Here are 100 books that The Final Girl Support Group fans have personally recommended if you like
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I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
Anita Walsh, still reeling from her husband's sudden death, finds herself haunted not only by grief, but his Negative Image, a new phenomenon where the deceased prey on those they loved in life, turning intimate memories into nightmares. This spectral figure uses their shared past as a weapon, systematically dismantling…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
If ever there was a perfect ghost story, this is it. Gothic with atmospheric language and vivid scenes that still haunt me. I suppose this could have been written by Jane Austen because of its nightmarish ghostliness on the English moors. So masterfully done—the wreaths of moving fog and haunted cries.
I love the unknown fear of it all. Susan Hill is highly skilled in making ghosts present on the page: the eerie sound of the rocking chair in the old nursery is a spine-tingler, albeit a cliché. Written in a sublime fashion, it fits the “quiet horror” genre. Quiet horror is so savory to me because it digs into the imagination with shadowy phantoms without slamming the reader viscerally. I love that kind of artful creation.
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip…
I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
This was the book that made me realize horror could terrify in a way that felt entirely familiar.
I read it when the cruelty of school was still a raw wound because I understood exactly how laughter is used to flatten a person until they start to disappear. It wasn’t the supernatural elements that stayed with me, but the profound loneliness of a girl shamed into a silence that eventually caught fire.
I finished it with the understanding that a "final snap" is never an accident, but the inevitable result of humiliation accumulating like a slow-burning medicine. King showed me that even the most quiet, discarded person carries a power that the world should be afraid of.
Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.
Carrie White is no ordinary girl.
Carrie White has the gift of telekinesis.
To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues.
But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her…
Blood From a Rose is a collection of light horror and dark fantasy with a dollop of humor that takes the reader into the dark spaces between dusk and dawn, serving up dark fantasy, paranormal and supernatural short fiction. An exploration of our shadow sides, things that go slurp in…
Growing up, I’m not embarrassed to admit the horror genre was too scary for me. I don’t remember when it was but at some point that changed and it’s become my favourite. It started with horror movies but as I became a writer, that love transferred to horror books. My favourite type of horror focuses more on the character than the scares. I don’t see why I should be worried about a character’s fate if they’re one-dimensional. I’d trade in great character development for clichéd scares in horror any day.
This book is based on one of my favourite movies. However, it takes its time to expand on the characters (delving into their feelings and motivations more). It’s a zombie story set at Christmas about a young girl who wants to break away from her life in Scotland. The zombies are second to the characters. Time is taken to explore Anna, her friends, and the eventual villain through flashbacks and their relationships. As a Scotsman it’s nice to see a horror story set in Scotland, which is something I try to do with most of my horror books.
Anna and the Apocalypse is a horror comedy about a teenager who faces down a zombie apocalypse with a little help from her friends.
Anna Shepherd is a straight-A student with a lot going on under the surface: she’s struggling with her mom’s death, total friend drama, and the fallout from wasting her time on a very attractive boy. She’s looking forward to skipping town after graduation—but then a zombie apocalypse majorly disrupts the holidays season. It’s going to be very hard to graduate high school without a brain.
I’ve devoured historical fiction ever since that first Johnny Tremain paperback, but I started writing historical fiction after a Master’s in International Economics helped me to better understand world events. What gives those historical events relevance today are the stories we tell about the negotiation of power. I am all for revisiting the power dynamic to win better quality of life for those most marginalized. I’ve been digging into labor history for my latest work in progress and it is fascinating and inspiring. I may write about 19th-century Scottish peasants and Chicago printers, but I also want today’s marginalized populations to see their struggles similarly celebrated.
Pre-revolution America is not usually my era for historical fiction but when I tell you that this novel grabs you with visceral detail, I mean it. Smells, textures, glares—everything is so vividly told! The resistance in this novel is really simple survival, as the whole New England village seems to have it in for our heroine Ruth. But she stubbornly holds out, trying to forge a path forward for herself. We get treated to some local politics, some ship lore, run-ins with Indigenous Nations (some good, some bad) and local brigands, and always anchored in Ruth’s evolving notions of right and wrong. The ending was also delicious. Think Last of the Mohicansmeets Cold Mountain, but with a surprise for our heroine.
Out Front the Following Sea is a historical epic of one woman’s survival in a time when the wilderness is still wild, heresy is publicly punishable, and being independent is worse than scorned—it is a death sentence. At the onset of King William’s War between French and English settlers in 1689 New England, Ruth Miner is accused of witchcraft for the murder of her parents and must flee the brutality of her town. She stows away on the ship of the only other person who knows her innocence: an audacious sailor—Owen—bound to her by years of attraction, friendship, and shared…
I’ve spent my life journey so far in the outdoors of northern Ontario, Canada. Before I became a conservation officer, I worked for twelve years in a wilderness park as a canoe ranger. I also had eighteen sled dogs and taught dogsledding and winter survival. I’ve always been drawn to reading adventure stories, so when I finally became an author (in my forties. It’s never too late), I naturally wrote the kind of books that I grew up reading. Now I love that I get to share my passions with readers. I hope you find some books of interest on this list and join me on a journey into a new adventure.
