Here are 100 books that The Freedom Principle fans have personally recommended if you like
The Freedom Principle.
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As a scholar as well as performer of the African American creative improvised music usually called jazz, my attunement to this art form resonates with its historico-cultural matrix as much as with the sounds themselves. These books distinguish themselves for being well-researched and rigorous. They are the real deal, doing justice to the heart as well as the intellect of this art form.
This book is remarkable for Lewis’s unique profile, which combines status as a major contributor to, as well as a critic of, creative improvised African-American music. It tells of the Association for the Advancement of Creative Music (AACM), an organization focused on freely improvised music, which is unique for having wedded aesthetic innovation with the struggle for social justice.
Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, "A Power Stronger Than Itself" uncovers a vibrant, multicultural universe and brings…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am a musician and an author. Many of my mentors and collaborators are members of the Association for the Advancement of Creative Musicians (AACM), a collective organization of African American composers and performers founded on the South Side of Chicago in 1965. Their farthest-reaching innovation, a form known as “creative music,” transformed the fields of jazz and experimental music by breaking down the barriers that—prior to the advent of the AACM—had separated the disciplines of composition and improvisation. My book Sound Experimentsand the other books on the list give readers new insights into the members of the AACM and their groundbreaking music.
New Musical Figurations is a profile of AACM composer Anthony Braxton. One of the best-known AACM musicians, Braxton is also one of the most influential: while writing hundreds of compositions and touring the world with his many ensembles, he has also found time to teach some of the best composers and improvisers of the twenty-first century, including Taylor Ho Bynum, Mary Halvorson, Steve Lehman, and Tyshawn Sorey. Braxton continues to compose and perform today, and New Musical Figurations explores the ideas and philosophies that motivate his creative practices and draw new generations of listeners to his music.
By relating biography to the cultural and musical contours of contemporary American life, Ronald M. Radano observes jazz practice as part of the complex interweaving of postmodern culture - a culture that has eroded conventional categories defining jazz and the jazz musician. Radano accomplishes all this by analyzing the creative life of Anthony Braxton. Born in 1945, Braxton is not only a virtuoso jazz saxophonist but an innovative theoretician and composer of experimental art music. His refusal to conform to the conventions of official musical culture has helped unhinge the very ideologies on which definitions of "jazz", "black music," "popular…
I am a musician and an author. Many of my mentors and collaborators are members of the Association for the Advancement of Creative Musicians (AACM), a collective organization of African American composers and performers founded on the South Side of Chicago in 1965. Their farthest-reaching innovation, a form known as “creative music,” transformed the fields of jazz and experimental music by breaking down the barriers that—prior to the advent of the AACM—had separated the disciplines of composition and improvisation. My book Sound Experimentsand the other books on the list give readers new insights into the members of the AACM and their groundbreaking music.
In The Freedom Principle, Chicago music critic John Litweiler examines the AACM’s connections to the experimental styles of jazz that emerged in the late 1950s and early 1960s. Figures such as Ornette Coleman and John Coltrane were important early influences on the AACM, and Litweiler shows how their work became the foundation for the even more radical advances of AACM composers and improvisers. The Freedom Principle is also replete with wonderful stories from the AACM’s first two decades, including Henry Threadgill’s account of how he created the hubkaphone, a percussion instrument made from salvaged hubcaps.
}Ornette Coleman's discovery some thirty years ago that his band's music was indeed a "free thing" marked the beginning of a revolution in jazz. From the early free-form experiments, Coleman's dancing blues, and John Coltrane's saxophone cries and sheets of sound, to the brittle, melancholy modes of Miles Davis, vibrant, sophisticated new jazz idioms proliferated. In this critical and historical survey of today's jazz, noted critic John Litweiler traces the evolution of the new music through such artists as Coleman, Coltrane, Davis, Cecil Taylor, Eric Dolphy, Sun Ra, Albert Ayler, Anthony Braxton, and others. He also addresses questions such as:…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I am a musician and an author. Many of my mentors and collaborators are members of the Association for the Advancement of Creative Musicians (AACM), a collective organization of African American composers and performers founded on the South Side of Chicago in 1965. Their farthest-reaching innovation, a form known as “creative music,” transformed the fields of jazz and experimental music by breaking down the barriers that—prior to the advent of the AACM—had separated the disciplines of composition and improvisation. My book Sound Experimentsand the other books on the list give readers new insights into the members of the AACM and their groundbreaking music.
