, and some really interesting history that most of us don’t know.
I will almost never buy a book on Atlantis anymore… except this one got me. Want to know why? I liked the write-up. I was short on adventure novels and I fell in love and read the whole series.
The two characters, Nina Wide and Eddie Chase, are brilliant. Eddie is a wise-cracking, no-nonsense guy, a British cockney who does the stupidest things and blows stuff up. You can't help but love him. In this book, Nina gets a tip on where to find Atlantis (here, her parents got killed trying to find it), and Eddie has to look after her.
McDermott writes like Clive Cussler on cocaine, so there is literally never a dull moment. Atlantis stuff can be really trite, but this is really good. I had some good laughs and could identify with the frustrations of someone on a goose chase. I also liked the villain in…
Following in the tradition of Clive Cussler and Matthew Reilly, Andy McDermott takes us a roller-coaster ride in search of the legendary Atlantis.
Archaeologist Nina Wilde believes she has found the location of the lost city of Atlantis and now she wants the opportunity to prove her theory. Someone else though wants her dead! With the help of ex-SAS bodyguard Eddie Chase and beautiful heiress Kari Frost, Nina faces a breakneck race against time around the world, pursued at every step by agents of the mysterious - and murderous - Brotherhood of Selasphoros. From the jungles of Brazil to the…
As a child, I received an electronic typewriter as a gift and immediately got to work on a story about a family living on an island. Even at ten, I recognized the power of islands, with their built-in problems of isolation and rich possibilities for metaphors. So it only made sense I’d one day publish a book set on one. If you’re like me and can’t resist books with island settings, you’ll love these book recommendations. Each island in this collection has its own personality that becomes a character of its own, and none of these books could exist in the same way without their unique settings.
I’m a school librarian, so I couldn’t pass up a book about a librarian who works in an island school! This is set on Galveston Island, and the Texas culture there definitely brings its own flavor to the story.
The friendly community feel of the school and town really appealed to me and gave this book a cozy dimension despite its darker themes. A new principal arrives and immediately begins ruining the happy librarian’s life with new rules that she fights at every step—so naturally, the two begin to fall in love. I loved the animals in this book. I couldn’t stop smiling when I finished this one.
Samantha Casey is a school librarian who loves her job, the kids, and her school family with passion and joy for living. But she wasn't always that way. Duncan Carpenter is the new school principal who lives by rules and regulations, guided by the knowledge that bad things can happen. But he wasn't always that way.
And Sam knows it. Because she knew him before - at another school, in a different life. Back then, she loved him - but she was invisible. To him. To everyone. Even to herself. She escaped to a new school, a new job, a…
In ancient Rome, sensible women don’t investigate murders, but Livia Aemilia’s father is dead, and her innocent brother has been accused of the crime. What’s a girl to do? Find the criminal herself, obviously.
Livia and her spunky maidservant pound the ancient Roman pavements in search of the killer, with…
I’ve always adored mysteries. My dad has the entire collection of Agatha Christie books, but even before I read those, I worked through his ancient original hardbacks of Enid Blyton's Famous Fivebooks and the less well-known Malcolm SavilleLone Pineseries. I love getting totally engrossed in a series, so I really get to BE the main character–I am one of four siblings, and when I wasn’t too busy reading, we were the Famous Five. I was George. I think I still am, to be perfectly honest–she was fiery, passionate, loved her dog, and wanted to serve justice and out the bad guys. What a role model!
A year or so ago, I read a lot of factual books about India, so I was delighted to find this Golden Age cozy mystery set in a land I was falling in love with through books. This book took me back to a pre-partition India still under British rule, with a realistic glimpse of life under colonialism alongside a hefty–hopefully less realistic–dose of murder and mystery.
I adored how Harini Nagendra created a strong, independent female character who still feels genuine and believable in the time and place in which the book is set–a time when most women were stifled, submissive, and governed by their husbands–and how the observations of colonization feel true to life while remaining both sympathetic and observant to the Indian culture and ways of life.
The setting is vividly portrayed, and the sights and sounds of 1920s India are an absolute delight. The main characters…
'The first in an effervescent new mystery series. . . a treat for historical mystery lovers looking for a new series to savour (or devour)' NEW YORK TIMES
'A gorgeous debut mystery with a charming and fearless sleuth . . . spellbinding' SUJATA MASSEY
'Told with real warmth and wit. . . A perfect read for fans of Alexander McCall Smith and Vaseem Khan' - ABIR MUKHERJEE
A NEW YORK TIMES NOTABLE BOOK OF 2022
Murder and mayhem . . . monsoon season is coming. _____________________________
Solving crimes isn't easy.
Add a jealous mother-in-law and having to wear a flowing…
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
Every story belongs to a genre and genre is a part of story development. I found this book to be the best available explaining what genres are and how they work to support the process of story development.
Truby’s book lays out each major story genre, its beats, dynamics, and place in the world of storytelling. This is an essential reference every writer needs on their bookshelf.
A guide to understanding the major genres of the story world by the legendary writing teacher and author of The Anatomy of Story, John Truby.
Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses―movie studios, production companies, video game studios, and publishing houses―buy and sell them. Writers…
It’s hard to pinpoint where my interest in cold cases began, but I remember reading about the Isdal Woman and being intrigued. She was found in Norway in 1970, badly burned, with the labels cut off her clothes. Police discovered fake identities and disguises in suitcases left at the railway station, but, to this day, have no idea who she was. I’m a member of several Facebook groups where people investigate cold cases, and I’m always amazed at how these clues can be put together so many years later. Or, in some cases, how some people go unnamed, or crimes unsolved despite all the resources at our fingertips.
