Here are 100 books that The Heart Is a Shifting Sea fans have personally recommended if you like
The Heart Is a Shifting Sea.
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I am an Indian-American writer who moved to the U.S. for graduate school over thirty years ago. Growing up in a conservative Indian family, I witnessed women bound by unspoken rules, for example, expectations of modesty enforced not by law but by societal norms. And, of course, I encountered daily indignities, euphemistically referred to as “eve-teasing.” Only in adulthood, as my world expanded beyond those confines, did I begin to question and resent them. While I live in the U.S., where women’s circumstances are better, though not perfect, I remain deeply interested in how life for Indian women has changed and avidly seek out books set in India.
I was deeply struck by the honest depiction of domestic violence and manipulation in this novel, which is based on the author’s own experience of marriage. The novel builds up slowly, with facts of the marriage interspersed with the retrospective analysis of the author.
The writing is lovely—stark, poetic, and, given the subject, improbably funny. Even with the humor, this is not at all an easy novel to read, but the reward is a haunting, visceral understanding of how even a well-educated woman can turn unlikely victim.
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018 LONGLISTED FOR THE DYLAN THOMAS PRIZE 2018 SHORTLISTED FOR THE JHALAK PRIZE 2018
Guardian's Best Books of 2017 Daily Telegraph's Best Books of 2017 Observer Best Books of 2017 Financial Times Best Books of 2017
"Meena Kandasamy's vivid, sharp and precise writing makes a triumph of When I Hit You: Or, a Portrait of the Writer as a Young Wife(Atlantic)"- Guardian
Seduced by politics, poetry and an enduring dream of building a better world together, the unnamed narrator falls in love with a university professor. Moving with him to a rain-washed coastal…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I am an Indian-American writer who moved to the U.S. for graduate school over thirty years ago. Growing up in a conservative Indian family, I witnessed women bound by unspoken rules, for example, expectations of modesty enforced not by law but by societal norms. And, of course, I encountered daily indignities, euphemistically referred to as “eve-teasing.” Only in adulthood, as my world expanded beyond those confines, did I begin to question and resent them. While I live in the U.S., where women’s circumstances are better, though not perfect, I remain deeply interested in how life for Indian women has changed and avidly seek out books set in India.
I had never read this author before, and I was immediately struck by Ambai’s powerful voice in these stories about the small but constant tensions in ordinary women’s lives in India. Having grown up in India, I felt as if I knew these women and their stories intimately. In particular, the title story instantly made me think of my mother and so many other women toiling at their housework in Indian kitchens, which in middle-class Indian homes are not that comfortable at all.
I found great wisdom, truth, and energy in these atmospheric stories. They are also a refreshing change from the writing style of Western writers in their directness and the incorporation of almost-surreal elements in many, which makes a reader feel them so much more sharply.
In A Kitchen in the Corner of the House, Ambai's narrators are daring and courageous, stretching and reinventing their homes, marriages, and worlds. With each story, her expansive voice confronts the construction of gender in Tamil literature. Piecing together letters, journal entries, and notes, Ambai weaves themes of both self-liberation and confinement into her writing. Her transfixing stories often meditate on motherhood, sexuality, and the liberating, and at times inhibiting, contours of the body.
I am an Indian-American writer who moved to the U.S. for graduate school over thirty years ago. Growing up in a conservative Indian family, I witnessed women bound by unspoken rules, for example, expectations of modesty enforced not by law but by societal norms. And, of course, I encountered daily indignities, euphemistically referred to as “eve-teasing.” Only in adulthood, as my world expanded beyond those confines, did I begin to question and resent them. While I live in the U.S., where women’s circumstances are better, though not perfect, I remain deeply interested in how life for Indian women has changed and avidly seek out books set in India.
I loved this bold, beautiful novel because of its poetic writing and its unflinching depiction of the strain on a loving couple’s marriage due to the weight of expectations: they are unable to conceive a child while their family expects them to have one.
The rural setting is stunning, and the story is unique and unforgettable. It is both a love story and an investigation of a society that prizes other things over love. A thought-provoking read. I read the English translation. Even in translation, the book was lyrical—I can only imagine how beautiful it must be in Tamil. Again, a refreshing change from Western authors!
A vibrant fable of marriage, caste and social convention from one of the most exciting voices in contemporary Indian fiction
'Unexpected and moving' Amitava Kumar, author of Immigrant, Montana
'A major Indian writer' New York Times
'A captivating story of love and desire' Vivek Shanbhag, author of Ghachar, Ghochar
Kali and Ponna are perfectly content in their marriage, apart from one thing. They are unable to conceive. With local gossip and family disapproval mounting, the increasingly desperate couple consider a more drastic plan. They will attend the annual chariot festival, a celebration of the half-male, half-female god Maadhorubaagan.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am an Indian-American writer who moved to the U.S. for graduate school over thirty years ago. Growing up in a conservative Indian family, I witnessed women bound by unspoken rules, for example, expectations of modesty enforced not by law but by societal norms. And, of course, I encountered daily indignities, euphemistically referred to as “eve-teasing.” Only in adulthood, as my world expanded beyond those confines, did I begin to question and resent them. While I live in the U.S., where women’s circumstances are better, though not perfect, I remain deeply interested in how life for Indian women has changed and avidly seek out books set in India.
