Here are 91 books that The French Quarter fans have personally recommended if you like
The French Quarter.
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Growing up very pale in a sun-washed Australian coastal town, I often found myself retreating to the cool shadows. It was in the darkness that I felt most at home—which may be why I’ve always been drawn to stories with a darker edge. My fascination with creatures in those frightening tales—immortal, dark, and possessed of terrible appetites—led to Winter’s Shadow, my debut YA novel, and the reason I still write today. I love books that blur the line between horror and the mundane—tales that feel like nightmares recalled in the comforting light of day. These are the stories that linger, and this list is a love letter to them.
When I first read Interview with the Vampire (I was 12), I was struck by how Anne Rice made darkness beautiful. The mood, the grief, the sensuality—it all felt so rich and strange and alive.
I didn’t just want to read about Louis and Lestat; I wanted to live inside that shadowed world, however painful. The power of her vampires was alluring, even as their sadness confused me. How could being immortal be such a torment?
This book taught me that supernatural fiction could be poetic, philosophical, even transcendent. There’s a reason this novel endures.
It made me want to write stories where beauty and horror dance together in candlelight.
From #1 New York Times bestselling author Anne Rice, this sensuously written spellbinding classic remains 'the most successful vampire story since Bram Stoker's Dracula' (The Times)
In a darkened room a young man sits telling the macabre and eerie story of his life - the story of a vampire, gifted with eternal life, cursed with an exquisite craving for human blood.
When Interview with the Vampire was published the Washington Post said it was a 'thrilling, strikingly original work of the imagination . . . sometimes horrible, sometimes beautiful, always unforgettable'. Now, more than forty years since its release, Anne…
This is the story of New York City, told through the prism of one block. It’s a story of forest and cement, bird cries and taxi horns, theaters and brothels, hotels and factories, gambling dens and gourmet foods.
It’s also the story of high life and low life, immigrants and…
Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
I came across this book as a young teen and was riveted by the colorful, behind-the-scenes depiction of Mardi Gras in New Orleans, as well as the intimate stories of three generations of star-crossed lovers.
The characters were so well drawn that they seemed real, as if they must have loved and grieved, lived and died, as given. I felt as if I had walked the streets of the city and could recognize the places described.
I was also impressed by the Author’s Note detailing Keyes’s exhaustive research; reading it allowed me to accept the story as being as true to its place and time as possible. Years later, I followed her fine example, adding an Author’s Note with research details to my own books.
The first of Keyes' novels set in Louisiana was Crescent Carnival, which tells the story of three generations of two intertwined families. The Breckenridges are Protestants, while the Fontaines are Catholic Louisiana Creoles. The plot hinges on the way that pride and misfortune conspire with cultural and political differences to keep prospective lovers from marrying. The cycle of failure only ends when two people have the courage to defy the odds and accept their love for each other. Carnival celebrations and Mardi Gras parades form the backdrop of many scenes. Captures the social mores, Carnival season, and the French Quarter…
Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
Though a seventh-generation Louisianian, I was born and raised in the northern portion of the state. When I decided to write about early New Orleans, I realized deep research would be required. The first book my local librarian recommended was Saxon’s Fabulous New Orleans.
I was enthralled, not least because I discovered he was also not a native of the city, though he lived in the French Quarter for many years and was instrumental in preserving many of its historic buildings from demolition.
With a style that immediately draws you in, this book is filled with pageantry and grandeur, personality, and rich detail, which makes researching the Vieux Carré a pleasure rather than a chore.
This classic reprint evokes a city steeped in the traditions and idiosyncrasies of three cultures--French, Spanish, andAmerican. Known widely as one of Louisiana's great writers, Lyle Saxon documented many of the quirks and mysteries of New Orleans. His narratives include a vivid picture of Mardi Gras as seen through the eyes of a young boy, a brief history of the city, and accounts of strange and remarkable events, including the great Mississippi flood of 1927, the year of the great plague, and a voodoo cult ceremony.
By any standards, New Orleans is a unique city, and Saxon depicts it unadorned,…
This is the story of New York City, told through the prism of one block. It’s a story of forest and cement, bird cries and taxi horns, theaters and brothels, hotels and factories, gambling dens and gourmet foods.
