100 Books Like The Hidden Prince

This book is like nothing I’ve ever read.

Fraimow combines a con-job storyline, a space diaspora setting, a 1920s aesthetic, and an unexpected sapphic romance, and somehow, it all works. I found myself totally immersed in the fragile glitz of New Monte, a kind of Monaco-in-space clinging to a satellite, where debutantes wear breathers as fashion accessories and extravagance masks the threat of scarcity.

And I fell in love with the characters: Ruthi, the cool, competent protagonist with a gift for wisecracks and a tender underside, and Sol, the chivalrous, sharp-suited, hoverbike-riding love interest, who develops from an intriguing antagonist into a fully-rounded human being who is Ruthi’s perfect match.

Gavin Lambert adapted the works of D. H. Lawrence and Tennessee Williams for the films Sons and Lovers and The Roman Spring of Mrs. Stone. He directed one interesting, low-budget, Paul Bowles-like movie, Another Sky. His prose work is insightful about the behind-the-scenes world of the movies.

The linked stories in this book memorably spotlight hangers-on and working-class people on the edges of entertainment. Also of interest is Inside Daisy Clover, his novel about a teen tomboy star which became an affected, bombastic, entertaining Natalie Wood movie.

I am not a plotter. I have always wished I was. But nope, sorry, Gwen. That said, this is still an amazing book. Even if you are a discovery writer (sometimes called pantster for writing by the seat of your pants), thinking about your plot in terms of pacing, story elements, backstory, characterization, and setting…and thinking about them in a logical way is beneficial.

Kudos if you can write it down in a notebook before you start drafting. That’s not in my wheelhouse.

I’ve long been fascinated by the mysteries of the Anasazi, or the Pueblo Dwellers of southwestern Utah. How and why did a thriving culture of literally thousands of people who had built stone buildings into cliff faces suddenly and inexplicably disappear? Having read numerous books by archaeologists on the subject, I was really no closer to an answer. But when Preston and Child wrote a novel, a combination of adventure, tech thriller, and mythology, I was completely on board.

Archaeologist Nora Kelly’s father disappeared without a trace 16 years earlier in the remote desert, searching for the legendary Quivira, a city of gold and wonder, the lost city of the Anasazi Indians. Pulling together a team, using some NASA satellite research to find a starting place, Nora leads a team into the desolate canyonlands in search of the city—only to find extraordinary mythology, life-threatening natural events, and a deadly, dangerous… show more.

A year or so ago, I read a lot of factual books about India, so I was delighted to find this Golden Age cozy mystery set in a land I was falling in love with through books. This book took me back to a pre-partition India still under British rule, with a realistic glimpse of life under colonialism alongside a hefty–hopefully less realistic–dose of murder and mystery.

I adored how Harini Nagendra created a strong, independent female character who still feels genuine and believable in the time and place in which the book is set–a time when most women were stifled, submissive, and governed by their husbands–and how the observations of colonization feel true to life while remaining both sympathetic and observant to the Indian culture and ways of life.

The setting is vividly portrayed, and the sights and sounds of 1920s India are an absolute delight. The main characters… show more.

This type of book taught me much about my own country, Zambia. It starts with the story of David Livingstone’s “discovery” of Victoria Falls, and many characters, including a choir of mosquitos, took me for a wild ride through colonial history, the struggle for independence, modern-day Zambia, and then into the future.

I had learned about some of the historical events in school, but many were revelations unearthed by Serpell’s meticulous research. I found the characters riveting, and the storytelling complex, creative, and exciting. Reading this incredible book has also made me richer in my knowledge of my home country. 

This is somehow the antidote to Roth’s novel. It is a daunting read, often thought of as a Viennese answer to Proust. What was fascinating was its very unsentimental and often quite funny representation of wealthy Viennese society. Musil is a seductive writer and it is easy to keep reading even while wondering when something might actually happen.

Like Roth, the effect of the novel is cumulative–only after reading it suddenly comes together. It also balances the presentation of Vienna as a city of musicians and poets and gives us the politicians, the mathematicians, the scientists, and the economists. The central character is himself a mathematician with little comprehension of the finer arts.  

Most North Vietnamese soldiers were of peasant background and believed in the sacred cause for which they fought. Then came the end of the war and, eventually, economic reforms. The old general is lost in this new consumerist society, his devotion to egalitarian ideals mocked by his children.

Brandt cuts through the mystique that “writing can’t be taught” and encourages writers to discover the creative and rational aspects of their consciousness—an approach that excites me as a writer and a teacher.

Brandt’s approach is useful for beginning writers and also for writers going through a dry period. I recommend it to all my students.

At first glance, this book of short stories is about Denver gentrification, but the volume is much more – a series of studies of how Native and Mexican women remember and revisit the “lost territory” of northern New Mexico and southern Colorado when they head to the Rocky Mountain metropolis.

I love that rather than look back East or out West when seeking home, the women of Fajardo-Anstine’s work look northward and southward, to the past and to the future. I was not at all surprised to learn that Fajardo-Anstine consulted with Prof. Vanessa Fonseca-Chávez for her work. Fonseca-Chávez’s Following the Manito Trail oral history project let me keep listening for similar voices.