Books like The Hidden Prince

I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.

My taste in music is as eclectic as my bookshelf. I read everything from poetry to Greek tragedies and listen to both historical and contemporary music. When I first imagined Shelby’s story, I aimed to capture how music transforms us, how it shifts our moods and shapes our memories. As I set out to write the first draft, I had never heard of social-emotional learning. However, writing this book, along with my YA novel, A Song for the Road, inspired me to pursue a master’s degree in Humanities focusing on Social-emotional Learning and Creative Writing. I also teach teens and adults how to write compelling emotional fiction.

It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel. 

It’s hard to pinpoint where my interest in cold cases began, but I remember reading about the Isdal Woman and being intrigued. She was found in Norway in 1970, badly burned, with the labels cut off her clothes. Police discovered fake identities and disguises in suitcases left at the railway station, but, to this day, have no idea who she was. I’m a member of several Facebook groups where people investigate cold cases, and I’m always amazed at how these clues can be put together so many years later. Or, in some cases, how some people go unnamed, or crimes unsolved despite all the resources at our fingertips.

I have been fascinated by historical fiction since childhood, when I used to read historical stories for children by such writers as Rosemary Sutcliffe and Henry Treece, moving on to Dickens and Austen in my early teens. Many of the great books about girls growing up were written in the Victorian and Edwardian periods by e.g. Louisa M Alcott, L M Montgomery, and Laura Ingalls Wilder. I devoured all these since they seemed to take me into a different world. I am a fiction writer rather than a historian since it is the great stories offered by history that spark my passion!

My passion for Chinese history took root when I began reading Jin Yong’s wuxia novels, which are all steeped in Chinese historical background. My fiction writing career began with historical fiction based on Chinese history. Through my earlier research work, I discovered that Chinese historians have always given short shrift to the influence of women on cultural, political, and social developments throughout the ages. That led me to decide to center my writing around inspiring Chinese female historical figures. After publishing The Green Phoenix and Tales of Ming Courtesans, I branched out to write wuxia fantasy novels, but with the same objective of featuring admirable female historical/fictional characters.

I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.

Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for. 

I love reality television, shamelessly. I find it fascinating what people are willing to share about themselves in front of a national audience: their disgusting habits, their motivations, vices, secrets, and most importantly, their vulnerabilities. I think the reason I’m drawn to this medium is because I enjoy examining and thinking about why people make the choices they do. When it comes to my writing, I seek to portray the same multidimensional view of my characters that I see on these shows. I want their selfish choices and most humanizing insecurities to shine equally. 

Growing up in an intellectual household with a New Yorker subscription, I became a fan of the short story early on, with J.D. Salinger, Ann Beattie, and Raymond Carver forming a baseline of personal taste and inspiration. I especially love stories that resonate with my own sense of yearning for life and love—and the deep losses that inevitably come our way. Decades of reading would pass before I began writing stories myself, and I’m thrilled to have a chance to recommend these moving and beautifully written collections.