10 Books like The Half

This is the best book out there about the ups and downs, the value and the degradation, the profundity and the shallow pettiness of universities. 

It is also an achingly profound commentary on the disappointment of life, when beauty and fulfilment are always just out of reach. 

Stoner reminds me that the vast archive of books out there is always growing, and there’ll never be enough time to read the best of what’s already been written, never mind try to grapple with a steady stream of new classics. Even so, I know I’ll read this book again and again.

Having worked in several archives, I know they are magical places, full of treasures that must be protected and cared for with a delicate touch and a responsibility to both past and future. Although people often think of archives as official institutions housing government records, artefacts can be personal documents, films, or objects, capturing tiny moments that make up grand histories. 

This book interweaves the poetry and factual background of T.S. Eliot with the life of the fictional archivist who protects his collections. Both men struggle with difficult marriages, and the fact that their wives are institutionalised due to mental health issues.

It’s a story about the importance of remembering and understanding the past. It’s also a book about why certain writers create archives around their work, and how these documents help us understand their creativity. 

A book about how the microhistories found in personal archives are essential to our understanding of how people respond to the world around them, how they form and document their own identities, and how, sometimes, a true understanding of a life may come only through sifting through the ephemera of a person after their death.

But do we have the right to look? The author asks us to think of how we view the dead and whether the rights they held during life should still be attributed to them when they no longer inhabit this world.

A book full of the ideas of other writers and cultural theorists that moves deftly between memoir, history, and poetry.

I felt incredibly voyeuristic reading the letters of an eager child, a sensitive teenager, and an impressive young student.

These are letters by someone with a ravenous appetite for all that life has to offer: food, company, experiences, books, history, and travel. We see the writer blossom through the excerpts of her poetry that are included, but also in the heartfelt, lyrical, and eloquent letters to family, friends, and boyfriends.

Her life is packed full of a dizzying array of activity, and, as she admits herself, she loves to alternate periods of intense study with social life and excursions with friends as far as she can travel.

Not a minute is wasted, even during the dark times that she documents, and the melancholy that is felt by the reader who possesses hindsight intensifies the feeling that we have no right to read these words, and yet they are so compelling,… show more.

First published in German in 1939, I find this book still relevant to our time. One lesson I have learned is to examine my feelings toward those who are less fortunate. Other than feeling a sense of pity, how else should I react? The book makes me think about whether our pity as an outsider really helps or whether this feeling only serves as a defense mechanism that helps relieve our guilty feelings over living a life of abundance and security.

Hofmiller, the main protagonist of the book experiences such a moral dilemma: should he do more for a young woman who is less fortunate? The juxtaposition of his actions and those of the young woman’s father works exceedingly well. 

I was utterly captivated by Meryl Streep’s performance in the film; I had to read the book. Great plot line with its revolutionary intrigue. My heart warmed utterly to Sarah Woodruff, and the mysterious, charismatic qualities she so powerfully radiated. She was a powerful fractional role model for Charity’s character.   

Who can resist a story of reinvention? We certainly can’t. Alfred Hitchcock’s reputation as the Master of Suspense was secure when Rebello began telling his story. But Hitch, the artist, wanted to continue challenging himself creatively, while Hitch, the businessman, understood that audience tastes were changing as the 1960s dawned.

With Psycho (1960), he risked everything to tell an unexpected, transgressive story. Rebello reveals that, by changing how he made movies, Hitchcock changed the movies entirely. As Robert Bloch’s novel Psycho spawned the film, Rebello’s meticulous history became the movie Hitchcock (2012).

Hearing voices is considered a symptom of schizophrenia and can quickly lead to hospital lockup, medication, and being shunned by society as “mentally ill.” In this fascinating account, Smith reveals the truth about this experience we call “madness” – hearing voices is actually a normal human experience across history and culture. Poets, religious visionaries, people spending time alone or grieving – even Freud, Gandhi, actor Anthony Hopkins, singer Lady Gaga -- all heard voices, and anyone under the right kind of stress can hear voices. The problem only arises when people hear distressing voices and have nowhere to go for help other than being treated as ill by a doctor.

Psychiatry made the catastrophic mistake of calling homosexuality a mental disease, and for many decades LGBT people were abducted, confined in hospitals, drugged, tortured, and killed for the mental crime of being different. Today people who hear voices are also… show more.

Why this book? Two words: Aaron Sorkin. This book collects six of his teleplays, but I think you could get just as much by watching the first four seasons of “The West Wing.” Osmosis, do your thing!

Dialogue, character development, how to get into a scene, how to get out of a scene, juxtaposition … it’s all there, and more in Sorkin’s writing. This book contains some of my favorite episodes (although it doesn’t have my favorite, “Noel”), and some of his best speeches. In particular, Bartlett’s rant in “Two Cathedrals” and Toby’s frustration in “17 People” (“I will bet you all the money in my pockets against all the money in your pockets…”) Sorkin’s mantra (intention and obstacle) is probably the shortest and best advice you can get about how to keep characters alive in a scene. Read this book (and watch the show) to see that mantra… show more.

Some might question my choice of a work of fiction here, but I have always been a great admirer of this fine writer's work. Catholics best displays the transitional period from the economically dreary 1930s-1950s, to the often-painful thrust of Ireland into the modernity of a European Union and growing national prosperity. The plot vehicle Moore uses is the story of a crisis of faith as monks living in virtual medieval isolation on an island off Co. Kerry (and indulging in the now forbidden Latin mass) are dragged into conformity by a Vatican plenipotentiary who is determined to break them. In the process, he destroys the foundations of their entire spiritual lives, shatters their traditions, and shows little remorse in doing so. I don't know if Moore, who died in 1999, meant his book to be a metaphor of the New Ireland, but it succeeds in showing a country turning… show more.