Here are 100 books that Tam Lin fans have personally recommended if you like
Tam Lin.
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I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
This book helped me release shame after a colleague of mine told me my work wasn’t “science.”
Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.
Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.
She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.
What stories, fables, and myths have taught you valuable lessons about the world?
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a British author for children and young adults and have lost count of the number of books I’ve published. I’ve won awards, and my books have been translated into many languages. I’m also an avid reader: have been for almost all of my life. I know a good series when it hooks me in!
This is the first book in a series that seems—hooray!—never ending.
Novels, novellas, short stories, graphic novels…they’re all built around a wonderful idea: police procedural in a version of the modern world where rivers have goddesses, trees have dryads, and vampires, werewolves, elves, and all the other creatures of folklore and fantasy matter-of-factly exist alongside council estates and the internet. And so have to be policed.
The "Isaacs" (named after Isaac Newton) are that branch of the Old Bill which deals with magic, so its inspectors and constables tend to be witches and wizards. All the books are incredibly inventive and funny. I love them.
Book 1 in the Rivers of London series, from Sunday Times Number One bestselling author Ben Aaronovitch.
My name is Peter Grant, and I used to be a probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service, and to everyone else as the Filth.
My story really begins when I tried to take a witness statement from a man who was already dead...
Probationary Constable Peter Grant dreams of being a detective in London's Metropolitan Police. After taking a statement from an eyewitness who happens to be a ghost, Peter comes…
I’ve been fascinated by the power of place since I was tiny. I grew up as the child of British parents in New England, then lived several places before settling a few miles from where I started. As a writer, I come back again and again to how we relate to the land around us, and especially to the magic, lore, and traditions of our homes. We choose some of these, but others surprise us or are part of chance discoveries. I hope you enjoy these books that explore the power and magic of place as much as I have!
Much of Windling’s work as an editor has revolved around fairy tales and the power of story. The Wood Wifecombines those with poetry and a tremendous love for the American Southwest (near Tucson, Arizona).
I love this book for the way it brings all those threads together and weaves them into something new, but something with long sturdy roots that anchor it in place, in time and history, and in both the personal and the mythical.
Leaving behind her fashionable West Coast life, Maggie Black comes to the Southwestern desert to pursue her passion and her dream. Her mentor, the acclaimed poet Davis Cooper, has mysteriously died in the canyons east of Tucson, bequeathing her his estate and the mystery of his life--and death.
Maggie is astonish by the power of this harsh but beautiful land and captivated by the uncommon people who call it home--especially Fox, a man unlike any she has ever known, who understands the desert's special power.
As she reads Cooper's letters and learns the secrets of his life, Maggie comes face-to-face…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I’ve been fascinated by the power of place since I was tiny. I grew up as the child of British parents in New England, then lived several places before settling a few miles from where I started. As a writer, I come back again and again to how we relate to the land around us, and especially to the magic, lore, and traditions of our homes. We choose some of these, but others surprise us or are part of chance discoveries. I hope you enjoy these books that explore the power and magic of place as much as I have!
Rutherford’s saga follows the story of the New Forest in southern England, a place a number of my own books are set.
He has a deep love and fascination for the places, people, and traditions of the Forest, all the things that make it unique. I love how the stories shift and blend into each other, how details of history flow forward century to century into the future, and the many different ways people love and make choices about their home and the land they live on.
Most of all, Rutherford simultaneously puts a very human face on the New Forest, without losing any of the power and magic of the woods and bogs, plants and animals of the land itself.
A remarkable and ambitious novel whose central character is not a man or a woman, but the ancient New Forest of England.
Few places lie closer to the heart of the nation's heritage than the New Forest. Now Edward Rutherfurd weaves its history and legends into compelling fiction, from the mysterious killing of King William Rufus to treachery and witchcraft, smuggling and poaching: this is an epic tale of well-born ladies, lowly woodsmen, sailors, merchants and Cistercian monks.
The feuds, wars, loyalties and passions of generations reach their climax in a crime that shatters the decorous society of Jane Austen's…
One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
Echo North combined several familiar-to-me folk tales, and introduced me to the tale of Tam Lin. I loved the blending of known and original—especially the mirror room, where stories layered upon stories and acquaintances took on completely new qualities. The sewing together of a fracturing magical house also fascinated me. I was never sure about the intentions of certain people until the end, and despite guessing wrong, I was delighted by what really was happening.
In his enchanted house beneath a mountain, each room must be sewn together to keep the home from unraveling, and something new and dark and strange lies behind every door. When centuries-old secrets unfold, Echo discovers a magical library full of books- turned-mirrors, and a young man named Hal who is trapped inside of them. As the year ticks by, the rooms begin to disappear and Echo must solve the mystery of the wolf's enchantment before her time is up otherwise Echo, the wolf, and Hal will be lost forever.
