Books like The Glass Chateau — picked by fans

I am not Norwegian, or even Scandinavian. My interest in history came from my dad being a veteran after serving in Europe in WWII, even though he talked about it very little. I’ve always loved to read, write, and think, so I especially loved to read WWII stories and share them. After I met new friends on a trip to Norway, people who had lived through the five-year German occupation, I felt compelled to write about their experiences. Their stories, and ones like Snow Treasure, earned my deep respect, compelling me to research, and eventually to write, a novel that might capture the spirit and stories I had heard and loved.

I’m endlessly fascinated by the stories of young women from the WW2 era, who came of age at the moment the world was torn apart. As an author of wartime historical fiction with strong female characters, it’s vital for me to understand the experience of ordinary women who grew up in such extraordinary times, so I’m always on the hunt for real voices from the era. I’d love to think that in similar circumstances I’d face my challenges with the same humour, resourcefulness, bravery, and humanity as my favourite five female memoirists selected for you here.

My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!

Both my parents were born in Leipzig, Germany and were survivors of the Holocaust. I grew up in Upstate New York with stories my mother recounted about her family’s dramatic escape and the many harrowing moments they endured. I was fortunate enough to interview her before her death and to acquire the memoirs of her two sisters.  I've always wanted to publish their astonishing story, and I'm thrilled that my readership spans many countries. This book highlights the many individual, family, and village rescuers that saved the lives of my mother’s family. I have stayed connected to the descendants of many of these rescuers and am forever grateful for the risks these heroic people took to save the lives of the Kroch family.

When I learned, at seventeen, of my father’s Jewish heritage, I flung myself headlong into reading about Judaism. Naturally, this led me to the Holocaust and World War II, and my novels are inspired by family stories from this harrowing time. While doing research, I traveled to Germany and London, interviewed WWII veterans, and read countless memoirs, academic nonfiction tomes, and historical fiction books about this era. I now speak at libraries and to community organizations about the Ritchie Boys, Secret Heros of WWII. People sometimes tell me concentration camp stories are too disturbing, so I recommend books about Jewish survival, heroism, and everyday life during the Third Reich.        

I spent ten years uncovering hidden histories consulting with historians, conducting interviews, sourcing archival records, and visiting Poland and Germany to determine how my mother and grandparents survived the Holocaust. And how, as refugees starting again in new countries after the war, they dammed in their traumas with silence. I became fascinated by how repressing war traumas affects relationships and families—for example, in my family, a father who gave his daughter away, my mother’s loveless childhood with parents who turned out not to be hers, and the lies told that both protected and harmed her. 

I’ve long been enthralled by tales, real and fictional, that transcend the obvious and clichéd. My interest in World War II was piqued years ago while studying in Italy, when our professor regaled us with accounts of the Italian Resistance. Depictions of the “enemy” in fiction are often brutalized, and he is portrayed as less than human, compared with those on the righteous side of the battle. As a romance writer, crafting characters as living, breathing human beings, amidst the abyss of war, became my passion. Conflict is essential to a captivating plot, and what could be more intriguing than pitting heroine against hero in mortal struggle.

Twenty years ago I nearly married a French woman and emigrated. I prepared vigorously to become an honorary Frenchman, cramming French history, language, and culture. Ultimately, I neither married nor emigrated, but the passion for that cultural acquisition project never left me, meaning many years of trips, reading, and language study. For the last decade, I've supplemented that interest by looking for historically significant French texts to translate (primarily contemporaneous texts about the World Wars and the interwar period). I have degrees in history and international affairs, plus professional experience in military affairs (including the Office of Secretary of Defense) and editing magazines (for Time, Inc.).

I'm a Frenchman with a great interest in the history of the Second World War, specializing in the correspondence of Allied soldiers. Almost 20 years of collecting WWII letters led to the publication of my first book Till Victory which was an award-winning bestseller in France, before it was released in English worldwide in 2021. I also host a podcast (Till Victory: a podcast about WWII and Peace), where I interview British and American veterans, and have made documentaries such as Red Beret & Dark Chocolate or The Missing Highlander. It's all about trying to understand what the young men who fought and died to liberate my country went through when they were my age.

In 2017, my family was invited to France to retrace my father’s footsteps after his plane was shot down over occupied France in May 1944. During that visit, I realized how many ordinary citizens aided in his evasion. I thought their stories deserved to be preserved. I spent the next five years researching and writing, The Duty of Memory. During four trips to France to visit the actual sites, I interviewed eyewitnesses and became friends with family members of those depicted and learned their stories. I also studied documents from the US National Archives and the French Military Archives, as well as personal documents provided by the families.