Here are 7 books that The Gentrification of the Mind fans have personally recommended if you like
The Gentrification of the Mind.
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Is a River Alive presents a journey through three extraordinary rivers, located in wilderness Ecuador, wilderness Quebec, and urban India. Macfarlane explores how important these rivers are in the lives of people and ecosystems. He writes stunning portraits of the rivers users and protectors. He magnificently depicts the remarkable ecological "lives" of the rivers; their moods and seasons, their narratives and histories. In so doing, he raises questions about what it means to be sentient and why a redefinition of natural rights is essential for ecological survival, political activism, and environmental learning. MacFarlane is an evocative writer, filled with compassion, wisdom, and insight.
From celebrated writer Robert Macfarlane comes this brilliant, perspective-shifting new book - which answers a resounding yes to the question of its title.
At its heart is a single, transformative idea: that rivers are not mere matter for human use, but living beings - who should be recognized as such in both imagination and law. Is a River Alive? takes the reader on an exhilarating exploration of the past, present and futures of this ancient, urgent concept.
The book flows first to northern Ecuador, where a miraculous cloud-forest and its rivers are threatened by goldmining.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
* SHORTLISTED FOR THE CENTER FOR FICTION 2025 FIRST NOVEL PRIZE *
An elegantly inventive debut novel that offers a sharp new take on the immigrant story in post-9/11 America
Told as a series of conversations, Optional Practical Training follows Pavitra, a young Indian woman who came to the US for college from Bangalore, India, and graduates in 2006 with a degree in physics. Her student visa grants her an extra twelve months in the country for work experience―a period known as Optional Practical Training―so she takes a position as a math and physics teacher at a private high school…
I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
Like a hipster Brooklyn transgender Sex and the City, this novel is a chatty, hilarious, and moving look at queer folks grasping for parenthood and family in a world where all the rules have been thrown out.
The book’s narrator, transwoman Reese, takes us on this ride with such sardonic, poignant insight about the world she lives in that we begin to feel like we live in it, too. When Reese’s ex, Ames—who has detransitioned from his former transwoman identity, Amy—gets his straight female boss pregnant, the three of them begin negotiating how they might raise the child together.
But the novel’s true power lies in how Reese explains her life and her friends to us—bravely refusing to portray trans people as angelic role models and instead offering something deeper and more endearing: showing them as real people.
NATIONAL BESTSELLER • The lives of three women—transgender and cisgender—collide after an unexpected pregnancy forces them to confront their deepest desires in “one of the most celebrated novels of the year” (Time)
“Reading this novel is like holding a live wire in your hand.”—Vulture
Named one of the Best Books of the Year by more than twenty publications, including The New York Times Book Review, Entertainment Weekly, NPR, Time, Vogue, Esquire, Vulture, and Autostraddle
PEN/Hemingway Award Winner • Finalist for the Lambda Literary Award, the National Book Critics Circle Award, and the Gotham Book Prize • Longlisted for The Women’s…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As a writer, I love watching people, imagining their worlds and lives. Aside from the outdoor cafés of Paris (which are hard to get to), one of the best places for people-watching is a good bar. All five of the characters I’ve listed would make wonderful conversation companions for a bar evening, because of their energy, quirkiness, intelligence, and/or observational skills. (Also, I’d just want to get to know them better.) And as a recovering alcoholic with enough sobriety that sitting at a bar all night, sipping seltzer would not be a problem, I could watch what these characters reveal about themselves once alcohol lowers their ordinary defenses.
From the moment I met Carlotta Mercedes, the main character in this book, I was rooting for her. She’s a convicted felon, up for parole for the fifth time, but she’s pretty sure she’ll be denied: “Them sonofabitches said I had bad behavior, but they definition a bad behavior’s if you scream when a CO whupping yo ass like a Betty Crocker fudge cake.” I’m a sucker for books with lively, laugh-out-loud language.
Carlotta is all dynamic energy and jambalaya metaphor, even though she has spent twenty years in prison for being in the wrong place at the wrong time and has endured rape and physical abuse because she’s a trans woman in a men’s cell block.