AACM member Nicole Mitchell Gantt’s The Mandorla Letters is a companion to her series of Mandorla Awakening compositions, which use music and text to imagine new societies that “embrace dualities” and empower people to live in harmony with one another—and with the natural world. “Part memoir, part manifesto, part Black speculative novella,” The Mandorla Letters is an extraordinary work by the figure who best embodies the AACM’s philosophy of creativity as a way of life.
Afrofuturist memoir on jazz, collaboration, and the search for collective well-being
Part memoir, part manifesto, part Black speculative novella, The Mandorla Letters: for the hopeful blurs boundaries between this world and an imagined future whose overlapping wisdoms make cooperation with our natural environment a central concern for collective thriving. Extending her ongoing musical project Mandorla Awakening, Nicole Mitchell Gantt explores inequity, the musical legacies of jazz, creative music, and intercultural collaboration to guide readers toward an alternative society that disrupts binaries, hierarchies, and western ideas of progress. Paying homage to artists, musicians, and writers who have inspired her, Mitchell Gantt…
As a teenager, I found the layered poetry of Sylvia Plath as riveting as an impasto-layered canvas by Vincent Van Gogh. A love for the rhythm of words and paint, as well as the power of art to tell stories and critique history led me to study art history. Influential college professors opened my eyes to the systematic exclusion of women from art and history. Today, I’m a professor at the University of San Francisco, where I specialize in modern, contemporary, and African art, with an emphasis upon issues of gender, race, ethnicity, and class. I’m particularly interested in women artists and artists who cross cultural boundaries.
If you want to learn about the history of African American women artists from the era of slavery to the 21st century, this is the book to read. Lisa E. Farrington astutely analyzes this fraught history with a style of writing that’s available to both scholars and non-scholars alike. It’s for anyone who has an interest in how images of Black women have evolved over time from racist stereotypes in art and popular culture to empowering images created by Black women artists who “contested society’s insistence on their subservience and vulgarity.” Farrington’s groundbreaking book, which was published in 2005, makes it clear that when Black women artists control their own images, it changes the trajectory of both art history and popular culture.
Hailed as "a captivating and thorough study of a long-ignored aspect of America's art history" (CHOICE), Creating Their Own Image offers the first comprehensive history of African-American women artists, spanning from slavery to the Harlem Renaissance and the tumultuous civil rights era, right up to the present day. Lavishly illustrated throughout with color illustrations, this magnificent volume richly details hundreds of important works-including some images never before published-to present a portrait of artistic creativity unprecedented in its scope and ambition. Weaving together an expansive collection of artists, styles, and periods, Lisa Farrington argues that for centuries African-American women artists have…
I identify as agender and grew up in Oklahoma, one of the worst places to be trans or LGBTQ because of the onslaught of anti-LGBTQ legislation that’s flying through the Oklahoma state legislature. Writing Ugliest, a book about teen activists fighting these laws, reminded me how important standing up for what’s right is and what powerful activists teens can be when they get together. This list has other books celebrating the strength of teens protesting and pushing against societal wrongs. Although some terrible things happen in these books—just like in the real world—reading them reminds us that fighting back is worth it.
I loved Ayo, this book’s fourteen-year-old main character. She’s burnt out on activism, having been raised by a famous activist mom fighting for Black rights in America. All Ayo wants is to take a break and live a normal teen life. This makes so much sense to me—why do people who are at a disadvantage have to spend their time fighting for basic rights—what if they just want to spend their time making art or writing books like selfish white dudes are free to do?
But when something terrible happens at a big march, Ayo skipped, all the education and activist spirit her mom drilled into her no longer feels like a burden. I loved how she figured out she wanted to fight and really came into her own.
"A love letter to Harlem and hope. I Rise is smart and funny and full of heart.*"
Fourteen-year-old Ayo who has to decide whether to take on her mother's activist role when her mom is shot by police. As she tries to find answers, Ayo looks to the wisdom of her ancestors and her Harlem community for guidance.
Ayo's mother founded the biggest civil rights movement to hit New York City in decades. It's called 'See Us' and it tackles police brutality and racial profiling in Harlem. Ayo has spent her entire life being an activist and now, she wants…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Good question. Why would a white guy be passionate about nineteenth-century African American community building and activism? It’s a long story, but the short version is that by the time I reached graduate school, I could no longer avoid the realization that I had been dramatically miseducated about American history, and that the key to American history—one important key, anyway—is African American history. You can’t understand what it means to be an American if you don’t know this history, and you can’t understand our own very troubled times, or how to respond to these times, how to turn frustration into action, unless you know this history. So I developed my expertise over the years.
