Here are 100 books that The German Conception of History fans have personally recommended if you like
The German Conception of History.
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I spent twenty years as a book publishing executive learning how the trade works before launching myself as a full-time author wanting to make the world a better place. My books use state-of-the-art scholarship for history you can read on the beach, and focus on âhingeâ moments, great turnings of the world, as well as on forgotten and unsung heroes.
What ideas do you have about what the first peoples were like, and how human society developed?
Maybe youâve even read the popular authors on this topic such as Diamond, Harari, Pinker, Hobbes, and Rousseau. Prepare to have all of your notions and received opinions upended and turned to dust by David Graeber (a man universally acknowledged as a genius) and the book he worked on for the last ten years of his life, which brings revolutionary ideas to 30,000 years of civilization.
A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolutionâfrom the development of agriculture and cities to the origins of the state, democracy, and inequalityâand revealing new possibilities for human emancipation.
For generations, our remote ancestors have been cast as primitive and childlikeâeither free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reactionâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
The search for meaning in history is all part of the search for meaning in life. Whether archaeologists or historians, economists or physicists, they are not just looking for artefacts when digging in the dirt or scanning the skies, they are looking for evidence to piece together a bigger pictureâmeaning in the minutiae. Iâm sceptical, but the philosophy of history remains a fascinating subject, which is why Iâve explored ideas about civilization, progress, and progressive history in a number of books and articles. My primary concern about teleological accounts of history is that they tend to deny people's agency, especially non-Western peoples.
This is another important work by an anthropologist challenging the genealogy of the West and its ideas and institutions. It exposes the myth of history as a supposed moral success story: ancient Greece⊠Rome⊠Christian Europe⊠Renaissance⊠Enlightenment⊠liberal democracy⊠the pursuit of happiness, etc. Wolf systematically highlights why this is a flawed and fraught notion, especially for those people who do not fit neatly into the schema.
Offering insight and equal consideration into the societies of the "civilized" and "uncivilized" world, "Europe and the People Without History" deftly explores the historical trajectory of so-called modern globalization. In this foundational text about the development of the global political economy, Eric R. Wolf challenges the long-held anthropological notion that non-European cultures and people were isolated and static entities before the advent of European colonialism and imperialism. Ironically referred to as "the People Without History" by Wolf, these societies before active colonization possessed perpetually changing, reactionary cultures and were indeed just as intertwined into the processes of the pre-Columbian globalâŠ
The search for meaning in history is all part of the search for meaning in life. Whether archaeologists or historians, economists or physicists, they are not just looking for artefacts when digging in the dirt or scanning the skies, they are looking for evidence to piece together a bigger pictureâmeaning in the minutiae. Iâm sceptical, but the philosophy of history remains a fascinating subject, which is why Iâve explored ideas about civilization, progress, and progressive history in a number of books and articles. My primary concern about teleological accounts of history is that they tend to deny people's agency, especially non-Western peoples.
I love the way this book brings together two seemingly unrelated topics, art, and socio-political organization, to offer a new perspective on the development of human societiesâlinear, of course. The policies and practices of development agencies do not just draw on the latest fads of economics, rather, our thinking about the shape and trajectory of ideal societies has long been influenced by the way we quite literally see and perceive the world.
In his groundbreaking study, Art, Politics and Development, Philipp Lepenies contributes to the ongoing controversy about why the track record of development aid is so dismal. He asserts that development aid policies are grounded in a specific way of literally looking at the world. This "worldview" is the result of a mental conditioning that began with the invention of linear perspective in Renaissance art. It not only triggered the emergence of modern science and brought forth our Western notion of progress, but ultimately, development as well.Art, Politics, and Development examines this process by pulling from a range of disciplines, includingâŠ
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,âŠ
The search for meaning in history is all part of the search for meaning in life. Whether archaeologists or historians, economists or physicists, they are not just looking for artefacts when digging in the dirt or scanning the skies, they are looking for evidence to piece together a bigger pictureâmeaning in the minutiae. Iâm sceptical, but the philosophy of history remains a fascinating subject, which is why Iâve explored ideas about civilization, progress, and progressive history in a number of books and articles. My primary concern about teleological accounts of history is that they tend to deny people's agency, especially non-Western peoples.
