Books like The Heir — picked by fans

Kate Elliott’s young adult series feels a bit like Game of Thrones meets Little Women (both of which I loved, so Elliott’s concept was a dream mash-up for me!). The protagonist, Jessamy, lives in a fantasy world divided by class, a domain where laudable competitors compete in a series of various trials and tribulations called the Fives. As a writer, I found Elliott’s world so well thought out and executed, but it was the Little Women elements of this series that most claimed my reader heart. I treasured the quieter moments between Jessamy and her sisters, who are all memorable, fully rendered, and compelling, and the relationships between them, complex and real.

The Choosing is close to my heart because it highlights how the lowest in society, the outcasts, the unchosen, are chosen by God. The main character’s ongoing battle to see her worth struck a chord with me when I first read it as a teen struggling with my identity.

The overarching theme of this book is that when the world says you are worthless, God says you are priceless. The intriguing plot reeled me in from the first chapter, and the characters were so well fleshed out that I wished I could befriend them in person.

The Choosing is a beautifully crafted YA Christian dystopia, and finishing the book made me feel like I was saying goodbye to family.

Carmen’s point of view in this novel is just as gripping as Dani’s in We Set the Dark on Fire, and her love for Dani is just as compelling. I’ll admit that it took me long enough to recover from Dani’s story that I didn’t immediately read this one when it was published, which was an error in judgment on my part. Because learning the flip side of a rebellion and a love story was even more satisfying than I thought it would be.

This was another can’t-put-down novel for me!

Jane Austin is a classical writer of romance and a perfect combination of well-written English. The love Mr Darcy had for Elizabeth was explained with passion through the English language. 

It addressed issues within that time, and the beauty of a girl, as well as the strength of a man, was portrayed well. Jane Austin has other books, but my favorite was this one. 

Thomas Piketty’s earlier book, Capitalism, was one of those books that many people purchased but only wound up reading the first 20 pages because of its dense argument and writing style. 

A Brief History of Capitalism is much more accessible, and in my opinion, useful. The book takes a long-term perspective for examining inequalities among social classes in human societies. Piketty’s argument is that since the end of the 18th century, there has been a long-term movement toward more social, economic, and political equality.

The book provides an excellent overview of inequality across time.

I loved this book because it reminded me of how brutally the Suffragettes were treated, even by their own families.

I loved the history behind the story, which included World War I and how women looked after their families in a time of great poverty.

At times, I was angry for the heroine, but I loved how her fortitude and resilience to survive made me feel empowered. In the end, it was an uplifting story of hope and love. 

In addition to neighborhoods, Americans also experience rampant inequalities across other social settings such as families, schools, and peer networks. These settings define the ecological context within which humans develop and each “sphere of influence” determines the development trajectories of people as the move from childhood, through adolescence, and into adulthood. This book examines how each of these spheres affects human development at different stages of the life course among White, Black, Hispanic, and Asian young people in the United States to produce the racial and class inequalities that characterize contemporary American society.

Henry Wilt is a disillusioned teacher who feels stuck between his collegues who look down on him, and his super positive wife Eva, who wants to enjoy life in every fashionable way possible. When walking his dog, Henry imagines how to kill Eva. Reality catches up with fiction when he is charged by the police for her murder… Ludicrous situations follow one another, and Wilt 1 is hilarious. I enjoyed the book because it is based on a collision between Henry, a man who does not believe in the seriousness of things, and the other characters, who all embody their social roles to the point of caricature. I recommend it to people who sometimes feel trapped in their lives—as most of us do. 

I’ve often thought that discrimination against poor people is the last socially acceptable prejudice. Kahlenberg proves me correct.

While racial segregation has declined, economic segregation has increased exponentially. Kahlenberg exposes the myths and false arguments that justify economic discrimination. He shows that excluding the poor is most common in liberal communities on the two coasts.

Research demonstrates that where we grow up has a powerful effect on our ability to succeed in school and the job market, demolishing the idea that we are a meritocracy and that rich people deserve to live behind invisible walls in privileged communities.  

I include Robert Putnam’s book because, in a sense, it is about continuity rather than change, so it is about how things stay the same in some ways rather than revolutions that change things. What I particularly like about this book is Putnam’s discussion of inheritance, which he sees as being about far more than monetary wealth. Inheritance includes all the social networks, friends, connections, social knowledge, and everything else of value that your family passes on to you. Many inherited things are intangibles–like what you learn while sitting around as a child with your family, listening to grown-ups speak. 

Because inheritance is so vast, kids who are ‘poor’ are not just poor materially; they are poor because they lack the vast social knowledge and informal networks that rich kids inherit. This makes it far more difficult for poor kids to move up and make a success of themselves–so there… show more.