Like Spires, Kantrowitz is interested in the ways in which nineteenth-century African Americans made the case for being recognized as citizens. We tend to focus on stories of freedom, as if that’s what those who escaped from slavery encountered when they reached the North—but in fact they arrived to only relative freedom, and they faced an ongoing struggle for something “more than freedom.” This is the story Kantrowitz tells, focusing mainly on Black activists in Boston. The story begins with community-building efforts—establishing churches, literary societies, newspapers, and the other organizations needed to sustain a flourishing, educated, and economically-secure society. Kantrowitz introduces readers to a number of African American leaders who deserve to be much better known, heroes of American history. His core argument, though, like that of Spires, has to do with defining what the word citizenship actually means, extending it beyond basic inclusion to a determined and deeply ethical…
A major new account of the Northern movement to establish African Americans as full citizens before, during, and after the Civil War
In More Than Freedom, award-winning historian Stephen Kantrowitz offers a bold rethinking of the Civil War era. Kantrowitz show how the fight to abolish slavery was always part of a much broader campaign by African Americans to claim full citizenship and to remake the white republic into a place where they could belong. More Than Freedom chronicles this epic struggle through the lives of black and white abolitionists in and around Boston, including Frederick Douglass, Senator Charles Sumner,…
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
Reading this book changed my life. It gave me a sense of pride and place that extended beyond the shores of America. The enduring message of Roots is that enslavement severely tested Black people, but it did not break them.
The “factional” story of Alex Haley’s family encouraged me to go in search of my own roots, a quest that continues to this day.
Now a major BBC drama starring Forest Whitaker, Jonathan Rhys Meyers and Laurence Fishburne
Tracing his ancestry through six generations - slaves and freedmen, farmers and blacksmiths, lawyers and architects - back to Africa, Alex Haley discovered a sixteen-year-old youth, Kunta Kinte. It was this young man, who had been torn from his homeland and in torment and anguish brought to the slave markets of the New World, who held the key to Haley's deep and distant past.
Winner of the Pulitzer Prize and the National Book Award
When I was a teenager, my mother sewed me a quilt, but when I moved to Wales and discovered Welsh antic quilts, my interest became a passion. These bold red and black flannel patchworks with intricate quilting seem contemporary but date back to the 19th century. I have been painting them and have learned a lot about their history and how they have provided income and artistic expression for women over the years. It’s a pleasure to see that this passion is shared by so many people worldwide, and I’m fascinated by all the stories these beautiful objects hold.
This book is a real joy to read, with a particular story of a particular family but a universal feel to it. It could be my story or yours. The illustrations have the charm of the eighties, but the story doesn’t feel dated, and it is really inspirational to get quilting or think about which pieces of fabric I would use to tell my family’s story.
Twenty years ago Valerie Flournoy and Jerry Pinkney created a warmhearted intergenerational story that became an award-winning perennial. Since then children from all sorts of family situations and configurations continue to be drawn to its portrait of those bonds that create the fabric of family life.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As a feminist lesbian, I am always looking for legacies of lesbian leaders before me. I learned about coalitional organizing from groups like the Lavender Menace and the importance of lesbian leadership in the Combahee River Collective. I started to learn more about the movement to include women in peacebuilding. This work was formalized in 2000 with the UN Security Council Resolution 1325, and the nine related resolutions that followed, in what is now known as the Women, Peace, and Security agenda. I knew lesbians were certainly part of that movement. My book is about celebrating queer and trans leaders within transnational women’s movements, including the movement for women’s participation and leadership in peacebuilding.
This book is a foundational text in Black women’s studies and includes the statement by the Black lesbian feminist Combahee River Collective, which just celebrated 50 years. In the statement, they write, "We believe that sexual politics under patriarchy is as pervasive in Black women's lives as are the politics of class and race."
I appreciate the book because it shows the rich history of Black women’s writing and movement building, including the important role of Black lesbian feminist sisterhood. It was so exciting to read the letter written by Lorraine Hansberry to the lesbian periodical The Ladder in 1957, in which she links homophobia to the sexual oppression experienced by all women. I can’t help but scribble in the margins: see, lesbians have always been here!
Although queer organizing is so often presented as something that is new or emerging, this book challenges…
Published in 1982, But Some of Us Are Brave was the first-ever Black women's studies reader and a foundational text of contemporary feminism.
Featuring writing from eminent scholars, activists, teachers, and writers, such as the Combahee River Collective and Alice Walker, All the Women Are White, All the Blacks Are Men, But Some of Us Are Bravechallenges the absence of Black feminist thought in women's studies, confronts racism, and investigates the mythology surrounding Black women in the social sciences.
As the first comprehensive collection of Black feminist scholarship, But Some of Us Are Brave was recognized by Audre Lorde as…