We know that the arrival of Europeans in the Americas had significant impacts, many of them negative, on the peoples of the New World. Encounters with Amerindians were also highly influential in shaping ideas about human development and universal history. It was not a one-way street, however, reports from missionaries, trappers, explorers, soldiers, and settlers about what they saw in the New World served to challenge and shape the thinking of Europeâs intellectual elite, especially concerning Native American ideas about freedom, equality, and community. Thirty-five years after the publication of this book, Graeber and Wengrow returned to the idea of âIndigenous critiqueâ for one of the more contentious sections in their New History.Â
My fascination with pre-revolutionary France began when my love of genealogy and my family research took me to the France of my ancestors. Most of my French ancestors migrated to Canada in the 1600s and 1700s. Twenty of my 7th and 8th-great-grandmothers were recruited to emigrate as part of the Filles du Roi (Daughters of the King) program, and I have often wondered what life was like for them before they left France and what it was like for their ancestors. I have discovered that I am descended from several of the earlier kings of France and England, and that feeds into my passion for reading about the French.
This book, set in the court of King Louis XVI (late 18th century), immersed me in the days leading up to the French Revolution and the storming of the Bastille. I especially appreciated that the story was told from the points of view of two young people: Joliette, who serves as Maid of Honor to Queen Marie Antoinette while at the same time striving to preserve her own familyâs legacy, a French winery (I do love wine!); and Henri, an orphan raised by a washerwoman.
This is the first in the three-book ChĂąteau de Verzat series. I really enjoyed the dual perspectives of the plucky noblewoman and the determined commoner as they experienced the beginnings of the French Revolution.
"...multifaceted...sustained intrigue...effervescent... A compelling wine tale... "â Kirkus Reviews
A Woman Fights for Her Legacy as the French Revolution Erupts
Headstrong Countess Joliette de Verzat prefers secretly managing her familyâs Loire Valley chĂąteau and vineyards to the cut-throat politics of Versailles. For nearly three centuries, generations of families have toiled to produce ChĂąteau de Verzat wines, and their homes and livelihoods depend upon Joliette. But ancient laws block her from inheriting propertyâunless she is widowed.
Revolution erupts. Thousands of women march on Versailles. Caught in the battle, Joliette risks her own life to save her loverâs. She flees to Paris,âŠ
Fiona Sampson is a leading British poet and writer, a Fellow of the Royal Society of Literature, awarded an MBE for services to literature. Published in thirty-seven languages, sheâs the recipient of numerous national and international awards. Her twenty-eight books include the critically acclaimed In Search of Mary Shelley, and Two-Way Mirror: The life of Elizabeth Barrett Browning, and sheâs Emeritus Professor of Poetry, University of Roehampton.
The granddaddy of literary autobiography and biography, Jean-Jacques Rousseauâs Confessions was written in 1769 but published posthumously in 1782. Rousseau, whose pioneering Romantic political philosophy was by then already influential, was setting out to do something equally new when he decided to study human nature, taking as his experimental model the human he knew best â himself. The rollicking result, sometimes self-flagellating, occasionally exhibitionist, deviates from its own model, St Augustineâs fourth-century religious-philosophical Confessions, in being chock-full of what nowadays we call emotional intelligence.
Widely regarded as the first modern autobiography, The Confessions is an astonishing work of acute psychological insight. Jean-Jacques Rousseau (1712-78) argued passionately against the inequality he believed to be intrinsic to civilized society. In his Confessions he relives the first fifty-three years of his radical life with vivid immediacy - from his earliest years, where we can see the source of his belief in the innocence of childhood, through the development of his philosophical and political ideas, his struggle against the French authorities and exile from France following the publication of Emile. Depicting a life of adventure, persecution, paranoia, andâŠ
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlifeâmostly mammals, from mountain lions to pocket miceânear her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marksâŠ
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
"La Belle Dame Sans Merci" may not be Keatsâ most well-known poem but itâs right up there with his best, and Keatsâ best might just be the very best when it comes to romantic poetry. This is a beautiful fantasy poem thatâs both hot and disturbing. Itâs dark fantasy at its best. Its lyrical and sensuous beauty will give you chills and goosebumps.Other fantasy-themed poems in this collection include "Endymion," "Lamia and Hyperion," "Isabella," and "St Agnesâ Eve," all based on myths and legends.