This novel made me think in new ways about the lives of contemporary women in India. I left India decades ago, only returning for brief visits, and I often wonder how things have changed, especially for women. In the novel, Mrs. Sharma is a married woman with a teenage son living in Delhi who meets a young man while her husband is away. Her struggle to reconcile her traditional values with her desires is portrayed beautifully by the author, making her internal conflict both unsettling and illuminating.
The deceptively simple—and often funny—writing enhances its impact. While this novel is more “plotty” than the others on this list, it is deeply layered and illuminating simply by its topic. I was so glad to find books by Indian authors that frankly discuss women’s desires.
Renuka Sharma is a dutiful wife, mother, and daughter-in-law holding the fort in a modest rental in Delhi while her husband tries to rack up savings in Dubai. Working as a receptionist and committed to finding a place for her family in the New Indian Dream of air-conditioned malls and high paid jobs at multi-nationals, life is going as planned until the day she strikes up a conversation with an uncommonly self-possessed stranger at a Metro station. Because while Mrs Sharma may espouse traditional values, India is changing all around her, and it wouldn't be the end of the world…
My father estranged himself from his sister because she was an alcoholic. I never met my aunt. However, when looking for a strong character for my Lilian Dove Mystery Series, I decided this aunt was a good mentoring character. Fictionally, I gave my aunt sobriety, but her recovery is not so much from drinking as it is recovering from the past to take on life anew. The mysteries Lillian Dove becomes involved her help her see how to do this. And first, she needs to learn to admit life is full of mayhem. Small-town Iowa amateur sleuth who ends up owning a liquor store.
Bombay Monsoon, first book in the new Emergency Series, delivers Ziskin’s talent for blending literary techniques and believable characters while taking the reader on an intense ride.
Journalist Danny Jacobs, young and anxious to make his mark, hasn’t been in Bombay long when he is caught up into intrigue, romance, and danger. Set in India during 1975 when India was shaken with political unrest after Prime Minister Indira Gandhi declared a state of emergence, Zisken weaves cultural adjustment along with crime and romance.
The book written by Zisken is an impressive page-turner, thanks to his meticulous attention to detail and insightful knowledge of India.
The last thing Danny wants to see published is his obituary
The year is 1975. Danny Jacobs is an ambitious, young American journalist who's just arrived in Bombay for a new assignment. He's soon caught up in the chaos of Prime Minister Indira Gandhi's domestic "Emergency."
Willy Smets is Danny's enigmatic expat neighbor. He's a charming man, but with suspicious connections. As a monsoon drenches Bombay, Danny falls hard for Sushmita, Smets's beguiling and clever lover-and the infatuation is mutual.
"The Emergency," a virtual coup by the prime minister, is only the first twist in the high-stakes drama of Danny's…
I lived the first 24 years of my life in Mumbai and traveled to many parts of India. I’ve had close friends of every community and religion and been fascinated by the incredible diversity. By studying historical crimes and how they were reported and investigated, I learned a great deal about the norms of Indian culture. Reading (and writing) historical mysteries allowed me to dive into past eras and immerse myself in the tumultuous events that have shaped our world today. While I’m obsessed with the turn of the 20th century, mysteries in later years also delight me. Enjoy this selection of mysteries set in India that reveal the inner workings of its diverse culture.
Oh, how I enjoyed the dry wit embedded into each page! This complex mystery is filled with engaging characters. Author Vaseem Khan lavishes even the most minor characters with detailed and hilarious descriptions. The mystery of three separate murders converging is wrapped up with a cipher puzzle embedded in the mythology of Indian culture and iconography. The crimes with two different modus operandi makes things even more confusing.
Sourcing from the internment of foreign nationals in India during World War II, this twisty tale takes us through a number of locations and little-known events of India's history. I enjoyed protagonist Persis Wadia, as a Parsi woman myself, however, seeing her run headlong into dangerous situations does not do her credit. The deepening personal relationship with Archie is delightful but perhaps a deeper understanding of the moral and personal quandaries will be coming in future books. This does not detract from…
When the body of a white man is found frozen in the Himalayan foothills near Dehra Dun, he is christened the Ice Man by the national media. Who is he? How long has he been there? Why was he killed?
As Inspector Persis Wadia and Metropolitan Police criminalist Archie Blackfinch investigate the case in Bombay, they uncover a trail left behind by the enigmatic Ice Man - a trail leading directly into the dark heart of conspiracy.
Meanwhile, two new murders grip the city. Is there a serial killer on the loose, targeting Europeans?
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I lived in Bombay until I was 21. During my teenage years I had a love-hate relationship with the city, mostly noticing its poverty, the pollution, and the crowds. But as a writer, I have come to love the city for its resilience, its sweet toughness, its heartbreaking beauty. I love reading books by other writers that are set in this endlessly fascinating metropolis of 22 million, each with their own story to tell, stories that float in the air in front of us, ready to be plucked and set on paper.
