96 Books Like Maggie Terry

Like a hipster Brooklyn transgender Sex and the City, this novel is a chatty, hilarious, and moving look at queer folks grasping for parenthood and family in a world where all the rules have been thrown out.

The book’s narrator, transwoman Reese, takes us on this ride with such sardonic, poignant insight about the world she lives in that we begin to feel like we live in it, too. When Reese’s ex, Ames—who has detransitioned from his former transwoman identity, Amy—gets his straight female boss pregnant, the three of them begin negotiating how they might raise the child together.

But the novel’s true power lies in how Reese explains her life and her friends to us—bravely refusing to portray trans people as angelic role models and instead offering something deeper and more endearing: showing them as real people.

From the moment I met Carlotta Mercedes, the main character in this book, I was rooting for her. She’s a convicted felon, up for parole for the fifth time, but she’s pretty sure she’ll be denied: “Them sonofabitches said I had bad behavior, but they definition a bad behavior’s if you scream when a CO whupping yo ass like a Betty Crocker fudge cake.” I’m a sucker for books with lively, laugh-out-loud language. 

Carlotta is all dynamic energy and jambalaya metaphor, even though she has spent twenty years in prison for being in the wrong place at the wrong time and has endured rape and physical abuse because she’s a trans woman in a men’s cell block. 

I am cheering for Carlotta when she’s released and begins making her way through our modern world, “like a brain-damaged African elephant trying to jump into a game of double Dutch.” She laughs… show more.

One of the most kinetic books I read a few years back and told in a kind of beautiful, white-hot stream of consciousness, Sketchtasy is the tale of young, genderqueer Alexa and her friends navigating pleasure and survival in mid-90s, AIDS-battered Boston.

This is no “model LGBTQ person” book; Alexa and her friends, scarred by trauma and addled by every recreational drug on the planet, are creatures of the night, showing off outrageous looks in the clubs and turning tricks to pay the rent and put food in their mouths.

It’s a breakneck-paced look at both exuberant and terrified young queer people right before HIV went from being a near death sentence to a chronic manageable disease. 

The book that put British literary giant Hollinghurst on the map in 1988, this gorgeously written, fast-paced novel follows Will, a ridiculously privileged, idle, and good-looking young gay man in early 1980s London who has torrid sexual affairs with a racially diverse group of working-class men and also inadvertently saves the life of a very elderly gay aristocratic man with a homoerotic colonial past.

With its Forsterian attunement to the prejudices and vanities of the Thatcher-era British upper class, its explicit evocation of the early 20th century gay British novelist Ronald Firbank and its sometimes cringe-y look at cross-class and cross-racial desire, the novel showcases gay men driven ecstatically and obsessively by both libidinous and aesthetic yearnings—all of them oblivious to the dark clouds of AIDS gathering on London’s horizon.

I love that this book focuses on the “who,” not the “what.” Most often, with mysteries, the focus is on learning about the perpetrator of the crime. In this one, I loved that the real mystery is in discovering who the victim, Alice, was. I especially love that we get to hear her story in her own words, as a second narrator telling her history after her death.

The other part of the story–events after Alice’s death and the discovery of her body–is told by another compelling character, Ruby. I’m normally wary when I see the words “strong female character,” but these are two strong, beautiful women whose heartbreaking stories held me captive in these pages.  

I read this book as a contest judge. I’d never heard of the author before. Little did I know that I’d fall in love with Morgan and Lance. Hooked from the first book. Morgan is caught between a rock and a hard place. Tessa, who couldn’t be more ‘girl next door’–also Morgan’s kids’ babysitter–was murdered. Her neighbor needs Morgan to defend her son, who is accused of the murder. Morgan has known him for years and is determined to prove his innocence.  

Morgan asks her friend Lance, an ex-cop turned private investigator, to help solve the murder. I loved how they formed a relationship that developed with each new book of the series. I love series, especially when I love the author. I highly recommend this book. 

I am, and always will be, a sucker for a murder mystery in an isolated location with no escape. That's because of the added suspense of being trapped, knowing there's a killer among you but not knowing who keeps me turning the page.

This book does the scenario justice with its exceptional character introductions, mystery, and suspense. The clues were subtle but also reasonable for me to pick up on, and the conflicting motives made anyone a possible suspect. The dynamic between Ellery and his father never fails to get a chuckle out of me.

Frances lives in the Victorian Era in London, but in her hometown of New York, it’s the Gilded Age. This is her background in all its glittering and horrifying glory. 

Crime novels fit quite naturally in this era. I love a loathsome villain and Rosemary Simpson serves up some of the worst in her Gilded Age series. She uses actual events, like the great blizzard of 1888, as catalysts for some heinous crimes. If you needed to dispose of a body, what better place than a snowdrift? 

Prudence MacKenzie, the dead man’s fiancé and our sleuth, doesn’t seem to realize the danger she’s in. I spent the entire read on the edge of my seat wondering if she’d make it to the end of the book alive. This is historical noir in elegant Gilded Age style.

Set in 1920s New York City, the story follows a girl with a hidden gift: the ability to read objects. She chooses to use her power for good and helps to solve a series of murders.

The setting is a character, and we learn all about the seamy side of Roaring Twenties New York, the fun and the feared.

I admit—I like a strong, smart, male protagonist.

The 6:20 Man is reminiscent of Girl on a Train, only with far more likeable characters and a plot that involves the high-tech, high-risk finance world of investment banking. I didn’t have to suspend belief with the premise of this thriller. The crimes feel real, the investigation(s) make sense, and information is provided with great timing and clarity.

I kept flipping pages because I became invested in Travis Devine’s life. He’s incredibly likeable which is probably why this one is being made into a series.