Books like The Half — picked by fans

Having worked in archives, I know that they are utterly magical places full of hidden treasures, precious memories, and poignant, tiny moments that tell us so much about our humanity. I’ve spent a lifetime living in the past, hunting through unusual objects, reels of film, letters, and documents that may have once been discarded, but form an essential part of microhistories that might otherwise be forgotten. That’s why I’ve written about the marginalised filmmakers of Northern Ireland – amateur and independent creatives who were shooting alternative images of a place whose conflict was seen all across the world, but whose daily life was not recorded in any meaningful way by broadcast cameras. 

Having worked in archives, I know that they are utterly magical places full of hidden treasures, precious memories, and poignant, tiny moments that tell us so much about our humanity. I’ve spent a lifetime living in the past, hunting through unusual objects, reels of film, letters, and documents that may have once been discarded, but form an essential part of microhistories that might otherwise be forgotten. That’s why I’ve written about the marginalised filmmakers of Northern Ireland – amateur and independent creatives who were shooting alternative images of a place whose conflict was seen all across the world, but whose daily life was not recorded in any meaningful way by broadcast cameras. 

Having worked in archives, I know that they are utterly magical places full of hidden treasures, precious memories, and poignant, tiny moments that tell us so much about our humanity. I’ve spent a lifetime living in the past, hunting through unusual objects, reels of film, letters, and documents that may have once been discarded, but form an essential part of microhistories that might otherwise be forgotten. That’s why I’ve written about the marginalised filmmakers of Northern Ireland – amateur and independent creatives who were shooting alternative images of a place whose conflict was seen all across the world, but whose daily life was not recorded in any meaningful way by broadcast cameras. 

Having worked in archives, I know that they are utterly magical places full of hidden treasures, precious memories, and poignant, tiny moments that tell us so much about our humanity. I’ve spent a lifetime living in the past, hunting through unusual objects, reels of film, letters, and documents that may have once been discarded, but form an essential part of microhistories that might otherwise be forgotten. That’s why I’ve written about the marginalised filmmakers of Northern Ireland – amateur and independent creatives who were shooting alternative images of a place whose conflict was seen all across the world, but whose daily life was not recorded in any meaningful way by broadcast cameras. 

Why do I love Vatican Intrigue? Well, here’s just one example. When the cardinal electors vote for a new pope, they process through a locked Sistine Chapel toward Michelangelo’s fresco of the Last Judgment and drop their twice folded paper ballots into a large golden chalice, a process that hasn’t changed for centuries. The faster the world turns and evolves, the more I am drawn to the Vatican’s many ancient traditions and protocols. And, the funny part is, I am not a particularly conservative person; it’s just that I appreciate the Vatican as a huge counterweight to the rapid changes taking place in the rest of the world.

I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.

I have always been fascinated by the Regency Period, and because of this fascination, I explored its historical context in full. That includes, of course, the French Revolution and its repercussions in England and globally. I am also obsessed with the literary concept of the heroine, and wanted to create characters who in some ways synthesized Moll Flanders and Jane Eyre, bridging the gap between 18th and 19th Century expression.

We write mysteries set during the Golden Age of Hollywood that feature costume designer Edith Head, so naturally, we love books about film history. We’ve found that some of the best books to tackle the subject aren’t biographies of individuals or profiles of film studios but case studies of single films. Concentrating on one movie and all of the personnel and creative decisions behind it allows an author to explore every aspect of filmmaking and explain how it really works…even when the film in question doesn’t.

My late husband Brian Barraclough (1933-2025), on whose behalf I have compiled this book list, had a great interest in medical history. He carried out research on many distinguished doctors from the 19th and 20th centuries, and prepared talks and publications about their lives. Brian came from New Zealand, had a long career in academic and clinical psychiatry in the UK, and returned to New Zealand after he retired. The two of us often worked together on our respective writing projects, and I edited and published the text of his autobiography after he died.

I was an imaginative and sensitive kid – growing up in the confusing oppressions of the US south and raised by parents who are themselves trauma survivors. When I started to go into altered states, hear voices, withdraw in frightened isolation and drift towards strange beliefs, I was forcibly locked up at Langley Porter Psychiatric Hospital in San Francisco. I was drugged, put in restraints and solitary confinement, and told I was schizophrenic and would never live a normal life. Today I don’t take medication, work as a therapist teacher, and advocate, and have joined the international patients’ movement working to change an abusive and misguided mental health system. I am not anti-medication, but I see psychiatric meds for what they are – tranquilizers, not treatments, tools not solutions. We need compassionate approaches and caring communities for individuals suffering from a psychotic crisis like I was. I am also the author of the Harm Reduction Guide to Coming Off Psychiatric Drugs.