This collection of short stories by another Parsi writer paints an affection and compassionate picture of the metropolis, as seen from the eyes of its motley crew of residents—a laundryman, a writer, a cab driver. Shroff’s generosity and love for his city come through in every story.
This book, with its powerful evocation of the city and its description of the minutia of everyday life, left me nostalgic and breathless for Bombay.
Shortlisted for the 2009 Commomwealth Writers' Prize
Shroff's vibrant narratives in this concept collection of 14 stories set in contemporary Bombay feature a range of beautifully drawn characters in fascinating situations: from the laundrywallas' water shortage problems, to the doomed love affair of a schizophrenic painter and his Bollywood girlfriend, to the wandering thoughts of a massagewalla at Chowpatty Beach, to the heart-warming relationship of a carriage driver and his beloved horse. Each of these stories is richly crafted and arranged against the grand chaotic backdrop of life that is Bombay. Shroff's love for his hometown shines through, but so…
I lived the first 24 years of my life in Mumbai and traveled to many parts of India. I’ve had close friends of every community and religion and been fascinated by the incredible diversity. By studying historical crimes and how they were reported and investigated, I learned a great deal about the norms of Indian culture. Reading (and writing) historical mysteries allowed me to dive into past eras and immerse myself in the tumultuous events that have shaped our world today. While I’m obsessed with the turn of the 20th century, mysteries in later years also delight me. Enjoy this selection of mysteries set in India that reveal the inner workings of its diverse culture.
A young woman is found dead only a few yards behind the stands where hundreds of students gathered to watch the Prince of Wales’ parade on his 1922 visit to Bombay. When lawyer Pervin Mistry realizes it’s the same woman who consulted her only days ago, she’s driven by guilt and determined to help the Parsi family through the awful process of the coroner's inquiry.
I started this book with a whole host of questions, which grew more dire as the number of suspects rose. Finely etched characters abound. Pervin is torn between a natural patriotism and desire to see justice and her own family’s interests. As she learns more, she realizes that the young female student has a sort of dangerous honesty (a term the author Sujata Massey used when I interviewed her) which complicates matters and shows the difficulty of being a dutiful daughter while staying true to…
Bombay’s first female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay.
November 1921. Edward VIII, Prince of Wales and future ruler of India, is arriving in Bombay to begin a fourmonth tour. The Indian subcontinent is chafing under British rule, and Bombay solicitor Perveen Mistry isn’t surprised when local unrest over the royal arrival spirals into riots. But…
Anurag Anand is a keen observer of humankind. He believes that the diversity of human emotions, motivations, and actions offer him a rich palette of tones to paint his stories with. He is the author of thirteen books across genres like self-help, historical fiction, crime thrillers, and contemporary fiction. Anurag’s works have been lauded for their realism, simplicity, and sharp characterization by readers across the spectrum. Of course, he is an avid reader and likes to remain abreast with the developments in the Indian writing space. He is a familiar face (and voice) in literature festivals, television debates and other related forums across the country.
There are times when we think that we have successfully buried something in our past and it suddenly resurfaces and shocks us. But what if this ‘thing’ wreaks havoc with our lives and turns it topsy turvy? Only the Good Die Young is a taut and gripping sequel to Akash Verma’s thriller, You Never Know. The book unravels beautifully, quite like a web series playing out between the craftily stitched words.
Sometimes when you're desperate to leave the past behind, the past is eager to catch up! Anuradha leaves Gurgaon when Dhruv chooses his family over her. She thinks that chapter of her life has ended, and starts afresh in Mumbai. But strangely, it seems her past is trying to catch up. Dhruv suddenly comes back into her life. Even as they try to figure out their relationship, horrible things start happening to people they know. Together, Anuradha and Dhruv need to find out who it is that cannot bear to see them together. Who is carrying out these shocking crimes?…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I lived in Bombay until I was 21. During my teenage years I had a love-hate relationship with the city, mostly noticing its poverty, the pollution, and the crowds. But as a writer, I have come to love the city for its resilience, its sweet toughness, its heartbreaking beauty. I love reading books by other writers that are set in this endlessly fascinating metropolis of 22 million, each with their own story to tell, stories that float in the air in front of us, ready to be plucked and set on paper.
Mehta’s propulsive, strangely entertaining nonfiction book takes us into subterranean Bombay—into the underworld gangs, the bar dancers, the pavement dwellers. Despite its oft-times grim subject matter, the book exudes an energy and excitement that is reflective of the maximum city itself. As someone who grew up in a genteel, middle-class household in Bombay and was not familiar with the world described by Mehta, this eye-opening book served as a guide to places I have never been and roads I have never traveled.
A native of Bombay, Suketu Mehta gives us an insider’s view of this stunning metropolis. He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs, following the life of a bar dancer raised amid poverty and abuse, opening the door into the inner sanctums of Bollywood, and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks.
As each individual story unfolds, Mehta also recounts his own efforts to make a home in Bombay after more than twenty…