Here are 100 books that Black AF History fans have personally recommended if you like
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I grew up in New York City listening to my parents’ stories of extreme hardship and suffering during the Nazi occupation of their native Greece—and the courageous resistance they and many Greeks mounted. I’m outraged by the unfairness of extreme poverty in the midst of plenty and motivated to fight for economic justice. In the early 1980s, as homelessness was first becoming a crisis, I got involved in legal advocacy to address it, first as a volunteer lawyer and then as a full-time advocate. I believe housing is a human right and that no one should be homeless in a country as rich as the US.
This was an eye-opening book for me. It makes clear that the US government has pursued a deliberate policy of racism in housing: it’s no accident that housing insecurity generally—and homelessness specifically—so disproportionately affects Black Americans.
It showed me that the deliberate policy choices I had witnessed first-hand that caused and exacerbated homelessness were part of larger systemic problems not just of poverty and inequality but also racial discrimination. As a lawyer, the focus on legal stories appealed to me, but it’s written in a way that I think will engage anyone interested in basic questions of social justice.
Widely heralded as a "masterful" (The Washington Post) and "essential" (Slate) history of the modern American metropolis, Richard Rothstein's The Color of Law offers "the most forceful argument ever published on how federal, state, and local governments gave rise to and reinforced neighborhood segregation" (William Julius Wilson). Exploding the myth of de facto segregation arising from private prejudice or the unintended consequences of economic forces, Rothstein describes how the American government systematically imposed residential segregation: with undisguised racial zoning; public housing that purposefully segregated previously mixed communities; subsidies for builders to create whites-only suburbs; tax exemptions for institutions that enforced…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m an entrepreneur and investor. I’ve been obsessed with financial independence and wealth creation for the Black community for 30 years. I wrote my book, below, to invite Black and white Americans alike onto the playing field of what I believe to be an existential crisis—closing America’s racial wealth gap. I wanted to share my story of living through the gap. I also elevate the work of Black leaders who are tackling the problem in different ways. I’ve created an easy way for readers to understand the depth and nature of the problem…and know how they could take small and big steps to help solve it.
I devoured this book in three days. I found it after a Google search on “wealth inequality.” I was trying to get smarter on the topic. This is a data-rich explanation of much of what I’ve experienced growing up Black in America. I’d often hear parents, aunts, and uncles talk about the “black tax.” Here, Shapiro was providing the receipts.
I was also struck by the fact that a Black person did not write the book, but simply someone who was trying to understand and reveal the crux of the issue. I felt seen when I read his reframing of conversation from solely focusing on black disadvantage to bringing white advantage into focus.
When I finished this book, I was even more fired up to be a part of solving the problem.
Over the past three decades, racial prejudice in America has declined significantly and many African American families have seen a steady rise in employment and annual income. But alongside these encouraging signs, Thomas Shapiro argues in The Hidden Cost of Being African American, fundamental levels of racial inequality persist, particularly in the area of asset accumulation--inheritance, savings accounts, stocks, bonds, home equity, and other investments-. Shapiro reveals how the lack of these family assets along with continuing racial discrimination in crucial areas like homeownership dramatically impact the everyday lives of many black families, reversing gains earned in schools and on…
I’m an entrepreneur and investor. I’ve been obsessed with financial independence and wealth creation for the Black community for 30 years. I wrote my book, below, to invite Black and white Americans alike onto the playing field of what I believe to be an existential crisis—closing America’s racial wealth gap. I wanted to share my story of living through the gap. I also elevate the work of Black leaders who are tackling the problem in different ways. I’ve created an easy way for readers to understand the depth and nature of the problem…and know how they could take small and big steps to help solve it.
Everyone loves taxes, right? Before reading this, I hadn’t realized the outsized role disproportionate allocation of state and local tax revenues plays in perpetuating the gap. One often-repeated untruth is “black people don’t pay taxes.”
I loved how Kahrl debunked that concept and thoroughly explained the role of tax policy (and individual acts) in re-appropriating land and property over multiple generations. I hadn’t made this connection to the problem before taking this deep dive. I was deeply troubled by this one; instance upon instance of plunder across the States.
Revealing a history that is deep, broad, and infuriating, The Black Tax casts a bold light on the racist practices long hidden in the shadows of America's tax regimes.
