Here are 100 books that The Ghost That Ate Us fans have personally recommended if you like
The Ghost That Ate Us.
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I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.
A delightful, bonkers story in which 12-year-old Alex MacBuff, Laird of ancient Castle Carra, is not so much haunted by a motley collection of ghosts as brought up by them from babyhood. For battle-hardened Krok the Viking, heartbroken Victorian governess Miss Spinks, spoilt 5-year-old poltergeist Flossie, retired vampire Stanislaus and failed Hellhound Cyril, Alex is the centre of their world, and they will do anything to help him. Anything, that is, except stop haunting the crumbling, much-loved but unaffordable Castle Carra that Alex needs to sell to Texan billionaire Hiram Hopgood. Which is awkward… as a ghost-free castle is part of the deal.
'I will buy your castle,' declared Hiram C. Hopgood. 'But only if there are no ghosts!'
Alex MacBuff can't afford to keep his beloved Castle Carra, and an American millionaire has made him an offer he can't refuse. The castle is shipped all the way to Texas, but its ghostly inhabitants, including Krok the Viking warrior and a hell-hound called Cyril, follow their home across the Atlantic. How can Alex stop them haunting Hiram and also save the millionaire's daughter from an evil ransom plot?
The Haunting of Hiram is a wonderfully spooky young-fiction title from the award-winning author of…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My parents were avid readers and mysteries were a perennial favorite for all of us. By my early teens I moved from Judy Bolton and Nancy Drew to the Golden Age of mystery writers such as Agatha Christie and Mary Roberts Rinehart. Clearly addicted to mysteries without undue violence or gore, I discovered some wonderful television series as well. It won’t surprise you to learn that my favorite is Murder, She Wrote.
Lori Shepherd’s mother had a life-long friend, Dimity Westwood. Lori was at a personal crossroads when Dimity died and left Lori a cottage in the Cotswolds. But the biggest surprise for Lori (and for me!) is when she discovers that she and Dimity can write notes to each other. Don’t we all need a friend who can steer us in the right direction? When a valuable painting is stolen Lori must rely on Dimity to guide her to set things right.
The gentle spirit's sixteenth adventure is a New York Times bestseller and as "cozy and charming as a cup of Earl Grey" (Bookpage.com). And watch out for Nancy Atherton's latest, Aunt Dimity and the King's Ransom, coming in July 2018 from Viking!
After a dizzying time Down Under, Lori Shepherd returns to Finch and finds that her wealthy father-in-law, William Willis, Sr., has just purchased a splendid ten-acre estate nearby. While William fends off local ladies intent on romance, Lori oversees the painstaking restoration of a peculiar painting found during renovations. It's nothing Lori can't handle-until moving furniture, strange…
When I was five my dad had to carry me, crying, out of the Salem Witch’s Dungeon. You’d think that would put a damper on my love of spooky things, but it absolutely did not! Bela Lugosi was my first crush. I set up Haunted Houses in my garage and read every single book my local library had on the Salem Witch Trials. I made my way from Bunnicula and The Halloween Tree, to books by Stephen King and Anne Rice. Halloween and horror will always have a special place in my heart, and yet…I still don’t let my legs dangle off my bed, lest the monsters get me.
Every day is Halloween when you live in the seventh most haunted town in America, so ghosts and witches are nothing new to Evie Von Rathe. But when Aunt Des disappears, Evie knows she’ll do anything to get her back, even if it means playing a deadly game against a serial killer with a creature called The Clackity.
Watching Evie overcome her anxiety is a struggle kids will relate to and makes her an easy character to root for. The Clackity has such a perfect spooky Grimm’s Fairy tale vibe, that I was immediately sucked in. Nothing is more Halloween than a dark trip through the woods, and the twisted Alice in Wonderland feel of this book lives and breathes Halloween.
Reminiscent of Doll Bones and Small Spaces, this "delightfully eerie" (Erin A. Craig, New York Times bestselling author of House of Salt and Sorrows) middle grade novel tells the story of a girl who must rescue her aunt by entering a world of ghosts, witches, and monsters to play a game with deadly consequences.
Evie Von Rathe lives in Blight Harbor-the seventh-most haunted town in America-with her Aunt Desdemona, the local paranormal expert. Des doesn't have many rules except one: Stay out of the abandoned slaughterhouse at the edge of town. But when her aunt disappears into the building, Evie…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
A delightful, funny story of friendship, ghost chores, a spooky house and a professional haunter.
Meet Sir Simon, Super Scarer. He's a professional ghost who has been transferred to his first house. And just in time! He was getting tired of haunting bus stops and forests and potatoes. And to top it off, this house is occupied by an old lady -- they're the easiest to haunt!
But things don't go as planned when it turns out a KID comes with this old lady. Chester spots Simon immediately and peppers him with questions. Simon is exasperated. . . until he…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Even though this is a period novel, I read this story for its Gothic horror and literary acumen. Repression of memories, feelings, and guilt struck me throughout. Dr. Faraday discovers ghostly mysteries at Hundreds Hall, and his romance with Caroline is spooky enough, but this ghost story is grounded in reality.
Who is the little stranger haunting the premises? I sunk deeply into this story, drinking up the beauty. But the ending! Wow. Brilliantly revealed and aptly placed on the final page. Sarah Waters hides the ghost in plain sight, and yet I was surprised at the conclusion—delightfully so. I’m a sucker for one-liners that grab the reader by the throat, metaphorically speaking, at the last line. I plan to read it again because it’s that good.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable…
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
When I first read the back of this book I thought, "How frightening can wooden, life-sized figures tucked away in a remote mansion be?" Answer: A lot.