This is a brilliantly plotted book with a fascinating protagonist.
It’s fair to say that Cam Killick has issues stemming from his time in the Marines. He starts looking into a decades-old case of a family who went missing on the way back from a party. It was widely accepted that their car had probably crashed into the marshes and had lain there for thirty years. But when Cam finds the car, the remains of the family are nowhere to be found.
'Compelling and so atmospheric ... the perfect new crime series to dive into' HEAT 'Rob Parker is a master of the stone-cold twist' JANICE HALLETT 'Brilliant pacing ... a great addition to your to-be-read stacks' PRIMA 'The very definition of a one-sitting read' ROBERT RUTHERFORD
Cam Killick left the special forces with a handful of medals, stories he can't share and PTSD so bad he can only find peace under water. Working as a salvage diver in the Norfolk Broads keeps him sane, and the county's many tales of the lost keep him busy.
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
In this beautifully subtle, thrilling, and finely drawn novel, Brian Morton captures a certain kind of relationship better than anyone else: an old and nearly forgotten male novelist named Leonard Schiller becomes infatuated with Heather Wolfe, the young, female graduate student who is writing her thesis about his work.
This is a novel about fame, intellectual companionship, and ambition, and Morton handles these themes with compassion, insight, and masterful control. I love this novel as much for its startling truths about human nature as for the brilliance of the writing itself.
Leonard Schiller is a writer in his seventies. All of his books are out of print; he's left no mark in literary history; a lifetime of dedicated labor has brought him few rewards. Heather Wolfe is a graduate student in her twenties. She read Schiller's novels when she was growing up, and they changed her life. She decides to write her master's thesis about Schiller's work, and she sets out to meet him.
Starting Out in the Evening is a novel about the unexpected consequences of that meeting--and the unexpected consequences of art. Heather blows into Schiller's life like a…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
I admire the way this book jumps out of the box and debunks the emphasis on “pure craft”—a term that grew out of the hero’s journey. (Basically the “Horatio Alger” story about a character going from rags to riches.)
This model stifles the voices of writers from other cultures.
Salesses’ techniques help writers mine their cultural background and discover stories only they can tell. It also frees all writers from the model of the hero’s journey.
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review).
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts.…
I used to steal Tolkien and Piers Anthony books from my older brother’s bookcase and burn through library world mythology sections like a ravenous beast. When I reached college in the 1990s, I realized “world” mythology had usually meant “Western” myths, and that’s when I became a Japanese Studies major and dove headfirst into feudal Japan: kitsune, dragons, dream-eaters, tengu, and other fantastical creatures. I was in love. Perfectly natural that when I started writing novels, my brain conjured romantic fantasy based on East Asian myths. Hope you’re ready to fall in love as well, with the Japanese version of fox spirits—kitsune!
In 2000, there were few English-language fantasy books based on Japanese myths. I opened this one, and instantly, Heian Period Feudal Japan came alive in a lyrical, mesmerizing way, unlike the dry history books.
And unlike the fantasy I’d grown up with, the main voice of the book was a woman—a complicated, imperfect magical kitsune who also felt like a human woman. This book made me hungrier for more non-Western myths as a lens through which to view my own concepts of womanhood.
Based on the award - winning short story Fox Magic, Kij Johnson's THE FOX WOMAN is a haunting novel of love and magic, of Kitsune, the young fox kit who catches a glimpse of a Japanese nobleman and resolves to snare his heart. Kitsune embarks on a journey that will change her, her family, and all the humans she encounters...and the magic she conjures will transform all of their lives forever. Set against the backdrop of medieval Japanese society, THE FOX WOMAN is both a retelling of the classic Japanese animal fable and a stunning exploration of what it means…
The best fiction explores complex relationships between friends and lovers. I’ve been fascinated by this for as long as I can remember because love and friendship are the cornerstones of human existence. As concepts, they give life meaning yet can also take it away. They bring us together but can also leave us estranged. The sun-soaked cities of Europe have for so long been playgrounds for young lovers and friends, enjoying both the best of life and the most melancholy. I love traveling Europe–the grandeur, the romance, the happy-sad sentiment of it all. It embodies the topic and makes for the most beautiful setting.
The Trio captures the essence of friendship and love and the coexisting yet diametrically opposed social anxieties that can accompany them. This is why I love this book–love is presented as complex, challenging, and fraught with more that is unsaid than actually expressed.
I also love this book because it expresses love as a real feeling, something that is experienced but not always easy to explain (or get along with). The characters are relatable, honest, and flawed, yet likable. The book is also set in beautiful locations–Stockholm, Paris, London–which makes it beautiful to read.
Elegant, mature and richly atmospheric, a bittersweet love story glimpsed through the veil of memory
'The love child of Normal People and Brideshead Revisited... Sublime and elegiac' Francesca Reece
'[A] heady mix of hope and nostalgia, of desire and regret, of new love and lost love' Sunday Times
Thora, August and Hugo come from different worlds. One is an art school dreamer, one a wealthy scion of the old-world elite, and one an ordinary boy from out of town. But over the course of two sky-blue summers in Stockholm, they are drawn together…