It’s also the story of high life and low life, immigrants and…
Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
I love old photographs. Nothing else is as exact or reliable when it comes to studying a time and place for research purposes. Whether it’s the long-ago appearance of a particular street or building, the design of a wrought iron balcony, the style of an antique ballgown, or the setting of a mausoleum, the details are all there.
Huber’s book contains over a thousand entries. Not only are photographs shown, but also photographed copies of drawings, paintings, and portraits that predate the invention of the camera. They depict famous landmarks but a vast selection of people as well, from servants and street vendors to the highest society. Each picture is carefully described and, where possible, dated.
I’ve spent many happy hours paging through them, often forgetting what I intended to find.
A captivating visual guide to New Orleans's history!
Hailed as being one of the most comprehensive collections of photos, paintings, and drawings on its release in 1971, this educational and entertaining selection is now in paperback! From the city's French and Spanish beginnings to American forces fighting off British soldiers in the War of 1812, this is truly a fascinating compilation. These pages chronicle major historical moments along with the architecture, jazz, scandals, duels, cuisine, and fine arts that make New Orleans an amazing city to behold.
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
This book provides an intimate look at Storyville, the legal New Orleans red-light district that operated in a grid of streets nestled between St. Louis Cemeteries no. 1 and 2 near the French Quarter from 1897 to 1917.
Although the book is a bit dated (it was published in 1974) and includes a few wild and unsubstantiated stories about certain historic New Orleans personalities, such as Marie Laveau, this mostly factual volume is a fascinating and detailed portrait of the "District," as Storyville was often called, and the colorful, sometimes tragic stories of the people who lived and worked there.
A true-to-life impression of Storyville, the only legally established red light district in the US
At the turn of the twentieth-century, there were hundreds of red-light districts in the United States, ranging in size from a discreet “house” or two in or near small towns and cities to block after bawdy block of brothels in larger cities such as Chicago and San Francisco. Storyville, New Orleans: Being an Authentic, Illustrated Account of the Notorious Red Light District seeks to offer the reader a reasonably true-to-life impression of Storyville, the most famous of the large districts and the only such district…
I am Susie Black. Before I became an award-winning, humorous, cozy mystery author, I had a successful career as a ladies’ swimwear sales exec. As you can imagine, I spent a lot of time in Florida. I interacted with progressive, traditional, and conservative buyers and sellers from large cities to small towns all over the Sunshine State. My experiences gave me a unique perspective on the social mores and hierarchy of Florida’s diverse, multi-layered, and complicated society.
I bet it’s because I lived on a houseboat for ten years that this hilarious book grabbed me by the sea legs and never let me go. Nothing tickles my funny bone more than a group of people who have nothing in common and are thrown together on a boat out to sea but going in circles.
The antics of this ship of fools on a gambling boat who are seemingly clueless as to the ship’s nefarious real business make for a madcap tale of side-splitting laughter.
The Extravaganza of the Seas is a 5,000-ton cash cow, a top-heavy tub whose sole function is to carry gamblers three miles from the Florida coast, take their money, then bring them back so they can find more money. Travelling this trip are Fay Benton, a single mom and cocktail waitress, desperate for something to go right for a change; Johnny and the Contusions, a ship's band with so little talent they are, well, the ship's band; Arnold and Phil, two refugees from the Beaux Arts Senior Centre; Lou Tarant, a wide, bald man who has killed nine people, though…
As the kid of tournament bridge and Scrabble players, I’ve been hooked on games my whole life. None more so than poker, which has helped me make a living both at the tables and as a writer. I’m currently working on a TV adaptation of Ship It Holla Ballas!
Poker is an American game—maybe the most American game—but an Englishman elevated it into something literary: in 1981, Al Alvarez, a poet, editor, and critic best known for introducing the world to Sylvia Plath and Ted Hughes, traveled to Las Vegas to chronicle the World Series of Poker. His deceptively breezy account of the larger-than-life characters who played a card game for nosebleed stakes inspired a new generation of players to discover the world’s hardest way to make an easy living.