Here are words I like for their feel, especially when they describe fantasy: surprise; twist; subvert. I am generally a mild-mannered writer, but I do love the passing strange. By that I mean, twisty, not shocking. Surprising and intriguing, but grounded in a relatable story. A story with something wondrous and unexpected but also deeply human. I’ve written eighteen fantasy and science fiction novels, and each time, though I am creating a strange—hopefully wondrous, place—central in the story are people who desire, fear, love, and strive.
I love stories set in modern times, with the fae living—secretly—in the local woods. It reminds me of the uncanny in real life, and the possibility of adventure.
The pleasure of this rendition of the fae-next-door is that the human realm is brought fully to life and slowly entwines with the fantastical. Also: It gradually dawned on me that the human thread of the story is a fairy tale in its own right. That really twisted my expectations.
Imogen and her sister Marin escape their cruel mother to attend a prestigious artists' retreat, but soon learn that living in a fairy tale requires sacrifices, whether it be art or love in this critically acclaimed debut novel from "a remarkable young writer" (Neil Gaiman, American Gods).
Imogen has grown up reading fairy tales about mothers who die and make way for cruel stepmothers. As a child, she used to lie in bed wishing that her life would become one of these tragic fairy tales because she couldn't imagine how a stepmother could be worse than her mother now. As…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
UK-born CY Croc started her career in the health industry, but later changed professions after obtaining a postgraduate degree in teaching. It was while teaching she discovered her dream profession. An author was invited to the school to showcase her latest book. Inspired, CY wrote over 30 books in the next 3 years in contemporary, sci-fi, and paranormal romance. She loves to include positive subliminal messages in her stories about body image, prejudice, and love from a higher realm and always practices inclusion in her writing. Her main characters practice autonomy and come from all races. CY believes everyone should experience love, and that's why some of her protagonists are not of this world.
Why only settle for one unearthly lover when you can have 3? Especially when the female protagonist turns out to be somewhat monstrous herself? This book features 3 completely different male monster protagonists that will stop at nothing to protect the female protagonist. You’ll find it difficult to choose your favourite book boyfriend in this exceptionally entertaining monster reverse harem.
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
Verlyn Flieger is the doyenne of Tolkien criticism, and this collection sees her at her best.
I’ve often found that her brilliance lies in pointing out what’s been hiding in plain sight–and once you have seen it, your view is forever changed. “But What Did He Really Mean?” and “Politically Incorrect Tolkien” are my favorites, but there are many gems here worth excavating.
Devoted to Tolkien, the teller of tales and co-creator of the myths they brush against, these essays focus on his lifelong interest in and engagement with fairy stories, the special world that he called faerie, a world they both create and inhabit, and with the elements that make that world the special place it is. They cover a range of subjects, from The Hobbit to The Lord of the Rings and their place within the legendarium he called the Silmarillion to shorter works like "The Story of Kullervo" and "Smith of Wootton Major."
Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.
I was captivated by this picture book. The first two illustrations I have never forgotten: Bartholomew living at the bottom of a hill looks up at King Derwin's Castle at the top of the hill -- a mighty view, and it makes Bartholomew feel mighty small. King Derwin in his castle looks down at Bartholomew sees the houses down below: a mighty view, that makes King Derwin feel mighty important. Bartholomew is told to obey a stupid rule made by the King which leads to surprising consequences.
I learned from this story about the difference between riches and poverty, and the power that riches bring. Later I realised that King Derwin was a Dictator.
What a lot of hats Bartholomew has in this imaginative and clever tale! Find out what happens when the king asks him to remove them...one by one.
Bartholomew Cubbins is in trouble, and all because he won't take his hat off for the king! But he has, hasn't he...? Find out what happens in this clever tale of magic and mayhem!
With his unique combination of hilarious stories, zany pictures and riotous rhymes, Dr. Seuss has been delighting young children and helping them learn to read for over fifty years. Creator of the wonderfully anarchic Cat in the Hat, and…
I have a passion for fairy tale stories especially ones for adults because they are often the first stories we learned as kids. The ability to look back at how we interpreted them and how our understanding changes over time and culture makes for something that is truly timeless, and therefore like a beloved trope is never the exact same thing twice. Each time only builds on our enjoyment and the many possibilities we can imagine. Not only in worlds of magic, but our own.
Gaslamp books not only have adorably fun titles, they also can push fairy tale retellings to have more creatures as part of the main cast. Erin Verse’s debut is Labyrinth inspired with a mixed-race heroine fighting for justice. Which you’ll quickly see is my favorite type of protagonist. While humans can be loveable, I think it’s through monsters we often learn to accept ourselves.
Floss is most definitely NOT marrying the Goblin King, even if it saves her a trip through the labyrinth.
Floss, an aspiring law student, has enough troubles to ruffle anyone’s bustle. Her school of choice won’t let her in because of her gender, her equal rights league is hopelessly ineffective, and there aren’t enough calming tonics in the world to stave off her panic attacks.
Now her niece is missing, the roguish Goblin King keeps proposing, and sinister forces threaten Floss’s city. She’ll have to brave a dangerous labyrinth and question everything she believes in to save not only her…
