Here are 82 books that The Golden Spoon fans have personally recommended if you like
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My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River,and my written work includesThe Occultists, Shadowdays, and the novella 8:59:29.I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.
There’s a valid argument to be made that Shadowlandis perhaps more of a horror novel than fantasy, but it’s never really out-and-out scary.
It’s certainly more magical than bloody, concerning two friends in the 1950s who spend a hallucinatory summer at an uncle’s place in the Vermont woods. And man do things get weird.
After a long, lovely prelude at a boarding school, Tom and Del have to navigate their failing friendship and the strange happenings in the woods, but most of all they have to look out for Del’s uncle Cole, an old-school magician who, it turns out, is far from an avuncular old guardian.
Full of fairy tales and fables and wonderful digressions (with Straub, the digressions are often the point), Shadowlandfeels timeless in a way Stephen King never does. It might be the best book I’ve ever read.
A classic tale of supernatural horror from the acclaimed author of Koko, The Talisman and Mr X. Now part of the Voyager Classics collection.
IF YOUR SHADOW DOESN'T MOVE WHEN YOU DO, THEN YOU'RE IN SHADOWLAND
In a private school in New England, a friendship is forged between two boys that will change their lives for ever. As Del Nightingale and Tom Flanagan battle to survive the oppressive regime of bullying and terror overseen by the sadistic headmaster, Del introduces Tom to his world of magic tricks. But when they escape to spend the summer holiday together at Shadowland -…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
Various poetry collections have become important to me throughout my life, but if I had to choose a favorite poet and favorite book right now, it would be Voigt and Headwaters. Something new reveals itself each time I read this collection, and it is a particular thrill that so many aspects of a place I know show up in poems of such fierce beauty—the groundhogs and winter snows, the larch and birch and owls.
Voigt moves from one line to the next with such smooth velocity—not slowed down by a single piece of punctuation—that the tumbling forth of images, moods, memories, questions, and quips can create a whiplash effect of the most pleasing kind. A poem that begins with heavy frost and hibernation moves through insomnia, deception, and the pleasure of smoking, and by the end, I find myself marveling, how did we get here?
Rash yet tender, chastened yet lush, Headwaters is a book of opposites, a book of wild abandon by one of the most formally exacting poets of our time. Animals populate its pages-owl, groundhog, fox, each with its own inimitable survival skills-and the poet who so meticulously observes their behaviors has accumulated a lifetime's worth of skills herself: she too has survived. The power of these extraordinary poems lies in their recognition that all our experience is ultimately useless-that human beings are at every moment beginners, facing the earth as if for the first time. "Don't you think I'm doing better,"…
I am passionate about in-depth character development because it’s something I strive for in my own writing. Humans are very complex creatures who are capable of a full range of responses on any given day, moment, or set of circumstances. Offering readers an opportunity to consider what motivates characters to behave in the ways they do makes a story worth sinking your teeth into. I think making these kinds of considerations about characters who are not real also opens up our collective ability to exercise our empathy muscles in real life. These days, we need that more than ever.
The masculine voice in this novel is absolutely masterful. It’s tender, nuanced, earnest, and intelligent. Stegner offers a sweeping, unflinching story about friendships, marriage, the human ego, and the passage of time with a set of characters who are flawed, fragile, and therefore, very believable.
I’ve read this book more than once, and discover something new and lovely each time. This book honors a reader’s intelligence and heart. Again, the complexity in the characters and how they relate to one another gets me every time.
A novel of the friendships and woes of two couples, which tells the story of their lives in lyrical, evocative prose by one of the finest American writers of the late 20th century.
When two young couples meet for the first time during the Great Depression, they quickly find they have much in common: Charity Lang and Sally Morgan are both pregnant, while their husbands Sid and Larry both have jobs in the English department at the University of Wisconsin. Immediately a lifelong friendship is born, which becomes increasingly complex as they share decades of love, loyalty, vulnerability and conflict.…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
I dream of one day walking the entire Long Trail, biking the back roads, and paddling a canoe across Lake Champlain, but in the meantime, Leath Tonino has done all that and more. He brings a friendly curiosity, scrounged-up equipment, and a high tolerance, or even yearning, for discomfort and solitude as he explores “the wilderness of home.”
And because he’s also always reading books—the title comes from Aristotle, and his literary heroes are many—his perspective is a little more philosophical than you might expect from a collection of reports about often-challenging outdoor adventures. Mainly written for the magazines that helped fund his modest expeditions, these short pieces explore defunct logging camps, slippery waterfalls, ice-kayaking societies, cormorant colonies, and the little-seen railroad tracks of Vermont.