American taxation is unfair, and it is most unfair to the very people who critically need its support. Not only do taxpayers with fewer resources-less wealth, power, and land-pay more than the well-off, but they are forced to fight for their rights within an unjust system that undermines any attempts to improve their position or economic standing. In The Black Tax, Andrew W. Kahrl reveals the shocking history and ruinous consequences…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I’m an entrepreneur and investor. I’ve been obsessed with financial independence and wealth creation for the Black community for 30 years. I wrote my book, below, to invite Black and white Americans alike onto the playing field of what I believe to be an existential crisis—closing America’s racial wealth gap. I wanted to share my story of living through the gap. I also elevate the work of Black leaders who are tackling the problem in different ways. I’ve created an easy way for readers to understand the depth and nature of the problem…and know how they could take small and big steps to help solve it.
I thought it was super cool that a Black woman and a white woman came together to tackle this topic. I loved that they used a cross-section of economic situations and demographics centered on one of my favorite cities—Atlanta—to tell the story.
I learned a lot about rapper Killer Mike and was moved by the story of Tandreia Dixon, who worked her way to being a six-figure earner by her early thirties, in the face of challenging circumstances, yet struggled and struggled to get into the homeownership game. Reading about her was like watching a movie when you know something bad is going to eventually happen.
A sweeping, narrative history of Black wealth and the economic discrimination embedded in America's financial system.
The early 2020s will long be known as a period of racial reflection. In the wake of the police killing of George Floyd, Americans of all backgrounds joined together in historic demonstrations in the streets, discussions in the workplace, and conversations at home about the financial gaps that remain between white and Black Americans. This deeply investigated book shows the scores of setbacks that have held the Black-white wealth gap in place—from enslavement to redlining to banking discrimination—and, ultimately, the reversals that occurred in…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Faithful to its title, this brilliant book starts with the body — an unspeakable injury to the narrator’s body, a crime, a horror. Bernard writes with a specificity that is gut-wrenching without being sensational. And all along, running alongside the sensory language is the author’s intellectual river, constantly washing over and over a moment, a scene, a feeling, a thought. This book includes twelve interconnected essays, each building on the other despite how many years – and miles – separate them.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.”
In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and…
America is the greatest ideal in history: “all men are created equal…” Sadly, Americans have never quite lived up to America. Only twice (Reconstruction and the Civil Rights Movement) have they even tried. As a black man, I live daily with the fruit of that failure, so I have an obvious personal investment in the subject. But I’m also drawn intellectually by an appalled fascination with the idea that any human beings can believe themselves superior by dint of their paint job or religion, or sex organs, or how they choose to use said sex organs. Why are we like this? That question has long vexed my reading and writing.
My God, the way this man writes. There is an unforced elegance to his sentence structure and word choice that never fails to leave me with my metaphoric mouth agape, whether I’m nodding along with his arguments or, as sometimes happens, debating with him in my head.
Either way, Ta-Nehisi Coates is a clear-eyed and unsentimental observer of the hypocrisies, betrayals, and stubborn resilience that have characterized the African-American sojourn.
'I've been wondering who might fill the intellectual void after James Baldwin died. Clearly it is Ta-Nehisi Coates' Toni Morrison
'Searing. One of the foremost essayists on race in the West... [He] is responsible for some of the most important writing about what it is to be black in America today' Nikesh Shukla, editor of The Good Immigrant
An essential account of modern America, from Obama to Trump, from black lives matter to white supremacists rising - by the bestselling author of Between the World and Me
Obama's presidency was a watershed moment in American…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I am a White person who grew up in a primarily Black DC neighborhood in the 1980s. Growing up in a Black community in DC at a time when the city was experiencing a cascade of crises – from the spread of crack to an AIDS epidemic to a failing school system – has fundamentally shaped my life and my view of the world. When I returned in the early twenty-first century to my city to find it had significantly changed and that many of my Black neighbors had been pushed out, I was compelled to learn more about DC before gentrification and to understand the path the city I love had taken.
Chocolate City covers the last few centuries of history in DC.
This tome provides an in-depth overview of the history of race in Washington, DC from its founding to the present. It traces the history of race and democracy in the nation’s capital – from its days as a trading post for enslaved persons to its emergence as a booming metropolis.
By putting racial dynamics, tensions, and demographics at the center of the narrative, the authors develop a cohesive narrative that helps us to understand the multiple and consistent ways that Black DC residents have been disenfranchised and dispossessed.
