Books like The Golden Spoon — picked by fans

I began my career in education as a student teacher in rural Vermont. Like many beginners, I started off as a terrible teacher, and I was desperate for resources. Yet I found very little about rural teaching specifically—until I happened upon this book.

It was like Keizer was speaking directly to me. As a teacher in rural Vermont, he writes with humor and grace about the challenges and possibilities of rural teaching.

He is definitely an outsider to the Northeast Kingdom, and, occasionally, his descriptions have an air of condescension—and, today, they certainly read as dated. But this book has a special place in my heart—it got me through my first few years of rural teaching.

Many YA novels set in a theatrical environment are heavily romance-focused. This book is the best I’ve found in that category. The hero, recent high school graduate Cass, has a super-strong voice that made me laugh out loud. She’s snarky, off-color, bold, and impatient. The theater plotline weaves throughout the story as Cass and cohorts perform The Taming of the Shrew at a summer theater. She steals ideas from Shakespeare’s play to torment her costar and nemesis, Drew. 

Theater Quotient: High. Much of the plot revolves around rehearsals and elements of the play trickle into real life.

I’ve always been a Thomas Perry fan going all the way back to The Butcher’s Boy, and thoroughly enjoyed his Jane Whitefield series. His novel, The Old Man, was recently adapted for television, starring Jeff Bridges, who’s perfect as the protagonist. The thing I’ve always appreciated about Perry’s books is his careful plotting and attention to detail, which is particularly noticeable in the Jane Whitefield books.  The other thing about his books is the way he can turn a villain —like the Butcher’s Boy—into a likable protagonist.  

This is a feel-good book with just enough punch to keep it from being cute.

It comes with a building project, some hurricane-induced drama, a bit of romance, and two dogs.

Cooper and Bubba are the canines who wind themselves around the main characters, as most dogs do in real life. Cooper is everyone’s friend, and he orchestrates introductions.

But he’s also a bolter who gets lost just as flooding begins and evacuation becomes unavoidable.

Catherine Drake’s books are always a respite between heavier reading, and this one is one of the best.

I’ve been reading Castle Freeman’s stories and novels for many years, and I always go back for more of his small-town settings, his sheriffs and loggers, and the lingering sense of menace he brings to every situation. But most of all, I go back for the dialogue, which is particularly funny, absurd, and even sometimes wise in this short, propulsive novel.

There’s something of Beckett in how these characters’ talk goes nowhere and everywhere at once. In the closed-down mill of the Dead River Chair Company, a handful of retired or otherwise unemployed men provide commentary and insight on the fast-developing plot, in which a young woman comes to them for information about a man who’s been stalking her and eluding the law.

They set her up with a couple of seemingly hapless locals, who together track him down in an abandoned logging camp in the dark woods. Freeman grew… show more.

I love to explore all aspects of family drama and strife, but sometimes I prefer something with more light and hope rather than darkness and despair.

I thought this one would fit the bill. In many ways, it did. But that doesn’t mean there was a lack of tears and angst. Who wouldn’t want three wishes? And what would we do if we had them? This story explores that and more.

Moreover, it left an indelible stain on my heart while also proving all is not over after a loss. It’s an odd mix of sad and joyful… bittersweet, but elevated to another level. 

Various poetry collections have become important to me throughout my life, but if I had to choose a favorite poet and favorite book right now, it would be Voigt and Headwaters. Something new reveals itself each time I read this collection, and it is a particular thrill that so many aspects of a place I know show up in poems of such fierce beauty—the groundhogs and winter snows, the larch and birch and owls.

Voigt moves from one line to the next with such smooth velocity—not slowed down by a single piece of punctuation—that the tumbling forth of images, moods, memories, questions, and quips can create a whiplash effect of the most pleasing kind. A poem that begins with heavy frost and hibernation moves through insomnia, deception, and the pleasure of smoking, and by the end, I find myself marveling, how did we get here?

There’s really no point… show more.

This lovely story is one of loss, tragedy, hope, family, and new beginnings that come in the most unexpected ways.

Seventy-five-year-old Sarah has a good life. She’s been married to Charles, a man she adores, for fifty years. She assumes they will live out the rest of their lives together in the tranquil setting of their Vermont country home. But when Charles unexpectedly passes away, Sarah’s beautiful life is shattered.

With her children grown and raising families of their own, she finds herself alone in her big house, no one to nurture, no place to put her love. Until a collection of displaced characters begin to find shelter in her home. Working through her grief, Sarah discovers interests she never took the time to explore, and in pouring into others, soon finds her own cup overflowing. 

This story provides perspective on what things are important, and what are not. So… show more.

I can’t get enough of quirky, indefatigable teen sleuth Stevie Bell. She’s determined to solve a decades-old cold case, but must also navigate social awkwardness, anxiety, and people who literally want her dead.

I enjoyed how this book flip-flopped between the present-day narrative and the past. My friend and I got to see Maureen Johnson give a talk at a nearby bookstore, and we loved it; she’s basically a stand-up comedian. 

Pioneer Species is a book of poems by friend and farmer-poet Ross Thurber. A small vineyard I work with in southern Vermont, my own agricultural essay and investigation on a sense of place different than my own, is part of Ross’s Lilac Ridge Farm. Like Mary Oliver, Ross is intensely bound to the natural and cultivated world of his farm in which he lives and his poems capture a language that brings forward the light, the shadow, the fog, the till, the butterfly, the flower, the cow. I am constantly inspired by his poems to be out in my own fields and to contemplate and communicate my own place in them. A delicious collection about a deeply personal and lyrical view of farm life.