In the title selection, the native Vermonter traverses the state in seven different ways: biking, walking, swimming, skiing, hitchhiking, flying, and paddling. For Tonino, it’s…
The phrase "an animal a thousand miles miles long," attributed to Aristotle, refers to a sprawling body that cannot be seen in its entirety from a single angle, a thing too vast and complicated to be knowable as a whole.
For Leath Tonino, the animal a thousand miles long is the landscape of his native Vermont. Tonino grew up along the shores of Lake Champlain, situated between Vermont's Green Mountains and New York's Adirondacks. His career as a nature and travel writer has taken him across the country, but he always turns his eye back on his home state. "All…
I earned my teaching certification as an undergraduate. I went to a program in a very rural place, and I did my student teaching in a very rural school—but all we talked about in my college classes were urban schools, urban kids, and urban teachers. There were certainly some similarities, but I was amazed how research, policy, and practice just seemed to overlook rural education (about one-quarter of all U.S. public schools!). So I went into rural education research and advocacy wanting to do something about that gap: to bring attention to rural education so that we can write policies and practices that sustain, rather than undermine, rural schools and communities.
I began my career in education as a student teacher in rural Vermont. Like many beginners, I started off as a terrible teacher, and I was desperate for resources. Yet I found very little about rural teaching specifically—until I happened upon this book.
It was like Keizer was speaking directly to me. As a teacher in rural Vermont, he writes with humor and grace about the challenges and possibilities of rural teaching.
He is definitely an outsider to the Northeast Kingdom, and, occasionally, his descriptions have an air of condescension—and, today, they certainly read as dated. But this book has a special place in my heart—it got me through my first few years of rural teaching.
Weaving anecdotal narrative with trenchant reflections on his profession, Garret Keizer offers one teacher's answer to the hue and cry over the crisis in education. An English teacher in rural Vermont, he writes of the opposing realities he faces every the promise and energy of the young and the oppressive effect of their economic disadvantages; the beauty of the countryside and its people and the harsh, sometimes ugly edge of life there; the need for discipline and the importance of rebellion. In exploring the demands peculiar to his own community, Keizer movingly depicts the difficulties-some triumphantly overcome, some overwhelming-that form…
When I met my husband, he had two dogs—Gus the collie and Charlie the Yorkie. When the collie crossed the rainbow bridge, we brought another big dog into the household—a golden retriever. Charlie let Sam know that my husband was HIS human, and Sam could have me if he wanted. That began a beautiful twelve-year love affair. I knew I had to write about the relationship between man and dog, and chose the mystery novel as my framework. I spend hours every day researching my books – walking my current goldens, Brody and Griffin; feeding them; grooming them; playing with them; and observing how they interact with the world.
This book was short-listed for the Mary Higgins Clark Award and named the Dogwise Book of the Year. It features ex-soldier Mercy Carr and retired military K-9 Elvis, who were both traumatized when Mercy’s fiancé—also Elvis’s handler—was killed on their last deployment.
Paula Munier is another author with a deep connection to the natural world. She is studying for a naturalist certificate in her home state of Vermont, and the books are full of great details.
It may be the Fourth of July weekend, but for retired soldiers Mercy Carr and Belgian Malinois Elvis, it's just another walk in the remote Lye Brook Wilderness - until the former bomb-sniffing dog alerts to explosives and they find a squalling baby abandoned near a shallow grave filled with what appear to be human bones. U.S. Game Warden Troy Warner and his search and rescue Newfoundland Susie Bear respond to Mercy's 911 call, and the four must work together to track down a missing mother, solve a cold-case murder, and keep the citizens of Vermont safe on potentially the…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I’ve heard stories of the 1918 Influenza pandemic, how the soldiers returning from WWI were infected and then spread the disease to every town throughout the United States, and that most who died were very young. The Twenties were exciting times and came immediately after the pandemic. With so much death among young people, those who survived wanted to live life recklessly.
This Picoult novel, written close to the time I began to shape my book, asks whether we can love across time. While the theme is much more grounded in practical and natural circumstances, the fact that the question is teased out in this novel helps shape the same question my character, Adelyn, finds herself embroiled in. Is Innis capable of breaking the barrier using the strength of a first love?
