Books like The Heliand — picked by fans

The way these stories are phrased here makes this my favourite set of retellings. Crossley-Holland’s choice of words evokes the original Norse. He uses alliteration, mainly when describing land and sea, and he is very careful to use words that come from Old English, a sister language to Old Norse, in preference to words from Latin, Greek, and post-Latin languages. There are plenty of other retellings that cover similar ground, but none with quite this joy in the energy of the original.

Translated and edited by Anthony Faulkes. It too comes from the thirteenth century. The author was an Icelandic law-speaker, a chief, and a deeply involved scholar interested in the retention of the old forms of pre-Christian poetry. Why should you look at this if you have done the Elder Edda? A good question, especially since in many ways Snorri’s version is longer. And that is the reason. If you noticed that the Tree churches (stave churches) have snakes on the roof, that is something Snorri notes about the Tree Yggdrasil, that the snakes in the branches will forever gnaw away at them. It is Snorri who related that the underworld agreed to release the good Balder from Hel if every creature wept. All did but one, Loki, the god of deceit and trickery. And so Balder remains dead till Ragnarok. This makes all the more poignant the phrase found in… show more.

The author is one of the most renowned scholars of the ancient Northern world. This book is here because I find it a gold mine of artifacts and all are accompanied by the most extensive illustrations possible on every page. There are burial ships for journeying to Valhalla, pictures of ax men on the rampage in England, a solar disc on wheels being pulled by a bronze horse, elaborately carved prows of Viking ships, Christ crucified carved as being held prisoner entangled in the tree Yggdrasil. If you can’t make the journey, but are intrigued by the artifacts of the pagan-Christian world, this is the book to settle down with by the fireplace on a cold winter’s eve.

The author is unknown, and though the work was copied down in the thirteenth century, it contains many elements from much earlier, especially from the creation myths. This book is the sine qua non for getting to the world of the thought of the Viking era’s mindset, its metaphors, its values in plain advice and in poetic images. It tells of the world and of what is going on in heaven and on earth. The scholar can’t do without it. If you find yourself curious about the original form of the myths and stories, or at least as near as we can get to some of them, the Poetic Edda is indispensable.

I read this book whilst I was a teenager, and although it is an alternative history book, the depiction of Viking Age Britain, and the Vikings themselves had me hooked.

The battles and characters hook you in, and there is just enough of a fantasy element thrown in to make this novel almost perfect.

The Vikings’ lively, intriguing, and carefully executed art is one of their great achievements. This handsome and lavishly illustrated book provides a survey of the development and meanings of Viking art, as well as examples of how the art was used – on ships, buildings, memorials, jewelry, textiles, weapons, and much else. It was an art based on animals in various guises, but plant ornament gradually also came into use, and in recent years many more pictures of human (and semi-human) beings have come to light.

This book fosters inward reflection, perseverance, and pathways to your big dream(s). 

I read it at a time in my life when I was stuck. I have built my professional reputation on successfully taking people, places and ideas from one level to the next.

The conviction that everyone can achieve their goals was cemented for me in this book about a Nobody named ordinary living in a place called familiar. Rooting my life in things that were familiar, had me unable to move. 

After reading this book, I earned two master's degrees and a Doctorate, and moved three times. The second half of the book offers coaching with a religious foundation that may distract some readers from the lessons. The first half of the book is sufficient in those cases.  

Possibly the most helpful book for those looking to engage both Art and the Church. In Visual Faith the reader will find a wonderful overview of art history from a Christian perspective, beginning with art in the Early Church and coming all the way up to Warhol, Pollock, and art today. There is also an entire chapter devoted to making and looking at art. If there was one book I’d give to people in my church who were interested in engaging with art, this would be it.

Etienne Gilson was the leading intellectual historian of the medieval Church in France, and this is the clearest, most lucid exposition of St. Thomas Aquinas’s thinking that I have read. Perhaps because the Roman Catholic Church has often used Aquinas’s thinking to justify conservative positions, we often forget that he was a world-class genius who radicalized religious and ethical thought in the Middle Ages, and whose work helped inspire later movements of reform like the Vatican II Council. Gilson’s sympathetic treatment of Aquinas restored this understanding of his thinking and helped produce the modern neo-Thomist movement. It is worth reading – and it is readable!

Surrounded by so many generalities regarding the treacherous merging of white supremacy with Christianity, I needed this deep-dive sociological study into the reality of how “whiteness” has become a subconscious but tangibly verifiable idol within white Evangelicalism.

The assumption of white cultural superiority has become so hardwired into the church across centuries that, like a fish in water, as white folks, we can’t see how “normal” gets weighed down with racial consequences.

The wetness of water is felt by everyone but the fish, and in this case, what seems experientially obvious to most non-white people requires in-depth study and argumentation for white folks to see. I appreciated how this book named specifics and compared the answers to racialized questions between different people groups in their study.