Peak is a climbing addict in trouble with the law. But he gets to join his estranged father on an expedition to climb Mount Everest. The catch is that his dad just wants to use Peak as a promotion for his climbing company. Peak has to navigate complex relationships, all while trying not to die. I loved the adventure, but also the window into why so many risk it all to reach the top.
After Peak Marcello is arrested for scaling a New York City skyscraper, he's left with two choices: wither away in juvenile detention or go live with his long-lost father, who runs a climbing company in Thailand. But Peak quickly learns that his father's renewed interest in him has strings attached. Big strings: He wants Peak to be the youngest person to reach the Everest summit - and his motives are selfish at best. Even so, for a climbing addict like Peak, tackling Everest is the challenge of a lifetime. It's also one that could cost him his life.Roland Smith has…
"An enormous amount of fun. Wholly fresh and original. Wickedly funny...a hot, sweaty, magic- and murder-infused rollercoaster...I loved it." - David Moody, author of Hater
Once, Steve was a hero. Now he’s running from the law. And he’s just become a killer, stumbling upon a woman being assaulted by the…
A visit to the American Museum of Natural History when I was seven years old hooked me on dinosaurs and geology in general. I have maintained that passion to uncover the history of the earth with fieldwork on all seven continents, cutting-edge research, and teaching undergraduates to appreciate the implications of our tenancy on the planet, and our place within the solar system, the galaxy, and the wider universe.
Brannen examines the major mass extinctions in earth’s past and concurrent times of eruptions of massive floods of lava. He introduces us to the front-line researchers who are using the forensic tools of modern geology to uncover the connection between these titanic eruptions and the release of volcanic gases, severe greenhouse warming, ocean stagnation and eventual mass extinctions of life. This leads to the possibility that catastrophes can come from inside as well as outside the earth.
'A book about one apocalypse - much less five - could have been a daunting read, were it not for the wit, lyricism, and clarity that Peter Brannen brings to every page.' Ed Yong, author of I Contain Multitudes
Apocalypse, now?
Death by fire, ice, poison gas, suffocation, asteroid. At five moments through history life on Earth was dragged to the very edge of extinction.
Now, armed with revolutionary technology, scientists are uncovering clues about what caused these catastrophes. Deep-diving into past worlds of dragonflies the size of seagulls and fishes with guillotines for mouths, they explore how - against…
I was born in the world’s most isolated capital city – Perth, Western Australia. Ever since my family packed up and drove across the vast Nullarbor Plain to relocate to South Australia, I’ve been fascinated by our eerie, wide-open spaces. There’s no doubt that family folklore fed into this. My Finnish mother arrived as a ten-year-old, recalling that when she first felt the heat, she thought: “This is hell.” My father and his family arrived from the Netherlands. I love my country, but this continent presents dangers in its arid isolation – all captivating to a storyteller.
The Island achieved an incredible feat by inducing two competing thoughts in my mind: this couldn’t possibly happen, and this could possibly happen!
A family of four is on an Australian driving holiday and is unexpectedly allowed entry onto a privately owned Dutch Island. This isolated setting soon makes them vulnerable and reliant on others. I loved following the characters’ journeys as they grappled with how to protect themselves and their loved ones. They’re "ordinary everyday people" who are forced to take action—and there’s plenty of it!
As with most of the best thrillers, there are multiple points of view that ratchet up the tension.
I grew up watching the best horror movies of the 80s. My parents put me to bed watching Nightmare on Elm Street and this harbored my passion for a truly scary bedtime story. Zombies became my focus when I was trying to decide what road to take with my own writing. There’s something familiar about them, since they were once humans, but also terrifying. They don’t need to eat or sleep, they never stop, and they’ll just keep coming no matter how much you fight them off. I spent my twenties devouring every zombie book and movie I could and now I'm privileged to be a part of this classic horror genre.
I love thrilling action books, especially zombie ones, that feature a strong female heroine. The more believable they are as an everyday woman and not some CIA agent superhero the better! Turbulent delivered on this and more. I loved the main character and her survival in this post-apocalyptic world was extremely believable. I also loved the twist that technology helped to bring us down because that’s something I have a real fear of, so it made it all the scarier for me. The topping on the rotting cake that tipped this book into my favorites pile was that the story was set in Chicago, near where I live and where most of my books take place as well. It really brought the story home for me (pardon the pun).
In an instant, everything stops. No lights. No phones. No transportation.
When coordinated EMP and Cyber attacks wipe out the nation’s power grid and communications, ultra marathon runner, Maddie Langston, is forced to run for her life.
Stranded in a Chicago airport when the lights go out, Maddie is in a race against time. According to her father, she doesn’t have long before the city descends into chaos. She must leave the airport before it is too late.
Although she knows she must flee the Windy City, Maddie’s first battle is to overcome her fear of the violence she knows…
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing…
As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.
I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.
The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