THE INTERNATIONAL BESTSELLER 'Compelling, surprising and entertaining' Heat
Since the death of his fiancee Aimee, Ross Wakeman has been unable to fill the hole she has left in his life. Seeking to end his pain, he becomes a ghost hunter, despite never having seen a ghost.
However, when his job leads him to the town of Comtosook, it becomes apparent that Ross isn't the only one haunted by the past. When he meets the mysterious Lia, who brings him to life for the first time in years, redemption seems around the corner.
In addition to writing novels, I’m a humanities editor for Oxford University Press. So, I’m interested in the political and theological implications of non-human intelligence. I wonder how people would react to such a revelation. Some would be fascinated by this radical new perspective. Others would be horrified at what they perceive as a transgression against nature. I’m also drawn to this topic because I still vividly recall the entertainment of my youth, which regularly featured anthropomorphic animals. Sometimes they’re just cool or funny. But on occasion—like withThe Secret of NIMH—they raise profound questions of identity and rebellion, even for an audience that is too young to understand.
A childless couple adopts a chimpanzee named Looee, and you already know from reading that sentence that it will lead to trouble and heartbreak. After a few pages, I didn’t care. In McAdam’s skilled hands, the inevitable sadness doesn’t matter, because the delicately handled point of view perfectly captures a doomed creature trapped between two opposing identities. In contrast, we also meet Podo, an alpha chimp at a research facility seeking to test the intelligence of primates. Podo is fully ape, but he is turning into something more. Their paths soon join, taking them deeper into a gray area between human and animal that I had never seen rendered on the page so vividly before.
Walt and Judy's happiness has been blighted by their childlessness; although their marriage seems blissful, Judy feels increasingly empty and Walt longs to make her happy again. So one day he brings home Looee - a baby chimpanzee. Looee, exuberant and demanding, immediately fills the gap in Walt and Judy's life, and they come to love him as their own son. Like any child, Looee is affectionate and quick to learn, generous and engaging. But he is also a deeply unpredictable animal, and one night their unique family life is changed forever. At the Girdish Institute, chimpanzees have been studied…
Misery loves company, right? While I never wish ill on someone, I find comfort in knowing I’m not the only one going through a loss, slight, or rejection. Family dysfunction novels remind me that the petty problems I get caught up in are nothing compared to what they could be. Sure, fiction frequently elevates these troubles from drama to melodrama, but I still experience relief—even though it may only be in the smallest way—focusing on someone else’s struggles. Sometimes I even find a solution to my own paltry issues. Who wouldn’t want that? And what writer wouldn’t want to help readers in that way?
I love to explore all aspects of family drama and strife, but sometimes I prefer something with more light and hope rather than darkness and despair.
I thought this one would fit the bill. In many ways, it did. But that doesn’t mean there was a lack of tears and angst. Who wouldn’t want three wishes? And what would we do if we had them? This story explores that and more.
Moreover, it left an indelible stain on my heart while also proving all is not over after a loss. It’s an odd mix of sad and joyful… bittersweet, but elevated to another level.
When a surprise October blizzard hits Panama, Vermont, blanketing the sleepy little town with several feet of snow, it creates a scene so tranquil no one suspects the tragedy to come, least of all Bree Miller. Slipping and sliding as she walks home from the diner where she works, she barely has time to notice the runaway truck skidding toward her until it is too late. Sbe awakens in the hospital, remembering little of the accident or the hours thereafter, except for a very bright light, a beatific smile, and a mystical nonvoice granting her three wishes. Tom Gates is…
As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
Many YA novels set in a theatrical environment are heavily romance-focused. This book is the best I’ve found in that category. The hero, recent high school graduate Cass, has a super-strong voice that made me laugh out loud. She’s snarky, off-color, bold, and impatient. The theater plotline weaves throughout the story as Cass and cohorts perform The Taming of the Shrew at a summer theater. She steals ideas from Shakespeare’s play to torment her costar and nemesis, Drew.
Theater Quotient: High. Much of the plot revolves around rehearsals and elements of the play trickle into real life.
Cass McKay has been called stubborn, temperamental, difficult, and that word that rhymes with "witch" more times than she cares to count. But that's all about to pay off. She has finally landed the role she was born to play-Kate, in The Taming of the Shrew-in the summer apprentice program of a renowned Vermont Shakespeare theater company.
But Cass can barely lace up her corset before her troubles begin. The leading man, Drew, is a complete troll, and he's going to ruin Cass's summer. Even worse, Cass's bunkmate Amy has somehow fallen head over heels for Drew. Eww! Cass can't…