90 Books Like The Forest

This book helped me release shame after a colleague of mine told me my work wasn’t “science.”

Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.

Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.

She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.

What stories, fables, and myths have taught you valuable lessons about the world?

I was instantly pulled into this first book in the Rivers of London series because of the main character. I found Constable Peter Grant to be delightfully awkward. His very much unwanted ability to see and speak to lingering spirits results in his assignment to a secret police unit that investigates crimes involving magic.

He’s stunned to meet gods, goddesses, and more fantastic beings who exist in a hidden world alongside mortals. I loved meeting all of the engaging characters, normal and supernatural. I was totally engaged in the believable world created by the author, where the ordinary ticks beside the extraordinary. Even better, the humorous situations Peter stumbles into as he chases down whodunit made me laugh out loud.

Much of Windling’s work as an editor has revolved around fairy tales and the power of story. The Wood Wife combines those with poetry and a tremendous love for the American Southwest (near Tucson, Arizona).

I love this book for the way it brings all those threads together and weaves them into something new, but something with long sturdy roots that anchor it in place, in time and history, and in both the personal and the mythical. 

Pamela Dean’s Tam Lin has been top of my favourite books list since I first read it more than 20 years ago.

It’s also a fascinating, nuanced, and evocative book about the magic and fantasy of a particular time and place - in this case, a liberal arts college in the mid-1970s in Minnesota. The fantasy elements of the book are slow to emerge (and reward a re-read later).

Dean deftly weaves together details of the place - season to season - but also the way that the lives of students change across their time at college. Most of all is the feeling of something just around the corner, whether it’s a ghost, a hint of magic, bagpipes drifting through the night, or small details that don’t quite add up. 

First published in 1847, the writing style seems somewhat ponderous these days. I read it when I was about twelve—and this is where I discovered the English Civil War. It begins in 1647 and tells the story of four children who, their home burned by Parliamentary soldiers, flee to hide in the forest during a time of danger, persecution, and war. Its bias is unashamedly Royalist but that isn’t necessarily a flaw.

There were quite a lot of books written during lockdown, as the enforced isolation created new contexts for connecting with nature close to home.

In summer 2020 James Aldred was in the position of having a large part of the New Forest mostly to himself, and a chance to immerse himself in the company of goshawks and other wild creatures. James was filming the hawks for a BBC documentary, with many hours spent in a hide, camera pointed at the nest, watching, waiting. This gives the book some of the self-contained, moment-in-time-and-place intensity of T. H. White’s Goshawk book. 

William and his wife lost their baby in its last term and had to endure the torment of an induced stillbirth.

The same thing happened to a dear friend years ago so when I heard William as embarking on this brave endeavour to write about it, I was intrigued. The publisher, Little Toller Books, decided to create a space for William’s male voice in a publishing genre that is dominated by women’s.

The result is a heart-wrenching tale of grief as William clamours to contextualise the world he has been thrown into. William’s skill as a writer lies in his depiction of the indescribable. I’m sure there were months of soul searching and pen holding before he finally hit upon a way of converting his pain into the stunning prose. I am so grateful he did. And you will be too.

Philip de Braose, a despondent French mercenary who has lost his desire to live, is found half-dead and subsequently befriended by Hywel, a Cistercian monk. This moving tale explores the spiritual journey of an initially hopeless soul.

Margetts recounts engaging details of their travels, such as Hywel’s seasickness as they sail from Bordeaux to Bristol, and Philip’s soul-searching as he becomes aware of his own arrogant, selfish attitudes. We also gain a realistic impression of the modest living conditions and spiritual aspirations prevailing in thirteenth-century Cistercian monasteries.

This book has a deeply Christian message, with many Biblical references. As such, it speaks to readers who may be finding it difficult to trust God as they struggle with past wounds and failures. The dénouement at the end is unexpected, but both life-asserting and encouraging.

A luminous portrait of Jane Austen chocked full of spirited text and shimmery illustrations that capture the times. The story highlights the beginnings of Austen’s great career as a novelist from her youngest days all the way to famous writer. It’s a great addition to any classroom or library. Like Jane Taylor before her, Austen’s success paved the way for women authors to come.

In Marriage Markets, June Carbone and Naomi Cahn, both law professors like Lynne Marie Kohm, examine how macroeconomic forces are transforming our most intimate and important spheres, and how working-class and lower-income families have paid the highest price.

Their book shows how the best-educated and most prosperous have the most stable families, while working-class families have seen the greatest increase in relationship instability because greater economic inequality has profoundly changed marriage markets.

The failure to see marriage as a market affected by supply and demand has obscured any meaningful analysis of the way that societal changes influence culture. But Jane Austen understood this principle very well.