When the book opens, Elsie Bainbridge’s husband has died (mysteriously). When she discovers the strange totems the servants are terrified of locked away in the attic, something is definitely…not right. Once the figures’ eyes appear to move and Elsie finds them in different places in the house as if they move of their own accord, her piece of mine starts to unravel. And so did mine.
"[An] extraordinary, memorable and truly haunting book." -Jojo Moyes, #1 New York Times bestselling author
Laura Purcell's THE SHAPE OF DARKNESS is now out from Penguin!
Some doors are locked for a reason.
When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But pregnant and widowed just weeks after their wedding, with her new servants resentful and the local villagers actively hostile, Elsie has only her late husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
This wonderful novel begins with the inheritance of an ancestral pile in rural England and slowly, by twists and turns, reveals the story of the once ornate house and gardens down the centuries. Ladies and lords of the manor, gardeners and servants, painters, photographers, and WWII land girls all flit fleetingly through its pages, but the novel’s heart is the mysterious walled garden whose secrets only a very few get to witness.
American owner of a failing gallery, Toni, is unexpectedly called to England when she inherits a manor house in Hertfordshire from a mysterious lost relative.
What she really needs is something valuable to sell, so she can save her business. But, leaving the New Mexico desert behind, all she finds is a crumbling building, overgrown gardens, and a wealth of historical paperwork that needs cataloguing.
Soon she is immersed in the history of the house, and all the people who tended the gardens over the centuries: the gardens that seem to change in the twilight; the ghost of…
I used to be the caretaker for the last home of Edgar Allan Poe, and during my four-year tenure, I tried to read everything Poe ever wrote, as well as literature inspired by his work. The key word there is “tried.” It’s an impossible task. Poe’s influence is vast and evergreen. The traditional ghost story was not his specialty, but nevertheless, I associate him with spirits and phantoms since one of his primary obsessions was the potential oblivion of the afterlife. I share these obsessions, and I doubt I would have taken the job if I wasn’t already drawn to stories that imagine what lies beyond the veil.
I love it when a story taps into my dream life when the author imagines a landscape that tickles my subconscious. Since the experience is so deeply personal, it obviously cannot be planned or market-tested, which makes it all the more thrilling when it happens.
That was my experience reading this book. As a boy, I often dreamed about my small town turning into a neighborhood full of ghosts overnight (Don’t ask me why. I was a strange child). This happens to be the exact premise of Velkwood. In Kiste’s narrative, a living woman must enter this literal ghost town at her own peril to uncover the secret behind a family tragedy, and the results are both philosophical and beautiful.
From Bram Stoker Award -winning author Gwendolyn Kiste comes a chilling novel about three childhood friends who miraculously survive the night everyone in their suburban hometown turned into ghosts-perfect for fans of Yellowjackets.
The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter-and only one has in the past twenty years, until now.
Talitha Velkwood has avoided anything to do with the tragedy that took her mother and eight-year-old sister, drifting from one job to another,…
Since I was a child, Halloween and Christmas have held equally hallowed positions in my heart. When I learned of Krampus folklore in my teens, I was immediately fascinated. Krampus offered the best of both worlds—a dose of Halloween creepiness to counterbalance the bright jubilation of the winter holidays. Krampus Confidential, a middle-grade mystery, and adaptation of The Maltese Falcon, is my second children’s book that aims to introduce this magnificent creature to children in a way that doesn’t inspire nightmares. My first, Goodnight Krampus, is a board book for young readers that reimagines the monster as a rambunctious toddler who gives Santa a hard time by refusing to go to sleep on Christmas Eve.
Though the stories in this collection aren’t likely to scare you silly, they will almost certainly give you the creeps. The Victorians loved spending their cold, dark winter evenings with eerie tales of the unsettling, the uncanny, and the unholy. And who could blame them? The 13 tales collected here are diverse in content and tone, but they all offer an ideal candlelit escape when the days grow dark and the cold wind wails.
The first-ever collection of Victorian Christmas ghost stories, culled from rare 19th-century periodicals
During the Victorian era, it became traditional for publishers of newspapers and magazines to print ghost stories during the Christmas season for chilling winter reading by the fireside or candlelight. Now for the first time thirteen of these tales are collected here, including a wide range of stories from a diverse group of authors, some well-known, others anonymous or forgotten. Readers whose only previous experience with Victorian Christmas ghost stories has been Charles Dickens’s “A Christmas Carol” will be surprised and delighted at the astonishing variety of…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
I like a writer of ghost stories to personally believe in ghosts, as Benson did.
I also appreciate that he brings to even his scariest and most horrible tales the same sharp social observation and wit that he brought to his Mapp and Lucia stories.
Note, however, that the great M. R. James thought Benson’s stories "went over the line of legitimate horridness." Well, I love James, but disagree with him here. I dislike gross horror myself, but think a touch of Benson-style horridness now and again is enlivening (if that’s the right term for a ghost story).
'His body was pressed against the wall at the head of the bed, and the face was a mask of agonised horror and fruitless entreaty. But the eyes were already glazed in death, and before Francis could reach the bed the body had toppled over and lay inert and lifeless. Even as he looked, he heard a limping step go down the passage outside.'
E. F. Benson was a master of the ghost story and now all his rich, imaginative, spine-tingling and beautifully written tales are presented together in this bumper collection. The range and variety of these spooky…