Monumental in scope and vividly detailed, Chocolate City tells the tumultuous, four-century story of race and democracy in our nation's capital. Emblematic of the ongoing tensions between America's expansive democratic promises and its enduring racial realities, Washington often has served as a national battleground for contentious issues, including slavery, segregation, civil rights, the drug war, and gentrification. But D.C. is more than just a seat of government, and authors Chris Myers Asch and George Derek Musgrove also highlight the city's rich history of local activism as Washingtonians of all races have struggled to make their voices heard in an undemocratic…
As a feminist lesbian, I am always looking for legacies of lesbian leaders before me. I learned about coalitional organizing from groups like the Lavender Menace and the importance of lesbian leadership in the Combahee River Collective. I started to learn more about the movement to include women in peacebuilding. This work was formalized in 2000 with the UN Security Council Resolution 1325, and the nine related resolutions that followed, in what is now known as the Women, Peace, and Security agenda. I knew lesbians were certainly part of that movement. My book is about celebrating queer and trans leaders within transnational women’s movements, including the movement for women’s participation and leadership in peacebuilding.
This book is a foundational text in Black women’s studies and includes the statement by the Black lesbian feminist Combahee River Collective, which just celebrated 50 years. In the statement, they write, "We believe that sexual politics under patriarchy is as pervasive in Black women's lives as are the politics of class and race."
I appreciate the book because it shows the rich history of Black women’s writing and movement building, including the important role of Black lesbian feminist sisterhood. It was so exciting to read the letter written by Lorraine Hansberry to the lesbian periodical The Ladder in 1957, in which she links homophobia to the sexual oppression experienced by all women. I can’t help but scribble in the margins: see, lesbians have always been here!
Although queer organizing is so often presented as something that is new or emerging, this book challenges…
Published in 1982, But Some of Us Are Brave was the first-ever Black women's studies reader and a foundational text of contemporary feminism.
Featuring writing from eminent scholars, activists, teachers, and writers, such as the Combahee River Collective and Alice Walker, All the Women Are White, All the Blacks Are Men, But Some of Us Are Bravechallenges the absence of Black feminist thought in women's studies, confronts racism, and investigates the mythology surrounding Black women in the social sciences.
As the first comprehensive collection of Black feminist scholarship, But Some of Us Are Brave was recognized by Audre Lorde as…
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
There are many wonderful, useful and thoughtful books on the subject from local studies to broader political and philosophical overviews, and while I wish I could recommend them all, I want to highlight Marc Dollinger’s book because he turns so many widely held beliefs on their heads.
He argues that far from alienating Jewish allies, Black Power actually animated them and spurred them to rethink “Jewish Power,” revitalizing Jewish political action within a civil rights context.
If there has been a divide between African American and (white) Jewish American leaders or agendas, it has at least partly been caused by losing sight of that story and ignoring the impact of white privilege on Jewish communal responses to civil rights challenges.
In this provocative critique, Marc Dollinger charts the transformation of American Jewish political culture from the Cold War liberal consensus of the early postwar years to the rise and influence of Black Power-inspired ethnic nationalism. He shows how, in a period best known for the rise of black anti-Semitism and the breakdown of the black-Jewish alliance, black nationalists enabled Jewish activists to devise a new Judeo-centered political agenda and express it in more visible forms of Jewish identity-including the emancipation of Soviet Jews, the development of a new form of American Zionism, the opening of hundreds of Jewish day schools,…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I am a longtime American journalist and former New York University Professor of Journalism who has written 10 books of non-fiction, several addressing issues of trauma. I was born in Prague, Czechoslovakia to two survivors of the Holocaust and was a baby immigrant to the U.S. after the Communist take-over of 1948. Although I have written a lot about the arts (music, books, and theater), I have also had a long-term interest in the psychological effects of psychic trauma in survivors of racism, antisemitism, sexism, genocide, war, illness, and natural disaster. My upcoming book is The Year of Getting Through It about being diagnosed with and undergoing treatment for endometrial cancer during COVID.
Baldwin first opened my eyes to the possibilities of memoir. When English teachers held up fiction as the literary ideal, I was drawn to Baldwin’s essays instead. I was a New Yorker, living not far from the author’s Harlem, and growing up at the time of the civil rights movement. Baldwin was writing autobiographical non-fiction that, knitted together individual temperament and social history. “I left America because I doubted my ability to survive the fury of the color problem here,” he wrote in Nobody Knows My Name. I read that paragraph as the daughter of Czech Jewish immigrants, white people who had survived both Nazism and Stalinism. Baldwin’s voice was like the voices I heard at home telling stories of the Second World War. It was both compelling and trustworthy. Fifty years later, I still think so.
'These essays ... live and grow in the mind' James Campbell, Independent
Being a writer, says James Baldwin in this searing collection of essays, requires 'every ounce of stamina he can summon to attempt to look on himself and the world as they are'. His seminal 1961 follow-up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a journey to 'the Old Country' of the Southern states, to reflections on figures such as Ingmar Bergman and Andre…