I am cheering for Carlotta when she’s released and begins making her way through our modern world, “like a brain-damaged African elephant trying to jump into a game of double Dutch.” She laughs…
In this “dangerously hilarious” novel (Los Angeles Times), a trans woman reenters life on the outside after more than twenty years in a men’s prison, over one consequential Fourth of July weekend—from the author of the PEN/Faulkner Award winner Delicious Foods.
Carlotta Mercedes has been misunderstood her entire life. When she was pulled into a robbery gone wrong, she still went by the name she’d grown up with in Fort Greene, Brooklyn—before it gentrified. But not long after her conviction, she took the name Carlotta and began to live as a woman, an embrace of selfhood that prison authorities rejected,…
I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
One of the most kinetic books I read a few years back and told in a kind of beautiful, white-hot stream of consciousness, Sketchtasy is the tale of young, genderqueer Alexa and her friends navigating pleasure and survival in mid-90s, AIDS-battered Boston.
This is no “model LGBTQ person” book; Alexa and her friends, scarred by trauma and addled by every recreational drug on the planet, are creatures of the night, showing off outrageous looks in the clubs and turning tricks to pay the rent and put food in their mouths.
It’s a breakneck-paced look at both exuberant and terrified young queer people right before HIV went from being a near death sentence to a chronic manageable disease.
Sketchtasy takes place in that late-night moment when everything comes together, and everything falls apart—it’s an urgent, glittering, devastating novel about the perils of queer world-making in the mid-‘90s.
This is Boston in 1995, a city defined by a rabid fear of difference. Alexa, an incisive twenty-one-year-old queen, faces everyday brutality with determined nonchalance. Rejecting middle-class pretensions, she negotiates past and present traumas with a scathing critique of the world. Drawn to the ecstasy of drugged-out escapades, Alexa searches for nourishment in a gay culture bonded by clubs and conformity, willful apathy, and the specter of AIDS. Is there any…
I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
Set at the height of the Trump era, this very New York City novel follows its title character, a lesbian former cop turned heroin addict who’s now fresh out of rehab and, in her new job as a private investigator, stumbles onto a murder she becomes determined to solve.
Maggie is a total mess—barely able to navigate a cell phone or the Internet, holding on for dear life at her Narcotics Anonymous meetings, stalking her ex outside her window in the pouring rain, and desperate to have her daughter, whom she was raising with her ex, back in her life.
The novel’s promise of a tight murder mystery kind of unravels, but it doesn’t even matter because Maggie’s fumbling, stumbling effort to put her life back together in a disconcertingly sleek new version of downtown Manhattan is a voyeuristic joy to follow.
"Maggie Terry is the most beautiful, most bitter, most sweet, and all around best detective novel I've read in years. Precise, insightful, heartbreaking, and page turning." —Sara Gran, author of The Infinite Blacktop
Post-rehab, Maggie Terry is single-mindedly trying to keep her head down in New York City. There's a madman in the White House, the subways are constantly delayed, summer is relentless, and neighborhoods all seem to blend together.
Against this absurd backdrop, Maggie wants nothing more than to slowly re- build her life in hopes of being reunited with her daughter. But her first day on the job…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
The book that put British literary giant Hollinghurst on the map in 1988, this gorgeously written, fast-paced novel follows Will, a ridiculously privileged, idle, and good-looking young gay man in early 1980s London who has torrid sexual affairs with a racially diverse group of working-class men and also inadvertently saves the life of a very elderly gay aristocratic man with a homoerotic colonial past.
With its Forsterian attunement to the prejudices and vanities of the Thatcher-era British upper class, its explicit evocation of the early 20th century gay British novelist Ronald Firbank and its sometimes cringe-y look at cross-class and cross-racial desire, the novel showcases gay men driven ecstatically and obsessively by both libidinous and aesthetic yearnings—all of them oblivious to the dark clouds of AIDS gathering on London’s horizon.
'Deserves first prize in every category... Superbly written, wildly funny' Daily Telegraph
THE BOOKER PRIZE WINNING AUTHOR OF THE LINE OF BEAUTY
Young, gay, William Beckwith spends his time, and his trust fund, idly cruising London for erotic encounters. When he saves the life of an elderly man in a public convenience an unlikely job opportunity presents itself - the man, Lord Nantwich, is seeking a biographer. Will agrees to take a look at Nantwich's diaries. But in the story he unravels, a tragedy of twentieth-century gay repression, lurk bitter truths about Will's own privileged existence.