'What the imagination seizes as Beauty must be truth' So wrote the Romantic poet John Keats (1795-1821) in 1817. This collection contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the 'Odes' and the two versions of the uncompleted epic 'Hyperion', and work which only came to light after his death including his attempts at drama and comic verse.
It all demonstrates the extent to which he tested his own dictum throughout his short creative life. That life spanned one ofâŠ
Now an emeritus professor of history at the University of York, I have long been fascinated by France, by its history and identity, and by its innumerable tensions and contradictions. In the course of my career I have published more than a dozen books on different aspects of the Revolutionary and Napoleonic era, ranging from a biography of Napoleon in 2011 to more specialized works on the experience and memory of war â on the soldiers of the Revolution, on the letters and memoirs they wrote, and on the legacy of the Revolutionary and Napoleonic Wars for nineteenth- and twentieth-century France. My current research focuses on Franceâs place in the wider Atlantic world and on the significance of the Revolution and Empire in world history.
Napoleonâs defeat led to the demobilization of thousands of soldiers and their officers, and a sudden surplus of weapons and ammunition that would be exported to feed other wars across the world, especially in the Americas. Some of these men remained adventurers, unable to settle into civilian life, and serving the cause of independence in revolutions across Central and Latin America. Others tried to establish a French way of life in the New World, among them the colonies of settlers in the American South studied by Rafe Blaufarb in this pioneering study of the Vine and Olive communities in Alabama.
Bonapartists in the Borderlands recounts how Napoleonic exiles and French refugees from Europe and the Caribbean joined forces with Latin American insurgents, Gulf pirates, and international adventures to seek their fortune in the Gulf borderlands. The U.S. Congress welcomed the French to America and granted them a large tract of rich Black Belt land near Demopolis, Alabama, on the condition that they would establish a Mediterranean-style Vine and Olive colony. This book debunks the standard account of the colony, which stresses the failure of the aristocratic, luxury-loving French to tame the wilderness. Instead, it shows that the Napoleonic officers involvedâŠ
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Blanc discovered in the National Archives in Paris a remarkable cache of letters kept in an old tin labelled as the property of Fouquier-Tinville, the Public Prosecutor of the French revolutionary Tribunal. He was a man who in sending off the last batch of victims to be beheaded, even after hearing that Robespierre was dead and with him, the Terror, said âjustice must run its courseâ
The letters, written by prisoners on the eve of their own execution, to wife, family, plangent pleas to be remembered â some containing a little keepsake: a shirt stud, maybe â were never delivered, but, on Fouquierâs order, impounded as possible evidence. Post mortem? What was the point? The letters are heart-rending, sad, pathetic, drained of hope, but as poignant a souvenir of the effect of the vicious law which was sending their authors to the scaffold as any you will read. Fouquier, whoseâŠ
Drawing on a centuries-old file, this volume reproduces the last letters by prisoners of the French Revolution in the last few moments before their death, and sheds new light on this turbulent time
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circularâŠ
Iâm a historian who has been researching and writing on the French Revolution and the Napoleonic Wars for thirty-five years now. Since the age of ten I have been fascinated by these years, partly through childhood holidays in France, but also because of their sheer drama. British history in the same period has nothing to compare with the storming of the Bastille or Napoleonâs meteoric career. Specializing in this turbulent era has made me particularly interested in how regimes fall, and whether under different circumstances they could have survived.
This is not an easy read, but it is a seminal work by the greatest modern historian of the French Revolution, which made an enormous impression on me when I first read it as a student in the 1980s. It marked a decisive break with what up until then had been the standard view of the Revolution as a class struggle. For Furet, the Revolutionâs real importance lay elsewhere, as the first modern experiment with democracy â in his eloquent words, "a beginning and a haunting vision of that beginning."
The French Revolution is an historical event unlike any other. It is more than just a topic of intellectual interest: it has become part of a moral and political heritage. But after two centuries, this central event in French history has usually been thought of in much the same terms as it was by its contemporaries. There have been many accounts of the French Revolution, and though their opinions differ, they have often been commemorative or anniversary interpretations of the original event. The dividing line of revolutionary historiography, in intellectual terms, is therefore not between the right and the left,âŠ