Al Alvarez touched down in Las Vegas one hot day in 1981, a dedicated amateur poker player but a stranger to the town and its crazy ways. For three mesmerizing weeks he witnessed some of the monster high-stakes games that could only have happened in Vegas and talked to the extraordinary characters who dominated them--road gamblers and local professionals who won and lost fortunes on a regular basis.
Set over the course of one tournament, The Biggest Game in Town is botha chronicle of the World Series of Poker--the first ever written--and a portrait of the hustlers, madmen, and geniuses…
As a novelist, I get a lot of praise for my immersive recreation of time and place – even though I have complete aphantasia. That’s a condition affecting about 0.8% of the population, and it means I can’t form visual mental images. Ask me to close my eyes and visualise an apple, and I will see… darkness. Nothing. I suppose it’s why I’ve always loved novelists who create a picture with words. But truly great descriptive writing is about so much more than just what you can ‘see.’ These writers give you the sounds, smells, tastes, and textures of their worlds too. And they’re all wonderful storytellers.
This is another modern venture into Victoriana, with a love affair straight out of Thomas Hardy, ruined by mutual misunderstanding. Its characters are heartbreakingly real and utterly original, and it closes with one of the most memorable set-piece scenes I’ve ever read. I won’t spoil the surprise because it occurs about 400 pages into this long, seductive novel, but it’s a stunningly sensory and dramatic moment.
Peter Carey's novel of the undeclared love between clergyman Oscar Hopkins and the heiress Lucinda Leplastrier is both a moving and beautiful love story and a historical tour de force set in Victorian times. Made for each other, the two are gamblers - one obsessive, the other compulsive - incapable of winning at the game of love.
Oscar and Lucinda is now available as a Faber Modern Classics edition.
I grew up in a family of strong women, and have always been drawn to women with brains and a sense of humor. When I worked in theater as an actor, director, and designer, my favorite stage manager and designers were women because they looked at the production challenges from a different angle than mine, so we both learned something while coming up with the best possible ideas and solutions. I can’t stand fluffy “victim” females. The women in my stories are always looking for a better way and a better world. Both my detective series feature several strong, resourceful women that complement the male detective, adding humor and insight, and—I hope—more humanity.
American Indian Jane Whitefield rescues people the police can’t protect and helps them find new identities and new homes. But now her job is complicated because Pete Hatcher, a Vegas gambling executive, is the target of Earl and Linda, a lethal tag team who will become very rich if Hatcher dies. The job is even more complicated because Jane has recently married Corey, a successful local surgeon, so it’s harder to maintain a low profile in the town. When Earl and Linda hone in on Corey, Jane realizes she has to protect her own family as well as her client, and her foes know every trick that she knows, too.
In her latest adventure, Jane Whitefield, who helps people in trouble disappear from one life and establish a new identity, is hired by a Las Vegas gambling casino executive running from contract killers. But the killers are on the trail of the shadow woman and soon Jane becomes the principle target of their rage and revenge.
I have been studying Celtic myth and history since I was in college and took a class on Arthurian literature. Drawing heavily from Irish and Welsh lore to build my “land beyond the veil” known as the Five Quarters, I have always been intrigued by the Celtic view of the land of the dead as a distinct world to which we go and then return, like two sides of the mirrored surface of a well. I hope you enjoy these mythic fantasy books as much as I did!
As I read this book, it made me think of American Gods. The presence of god-like forces of good and evil interfering with human lives is the basis for all mythic stories, and I love the wit and humor with which Powers delivers this tale.
The story references myth directly, and the random chance so loved by the gods is a driving force behind this novel of redemption and crazy, universal connections.
Twenty years ago Scott Crane abandoned his career as a professional poker player and went into hiding, after a weird high-stakes game played with Tarot cards. But now the cards - and the supernatural powers behind them - have found him again.
Crane's father killed gangster Bugsy Siegel in 1948 to become the Fisher King, and to keep that power he is determined to kill his son. Now Scott Crane must cross the Mojave Desert to his father's Perilous Chapel in Las Vegas, and take up the cards again for one last poker duel. And the stakes are the highest…
